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Page 31 text:
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Disguised as duds. Tom Lease and Suo Haggberg discover their name tag on tho foil wall display. ▼ Money sure doesn't grow on trees, testifies Mary Maxwell.
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Page 30 text:
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wanted: available male escorts; wpa night; expenses paid in full A Renee Keup't hondiwotk !i appreciated by John Fischer. ► Oldtimerj jittorbug and ’shimmy for WPA onlookers. Revenge upon their spoiled womenfolk was souqht Dy RHS boys Dec. 6. WPA night. Males demanded to be wined and dined, modeled and coddled, all at the expense of their dates, who also had to bear the burden of costume construction and dance tickets. A masquerade parado of costumed impersonators bopped to the beat of the Youngsters, a popular local band, at the Mardi Gras-flavored dance, sponsored by Welcome Club. An assortment of apparel resulted from the broad theme of mas-guerade end encouraged originality. Hair raising thrills were also provided by the girls, as they took care of the transportation problem by taking over the wheel of the family car. Gettinq their dates home by curfew became a problem as couples held reservations at local restaurants. Many poverty-stricken girls were forced to slave overtime to pay for this pursedraining. but date-gaining affair. The females got a chance to develop those admirable muscles by waiting hand and foot upon their frail males—-opening doors, taking coats and most important, handling the check at every opportunity.
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Page 32 text:
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► Such purty whito tcolh! iquoalt Linio whilo lorcoilicolty adopting (ha role of a hu»y. ▼ Bal'ave in yourtalf. Say yog'ra protty. coa «» Starbuck. creating a vital »park of hope. ‘rainmaker’ delivers soul search to consciences of today’s public I didn't mind long rehearsals—not at all; in fact there were six different reasons why I didn't find them boring, laughed Barb Granning. Barb, the lone female in RHS's Fall Play, The Rainmaker , had six boys for her fellow actors. To insure tho effect not only of the isolated home but tho effect of the dramatic setting, brilliant shades of blue and crimson were used in background lighting. Varying degrees of color signified changing time. Because of the Rainmaker's three-day visit, Lizzie Curry, the young woman gained faith in her own small dreams without succumbing to his fantasies. Mr. Frank Plut, director of the production. said. Lizzie and people like her today are striving to find a place inbetween reality and fantasy, which I think is life's ultimate goal of achievement. 28
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