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Page 99 text:
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The Moon, a tree, and a Spanish lady listen to stage instructions. x v , V Z4 X a . E, M41 Pl! Jan Smith practices her lines. How will I ever get cleaned up in time for my date to- night? fu:-5 f Q, .Qs 1 1 . f ,pl !- I lg Girls prepare make-up for the show. i,t. lm'
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Page 98 text:
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Carol Maw studies her art in- D tently as big night nears. The unique aura of the Spanish play, Blood Wed- ding , was accentuated by stylistic makeup, interpre- tive ballet, moaning human trees, and a haunting Fla- menco guitar. The setting was a natural melancholic wilderness in Spain. To maintain authenticity in the play, a real baby was used for the lullabye scene, and guitar music was added throughout the play. The story concerned a young girl with two loves. On her wed- ding day she eloped with her secret love. Her sad plight ended with the death of both young men. Jul, :X-3 1 1 'FLD'-Ilcfl 4-H t S+-M . it . J :fit Lglglliillilt' ,,nm+t-l:Fl'fiTff . nir.yn .,2mf5f,l1,,1 1 lll Iily! I if I V lu! 'Y , wifi. , 1- tx ,ilu .m ,,,, 4 'ili flloTflf.rzl--911-f ' 'll'7 ' , A J 674115-fdwf 5 tf7'l'l Mgmt-fy-lAwfJAu SMITV' J fflfzdtfdf aufff1Ba11'v Llcurml '5,ff '7 '7' llfvlviltl ' JCM! law 6011144 I!:7'lb ' W' Juov Quant.. la. Male members were John DeLuca, the bridegroomg Jim Progar, the bride's fatherg and Mike Howard, Leonardo. Also includ- ed in the cast were Denny Gay Jones, Elaine Matties, Carol Maw, Donna Oliver, Wendy Percy, Cindy Wilkin, Gem Hudson, Tommy Erwin, Judy Densmore, Sue Ellen Inmon, Judi Huessner, Jo Betsy Curb, Carolyn Power, Paula Levine, Barbara Brown, Ken Garrett, Susan Batson, Judy Quick, Jane Davis, Vicki Bridges, Linda Rewett, Pat Abriett, Russ Borders, Kath- leen Pearson, and Jim Springer. Cast Perfects BLOOD EDDI Cast rehearses a wedding scene.
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Page 100 text:
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Sophomore Orientation 'HMV u YNvv'l NE: ' ll J null fn lf' 'liars Seniors welcome sophomores on orientation night. After a long sugnmer, the class of '67 gathers on September Etudent and faculty representatives welcome new 1' 1964 for its flrst closeup look at Richfield' ams. 94
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