Rhode Island School of Design - Portfolio Yearbook (Providence, RI)

Text from Pages 1 - 248 of the 1965 volume:

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Kirschenbaum devoted teacher and friend It is a pleasure to be invited each year to address the senior class in this way. Rhode Island School of Design is a special place. At its best, it has asked of you a difficult task, daily creation in design. Again at its best, it has urged you to deploy your talent in the service of significant problems. Those are professional goals in our education. There is, also, a moral aim, to develop character that is dependable, intelligent, purposeful and ethical, quali- ties that are basic in professional conduct. Thus your college holds no picayune educational pur- pose. You, now as Seniors, later as Alumni, can rejoice in that fact. Since your future partly depends upon the continued excellence of Rhode Island School of Design, | urge you as Alumni to represent your college well and to nourish its resources so that students yet unborn may, in future generations, find excellence here. Albert Bush-Brown Samuel F. Hershey Mrs. Martha Paisner Robert H. Miller This is in answer to a request for a statement on the Divi- sion of Fine Arts that might still be meaningful ten years hence. Lacking the gift of foresight | have addressed myself to the present. What follows is a series of obser- vations and thoughts occasioned by the continuing proc- ess of assessing our programs as we plan for the future. In many ways the initiative in education has been seized by the student as a result of his impatience with older methods and a desire to become engaged in the shaping of his world more quickly than older schedules will allow. Three qualities identify the good student here. One, his deep concern for his own education; two, his realization that in the process of learning he may achieve self-identity; and three, a desire to place himself mean- ingfully in the context of his civilization. Responding to activities within and without our walls, Fine Arts education is changing at a tempo not thought of a few years ago. Some of the change is clearly good, some must await a judgment made possible only with the passage of time. One thing stands out very clearly, how- ever, despite the fact that the college has taken the po- sition that its business is education and quite reasonably disclaimed any special power to produce artists, it is inescapable that our students increasingly act in the be- lief that the educational process and that of becoming an artist are not necessarily two separate functions. Such a posture suggests a revolution in design education if it is viable in the organizational framework necessary to any institution of higher learning. Increasingly it is evident that learning to brush on paint, to carve stone, or to throw a pot may hold less significance for our students than the exercise of men- tal powers and physical skills necessary to accomplish these functions. More importantly the possible by-prod- ucts of self-identity and the realization of emerging cre- ative capability have transcended the importance of the object made or the skills required for their making. Edu- cationally such exercises are voyages of discovery that do not operate on aclosed circuit. The charts of the voy- age, the log book, and even the travelled terrain itself represented by the painting, carving, or pot are present and open records for others to study and enjoy. Such an attitude toward learning may be close to the heart of the matter in the attempt to communicate, one individual to another, that is characteristic of the best efforts of art- ists’ past and present. Our students find themselves in the center of converg- ing pressures to acquire skills, to take jobs, and to fill their role in society. These are large orders to fill and in time, of course, they must be filled. A search for purpos e, the belief in the necessity to reaffirm dignity of the in- dividual and a faith in his kind of inquiry, call to our stu- dents much more strongly than any requirements to fill existing niches. With it all there is a sense of responsibil- ity made almost a duty by the needs of our times, a re- sponsibility | feel certain will be fulfilled. If our students can learn, as artists, to speak for themselves, one day they may speak for others. GILBERT A. FRANKLIN DEPARTMENT OF PAINTING NORMAN LAYMAN 4 5 MICHAEL SCHULMAN GERALD WILLIAMS 6 PATRICIA COLLIER FAITH RAINBOLT 8 DALE SALTZMAN Oo = 11. DIANNE KENNEDY PETER OKEEFE DANIEL PAUL f z 4 ] ‘ Pd 12 MARGARET WELLS THOMAS NORTON 13 15 EDWARD GRANT DENNIS MCNABOE 16 17 NANCY CROSSLEY JEAN TASKER 18 JAMES BAKER WILLIAM SMITH EILEEN SICHEL 20 GEORGE WOOLSEY 21 MARTHA FARNSWORTH ROBERT OPPENHEIM 22 DEPARTMENT OF SCULPTURE PETER CHARLES 24 y f y 4 y 25 ROBERT LASUS CHARLES CANN SCOTT MERRILL JOHN KUIPER 26 ae N JUDITH WALSH 28 FRANCES LAMBERT 29. MARY DAVID VIRGINIA ANFUSO 30 DEPARTMENT OF CERAMICS KERSTIN JASKOVIAK 32 33 MARILYN MILLER 34 = uw a O a uu - Ww a 35 MARY ANN RAYMOND Let). 3 44 o if od | } f! MONIZ ROSE DEPARTMENT OF ILLUSTRATION “4 | ¢ MICHEL RICHARD 40 41 RONALD DUBUQUE f f 4 43. DAVID FRAMPTON SARAH BROWN MARTHA CHRISTMAN 44 JOHN SAALFIELD GEORGE MCLAUGHLIN 46 ie pata gels ot wy : Ae ea ss suc act oa uw (a) me ” Lu O a RICHARD GOBEILLE 47 DANIEL COLLIER 48 SUSANNA BARLOW Be Re] ey, RICHARD JACKSON 50 a uw = = ak Ss WwW a“ = 10) in = JANE OBEY 51 N ite) MARY KECK 53 BARBARA NORRIS WILLIAM WELDNER 54 SUSANNE DASSEL 55 DIVISION OF DESIGN “Goodbye Again’”’ Graduation, judging by college songs of an earlier, more euphoric era, is the time to open the rusty gates leading to the outside world. It was chilly, unsympathetic, ugly, and Philistine, out there, but inside it was friendly, toler- rant, protective. The Division of Design begins to expose students to the “Outside” as early as possible in the Sophomore year, with field trips to shops, laboratories, factories, and professionals’ studios. Visiting critics and lecturers come in with films, exhibits, and demonstrations. But our great- est concern with outside influences must be through a faculty having diverse talents, frequent meetings with clients in industry and commerce, and the ability to oscil- late between such practical, worldly matters as tech- niques and media, and the flights of fancy and uninhib- ited expression that distinguish the creative spirit. We are not seekng a respectable marriage of Art and Indus- try; we hope to integrate them. Our aim is: to produce good designers. But they are not easy to define. Bad design, being familiar and con- temptible to all of us, can be described by negative at- tributes. You murder it with an arrow called ‘‘Malfunc- tion’, or dispatch it with the spear of eclecticism, or deflate it with the dagger of economic folly, or you wound it with the dull bludgeon, Mediocrity. Good design is elusive, and does not flow freely and dependably from the pencils of even the best designers. Once accom- plished, however, it becomes easy to rationalize: ‘The chair is good because it uses steel so sensitively.” But many of our well-designed products will not stand up to rigid rational analysis. A famous chair, elegant and universally admired, is a bad dream to welders and metal finishers, and it is a wasteful, complex cluster of canti- levers, where posts and beams would have been reason- able, but is superb design. If good design is the result of inspiration, teaching it is, to steal the inventor’s aphor- ism, perspiration. But it is healthy and rewarding, and the odds are far better for good design than for inven- tion. For the Design Division, the symbol of the ivyed gate, opening annually, might well be replaced by the revolv- ing door. The latter admits measured parts of the out- side climate on a continuous schedule. The velocity is under some control by the faculty, although jams and confusion may occur under pressure. Input and output need not be equal. Do not try to get through rapidly with many loose bundles. JW.L. 56 DEPARTMENT OF GRAPHIC DESIGN ue ee , i iia mis Petree er. JAMES DOW 58 SUSAN KOSKI RALPH BENJAMIN JOAN GRAMATTE — 60 RICHARD PANTANO 61 STEPHEN MAKA f ——f Pee Tei 4 : j SUZANNE METTETAL 62 AILEEN REITER 63 LETITIA WALKER 64 65 CHARLES PECK Fae re ¥e i + 23 = . ei ITAL aT ART RP ST ICC ERY ee Se, Dae 66 WILLIAM STANHOPE 67 ANN FUNNELL PAUL LANGMUIR 68 69 CAROL BACHENHEIMER 70 71 CHARLOTTE MOULTON STUART KIPPERMAN 72 ROBERT SEAMAN 73 JOHN MCWILLIAMS 74 Ww a Zz O ao QO a a = a 75 MAIA FLANAGAN 76 DEPARTMENT OF APPAREL DESIGN i ri e tt + ee et 9% ® Wry 2 alt b Base eeebicast seis uy Rate Bee ee ebb SO G10 8h! S449 MICHELE DE JULIA 78 79 PHEBE TARLTON NANCY GLOVER 80 WENDY HERTZ 81 ! | | | 4 i i z | : j | | t £3 % $ q RICHARD LAWTON 82 83 SARAH POWELL CATHERINE DITOMMASO SUSAN MCSWEENEY 84 z= I 0) [e) ao weet Ww Z Pa Ww Ww Le oe WwW Qa | tt ” eee TINA mA hie Aa en has dt ee ge ee sto KATHLEEN RUST i i 2 ! Al Cu J al ag 86 DEPARTMENT OF TEXTILE DESIGN 88 Zz Oo =) O a a = a ALICE NEEL 89 RUTH TENNENBAUM 90 91 DONNA REPPARD an gS aac. GREG ATKINSON 9 DEPARTMENT OF INDUSTRIAL DESIGN she. far aN Tea tee ean oii RRB aT. 94 DAVID PRESSLER 95 STEPHEN LINDEN TIMOTHY PROUT 96 ensaheenanaiaaltiati ti ia) SIBLEY SMITH 98 MELVILLE BOYD 99 DAVID RAFTER RICHARD CANAVAN 100 101 KENNETH GAULIN SUSAN RUSSELL FREDERICK BLACKALL DAVID WEINDEL 102 KIRK WILKINSON KENNETH HUNNIBELL 103 5 RTH RAG ge) RAPER LITE ERIN OED OH IN 104 DIVISION OF TEACHER EDUCATION You, the graduating class in Teacher Education, are the first example of that different breed of cat so long over- due in the field of art education. You are truly artist- teachers. You have the strength of a rich and broadly based professional education in one of a number of stu- dio areas. You have not been educated as diddlers and poetasters, but as professionals. You are painters, ceram- ists, weavers, and illustrators. Each of you has attained that high level of competence in his chosen field worthy of being granted a diploma by the Rhode Island School of Design. You have been formally introduced to the teaching profession and have begun to gain some insight into what it means to be a teacher. You have heard about and seen first hand the need for a more meaningful teach- ing of art in our schools. It is my hope that each of you will work constructively toward the betterment of the profession. It has been relatively easy for you and | to 105 sit on the sidelines and snipe at the Establishment. Now you are going to become part of the Establishment and it will rest with you and those who follow to see that it is the better for your having joined. There is no certain method for predicting success in teaching. Some little can be determined through your work in your education courses and much more through your student teaching. But much remains unknown. At times | wish | were able to read the future and identify which ones among you, if any, are going to become dull, indifferent teachers, content with mediocrity and picking up a regular pay check. If | had such knowledge you may rest assured that | would do my level best to see that mediocre teachers never entered the field. The last thing we need is more bad teachers. | might add that nothing is more difficult and less rewarding than teach- ing when it is done joylessly and simply as a sinecure. Since neither you nor | can predict the future, | can only entreatyou to periodically examine your conscience and ask yourself: ‘‘What kind of a teacher am |? Am | making substantive contributions to my field? Do | ever rock the boat?” Wait five years to ask these questions. Wait until the after glow of your college years has dimmed and you are forced to draw on your inner re- sources for motivation and direction. Above all, remember that you are artist-teachers. Keep in mind that it is important to place the horse and cart in proper relationship—art is the horse and comes first. It is the source of strength and meaning in one’s teach- ing. | have enjoyed having each of you as a student and look forward to your joining me as colleagues in the field of art education. As individuals and as a class you occu- py a very special place in my thoughts. It is my hope that we may keep in touch with each other through the years and that you will not hesitate to call on me if | can be of help. All good wishes. DAVID MANZELLA 106 107 STEPHANIE CLAYTON 108 ee aeial EPS LE? RD ala Ss it HEME aa ea ahaa 109 PATRICIA BARTLETT NANCY SHERMAN CATHERINE LANZONE 110 111. SALLI PUTZIGER FRANCES TELEN 112 LINDA STERN 113. CAROLE MOSES MARION BERNSTEIN ELEANOR VAN HORNE 114 GEORGE MILLER 115 RUTH WILCOX KAREN KUMLER 116 Pte Ato mies ce a ie tee oahoua ap aeiMtE “ee “ping pee © 3 ie 117 ie thai ; ' . : HELENE FOX Bik: Penna tS IR sy : LA! : i sceinigdir Roy irda att ‘unt Dy i ANN RAESLER 118 DARIN IRSA ' See Oe eNsBeETU ON TWOO PAR BLiwesst ys LOC REU weLARce oR SMALLER: sthessab oF emrbasis SOURS NO INS OP SCORITTS 119 JOAN PERKINS rniieyelinincoepenbentenlemsislinadin — sates ary : PRISCILLA BURR DORIS DANES! 120 ei | | al | . wil guguenaenty? SHIELIA BAILEY 12 1 MARTI ZELM ANOFF 122 BARBARA KIMBALL Architecture is the art of shaping and furnishing spaces to shelter man and his various social organizations, from families and religious groups to governments, business and cities, so that the plans of buildings and cities en- able their inhabitants to undertake their work easily and enjoyably. Since he must analyze a client’s needs, an architect must be interested in people and their institutions, and he must have a passion for organization, particularly to enable people and their machines to work and move through spaces. Since no building or city is merely a flat plane, an architect must organize in three dimensions, that is, sculpturally; since he deals with massive mate- rials and heavy loads, his sculpture must have firm foun- dations and be given strong structural support. Moreover, besides structural engineering, his building today will require pipes, ducts and wires to carry the fluids, gases and electricity needed for sanitation, ven- tilation, heating, cooling, and electrical power for eleva- 123 tors and other machinery. While he relies upon special- ized engineers for much analysis, the architect must organize the rooms in his buildings, their structure, and their enclosures so that the mechanical and electrical equipment can be co-ordinated with the structure. Nor does the architect’s responsibility end at that point. Many fine buildings are ruined by occupancy, and the architect must persevere in guiding all the associated arts, including paintings, sculpture, signs and glass, as well as landscape, gardens, furniture and fabrics, so that the building will emerge a single declaration of architec- ture: an art of disposing well-proportioned spaces and masses so that light falls upon them in wonderful, rhyth- mic patterns. DEPARTMENT OF ARCHITECTURE The Department of Architecture derives its curriculum from the need for designers who can guide a building project completely from its beginning as a need ex- pressed by a client to a completed and inhabited struc- ture. Throughout, the objective is to teach students to or- ganize spaces and masses functionally and beautifully. No stylistic cant gains adherence; no doctrinaire style or geometry orders design. Rather, we regard style as the inevitably evolving consequence of answers given to the problems of providing institutions with well-lighted, well-ventilated spaces sustained by the best technology available. Style will change with technology, and it will also change with social needs and economy. For that reason, our students are encouraged to focus upon prin- ciples of composition, rather than style, and to address the problems of circulation, clarification of structural sys- tems with the systems of mechanical and electrical serv- ices, and principles of rhythm, scale, and proportion. DEPARTMENT OF INTERIOR ARCHITECTURE Highly regarded, the interior of a building is critical, for it creates the environment for all inhabitants. Therefore, it must be approached basically, as a problem in geome- try of space, with clarified circulation patterns, compat- ibly illuminated by natural and artificial light. The interior architect must bring to his work a knowledge of construc- tion and materials in the architectural sense, in order to plan the space, lighting, color, furniture, acoustics and treatment of walls, floors and ceilings. DEPARTMENT OF LANDSCAPE ARCHITECTURE Changes in population and transportation are upsetting the traditional character of our landscape, especially around the large cities where new industries and new housing have been built. To cope with the problems, it is essential to train landscape architects who can design parks and playgrounds, site public and private buildings, plan subdivisions and suburbs, and design highways and parking facilities. Having begun with horticulture and gardens for private estates, the profession of Landscape Architecture now responds to larger social needs. With the fields of conservation, city and regional planning now developing, an exciting opportunity is offered the land- scape architect to apply his special knowledge. 124 125 DEPARTMENT OF ARCHITECTURE 126 Ne Perey ve | 4 27 MOOTED INR he RNS aa Ge ho RGR ah 8 Ay a ee) SABA rane mronyrerorenese alee eA ARES (Bch ibn aR teas aca! SIMRO RG NS eet i ears . “ a 3 Seas wa 3 Sapte a cM edo, | fy . ; 3 Bates | seers | a LTTE INS AEE REST ROT AIR EIEN ARE RY si | PONTO. 1 ed OPI 22 i ees Ey PION ee ee ary, ax: parnciens Den gpm monet ga een rere “ad ake creas Siete entices Fans! Moieiatoaty: ¥ b 128 JOSEPH BOTTARO JOHN CRABTREE 129 CLARK GOFF ROBERT LEATHERS ae ith ieee a lal DENNIS URY Ae He - wo ow Ww ed - + “ae baal JOHN NAVILLIAT 130 MICHAEL PASQUALE 131 ALLAN STRAUSS LINDSAY VOLKENING 132 = Bere = wh - Re ees? Re, FRANK KIBBE JOHN PAQUETTE 133 134 DAVID GOWDY x en ee So ‘A 135 NOEL FLAGG LLOYD DYSON DAVID CRABBE 136 137 BERNARD VINING 138 RICHARD KENDROT 139 SIDNEY GRAVES DAVID JOY all P” gi? 140 Ca cae ks) anslinis bea, 141 N wt = WILLIAM HAMMER oD =f + DAVID HOCKER ROBERT GUILFOOS 144 145 DEPARTMENT OF LANDSCAPE ARCHITECTURE 146 ROGER KENT LAMD URE A Ateucture « 147 THOMAS AGNEW PETER PETROFSKY KEN CRASCO = 148 149 JOHN PARSONS 150 ARTHUR SELBERT 151 PthTeteay it SEPUTATVAUPATL SAAD at i WILFRID GATES 152 153 DEPARTMENT OF INTERIOR ARCHITECTURE JOHN CLARK | Fens ' es i= = ey AE See EPEPEEEP EEE EEEEEEL KENNETH HELEEN 154 155 RICHARD GOVE 156 2a. Bond Bs a SSS Ss, | SPW o 2 22 ————s MINE I aL , RR: Tie Mame JOHN STONE 157 VIRGINIA DUBRUCO 158 159 JURGEN STEINER we Oo — ao ao P| as 1) ai - O = - KENNETH THEISS o = SUZANNE ALMY PEDRO DE MOVELIAN : 162 163 164 s¢ fe) O = = a Zz uJ -! 6 GILBERT THOMPSON 165 MARTHA TYSON CAROLYN BUSTA 166 167 EUROPEAN HONORS PROGRAM 168 169 ANN RICHARDSON LINDA GRASFIELD- 170 WILLIAM THOMPSON CARL MILLER 171 172 STEPHEN CHAPIN ELIZABETH SMITH 173 SYLVIA SCHUSTER EDWARD FIFE 174 175 MARIA SCOTTI ANDREW KRAMER_ 176 127 DIANE BRICE REED KIEFER LINDA ROBINSON 178 ABIGAIL HADLEY 179 ANNE MORRISON CHARLOTTE STAUB DIANE COLEMAN — 180 181 BRENDA BONICK JERE BARNARD 182 WALTER SIMPSON 183. MARTIN MULL Se NT PEGE tar ety Ne ets 184 185 DIVISION OF GRADUATE STUDIES JEROME ZIMMERMAN 186 EP hee Paes = a 5 yd 187 ROBERT LUCAS 188 ALAN STECKER aE on ai el Benda Lie bee ledue Lee et tee eS = Ww zal © = uw WwW H — Ww a xt sta 189 190 AUGUST JACCACI 191 SUSAN PRENDERGAST JOANNE WILCIN 192 193 SIDNEY MOORE a 7 ery ‘ | . FIONA PATTERSON 194 bs Sane 195 PHILIP FIELD RTA ERS tie LOREN KERST 196 : fer ere ale ire ; i; ie v - Lae a} ; g NM i : H i ; n pie! ; iW i iY sora Me ; TAKE-A-BREAK | epee ge $ iv sagen oe 9 rir. ; ; 4 ft ‘gn Renee Rm ort 198 199 200 Oo N ant pO srt oye ete abe! 206 ADMINISTRATIVE HEADS PRESIDENT DEAN OF THE FACULTY DIRECTOR OF STUDENT ASSOCIATION REGISTRAR TREASURER DIRECTOR OF ADMISSIONS ACTING DIRECTOR OF THE MUSEUM OF ART DIRECTOR OF PLACEMENT SUPERINTENDENT OF BUILDINGS GROUNDS LIBRARIAN DEAN OF STUDENTS ASSOCIATE DEAN OF STUDENTS DIRECTOR OF DEVELOPMENT DIVISION CHAIRMEN FRESHMAN FOUNDATION FINE ARTS ARCHITECTURE LIBERAL ARTS DESIGN TEACHER EDUCATION GRADUATE STUDIES DEPARTMENT HEADS PAINTING DRAWING ILLUSTRATION CERAMICS SCULPTURE ARCHITECTURE INTERIOR ARCHITECTURE LANDSCAPE ARCHITECTURE HISTORY OF ART ENGLISH SCIENCE INDUSTRIAL DESIGN GRAPHIC DESIGN APPAREL DESIGN TEXTILE DESIGN Albert Bush-Brown Samuel F. Hershey Gordon C. Allen George L. Bradley Murray S. Danforth, Jr. Charles A. Dunn, Jr. Hugh J. Gourley III Carolyn L. Hawes Harold W. Ingram, Jr. Alice V. McGrath Robert H. Miller Mrs. Milton Paisner Roy D. Welch, Jr. Garabed der Hohannesian Gilbert A. Franklin C. Warren Luther, Jr. Charles Fenno Hoffman John W. Lincoln David B. Manzella Alfred E. Hammer Gordon F. Peers H. Lane Smith Harve Stein Mrs. Otto Heino Gilbert A. Franklin C. Warren Luther, Jr. C. Warren Luther, Jr. J. Carol Fulkerson Thomas L. Reed Edwin |. Lamont Morton Fink John W. Lincoln John W. Lincoln Bertrand H. Surprenant Warren E. Teixeira 208 209 STUDENT COUNCIL PRESIDENT VICE-PRESIDENT CORRESPONDING SECRETARY RECORDING SECRETARY TREASURER SENIOR CLASS OFFICERS PRESIDENT VICE-PRESIDENT SECRETARY TREASURER JUNIOR CLASS OFFICERS PRESIDENT VICE-PRESIDENT SECRETARY TREASURER SOPHOMORE CLASS OFFICERS PRESIDENT VICE-PRESIDENT SECRETARY TREASURER FRESHMAN CLASS OFFICERS PRESIDENT VICE-PRESIDENT SECRETARY TREASURER Philip Tobey Philip Seibert Virginia Dubrucq Phoebe Tarlton Susan Russell Donald Stevenson Glenda Wilcox Martha Tyson Richard Bonney Jay Michaels Daniel Wiles Patricia Osmond Linda Heller Thomas Bates Robert Walker Roslyn Gaby Philip Gowen Robert Snyder Samuel Cioffi Karen Solon Duffy White 210 211 ARCHITECTURAL SOCIETY PRESIDENT VICE-PRESIDENT CORRESPONDING SECRETARY TREASURER FILM SOCIETY PRESIDENT VICE-PRESIDENT SECRETARY-TREASURER INDUSTRIAL DESIGN SOCIETY PRESIDENT SECRETARY-TREASURER NEWMAN CLUB PRESIDENT VICE-PRESIDENT SECRETARY TREASURER TEXTILE SOCIETY PRESIDENT VICE-PRESIDENT SECRETARY TREASURER PORTFOLIO EDITOR ART EDITOR PHOTOGRAPHY EDITOR PRODUCTION MANAGER SAILING CLUB COMMODORE VICE-COMMODORE REAR-COMMODORE SECRETARY TREASURER Hank Wolf Kiyoshi Matsuzaki Bill Wermuth Leslie Leister Paul Langmuir Michael Richard Jane Kempf Steve Caney Susan Russell Glenda Wilcox James Christophere Cathy Di Tommaso Ronald Schmitz Judy Dougan Donna Wange Susan Sornberger Joann Clark Steve Maka Paul Langmuir Charles Peck Carol Bachenheimer Charles Chamberlain Peter Dudley John Peachy Reed Estabrook Frances Kelly CAMERA CLUB PRESIDENT VICE-PRESIDENT SECRETARY-TREASURER CERAMIC CLUB PRESIDENT VICE-PRESIDENT SECRETARY TREASURER DESIGNERS IN DRAMA PRESIDENT SECRETARY BUSINESS MANAGER DANCE CLUB PRESIDENT VICE-PRESIDENT SECRETARY TREASURER SKI CLUB PRESIDENT VICE-PRESIDENT SECRETARY-TREASURER MOTOR CYCLE CLUB PRESIDENT VICE-PRESIDENT DORMITORY COUNCIL ART EDUCATION SOCIETY CHAIRMAN CORRESPONDENCE SOCIAL CHAIRMAN FINANCES Bill Hamilton Richard Bonney Bob Herbert Peter Craft Kerstin Agren Marilyn Miller Leonore Katz Nancy Crossley Jill Politzer James Hall Donna Sutton Sally Vogt Suzanne Mettetal Christina Weyl Joseph Tara Dennis Arnold Lynn Gaby Roger Kent Paul Petrofsky Barbara Baskind Frances Telen Salli Putziger Marion Bernstein Stephanie Clayton FINE ARTS SOCIETY PRESIDENT VICE-PRESIDENT SECRETARY-TREASURER BLOCKPRINT EDITOR EDITOR MANAGER MANAGER EDITORIAL ADVISOR LITERARY EDITOR PHOTOGRAPHY EDITOR TYPOGRAPHY PROOFREADING DEVELOPMENT ADVISOR CIRCULATION Myrna Barenboim Robert Lasus Lisa Larson William Wermuth Daniel Wiles Peter Meserol Norman Weinberg Arnold Shorrock Kenneth Crasco Edward Grazda Curtis Schreier Anne MacBryde Thomas Bates Margaret Wade 212 iff, { Thomas Agnew—Tom Quincy, Mass. B.S.L.A. Landscape Architecture European Honors Program 4 Suzanne Almy Marblehead, Massachusetts B.F.A. Interior Architecture Folk Dance Club—Treasurer 1-2 Virginia Anfuso—Ginny Palisade, N.J. B.F.A. Sculpture E. G. Boehm Scholarship 1 Gregory Atkinson—Greg West Hartford, Conn. B.F.A. Textile Design Designers in Drama 1 Architectural Society 2 Textile Society 4 Carol Bachenheimer Flushing, N.Y. B.F.A. Graphics Dorm Treasurer 3 Senior Assistant 3 House Monitor 4 Production Manager of Portfolio 4 Shiela Bailey Harwich, Mass. B.F.A. Art Education James Brien Baker Newport, R. I. B.F.A. Painting Dean’s List 1 Dean’s List 2 Susanna Laure Barlow Holbrook, Mass. BA: Illustration Jere N. Barnard Horsham, Pa. B.F.A. Painting EHP Pat Bartlett Providence, R. I. B.F.A. Art Education Ralf Prescott Benjamin Lunenburg, Massachusetts B.F.A. Graphic Design Marion Helen Bernstein Edgewood, N.J. B.F.A. Art Education—Weaving and Painting Northern Student Movement 1-2-3 Chairman 3 Dean’s List 2 Modern Dance Club 4 Education Society— Social Chairman 4 Boston Arts Festival 4 Frederick S. Blackall Bristol, Connecticut B.F.A. Industrial Design Ski Club 1-2 Industrial Design Society 2-3-4 Sailing Club Commodore 3 Winner National Paper Box Manufacturers Assn. Award 3 Brenda G. Bonik Brookline, Massachusetts B.F.A. Painting Et: Richard Alan Bonney—Dick Baltimore, Md. B.F.A. Industrial Design Edward Harris and Abby Metcalf Harris Foundation Scholarship Lydia Southward Gardner Scholarship 2 Winner National Paper Box Manufacturers Assn. Award 2 Student Council 3-4 President of Industrial Design Society 3 President of Photography Club 4 Treasurer of Class 4 TAB Show Joseph Bottaro Providence, R. I. B.S. Architecture Architectural Society Melville Grant Boyd Maine B.F.A. Industrial Design Industrial Design Society 2-3-4 Blockprint Movie Reviewer 4 Film Society 4 Diane H. Brice Amityville, N.Y. 214 B.F.A. Apparel Design SH hes Priscilla Carmina Burr—Carmine East Providence, R. I. B.F.A. Art Education Textile Society 2 R.I.S.D. Scholarship and N.D. Loan 3 Art Education Club 4 Carolyn Mary Busta Wellesley, Massachusetts B.F.A. Interior Architecture Newman Club 1-2-3-4 Film Society 1-2 Architectural Society 2-3 Student Council 2 TAB 4 Senior Class Social Committee 4 Richard W. Canavan Pawcatuck, Conn. B.F.A. Industrial Design Industrial Design Society 1-2 Camera Club 3 Charles McAllister Cann Jr.—Chuck West Chester, Penna. B.F.A. Sculpture Stephen T. Chapin Canton, Massachusetts B.F.A. Sculpture Sars Sarah Brown Chapman—Candy 215 Providence, R. |. B.F.A. Illustration Student Council Department Representative 1 TA B 2 Peter Evan Charles Rye, N.Y. B.F.A. Sculpture Fine Arts Society 1 Dean’s List 2 Martha Ingraham Christman—Marty Providence, R. I. B.F.A. Illustration Student Council 1 Mental Hospital Program 2-4 Timothy Fairbanks Chubbuck Hudson, Ohio B.F.A. Interior Architecture Mental Hospital Group 1 N.S.M. Art Classes, Chairman 2-3 Student Council 4 Dean’s List 2-3 John B. Clark Jr.—Jack Brattleboro, Vermont B.F.A. Interior Architecture Scholarship—Mary E. Wardwell Fund 2 Student Exhibition 1 Architectural Society 2 Motorcycle Club 4-5 Stephanie W. Clayton—Stephie Danvers, Massachusetts B.S. Art Education Treasurer, Education Society 4 Modern Dance Club 4 Diane L. Coleman Brooklyn, N.Y. B.F.A. Painting Ett: Daniel S. Collier New York City B.F.A. Illustration Patricia L. Collier New York City B.F.A. Painting David J. Crabbe Lynn, Massachusetts B.S. Architecture Architectural Society 1-3-5 John Bradley Crabtree West Hartford, Connecticut B.S. Architecture Peter William Craft Providence, R. I. B.F.A. Ceramics Activities Chairman, Ceramics Club 4 President, Ceramics Club 5 Dean’s List 5-6-7 Amalgamated Potmakers and Pot Workers of the Cranston Art Club Award Kenneth H. Crasco Roxbury, Massachusetts B.S. Landscape Architecture Architectural Society 1-2-3 Motorcycle Club, Vice-Pres. 4 First Prize R. |. Home Builders Assoc. 5 Blockprint Literary Editor 5 Nancy Evan Crossley Hagerstown, Md. B.F.A. Art Education Pembroke Glee Club 1-2-3-4 Student Council 2-3-4 Drama Club 3-4, President 4 Art Education Society 4 Doris Ann Danesi Cranston, R. |. B.F.A. Art Education Newman Club 1 R. |. Scholarship 1-2-3 Film Society Workshop 1 Art Education 4 Susanne Renate Dassel Ottawa, Ont., Canada BFA: Illustration TAB 2 Dean’s List 2 Mary Ruth David Crawfordsville, Indiana B.A.; B.F.A. Sculpture Sterling Ring Design 1-2-3-4 Michele Toni DeJulia Glens Falls, New York B.F.A. Dean’s List 1 Catherine DiTtommaso—Cathy Middletown, Conn. BEAt Apparel Design TAB 1 Newman Club 2-3, Secretary 4-5 Dormitory Council 5 Judy Dougan Seattle, Wash. B.F.A. Textile Design Senior Assistant 4 Textile Society President 5 Dean’s List 5 Owens-Corning, Fiberglas—Creative Design Competition Third prize Honorable Mention 5 James D. Dow Jr. Belmont, Massachusetts B.F.A. Graphic Design Virginia Rae DuBrucq—Ginny Wauwatosa, Wisconsin B.F.A. Interior Architecture Dorm Council 2, President 3 Student Council 3, Corresponding Secretary 5 Junior Class Secretary 3 Senior Assistant 3 Student Faculty Committee 3 TAB 2-3, choreographer 5 TAB Queen 3 Ronald Normand Dubuque Worcester, Massachusetts B.F.A. Illustration Co-Editor of Spectrum Charlotte Dyson Providence, R. |. B.F.A. Graphics Lloyd G. Dyson Jr. Marblehead, Mass. BS Architecture Sailing Club 1-2-3-4 Dean’s List 4 Isabelle B. Famiglietti Providence, R. I. M.F.A. Art Education Martha Farnsworth Andover, Massachusetts Bins: Painting 216 Sue Ida Feinberg New York, N.Y. B.F.A. Apparel Design Philip S. Field Brooklyn, N.Y. M.F.A. Painting Edward H. Fife Wilbraham, Massachusetts Bis Lea: Landscape Architecture Eine Noél Marin Flagg Essex, Connecticut Bio, Architecture Architectural Society 1-2-3-5 Maia Hanley Flanagan Barrington, R. |. Bore Photography Helene Fox Newark, New Jersey B.F.A. Art Education David Liberatore Frampton Katonah, N.Y. B.F.A. Illustration R.I.S.D. Scholarship 2-4 Co-Editor of Spectrum Ann Sargent Funnell—Robin Joppa, Maryland B.F.A. 217 Graphic Design Will Gates Wakefield, R. I. B.S.L.A. Landscape Architecture Co-Director TAB Show 3 Student Council, Vice President 4 Chairman of Freshman Week 4 TAB Central Committee Chairman Show Director 4 TAB Jazz Concert Chairman, Show Director 5 B.M.O.C. 5 Kenneth Gaulin Cranston, R. I. B.F.A. Industrial Design Drama Club 1 Winner National Paper Box Manufacturers Assn. Award 2 Industrial Design Society, President 3 Delegate to Student Council 3 Member Student Council Financial Committee 3 Nancy Gordon Glover Glastonbury, Connecticut A.S.; B.F.A. Apparel Design Richard H. Gobeille Providence, R. I. BFA: Illustration Clark M. Goff Vineyard Haven, Massachusetts B.S. Architecture Architectural Society 1-2-3-5 Dean’s List 3-4 Student Member of A.1.A. 5 Richard W. Gove York, Maine B.F.A. Interior Architecture Architectural Society 2 TAB 3-4 Motorcycle Club 3-4 Ceramics Club 4 Harley Hog Club 5 David E. Gowdy Providence, R. I. Architecture B.S. Architectural Society 2-3-5 Alfredo Scholarship 5 Joan Helen Gramatte Potomac, Maryland A:S; B.RAA. Graphic Design TAB 3-4 Student Council 4 Edward Alexander Grant —Alex Wilmington, Del. B.F.A: Painting Linda L. Grasfield Newton, Massachusetts B.F.A. Painting EHR: Sidney G. Graves Milton, Mass. B.S. Architecture Robert B. Guilfoos—Bob Romulus, N.Y. B.S. Architecture Architectural Society 2-3-5 Student Member of A.I.A. 5 Abigail S. Hadley Chevy Chase, Md. B.F.A. Painting SH a es William T. Hall New Briton, Conn. M.F.A. Art Education Margaret Swan Hammer—Peggy Great Neck, N.Y. B.F.A. Illustration William R. Hammer—Bill Providence, R. l. B.S. Architecture Architectural Society 2-3-4-5 Film Society 4-5 Symposium 5 Kenneth Eric Heleen—Ken Carver, Massachusetts B.F.A. Interior Architecture Architectural Society 2 Wendy Susan Hertz Schenectady, N.Y. B.F.A. Apparel Design TAB 1-2-3 Dance Club 1-2 David Richard Hocker Shrewsbury, N.J. 218 219 B.S. Architecture Architectural Society 1-2-3-5 Film Society 1 Dean’s List 1-2 Student Member A.1.A. 5 Kenneth Lee Hunnibell Rehoboth, Massachusetts B.F.A. Industrial Design State Scholarship 1-2-3 August T. Jaccaci Providence, R. |. M.F.A. Painting Graduate Student Richard Carlisle Jackson Jr. Rochester, N.Y. B.F.A. Illustration Kerstin Jaskoviak—Kris Brookfield, Massachusetts B.F.A. Ceramics Wilhelmina Jackson Scholarship 1-2-3-4 Ceramics Club 2-3-4, Treasurer 3, Vice-President 4 David A. Joy Brunswick, Maine B.S. Architecture Architectural Society 2-3-4-5 Mary Keck Providence, R. l. B.F.A. Illustration Richard Kendrot—Dick Johnson City, New York B.S. Architecture Architectural Society 2-3 Dianne Martin Kennedy Providence, R. |. B.F.A. Printmaking (Painting) Roger C. Kent Norwood, Massachusetts B.S.L.A. Landscape Architecture Architectural Society 1-2-3 Vice-President of Class 3 Student Council 3-4-5 TAB 4 President Motorcycle Club 4-5 Loren D. Kerst Providence, R. |. M.F.A. Painting Graduate Student Frank Kibbe Lincolnville, Maine eye Architecture Reed A. Kiefer Chappaqua, N.Y. BS Architecture Erie. Barbara Kimball—Kymm Mystic, Connecticut B.F.A. Art Education Folk Dance Club 1 Stuart Roger Kipperman—Kipp New Haven, Connecticut BEA: Graphic Design Susan Eva Koski—Sue Gardner, Massachusetts B.A; Graphics TAB 2-3-4 Dorm Treasurer 2-3 Model for Fashion Dept. 2-3-4 Modern Dance Club 4 Andrew Kramer Elmira, N.Y. BS; Architecture EHP: J. Randall Kuiper Wyckoff, N. J. B.F.A . Sculpture Fine Arts Society 1 Motorcycle Club 2 Dean’s List 3 Karen Kumler Lancaster, Pa. B.F.A. Art Education Frances Lambert Providence, R. |. B.F.A. Sculpture Paul H. Langmuir Atlanta, Ga. B.F.A. Graphics Central Committee Catherine Rose Lanzone San Carlos, Calif. B.F.A. Art Education Designers in Drama 2-3 TAB 3 Camera Club 3 Art Education Society 4 Robert David Lasus—Bob Pound Ridge, N.Y. B.F.A. Sculpture Fine Arts Society, Vice-President 4 Captain of the Foundry Crew Richard Alan Lawton—Rick Cranston, R. I. B.F.A. Apparel Design Kenneth Layman Mapleville, R. I. B.F.A. Painting Robert Stewart Leathers—Bob Bangor, Maine hrs} Architecture Stephen Linden Westbury, New York B.F.A. Industrial Design Robert G. Lucas—Bob Seymour, Indiana B.F.A.; M.F.A. Ceramics Camera Club 1 Sailing Club 1 Ceramics Club 1-2 Teaching Fellow 1-2 Stephen Maka Rockaway, N. J. B.F.A. Graphic Design Blockprint 3 Spectrum 3 Portfolio 4 Central Committee 4 George Mclaughlin Union, N. J. B.F.A. Illustration Sailing Club 1 Camera Club 4 Dennis J. McNaboe Providence, R. I. B.F.A. Illustration President of Class 3 Susan Marie McSweeney Lynn, Mass. BEA: Apparel Design John McWilliams 4th Williamston, Mass. B.F.A. Graphics Scott M. Merrill Providence, R. |. B.F.A. Sculpture Rhode Island Adult Chess Club 1-2-3-4 Fine Arts Society 1-2-3-4 Suzanne Aline Mettetal Wellesley, Mass. B.F.A. Graphic Design Dorm President 3 Secretary of the Textile Society 3 Secretary of the Dance Club 4 Secretary of Portfolio 4 T.A.B. 2-4 Dorm Council 3 Carl Miller Westwood, Mass. B.F.A. Textile Design Ge: George Miller Warwick, R. I. B.F.A. 221 Art Education Marilyn Miller-Wilbur Providence, R. I. B.F.A. Ceramics Ceramics Club 2-3-4 Treasurer of the Ceramics Club 4 Rhode Island State Scholarship 1 Sidney D. Moore Providence, R. |. B.F.A. Painting Anne Morrison Greeley, Colorado B.F.A. Graphic Design .H.P. Carole Rebecca Moses Manchester, Conn. BFA; Art Education Class Vice-President 2 Student Council 2 Dorm Council 2-3-4 Dorm Council Vice-President 2-4 Judicial Board 3-4; Chairman 4 Senior Assistant 4 Film Society 2-3 Art Education Society 4 Martin Mull—Marty New Canaan, Conn. B.F.A. Painting Ee John Charles Navilliat Providence, R. I. Bro: Architecture Architectural Society 2-3-5 Alice Norris Neel Ithan Villanova, Pennsylvania B.F.A. Textile Design Textile Society 2-3-4 Student Council 4 Barbra Norris Eastchester, N.Y. BE Ag Illustration Dean’s List 3 Thomas King Norton—King New York, N.Y. B.F.A. Painting Stage Manager 1 Production Coordinator, TAB 2 Designer, TAB 4 Drama Club—Key Holder 4 Jane E. Obey Whitestone, N.Y. B.F.A. Illustration Peter O’Keefe Providence, R. |. B.F.A. Painting Robert Henry Oppenheim Providence, R. l. B.F.A. Painting Dean's List 2 Richard M. Pantano No. Providence, R. I. A.B.; B.F.A. Graphics Dean’s List 3 John E. Paquette Oakville, Conn. B.S. Architecture General Scholarship 1 Newman Club 1 Film Society 1-2 Architectural Society 3-5; A.1.A. Student Member 5 John G. Parsons Providence, R. |. BoA: Landscape Architecture Vice-President of Class 1 Vice-President of Class 2 President of Class 3 President of Student Council 4 Dean's List 5 Michael A. Pasquale—Mike Haverhill, Mass. B.S. Architecture Film Society 1 Architectural Society 1; Sophomore Representative 2; A.|.A. Student Member 5 FionaM. Patterson Providence, R. I. BEA. Art Education Graduate Student Daniel Andrew Paul Providence, R. |. B.F.A. Painting Charles Peck—Charlie Glen Rock, N. J. B.F.A. Graphics Portfolio Photography Graphics Department 2-3-4 Agent U.N.C.L.E. Joan B. Perkins Ithaca, N.Y. B.F.A. Art Education Peter Paul Petrofsky Trumball, Conn. B.S. Landscape Architecture Architectural Society 1-2 TAB Show Designers in Drama 2-3 TAB Lights 4 Motorcycle Club Treasurer 4-5 Sarah Whitney Powell—Whitney South Glastonbury, Conn. B.F.A. Apparel Design Dorm Council 1-2 TAB 2-3 Student Council 3 Susan A. Prendergast E. Setauket, L. I., N. Y. M.F.A. Art Education David Owen Pressler Westport, Conn. B.F.A. Industrial Design Architectural Society 1 Basketball Team 1 Drama Club 1 Industrial Design Society 2-3-4 Symposium 3 Film Society 2-3-4 Tim Prout Providence, R. I. B.F.A. Industrial Design Basketball Team 1-2-3-4 Industrial Design Society 1-2-3-4 Salli Putziger Jeffersonville, Vermont B.F.A. Art Education Ski Club 1-2-3; Sailing Club 1-2 Fine Arts Society 1-4 Dance Club 1 Secretary of Education Society 4 Student Council 3 Senior Assistant 3 Ann Raesler Manchester, Conn. B.F.A. Art Education David Richard Rafter—Dave West Barrington, R. I. B.F.A. Industrial Design Student Council 3-4 Faith Rainbolt Contoocook, New Hampshire B.F.A. Painting Norman P. Rajotte—Norm Bristol, Conn. B.S. Architecture European Honors Program 3 Mary Ann Raymond—Ray Ridgewood, New Jersey B.F.A. 222 Ceramics Ceramics Club 2-3-4 Activities Chairman 2-3-4 Aileen Donna Reiter Stratford, Conn. B.F.A. Graphic Design Secretary of Portfolio General Scholarship Fund 1 Donna Lee Reppard Pine City, New York B.F.A. Textile Design Textile Society 2-3-4 Michel M. Richard Norwich, Conn. B.F.A. Illustration Film Society 1-2-3-4 Vice-President, Film Society 4 Ann L. Richardson South Orange, N. J. BiReA: Painting Eris Linda Robinson Clinton, N.Y. BEA: Painting ed oy pss Moniz Rose Truro, Mass. BPA: Ceramics Ceramics Club 2-3-4 Student Council 2 223 Chairman of Ceramic Jury 4 Susan C. Russel Philadelphia, Penn. B.F.A. Industrial Design Kathleen Ann Rust—Kathy Rocky Hill, Conn. B.F.A. Apparel Design Symposium Committee 4 John W. Saalfield Los Angeles, California BireA: Illustration Dale Andrew Saltzman White Plains, N.Y. BEA. Painting Sidney Richmond Burleigh Prize 2 TAB Author 3-4 Pedro Sanchez deMovellan Lexington, Kentucky B.F.A. Interior Architecture Student Council 1 TAB 3-4 Michael Bernard Schulman Valley Stream, N.Y. B.F.A. Painting Sylvia Schuster Philadelphia, Penn. B.F.A. Painting Ere: Maria P. Scotti Providence, R. l. B.F.A. Painting Eee Robert Anthony Seaman—Tony Rockville Centre, N.Y. B.F.A. Graphic Design Class Secretary 1 Student Council 1-2 Captain of Chancery Team 1 Camera Club 2 Blockprint 2-3-4 Spectrum 3-4 Arthur Glenn Selbert Amsterdam, New York Bo: Landscape Architecture C. U. of N. Y. C. Alumni Club Nancy Louise Sherman North Attleboro, Mass. BieAG Teacher Training Neuman Club 1 Art Education Society 4 Eileen L. Sichel Cheltenham, Penn. B.F.A. Painting Walter Booth Simpson Millburn, N. J. B.F.A. Graphic Design Bahr, Elizabeth J. Smith Belmont, Mass. B.F.A. Painting Sibley Smith Jr. Providence, R. l. B.F.A. Industrial Design Student Council 2-3-4 Treasurer of Student Council 3 William Robert Smith Montclair, N. J. Symes Painting Camera Club Yale Summer School Scholarship Joel D. Snyder—Joe Metuchen, N. J. B.F.A. Illustration R.I.S.D. Scholarship 2-3-4 Drama Club Spectrum Staff William Edison Stanhope—Bill Hingham, Mass. B.F.A. Graphic Design Camera Club 3 Harley Hog Club Rack and Cue President Charlotte H. Staub Jackson Heights, N.Y. B.F.A. Illustration EAies Alan H. Steckler Atlanta, Georgia M.F.A. Painting Jurgen Steiner Cambridge, Mass. 224 B.F.A. Interior Architecture Architectural Society 2-3 Dean’s List 2-3 Linda Billy Stern Seagate, N.Y. B.F.A. Art Education TAB 3-4 Art Education Society 4 John H. Stone 3rd Belmont, Mass. B.F.A. Interior Architecture Allen B. Strauss Brooklyn, N.Y. Ceo: Architecture Architectural Society 1-2-3-4-5 Board of Directors 1-2-5 Camera Club 1-2-3-4-5; Vice-Pres. 3; Pres. 4 TAB Show 3-4-5 Central Committee 5 Phebe Tarlton Danbury, Conn. B.F.A. Apparel Design Jean B. Tasker Providence, R. l. B.F.A. Painting Francis Lynn Telen—Frannie N. Woodmere, L. |. BBA, Art Education 225 Student Council 2 Painting Dean’s List 3 Chairman Art Education Society 4 Ruth Tennenbaum New York, N.Y. B.F.A. Textile Design Textile Society Kenneth Walter Theiss—Ken Manchester, New Hampshire B.F.A. Interior Architecture Architectural Society 2-3 Motorcycle Club 2 Freshman Week Committee 2 Dean’s List 3 Gilbert Collins Thompson—Gil Stonington, Conn. B.F.A. Interior Architecture TAB 2 Ceramics Club 2-3-4 Architectural Society 2-3 William Thompson Bernardsville, N. J. B.S.A. Architecture Ee Adrienne Sepmeyer Tolin Los Angeles, Calif. B.F.A. Apparel Design Co-Director TAB 2 Martha Tyson—Soon Sherborn, Mass. B.F.A. Interior Architecture Treasurer Junior Class 3 Dorm Council 3 Representative to Student Council 4 Secretary Senior Class 4 Dennis W. Ury Jr. Providence, R. |. B.S: Architecture Eleanor Van Horne Lancaster, Pa. B.F.A. Art Education Bernard Vining Salem, New Jersey Bis; Architecture R. Linsay Volkening Providence, R. |. B.S! Architecture Architectural Society 2-3-4-5 Ski Club 2-3-4 Letitia Gregory Walker—Missie Walkerton, Virginia eG eat Graphic Design Drama Club 2-3 Camera Club 3 Judith Ann Walsh Providence, R. |. B.F.A. Sculpture David Paul Weindel Greenwich, R. |. B.F.A. Industrial Design me Satna Tet Bm item Aine Nove Mie sis PRESPIMAN CAME Disc AAMC? a pate neds om bop 226 William Weldner Pawtucket, R. I. B.F.A. Illustration Blockprint Reporter 1 Margaret Ann Wells Newtonville, Mass. B.F.A. Painting Play ‘‘American Dream” 2 TAB 2-3 Joanne Wilcin Quincy, Mass. M.F.A. Art Education Glenda Mary Wilcox 227. Watch Hill, R. I. B.F.A. Interior Architecture Blockprint Staff 1-2-3 Advertising Manager, Blockprint 3 Newman Club 1-2-3-4 Vice-President 3 President 4 Dorm Council, Social Chairman 2 TAB 2-4 Camera Club 4 Architectural Society 2 Film Society 4 Student Council 3-4 Dean’s List 3 Vice-President Senior Class 4 Ruth B. Wilcox Hyannis, Mass. B.F.A. Teacher Training Dean’s List 1 R.I.S.D. Scholarship Award 3 Ford Foundation, Member Art Ed. Society 4 Kirk Wilkinson Tarryton, N.Y. B.F.A. Industrial Design Sailing Club 1 Motorcycle Club, President 2 Member 3-4 Gerald Michael Williams Westboro, Mass. BRA: Painting Garth Lace TAB 4 George M. Woolsey Bethesda, Md. B.A.; BFA; Painting TAB 2 Designers in Drama 2 Dean's List 2 Marti Zelmanoff Philadelphia, Pa. B.F.A. Art Education and Painting Dean’s List 4 Northern Student Movement 1-2 Student Peace Union 1 Brown Univ. Orchestra 1 Jerome H. Zimmerman Flushing, N.Y. M.F.A. 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