Presque Isle High School - Ship Yearbook (Presque Isle, ME)

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fosie is one of our favorite juniors. She has a most charming persona 'ity and she always has a may of making friends. In her theme The Art of Killing Time she portrays one, jo Anne Lovely, in real life. It isn't harcl to picture the scene of the theme. It is easy to see that Iosie will have good luck in the future. THE ART OF KILLING TIME This art which I have acquired recently has proven very helpful when used the correct way. Of course when this cleiicate art is abused it can become extremely harmful. fTake it from one who knows. I received a book on the side of the head. . . Sears and Roebuck at that, when I was stalling and my short-tempered brother was in a hurry., I am usually very successful though, provided conditions are in my favor. Here is a good example of careful maneuvering. The time is about 6: I 5 P.lVI. We are just finishing supper when the telephone rings. That's probably for mel I say jumping for the receiver. No, it's for me, AIIen's suppose .... With the usual scramb'e, Dana gets to the 'phone just a second before me. Hello, answers Dana. Hi, replies the voice. Is this vou, Dana? Ya, my brother says: then turning to me, See, I told you. The conversation continues, while I lounge in a chair with my feet dangling over the side. Soon the session ends with Dana's saying, Oh, I'II see you in a half an hour. I pricked up my ears, Are you going to town ? Yes I 2:Wel'! You could have at least told me. Perhapsl would like to make a few p ans. I called up I..i1 and she said to come down about seven or after. There now, I'll be there too early. Well. I'll fix that! This question always ca'Is for an argument. Dana, may I wear your V-necked sweater? No, the last time you wore mv plaid jacket, and when I wore it again, everybody thought I was wearing your clothes. PIease. ll 'l . Well, this goes on and on, in the end I run upstairs without the sweater and a voice behind me says, You can also bring my sportshirt down that you wore a week ago. At this time it is 6:35, I was hurrying andl ran downstairs. There I am all ready and it is only 6:40! We final'y get out in the car, all ready to go. Oh, Dana! I have forgotten my hankyln At 7:00 P.lVI. on the button we drive through Main Street in the brightly lighted little city of P.I. Dana has a scowl on his face and I, a smug look of triumph. ' .Io Ann Lovely '47

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A junior can loolg at Life, I suppose, but isn't it more restful to look at Eloise? She hardly ever gets mad, until some inquiring individual asks her if she uses peroxide. The answer is NO, dejinitelyl I lvouldvft advise anyone to bring up the subject unless he has connections with foe Louis or Billy Conn! A JUNIOR LOOKS AT LIFE Yes, some juniors look at LIFE to know what is going on at the present time: still others look at it and find many of the things amusing: and last of all some juniors don't look at LIFE. This is wrong. for instead of reading funny books, they should begin to take some interest in this world of ours. Oh, yes, I know many of the everyday happenings in LIFE are horrible, but many thinvs in LIFE are pleasant and good For myself, I feel that it is my duty to look at LIFE, so that I may see what is going on in the world of today and strive to correct the mfstakes of today and make the worl:l of tomorrow a better place to live in. If we look at LII-'E and see the poor starved people of Europe, we would under- stand why our generation wants to change all this. When you have looked at them, slowly tuxn the pages of LIFE and' see the extreme opposte of these poor people. See the movie stars. Look at the splendor of their homes. Look at their magnificent and beautiful clothes, and then stop and think. Why shoud they have ro much while other people starve? It's all in LIFE. There are manv good things in LIFE too. Everything is not cruel. There is not always a murder and a slaughter of in:io'ent people. But if you don't look for the good thinrs in LIFE, you won't find them. ' I know of many juniors, who. if asked about LIFE could' not tel you anything about it. But you will never stick me, for I lfnow what it is: It's a magazine w'th articles, and pictures, that vou can huv on any news-stand throughout the country for only ten-cents! Yes, sir, that's LIFE! Eloise Peterson '47 In the theme Why Tallr When You Can Listen , Arline Hartt ill'1st'ates her point of view on si'ence'. I think we all can agree that she is more than 9fl0, per cent right. Arline has proved to us that she rates at the top of the list as a theme-writer. All the best of luch in the future, Arline. WHY TALK WHEN YOU CAN LISTEN There was once a famous general who could remain silent in seven different lan- guages. Although this se-ms rather sil'y it definitely has its points. When we listen to the aimless chatter of the many people whom we hear day after day, we often wondier how they can talk so much and say so little. This does not aoplv exclusively to girls. Did you ever listen in on a conrersation of boys? If you have, you understand what I mean. People seem to think that the only reason they have a head is so that they can lis- ten and tell someone else what they've heard. Did you ever see a really briiliant person in a group dissussion? He doesn't talk much, but just sits the e listening to the other people's points of view. Then when he does say something, it carries weight. Socrates, the great philosopher, said, Know thyself, but you can't really know yourself if you talk all the time. All the world loves a good listener. You learn much more from listening than you ever do, or will, from talking. The next time you are in a group discussion, listen instead of talking. Who knows what you may learn? Arline Hartti '47

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Avis Zippel, more commonly known as Zip for even Carmen Mirandal, has been the enlightening subject of our four years in hfgh school. She has been active in most clubs and committees, especially as Crinds Editor of the Log and Sh?p . Her theme The lnhuman Comedy was written in the strictest of conhdence that the boys should never know what we girls do when we stay at home and study. l THE INHUMAN COMEDY Tonight weibring you Benny Goodman in a half hour of music. The first number will be the ever popular Begin the Beguinef' Goodman goes into his song and I go into my dance but not for long. Avie, calls mother fshe's all of three feet awayj, have you seen that book Sylvia lent me? It was on the mantle yesterday. It's in the book closet, I answer. Parents are such children. And to myself I think-- It wasn't yesterday, it was last week. ln the meantfmeA iBenny has left the Beguine far behind and is fast doing part two of Gotta Be This or That. This is one of my favorites so I kick off my loafers. curl my lanky shanks in their beat jeans around the back of the sofa and' settle down. I fee' quite comfortable now. An upsidie-down position is an excellent way to relax 'and besides, I like it. My unfinished chemistry workbook looks terribly blank as I try to decide the reaction of sodium on water. Lemme see. It yields hydrogen and sodium hydro-hydro-hyde ...... Oxygen? Nope. Dioxide? Nope? Oxide? Hydroxide? That sounds reasonable. Sodium hydro- xide. Yep, that's it. , Kay had a sweet sweater on --in chem today. It would be super with a real flashy plaid skirt. If I got a vellow sweater it would be super with a shirt like 'Patisl I wish I had my plaid slac,ks'back. I haven't anything to dress up in. And with that - huh? For me? .lust a 'seo.! l1 ' - ' M hTelephone calls are so exciting. They break the monotony of study, the radio, and ot er. - Hello? Who? Oh! Oh, ves! How are you? !-Iaven't seen you in ages - not since Katie's party. She what? Oh, yes! When? Seven? Yes, I guess so. Sure. She's beat! Huh?mXeEbnL,Sure! What? Her? She'l' .......... No, I don't! Do you? l thought, notawreepsl 'I gotta cut - it's time for Como. See you then. 'Buyln ' Frantically I dash back in time to catch, the closing strains of Goodmans theme song - Let's Dance. Well, Benny old boy, it was nice knowing you but I've got to catch Perry Como. I twist the dial but Como no como. fl couldn't help itj Dad picks this crisis in my life to enter with the cat which he is supposed to be letting out. Sudden'y, Perry bursts forth with, Homesick','Tiiai's All. 'ifsomethingwrong with that radio, decides Dad, dumping the cat into my arms. He disappearsvbehind the radio and is lost forever. . P Temptation was never like this, I murmur as Como subsides behind a symphony of static. Blessedly the 'phone rings and I stump off to answer it, carrying the docile cat in my arms. 4 1 Police Department. Plan to meet your friends here for an evening of fun and amusement. Shoot! Oh, hi, Jean! Yeah! Oh, that's just Dad fixin' the radio. She no go. just Perry Como. Yeah, just! Nope, not a thing. I'm just spending a quiet evening home .......... studying. I Avis Zippel '46 H