Rhode Island School of Design - Portfolio Yearbook (Providence, RI)

Page 21 text:

RHODA FRANKLIN TRUMBULL Textile Department “Tobacco Rhoda” — Known for her Captain hus- band, handmade jewelry, green eyes, 1932 LaSalle called Bessie — Buries herself down in the Textile Design lab daily, but to worthy avail! Always knitting “little things” for friends, but one day she'll fool us! Rhoda, not an- other gardenia corsage! CHARLOTTE WILLIAMS Costume Department Politeness costs nothing and gains everything. Turns out costumes created by a designer’s heart, mind, and hands. Aspires to play the role of a New York designer. Worries over the entire costume department, helping people along, and usually ends up doing the work herself. Ho hum, serves her right for being so energetic. DORIS (Dot) WALKER Uses her Maine lingo to advantage in letting loose that witty tongue. Dot’s styling trademark is ruffles-and-frills — Waiting for commencement so that she and Charlie can plan a July wedding. Adores being called ‘Dorothy’. The elusive type — Passion for purple — Costume Department MARJORIE WING The little bug. “Did you say Hyannis?” she spends her nights in the Interior Design Studio, so Interior Architecture Department We suspect seldom is she seen away from her desk. Knows someone in every town you mention — A few more trips to Pink- ham Notch and she'll have a part ownership in the place! Small, blonde—

Page 20 text:

ELIZABETH (Betty) SHIPPEE Industrial Design Department Blithe Spirit from the Johnnycake country. Volatile expressions for every occasion. Says Betty, “My life is an open book, but some of the pages are stuck together!” Has serious spells delegated to writing poetry and such. Amber eyes, forever— ERNA STRASSER Landscape Architecture Department Practically a permanent fixture at her drawing board. Brain of the Physchology class, but could stand improve- ment in the culinary department. A continental tang to her speech — the Mystery Woman. MATHEW (Matt) SIOK “Gonna crush dat rock, boys!» — the Orson Welles of the Sculpture Studio. Firmly believes that Man is Woman’s greatest asset. Pillar of the Camera Club, and favorite model? Anna Tefft, of course! Determined jaw— Sculpture Department ANNA TEFFT Textile Department Ann caused a mild furor this year by chopping off her renowned long tresses. Upholds the one about “still waters running deep” — Dreams up some bizarre sub- ject matter for her textiles. Standby model of the por- trait class. Also “Knows a boy named Matt”—

Page 22 text:

MILDRED (Millie) WOODROW Art Education Department T eacher-training is her concern Five long years she’s here to learn. Side-line hobby, don’t you know? Blouses, dresses; can she sew! As for finding ticklish situations, She’s in one on every occasion. That’s Blackboard-drawing Millie of Art Education! BG? Music and words by WILLIAM SMALLEY and PETER USTAS Oh, gather here, oh, gather now, School of Design, let’s sing. It takes a chorus of old friends To make the echoes ring. Oh, gather boys, oh, gather girls, Come join our song of praise, For singing brings nostalgia That will linger all our days. Blend your voices, sing of days At our School of Design, Melody of joys and hopes And friends of Auld Lang Syne. The years will pass and we may find When we review the past, That fast and clear within our minds, These years at school will last.