Racine High School - Kipikawi Yearbook (Racine, WI)

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llllIlllf ' A : it E2iE2:iil:E:11:E32ii E:EEiEg 2 igiiiiea ' Hmllll mlllllllllll ll ll l ll! Ill ii1t:'lli'f!i4fl'll.?'tl.llllittfll ll Cllarvard Carroll, Earl Fredrickwn, Arthur Ol:on, and Wallace fohanning, ru:h in and :top abruptly, :tumbling over each other in their frenzied efort: to find the heroine.j SANDELIN: Well, that might pass in the dark. Let's hear you say, Foiledl CA!! try to oblige the director, u:ing their be:t facial exprc::ion:.j HAIWARD CARROLL: CWith a depth of pa::ionate feelingj Foiledl SANDELIN: CTO Ilarvardj You're hired. All the rest of you'd better clear out. We're going to have something real now: no imitation about our ministers. QKenneth Kehl come: in, walking :lowly and with much dignity. Ile ha: hi: u:ual :anctimoniou: look on hi: face. Rufu: King al:o arrive:, dre::ed in a tweed :uit and twirling a walking :tick. Behind him walk: David Buchta in a :wallow tail coat and a high hat.j SANDELIN: Say, you, Cpointing to Rufu:l what do you think this is? No- body'd ever let you tie their knot if you were dressed like that. Fade away, please, and you tto Buchtaj why you look like head lettuce. Now you findi- cating Kenneth Kehlj seem to know what you're doing. Nothing superhcial about you. You're hired. tWi'n.7ield Fo:ter and Marvin Hintz are :een :hifting :cenery in the background, while Randolph Kreul diligently du:t: one :pot on a box with the expectation of being :eated before going about hi: work.D SANDELIN: CWringing hi: hand: in de:pair.D For the love of mud, bring me in something decent now. I haven't got any more time to waste. I want some spinsters - real nice bony, old-fashioned girls. fRuby forgen:en, Grace Cahoon, and Lorraine Olle come :talking in, rolling their eye:.j SANDELIN: QRegi:tering approvalj Fine! Any of you would do. Here I'Il take you Cpointing to Lorraine Ollej. You don't seem to know what to do with your hands and feet. Here's hoping the appli- cants for the Policemen's chorus are as true to type. Where's that apple that wanted to be the leader? CEdmund Gilday come: in and jump: back and forth acro:: the :tage. He brandi:he: a huge magnifying gla:.f and wear: green :pectacle:. The critic: :ud- denly awake became of the reflection of gla:: pa::ing over their eye:.D CRITICS: A vivid characterization. SANDELIN: Oh, all right. Have it your own way. QThe re:t ofthe policemen come ru:hing in, frantically :earching under the rug: and the cu:hion:, and behind picture: and wall-paper. They are Bernard Schulz, Lewi: Payne, Walter Lindh, Leo fert:en, Bernhard Strand, Felix Boyak, and Ger- ald Nel:on. A: :oon a: they hear the voice ofthe director, they :tand at attentionj SANDELIN: You're hired. Every one of you. It's a long time since anyone paid so much respect to me. CAV racket i: heard in the wing:, and Robert Bane come: noi:ily in.j ROBERT! I call this an outrage, sir. Me - I mean - I - a loyal subject of his Majesty treated thusl I tell you, sir, your workmen ought to be discharged. SANDELIN: tGe:ticulating weakly.j Say, you're the deaf and dumb waiter. Anything to shut you up. Bachelors, you're nextl tRoy Poul:on advance: to the center of the :tage and :trike: a manly attitude.j SANDELIN: Too good looking. You'd have been snapped up long ago. Next! tWilmer Davi: come: in timidly.D SANDELIN: No good. You're a fake. You've been married. Next! CVincent Olle marche: in, looking neither to the right nor to the left.D SANDELIN: Ah, here at last is the per- fect bachelor. I have searched for such a type my whole life time. My work is repaid. Fortune has sent you to mel tTo Chadwickj Now the long-haired poets. Bring 'em out. Cfimmie Anderzron and Colville Owen are e:corted to the :tage. They are cujed and weepingj SANDELIN: Who told you to cry? QTO Ilimmiej Say, your hair's curly. Good- iye. CTO 0wen,j You're better than nothing, only stop crying. I won't hurt you. Q0wen. bur:t: into another fit of tear:

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, wllllllllla 'u ll A1'A1 3i5iEE E 1EE:a3:E12':i2E5i Z::iEff2E22fg ' llmllllllllllf IQ ' llllllllllll ' l I 'ull' tie . . l t 2 rl e 1 i .. . l '1-wilI l l.'lllmlll l lllilllllttllll ll visit-it ill, ll ll nm mqmmmmi lllllll 35 .35 1:,' 253 , tilzzli 2131 ziiz num illIllllllIIIIJumillllilllllllllllgllllllllll ..s?::r: fonef a fapanefe .Mandarin coat, and laft of all Eleanor in a dazzling Jcarlet evening gown.j SANDELIN: That's enough. I'll take the one in red. All right now. CCallf 0-ff Jtagel Fairies, line up and make it snappy. QBertha Ott stumble: in, one hand on her hip and the other twisting a long chain of beadyj SANDELIN: Say, that's awfull Eugene Elkin can do it as well. Nextl All march out, and try a little acting. fMarjorie Sooboda, Laura Krauf, Doro- thy La Londe, Francef Corbett, Rofe Man- tell, Elizabeth Iflfalker, and Ruth Tidyman toddle gracefully on to the ,rtagej SANDELIN: Hey, you with the jade earrings, act a little more dramatic. Use some pepper-raisins, I mean. Ah, that's the girl fpointing to Elizabeth Walherj. You win the hand-painted flag pole. You're hiredl All off but Lizzie. CTO Chadwichj Now let's see the vamps. I suppose they're a bunch of prunes. Cfofeph Robotlea, Roy Hfhitley, Carl Lange, Milton Lewif, and Emil Geyer prance around the Jtage in a circle, Jhriehing wildlyj SANDELIN: Heyl Who let you dubs in? I'll have to kill that doorkeeper, Henry Kark. He's always asleep and snoring. You aren't supposed to do a goose-step. SANDELIN: CTO jofeph Robotkaj Off the stagel You look too much like a park bench. CTO Carl Lange.l You resembles a lamp-post at midnight. CEmil Geyer and Milton Lewixfleefrom the .rtage in fear. Thif leave: Roy Whitley attired in a brownifh tweed fuit, cane, golf cap, and uxing a cigarette holder fix inchef long, Jtanding in the middle of the Jtagej SANDELIN: With that telephone post in your mouth, you could do anything. You'll do. tHe turnf to Chadwiclej Now show me the aspirants for the French Maid. CEllen Rofhar and lllarjorie Afdahl appear in the wingf but refute to adzfance on the ftagej SANDELIN: Aw, come on, girlicsl Don't be afraid. That's it. Let's see you curtsy and parley-vous a little for us. CPoint- ing to .Marjorie Afdahlj. You're dainty enough. Now let's hear your French. MARJORIE ASDAHL: lTimidlyD Oh, Sir, I can't speak French. You see I never was in France. V - SANDLEIN: Humbugl Qlndicating Ellen Rofharj You talk for us. ELLEN ROSHAR: fGe5ticulating wildlyj Mais oui, Monsieur, vous etes tres bienl SANDELIN: Wonderful dramatic abil- ity. Be here when we start practices. tHe turnf to Chadwiclej Well, we've had pretty good luck with the maids. We need a little kitchen help now. CThe applicantf for the part of the Swedixh cook, Delta Sorenfen and Lucille Schulte, :talk acroff the .vtage and Jtand with their handy firmly planted on their hipf.j SANDELIN: CTO Lucille.D Now, pre- tend I'm your employer and see if you can quit your job decently. - LUCILLE SCHULTE: CWithfee1ing.H V Oh, dear, I never could give notice. Yvhen- ever my mistress would start to weep, I'd always relent. SANDELIN: You'd never do. CPoinling to Delta Sorenfenj Are you soft hearted too? DELTA SORENSEN: I should say notg believe me, if anybody gets fresh with me, it goes hard with them. SANDELIN: That's the right spiritl You're hired. CTO Chadwickj Well let's see. There's some more kitchen help in this play. The French chef. Throw 'em inl CRobbinJ Foyter and Theodore Stewart glide in, each bearing a griddlej SANDELIN: Ah, I see you are both well equipped for your jobs. Let's see vou flip pan cakes. Every real chef has to be an accomplished flapper. CBoth would-be chefx attemptflapping a rubber mat. FOIlET,I.fdllI to the floor with a thud,' Stewart turn: gracefully, balancef it in the air for a moment, and returnf it to the pan.j SANDELIN: Wonderfull An artist in- deed. Even if you are a bone-head, you can flap pancakes. All right. CTo Chadwiclej Call in the villains.

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N lllllllllll ' ':'L1 W :51E 'Ill llV 'ii .1 fl I-' Ill' If lull 1 llllllllllltllll llttlli?:ll'fflllYZlI-'lhligilliiilllll W 'l l'll l'l' llillll .-:1 2 :1A. llizz E :1.::,, iii, :.1e umm mmlmunn lllllllllllllllli llml .'s:,.2: and leave: the :tagej CTO Chadwickj Show in the flower girls nowl tLuella Scherbel, Ruth Nel:on, Flor- ence Gai:er, Ruth Bye, and Vivian Davie: trip in, throwing paper flower: at eoeryone.l SANDELIN: You look pretty good to meg can you sing? flmmediately a howl ari:e: from the girl: and Sandelin hold: hi: ear:.D SANDELIN: Enuflil tlndicating Vivian Davie:j I'l1 take you. The rest of you beat it. Now we're coming to something decent. tCalling of :tage,D Bring in the lawyers. tDick Smith, Marvin Shover:, Bert Elli:, and Wiley fohn:on come out, each bearing a huge roll of formidable looking document:.j SANDELIN: Now bow and say, Your honor and gentlemen of the jury. SHOVERS: Your honor and yentlemen of da youryl SANDELIN: Fade away. This is no comedy. Nextl fBert Elli: bow: far- too far, in fact: butforget: the word:.j SANDELIN: Next! WILEY IOHNSONZ I'd rather say, Ladies ofthe jury. SANDELIN: Who are you talking to? Nextl DICK SMITH: Your honor and gentle- men of the jury, I've come before you to-day to plead the cause ofa fair maiden. SANDELIN: You're good. Sob stuff. Hirecll tTo Chadwickj Show in the book agents. We want a snappy line of talk now. tyerna Sommer:, Alice Moore, Helen Homan, and France: Allen walk :edately in, France: trailing at the end.l SANDELIN: I want some business-like looking lady with a pleasant smile and a charming personality. Let me see you address a school principal to whom you wish to sell a revised edition of Woolley. FRANCES ALLEN: Sir, here I have a remarkable hand-book - of- tShe gig- gle:.j SANDELIN: That's enough. I want a pleasant smile. Nextl HELEN HOMAN: Oh my dearsir-y0u- SANDELIN: I want a business-like lady. You tpointing to Alice Moorej look too frivolous. Next! Uferna Sommer: a::ume: one of her u:ual nonchalant expre::ion:.j You have a nose for busi- ness. Hiredl C:ighing remini:cently.j Ah, now we want to see the children. The dear carefree lads and lassies, how I wish I were a school boy once againl CHarriet Daw:on, Oroin Klema, Herb Falkenrath, E:ther Hau, Edith Peter:on, and Ted Merriman romp in boi:terou:ly, gather around the director and beg him to play Ring Around the Ro:y with themj SANDELIN: tSte1'nly.j Children, you do not seem to realize the tremendous importance of this. tThe children fall back into the wing:.j Come, now, sing a song for me. Nothing is so pleasing as a chorus of children's lusty voices. TED MERRIMAN: Please, mister, we don't know nothing. SANDELIN: Well, then, I want you to make a hop skotch and see how grace- fully you can hop. CThe children im- mediately draw a huge :quare on the :tage and proceed to play. No one :uc- ceed: in hopping farther than the jir:t :quarej SANDELIN: tLo:ing patience,D Come, now, children, what can you do? CHILDREN: Qln uni:on.J We-can- eatl SANDELIN: That certainly is a novel accomplishment. Well, I guess you'll do. Call in the school teachers now. tRuth Kri:teriu:, Mary Margaret Grijith, and Eleanor Burge:: come tripping in.j Humphl I wonder what kind of teachers you would make. You tindicating Mary Margaretl-do you believe in super- vised study? MARY MARGARET: CAirilyj Dear me, I really don't know. SANDELIN: tLookingjixedly at Eleanorl What's your idea on the subject? ELEANOR: I will have nothing to do with it. SANDELIN: tPointing to Ruthj Well, what do you think? RUTH: CRapturou:ly.j Oh, my dear sir, of course I believe in supervised study. It affords such a wonderful opportunity for helping the Children by