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Page 32 text:
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HELENE YVONNE CAPILLON, Attleboro, Massachusetts. BFA—Apparel Design. Take-A-Break Choreographer 4; Dean’s List 2. JACQUELINE LENORE CHAPMAN, Concord, Massachusetts. BFA—Apparel Design. Glee Club 1, 2, Secretary 2; Textile Club 2, 3; Student Council 2, 3; Dean’s List 2; Ski Club 2. DAVID WILLIAM COULTER, Newton, Massachusetts. BF A—Apparel Design. Drama Club 1, 2, 3, 4, Drama Club Key 4; Student Council 4; Glee Club 1, 2. JUDITH SUSAN SASKA, Forest Hills, New York. BFA—Apparel Design. Drama Club 1, 2, 3, 4, Board 2, 3; Textile Club 2, 3, 4; Portfolio 4; Athletic Association 1; Film Society 1, 2, 3, 4; Take-A-Break Costume Designer 4. JEAN THOMPSON, Cherry Valley, Massachusetts. BFA—Apparel Design. BEVERLY WHITE, Groton, Connecticut. BFA—Apparel Design.
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Page 33 text:
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DEPARTMENT OF APPAREL DESIGN THE APPAREL DESIGNER, in order “‘to assume with confidence a responsible professional career, must have: 1. A rich background in historic fash- ion; 2. Complete mastery of all the skills required to interpret that background; 3. A knowledge of contemporary trends in art and economics; 4. A knowledge of people, what they do and what they need.” Edna Woolman Chase, Editor of Vogue. The foundation of the apparel design department rests on these four points. This department attempts to fulfill the needs of manufacturers by presenting an accurate cross section of the garment industry. During the first year mass production methods are stressed, with simplicity and low cost manufacturing as the primary attributes of design. With each year, production standards rise, as does the intricacy of design, culminating in the high styling of top level work. These actual trade techniques are supplemented by equally broadening courses in fashion trends, sketching, and costume evolution, all of which give the graduate of this department a solid background for the competitive world of fashion. NELLE W. LINK Head, Apparel Design Department
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