Racine High School - Kipikawi Yearbook (Racine, WI)

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N lllllllllll ' ':'L1 W :51E 'Ill llV 'ii .1 fl I-' Ill' If lull 1 llllllllllltllll llttlli?:ll'fflllYZlI-'lhligilliiilllll W 'l l'll l'l' llillll .-:1 2 :1A. llizz E :1.::,, iii, :.1e umm mmlmunn lllllllllllllllli llml .'s:,.2: and leave: the :tagej CTO Chadwickj Show in the flower girls nowl tLuella Scherbel, Ruth Nel:on, Flor- ence Gai:er, Ruth Bye, and Vivian Davie: trip in, throwing paper flower: at eoeryone.l SANDELIN: You look pretty good to meg can you sing? flmmediately a howl ari:e: from the girl: and Sandelin hold: hi: ear:.D SANDELIN: Enuflil tlndicating Vivian Davie:j I'l1 take you. The rest of you beat it. Now we're coming to something decent. tCalling of :tage,D Bring in the lawyers. tDick Smith, Marvin Shover:, Bert Elli:, and Wiley fohn:on come out, each bearing a huge roll of formidable looking document:.j SANDELIN: Now bow and say, Your honor and gentlemen of the jury. SHOVERS: Your honor and yentlemen of da youryl SANDELIN: Fade away. This is no comedy. Nextl fBert Elli: bow: far- too far, in fact: butforget: the word:.j SANDELIN: Next! WILEY IOHNSONZ I'd rather say, Ladies ofthe jury. SANDELIN: Who are you talking to? Nextl DICK SMITH: Your honor and gentle- men of the jury, I've come before you to-day to plead the cause ofa fair maiden. SANDELIN: You're good. Sob stuff. Hirecll tTo Chadwickj Show in the book agents. We want a snappy line of talk now. tyerna Sommer:, Alice Moore, Helen Homan, and France: Allen walk :edately in, France: trailing at the end.l SANDELIN: I want some business-like looking lady with a pleasant smile and a charming personality. Let me see you address a school principal to whom you wish to sell a revised edition of Woolley. FRANCES ALLEN: Sir, here I have a remarkable hand-book - of- tShe gig- gle:.j SANDELIN: That's enough. I want a pleasant smile. Nextl HELEN HOMAN: Oh my dearsir-y0u- SANDELIN: I want a business-like lady. You tpointing to Alice Moorej look too frivolous. Next! Uferna Sommer: a::ume: one of her u:ual nonchalant expre::ion:.j You have a nose for busi- ness. Hiredl C:ighing remini:cently.j Ah, now we want to see the children. The dear carefree lads and lassies, how I wish I were a school boy once againl CHarriet Daw:on, Oroin Klema, Herb Falkenrath, E:ther Hau, Edith Peter:on, and Ted Merriman romp in boi:terou:ly, gather around the director and beg him to play Ring Around the Ro:y with themj SANDELIN: tSte1'nly.j Children, you do not seem to realize the tremendous importance of this. tThe children fall back into the wing:.j Come, now, sing a song for me. Nothing is so pleasing as a chorus of children's lusty voices. TED MERRIMAN: Please, mister, we don't know nothing. SANDELIN: Well, then, I want you to make a hop skotch and see how grace- fully you can hop. CThe children im- mediately draw a huge :quare on the :tage and proceed to play. No one :uc- ceed: in hopping farther than the jir:t :quarej SANDELIN: tLo:ing patience,D Come, now, children, what can you do? CHILDREN: Qln uni:on.J We-can- eatl SANDELIN: That certainly is a novel accomplishment. Well, I guess you'll do. Call in the school teachers now. tRuth Kri:teriu:, Mary Margaret Grijith, and Eleanor Burge:: come tripping in.j Humphl I wonder what kind of teachers you would make. You tindicating Mary Margaretl-do you believe in super- vised study? MARY MARGARET: CAirilyj Dear me, I really don't know. SANDELIN: tLookingjixedly at Eleanorl What's your idea on the subject? ELEANOR: I will have nothing to do with it. SANDELIN: tPointing to Ruthj Well, what do you think? RUTH: CRapturou:ly.j Oh, my dear sir, of course I believe in supervised study. It affords such a wonderful opportunity for helping the Children by

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llllIlllf ' A : it E2iE2:iil:E:11:E32ii E:EEiEg 2 igiiiiea ' Hmllll mlllllllllll ll ll l ll! Ill ii1t:'lli'f!i4fl'll.?'tl.llllittfll ll Cllarvard Carroll, Earl Fredrickwn, Arthur Ol:on, and Wallace fohanning, ru:h in and :top abruptly, :tumbling over each other in their frenzied efort: to find the heroine.j SANDELIN: Well, that might pass in the dark. Let's hear you say, Foiledl CA!! try to oblige the director, u:ing their be:t facial exprc::ion:.j HAIWARD CARROLL: CWith a depth of pa::ionate feelingj Foiledl SANDELIN: CTO Ilarvardj You're hired. All the rest of you'd better clear out. We're going to have something real now: no imitation about our ministers. QKenneth Kehl come: in, walking :lowly and with much dignity. Ile ha: hi: u:ual :anctimoniou: look on hi: face. Rufu: King al:o arrive:, dre::ed in a tweed :uit and twirling a walking :tick. Behind him walk: David Buchta in a :wallow tail coat and a high hat.j SANDELIN: Say, you, Cpointing to Rufu:l what do you think this is? No- body'd ever let you tie their knot if you were dressed like that. Fade away, please, and you tto Buchtaj why you look like head lettuce. Now you findi- cating Kenneth Kehlj seem to know what you're doing. Nothing superhcial about you. You're hired. tWi'n.7ield Fo:ter and Marvin Hintz are :een :hifting :cenery in the background, while Randolph Kreul diligently du:t: one :pot on a box with the expectation of being :eated before going about hi: work.D SANDELIN: CWringing hi: hand: in de:pair.D For the love of mud, bring me in something decent now. I haven't got any more time to waste. I want some spinsters - real nice bony, old-fashioned girls. fRuby forgen:en, Grace Cahoon, and Lorraine Olle come :talking in, rolling their eye:.j SANDELIN: QRegi:tering approvalj Fine! Any of you would do. Here I'Il take you Cpointing to Lorraine Ollej. You don't seem to know what to do with your hands and feet. Here's hoping the appli- cants for the Policemen's chorus are as true to type. Where's that apple that wanted to be the leader? CEdmund Gilday come: in and jump: back and forth acro:: the :tage. He brandi:he: a huge magnifying gla:.f and wear: green :pectacle:. The critic: :ud- denly awake became of the reflection of gla:: pa::ing over their eye:.D CRITICS: A vivid characterization. SANDELIN: Oh, all right. Have it your own way. QThe re:t ofthe policemen come ru:hing in, frantically :earching under the rug: and the cu:hion:, and behind picture: and wall-paper. They are Bernard Schulz, Lewi: Payne, Walter Lindh, Leo fert:en, Bernhard Strand, Felix Boyak, and Ger- ald Nel:on. A: :oon a: they hear the voice ofthe director, they :tand at attentionj SANDELIN: You're hired. Every one of you. It's a long time since anyone paid so much respect to me. CAV racket i: heard in the wing:, and Robert Bane come: noi:ily in.j ROBERT! I call this an outrage, sir. Me - I mean - I - a loyal subject of his Majesty treated thusl I tell you, sir, your workmen ought to be discharged. SANDELIN: tGe:ticulating weakly.j Say, you're the deaf and dumb waiter. Anything to shut you up. Bachelors, you're nextl tRoy Poul:on advance: to the center of the :tage and :trike: a manly attitude.j SANDELIN: Too good looking. You'd have been snapped up long ago. Next! tWilmer Davi: come: in timidly.D SANDELIN: No good. You're a fake. You've been married. Next! CVincent Olle marche: in, looking neither to the right nor to the left.D SANDELIN: Ah, here at last is the per- fect bachelor. I have searched for such a type my whole life time. My work is repaid. Fortune has sent you to mel tTo Chadwickj Now the long-haired poets. Bring 'em out. Cfimmie Anderzron and Colville Owen are e:corted to the :tage. They are cujed and weepingj SANDELIN: Who told you to cry? QTO Ilimmiej Say, your hair's curly. Good- iye. CTO 0wen,j You're better than nothing, only stop crying. I won't hurt you. Q0wen. bur:t: into another fit of tear:

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numlrm ll . , ., 4., ,.. u ,. ,A,.. ,,A,,,4,.. .W . .. mmlmmm Qi, ml ll lflllllll' ltltll lllTTTlrlllllill'llllllltill .... nu Ill ................. llllllllllll ....... ur.. 1 r i 3E 1f: 1 i i i : r 2 ....... III ......... ....!!!lIIII .....l l......l.- u. .1I,..... hringing them under the influence of one's own personality. p SANDELIN: That's enough. The rest of you clear out. That will be all for now. I wish to speak to everyone who has been assigned a part. CTO the by- Jmndfry, impatientlyj What are you standing there for? Ornaments? Hurry up! QA!! the raft afyemble on the' flags and give alte1zti0n.j Cf:07'LZ'i1'LlLi7lg,D As you all lmow, this play, by our renowned play- wright, Watlewitz, was chosen in pre- ference to many others. The Stolen W0odp1'le hy XVinfleld Foster and The Loft Cord by Arthur Olson were lmoth rejected. Therefore, we must make this play a masterpiece. In order to do this, we must have to co-operation of every character. KSILOYUETJ of Ye'a'.f and Righfo'.r from the caJt.j Now that We have secured the best of talent procur- able, we are sure ofsuccess and - What's the matter? Turn on the gas -I can't talk in the darkl CGiggleJ from Ihr ftage and than the mire of the electrician, jamef Lilmrif, comexfrom lhe rmrj LIBARIS! The wire's broke. SANDELIN: Fix it. LIBARIS: Can't! SANDELIN: All right then. I'l1 finish my speech at the next rehearsal. Every- one be on time! f A- 'H '0 ,an I y all ll My Q, . .Z 2