Racine High School - Kipikawi Yearbook (Racine, WI)

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numlrm ll . , ., 4., ,.. u ,. ,A,.. ,,A,,,4,.. .W . .. mmlmmm Qi, ml ll lflllllll' ltltll lllTTTlrlllllill'llllllltill .... nu Ill ................. llllllllllll ....... ur.. 1 r i 3E 1f: 1 i i i : r 2 ....... III ......... ....!!!lIIII .....l l......l.- u. .1I,..... hringing them under the influence of one's own personality. p SANDELIN: That's enough. The rest of you clear out. That will be all for now. I wish to speak to everyone who has been assigned a part. CTO the by- Jmndfry, impatientlyj What are you standing there for? Ornaments? Hurry up! QA!! the raft afyemble on the' flags and give alte1zti0n.j Cf:07'LZ'i1'LlLi7lg,D As you all lmow, this play, by our renowned play- wright, Watlewitz, was chosen in pre- ference to many others. The Stolen W0odp1'le hy XVinfleld Foster and The Loft Cord by Arthur Olson were lmoth rejected. Therefore, we must make this play a masterpiece. In order to do this, we must have to co-operation of every character. KSILOYUETJ of Ye'a'.f and Righfo'.r from the caJt.j Now that We have secured the best of talent procur- able, we are sure ofsuccess and - What's the matter? Turn on the gas -I can't talk in the darkl CGiggleJ from Ihr ftage and than the mire of the electrician, jamef Lilmrif, comexfrom lhe rmrj LIBARIS! The wire's broke. SANDELIN: Fix it. LIBARIS: Can't! SANDELIN: All right then. I'l1 finish my speech at the next rehearsal. Every- one be on time! f A- 'H '0 ,an I y all ll My Q, . .Z 2

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N lllllllllll ' ':'L1 W :51E 'Ill llV 'ii .1 fl I-' Ill' If lull 1 llllllllllltllll llttlli?:ll'fflllYZlI-'lhligilliiilllll W 'l l'll l'l' llillll .-:1 2 :1A. llizz E :1.::,, iii, :.1e umm mmlmunn lllllllllllllllli llml .'s:,.2: and leave: the :tagej CTO Chadwickj Show in the flower girls nowl tLuella Scherbel, Ruth Nel:on, Flor- ence Gai:er, Ruth Bye, and Vivian Davie: trip in, throwing paper flower: at eoeryone.l SANDELIN: You look pretty good to meg can you sing? flmmediately a howl ari:e: from the girl: and Sandelin hold: hi: ear:.D SANDELIN: Enuflil tlndicating Vivian Davie:j I'l1 take you. The rest of you beat it. Now we're coming to something decent. tCalling of :tage,D Bring in the lawyers. tDick Smith, Marvin Shover:, Bert Elli:, and Wiley fohn:on come out, each bearing a huge roll of formidable looking document:.j SANDELIN: Now bow and say, Your honor and gentlemen of the jury. SHOVERS: Your honor and yentlemen of da youryl SANDELIN: Fade away. This is no comedy. Nextl fBert Elli: bow: far- too far, in fact: butforget: the word:.j SANDELIN: Next! WILEY IOHNSONZ I'd rather say, Ladies ofthe jury. SANDELIN: Who are you talking to? Nextl DICK SMITH: Your honor and gentle- men of the jury, I've come before you to-day to plead the cause ofa fair maiden. SANDELIN: You're good. Sob stuff. Hirecll tTo Chadwickj Show in the book agents. We want a snappy line of talk now. tyerna Sommer:, Alice Moore, Helen Homan, and France: Allen walk :edately in, France: trailing at the end.l SANDELIN: I want some business-like looking lady with a pleasant smile and a charming personality. Let me see you address a school principal to whom you wish to sell a revised edition of Woolley. FRANCES ALLEN: Sir, here I have a remarkable hand-book - of- tShe gig- gle:.j SANDELIN: That's enough. I want a pleasant smile. Nextl HELEN HOMAN: Oh my dearsir-y0u- SANDELIN: I want a business-like lady. You tpointing to Alice Moorej look too frivolous. Next! Uferna Sommer: a::ume: one of her u:ual nonchalant expre::ion:.j You have a nose for busi- ness. Hiredl C:ighing remini:cently.j Ah, now we want to see the children. The dear carefree lads and lassies, how I wish I were a school boy once againl CHarriet Daw:on, Oroin Klema, Herb Falkenrath, E:ther Hau, Edith Peter:on, and Ted Merriman romp in boi:terou:ly, gather around the director and beg him to play Ring Around the Ro:y with themj SANDELIN: tSte1'nly.j Children, you do not seem to realize the tremendous importance of this. tThe children fall back into the wing:.j Come, now, sing a song for me. Nothing is so pleasing as a chorus of children's lusty voices. TED MERRIMAN: Please, mister, we don't know nothing. SANDELIN: Well, then, I want you to make a hop skotch and see how grace- fully you can hop. CThe children im- mediately draw a huge :quare on the :tage and proceed to play. No one :uc- ceed: in hopping farther than the jir:t :quarej SANDELIN: tLo:ing patience,D Come, now, children, what can you do? CHILDREN: Qln uni:on.J We-can- eatl SANDELIN: That certainly is a novel accomplishment. Well, I guess you'll do. Call in the school teachers now. tRuth Kri:teriu:, Mary Margaret Grijith, and Eleanor Burge:: come tripping in.j Humphl I wonder what kind of teachers you would make. You tindicating Mary Margaretl-do you believe in super- vised study? MARY MARGARET: CAirilyj Dear me, I really don't know. SANDELIN: tLookingjixedly at Eleanorl What's your idea on the subject? ELEANOR: I will have nothing to do with it. SANDELIN: tPointing to Ruthj Well, what do you think? RUTH: CRapturou:ly.j Oh, my dear sir, of course I believe in supervised study. It affords such a wonderful opportunity for helping the Children by

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