Queens University of Charlotte - Coronet / Edelweiss Yearbook (Charlotte, NC)

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qvqngeqfavvn 51213 PAR LEFT Bertie tAlieta Rtgneyl and Bobby lDentss: Burchctlcl sung a ucontpcttttvu duct about their girlfriends LEFT As Club members continue the action, pages Johnny tAndteu Carey! .ind Henry 1Tln.t Chapin! watt at the bar THE CLUB Billed as A musical diversion, the spring musical production The Club - with an all-male cast of characters f reached stage in four performances, run- ning from opening night on April 25 to a Sunday matinee on April 29 Set in 1903 the play centered around one evening tn an exclusive men s club As cast member Katy Ives explatned the audi ence receives a glimpse into the life of men at the turn of the century their ideas and beliefs and especially their view of wom en Director Jane Hadley described The Club as a gentle satire of the chauvimsttc It QQ' man: it is. really, a woman making fun of men who make fun of women. The produc- tion featured songs from the period 1894- 1905, ranging from Come to the Club To- night to Dreams of a Rarebit Fiend. Playing men wasn't always easy for the all female cast they had to be backstage at least two hours before curtain time to be in makeup and as Katy Ives put it tWeJ sing in an unmascultne range The Club was directed by .lane Had ley with musical direction by Dr Mary Nell Saunders and choreography by Don Brown Spring Musical 29 l St 9 F' I J'