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Page 35 text:
“
ChrUtmos. 1960 — Hondel's Me lah” Oolden Door. 19 2 ll wo} a thrilling oxperionco to work night and day with ooch other, trying to perfect our presentation for the public. From ups ond downj of rehearsals to tho borrol for props — oil of If was my heaven. I was completely hoppy and thankful that it wat I who was at Regina. The class was exhausted but hoppy with the success of our first presentation. Cathy Hanson Tonight was our dross rehoorsal for Tho Golden Door Whot a long woy we've come from those first practices! Coming to the now school for practice before it wos finished is something I'll never forgot. The building was so new, and smelled of point, ond wood, and dust. The rooms that ore so fomillor now were all strange and dark. I guess we really foil privileged to use the new Regina before ony-ono else. The ploy, too, wos entirely different then, Only the first act ol the script hod been completed. Tho dance numbors were |ust names — woitlng patiently for an Imaginative choreographer,- the script just words, lacking actors and action; the songs unfamiliar; the sconory. all left to the imagination. Then, after weeks of the Sisters' ond students' time, patience. ond grueling reheorsols. (which no one would hove missed for the world', it wos suddenly there — music, script, stops, action, ond even scenery - completed! Karen Rasmussen O My Darling Clementine . . 1962 MARY BABCOCK KATHY CHAMBERLIN
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Page 34 text:
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It's or»c thing to bo a member of a school, and It's another to bo a contributing and grotelul mombor. I know that just from those practices day oiler day I became more aware ol just how lucky I am to be called a Regina girl . Rita Markham I have ployed o variety ol roles In the ploys ot Regina In tho post throe years, from a Japanese woman to Saint Joseph, but thh one is the end Today Fronkle and I found out that we have to pantomime a love scene (with our backs to the audience, thank goodness), while the chorus sings, My Blue Heaven ! It really wouldn't be so bod, I guess, if Frankie didn't hove to be in tho next scene in a completely different costume. There we sit, trying to look like wo aro In love with ooch othor, while sho Is getting roody for tho mod dash of changing. We'll moke it though, because thoro's no business like show business ! Pot Skubk JOAN SWANSON . . . Show Business . . . 1959-63 RITA MARKHAM RITA MARKHAM Drama 3 GAA 1. 3. 3. 4 JC-CA 3, 4 Ploy 1. 3. 3. 4 Contoci-TC 1. 3. 3. 4 JOAN SWANSON Choru 1. 3, 3 Coronet I. 3 JC-CA 3, 3 Contoct-TC I, 3. 3. 4 MARY BABCOCK Art Club 3 GAA 4 CKoru I JC-CA I Ploy. 3. 3 Contoct-TC 4 Teen Board Representative KAREN RASMUSSEN Art 1, 3 Chorus I. 3. 3. 4 Dromo 3, 4 GAA 1. 3. 4 JC-CA I. 3. 3, 4 Orchestra 1. 3, 3, 4 Spanish Club 4 Ploy 3 Contoct-TC t. 3. 3, 4 IYN REVAK National Honor Society 4 TRIO Editor 1 Chorus 1. 3. 3. 4 JC-CA 1. 3. 3 Sponish Club 4 Honor Reodlng 3. 4 Ploy 3. 3 Contoct-TC I. 3, 4 KATHY CHAMBERLIN JC-CA 3. 3 GAA I Dromo 3 Play 3. 3 Contoct-TC I. 3, 3. 4 Chri.tmo . 1959 Will the ''real Sister Boptitta pleas stop forword? — Founder Day, 1962 32
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