Pratt Institute - Prattonia Yearbook (Brooklyn, NY)

Text from Pages 1 - 84 of the 1986 volume:

ah SSN ins eae ettiy ISCIDIMOYL Administration Liberal Arts Foundation Engineering Communications Design Food Science Construction Management Fashion Fine Arts Computer Science Film Photography Architecture Math Science Industrial Design Interior Design Art Education Student Government Senior Photos Credits 10 12 16 20 24 28 32 42 46 48 52 56 60 62 78 ouvurunis ydasof juawaspupy snduvy sof dA preyynog ‘{ uyof sarza4ag sainduioy 40f TA oxeuzzy ‘{ ydosof sunffy wusaixg 40of TA Burzurpy uyof saoasag juapnys sof TA If WeId Vospseyory Juapisadg :wono 0) doy wosy LIBERAL ARTS | PASTEURIZED HOMOCENIZED VITAMIN p MILK “To-morrow, and to-morrow, and to-morrow, Creeps in this petty pace from day to day To the last syllable of recorded time; And all our yesterdays have lighted fools The way to dusty death. Out, out brief candle! Life’s but a walking shadow, a poor player That struts and frets his hour upon the stage And then is heard no more. It is a tale Told by an idiot, full of sound and fury, Signifying nothing” — William Shakespeare “Tomorrow!” — Annie Hamid K. Ahmad Zikri Ahmed yub M. Amani Assadourian Sarjit K. Bardhan Robert Barrett Peter H. Basch Eleanor Baum Karl I. Beitin Charles Birnstiel Robert E Borg Tsu-Chung Chen Mark Elkins Ali Fathy Diakoumis P. Gerakoulis Morton B. Herman Esmet Kamil David J. Kettler Belkacem Kraimeche Herman Y. Krinsky Ramasmy Krishnan Joel H. Levitt Haroun Mahrons A. Q. Mohammad Aziz Mureebe Richard C. North Daniel R. Raichel Robert T. Ratay John J. Razukas John T. Rice Elliot Rothkopf Victor Wu Constantine Yapijakis Finally, the end. I made it. Emotion hits me as I rise to receive my diploma. Tears? Ha! Oh how I will miss so many things. Those tormenting hours of “cramming” in the library. That wonderful little nightmare, you know the one, where your calculator gives up during a statics exam. Ah yes, and the classrooms — so comfortably air-condi- tioned in the middle of winter, tropical in the dogdays of spring. Adieu Physical Elec- tronics! Goodbye Bursar! (a very special sentimentality occurs when I think of not seeing the Bursar ever again ). Thank good- ness there are no pockets for a calculator in a cap and gown. The sheepskin hits my hand. It is heavy. Heavy with the feeling of accomplishment — like when you finish a big project, or finally grasp a theory that once seemed completely incomprehen- sible. Heavy with the feeling that I have survived, and through it all, I have learned. ! aerospace lectrical en- Ing on their @ Graceful Sculpture: the c lot 3SYOW Hayy 16 Red 0326 no eet ae Bay. Ce Y, “a 57) Le P5% 2 tug ek eee G vain Ny. Deke Joey L sc ie cd Be Xe ss oN ag Ur “ 2 i) ge D, NG vate SD) 1 5 ee 1 keg ie reins Sinks fee Cp Ce, é Cee 4 : 446, Cog” Map “ “Ny 4 'O. fe edy. 2 TV e Ly, OY OA CG: kes Cc ap ee “Doe Yap. i % JS� , Coys Ly ley, a ei e Mies ey yy ( “2, Pad ting Orr, ong Man 7, ae %, dey, of Steg’ eas Rep “eaeg ae Maen . Eg, see, ee § Big, qT Lap ioe este beg Les, Uo Le a ieee le fog. pitas ee. p Ma On ies Qa, os Stop. Me , CA. KO Sy in Sr “ag, Wey, Mo. ea ye Zacy mien Mop: Mon “shen Os 455 Da, “ox. Mayes Black-2¢ ® OCess e _ 3o0e Lorem ipsum dolor sit amet, consectetuer adipiscing elit, sed diam nor euismod tempor incidunt ut labore et dolore magna aliquam ert voulp enim ad minim veniam, quis nostrud exercitation ullam- corper. Lorem ipsum dolor sit amet, consectetuer adipiscing elit, sed diam nor euismod tempor incidunt ut labore et dolore magna aliquam ert voulp enim ad minim veniam, quis nostrud exercitation ullamcorper. Lorem ipsum dolor sit amet, consectetuer adipiscing elit, sed diam nor euismod tempor incidunt ut labore et dolore magna aliquam ert voulp enim ad minim veniam, quis nostrud exercitation ullamcorper. Lorem ipsum dolor sit amet, consectetuer adipiscing elit, sed diam nor euismod tempor incidunt ut labore et dolore magna aliquam ert voulp enim ad minim veniam, quis nostrud exercitation ullamcorper. Lorem ipsum dolor sit amet, consectetuer adipiscing elit, sed diam nor euismod tempor incidunt ut labore et dolore magna aliquam ert voulp enim ad minim veniam, quis nostrud exercitation ullamcorper. aliquam ert voulp enim ad minim veniam. 19 Food for thought. At Pratt, Nutrition and Dietetics majors all take Food 1. But here, the similarity ends. The diversity in this department extends from management to therapeutic and clinical services. Take Nutrition Week for example, students prepared a variety of international cuisine and enjoyed both the delicacies and the nutritive value. Perhaps you could say the heart of the department is Professor Orta. His princi- ples and integrity touch all students in the department, giving depth to the science of food. Giving it flavor. Although the new department compu- ters will further aid students in compre- hending unique diets and eating habits, the eating habits of the students in Nutri- tion and Dietetics may defy even the computer. A stone's throw from the department, Mike’s Coffee Shop effectively tempts these students to eschew their best nutritional instincts. Here, you can find company and warmth along with a cheeseburger and fries. You may even get some advice from Angie or hear a new joke from Mike. Add- ing a dash of friendship makes Pratt much easier to digest. 23 y m7 (LLL VL Lhe ar) @2a @F @ 2 @2 =F GED ME 3 The majority of the Construction Management student body is composed of evening students. We come to class tired from a day’s work; yet, we leave a burning desire to learn. We are willing to overcome the shortcomings of being an “evening student” Our goal is quite clear. Dihexe onstruction Management student is older than the average Pratt student. He or she has gained several years of “job experience” before seeking an education at Pratt. We have field experience and desire the knowledge that will enable us to gain insight into the principles that govern the construction industry. We of the Construction Management Department are a determined lot. + Ww _ The Fashion Design class of 1986 has spent a good and sometimes not-so-good part of the past four years preparing for an exciting career in the wonderful world of fashion. We've acquired an affection for straight pins, straight grains and our not so straight instructors. After being together for so long, sometimes twenty-one hours at a time, we know what makes our classmates tick and ticked off. We know how to get an “Oh, please...” out of Anna and an “Oh, God” from Garth. Setsu, Susan Jones and our instructors have spent hours getting us through the program and into the real world. Joe Pescatore, Rose Fabricant, and Prof. Ohno are a few of the influences under which we've evolved into com- petent, dynamic designers who can smoothed’d it out with ease. The 1986 class of Merchandising and Fashion Management, like many similar departments at Pratt, is comprised of some rather interesting characters. Much of what other people perceive about the merchandising department is true with the exception of a few of us. A few of our merchandising students were notorious for arriving to class fashionably late, but JSashionably nonetheless. The merchandising class of 1986 would like to take this opportunity to explain just what merchandising is. Merchandising is everything that goes into getting fashion items to the consumer, excluding the actual designing of the garments. Contrary to what some of you believe, merchandising people do not spend the better half of their time shop- ping, although fashion buying is one facet of the merchandising field. Unfortunately, our department often gives the impression that “it is better to look good than to feel good?’ but hope- fully by senior year, most of us realize that it is the ability to create concepts, envi- ronments and visual images that makes a good fashion merchandiser. Pratt Institute maintains roughly 310,47 2.2 square feet of undergraduate classroom and work space; of this, 37,297.0 square feet, or 12.0 percent of the total, is reserved for the 159 enterprising students in the Fine Arts Department, which encompasses the painting and drawing, printmaking, and sculpture departments. In terms of undergraduate majors, 73 painters and drawers utilize 14,133.0 square feet or 12.1 percent of the total space of the School of Art and Design, while 11 print makers utilize 7,180.0 square feet or 6.1 percent and 21 sculptors utilize 15,984.0 square feet or 13.7 percent. Since there are 2,766 undergraduate students at Pratt, each using a discrete amount of space, 2.6 percent use 4.5 percent, 0.4 percent use 2.3 percent, and 0.7 percent use 5.1 per- cent, respectively. Gytis Simaitis Willi Chandler George Matthews 35 COMPUTER SCIENCE LOMO TO LOT) To be or not to be. Jose Asseo Sidney Epstein Lori Scarlatos Herbert Tesser Cynthia Zanger Henry Zanger oy FILM PHOTO Stare at the dot in the center of this negative image for sixty seconds blink once then stare at the dot on the next page Dennis Chalkin Howard Danelowitz Robert Fiala Arthur Freed William Gedney David Horton Marvin Hoshino Stu Jacobson Lee Kaminsky Paul Killian Bobby Knight Judith Linn Ann Mandelbaum Paul McDonough Arthur Paldino Philip Perkis Donald Pitkoff Nina Prantis Judy Siegel John Snyder Sarah Van Ouwerkerk Lynn Zelevansky Who am I? I'm a Media Major. So why do I feel that Pratt doesn’t like me? Well, they put me in a building that looks like a tent in the back of the campus in Brooklyn, underneath the gym where people rumble and pound and sweat all day. I swear some- times I can hear their perspiration hit the floor. It’s the only basement on campus with no windows. There's no hot water when you need it, the equipment is never avail- able when you are, or, what you get is defective once it touches your hands. If what you do get is good, your dog dies, or you spill something on the instructions, or you can’t read them or they give you the wrong ones; or you don't have a videotape; or you need to tape a once-in-a-lifetime event but you forgot to sign out for a microphone and the technician didn’t think to ask because he she is a painting major on work-study and doesn’t know a Sony M-3 from a cake mix. (Sigh) So what are you going to do? Grin, grimace, complain and sign it out for next week...if you’re lucky maybe every- thing will go right. Raimund Abra salvar Richat nderson Chistine, peng sa Bevingion william © pel ennaused Francise A. pollack ee yi yittorio G jorginl Ale 2 1 oor, Gooaman Michae ej Lou 5G oodman Ra mond G Gordon We Ken palpers by Hamlin paul Heyet Micha ae pollan ndet gal al john JO Nee hansen Constantine a Karalis Sie sae tavolos wares Laly wart theodore seman Hans C nristian Bt tnewisks 43 44 Sle oS eas oD Y erg � ae dr ay® ge 0 QF MH GP GE PAM Oa D O70 Yo Cy . wuss See WSS io ag Sy , 3 oo ag OS s One SY xh 0” Krone OT oP Oe Sed oO” Oe SOS, KE Osos RZ Se oh SS yo SOP eed — ae SP Mah eB i SS rw o Isl CORR ris . ay oeoe Rt rg O_O : ors o Foe VK oe Mt gtsl he’ SOG ee ORE 5s WO Wied Ye So” Gran ‘ RS wid oe ye aS Se ¥ © ew Sr, CSAS) Or = ves 2 SAE SS DP Or ICIS s� (ar) Og oP Sa Zw a : owe � Ze � oe ne se eo If there is anyone who has not picked up his or her computer printout, I urge you to go to the fourth floor of the Main Building...after 9:00, a line will be drawn. Those of you who sign in afterwards...When you approach a design problem, look at the process as a sort of pie. Your first slice is research...If all goes as planned, Mr. Aurelli will return on a limited basis...A personal computer, a food proc- essor or a sort of tool system...It’s kind of a wood burning stove, but not really... Who built that clock in the fourth floor hallway? Why?... The contest will be held in Mr. Lesko’s class. You are not required to enter, but it is to your advantage...When are they going to change the display cases?...Technically, this is your most important class, Senior Design. Do you people really think you'll get a job with this... Is there any senior who has not cleaned out his or her locker? 50 My =v f% 4 : pe V, = Saees' be Solace, tO! Mekelie a0 @ 4 | 6 u UO) H ra a : 6 ‘ EX e——O Qs %, %, ¢ SS , AS $s Se. s ® 54 It looked like it was going to be an inter- esting experience, and so it was. We were warned of the long hours, but we were intent on fulfilling our original purpose — a Pratt degree in interior design. All during the year we worked, and wondered, “When will it all end?” Long sleepless nights full of square-feet con- struction drawings and design decisions. And the teachers — yes the teachers, each one totally unique from the other, from plaid jackets, to fat psychedelic ties, to designer clothes and leather sneakers. Everyone always wondered about the elusive chairman. We all swore that he had the power to be in two places at the same time. He tackled the running of the depart- ment single-handedly. He'd pop into classes every morning and deliv er a message and then pop right out to continue his rounds in the other classes. Most interesting of all were our class- mates. All a separate chapter in the book of life. We were to see each other almost every day for the next four years. It seemed that the years would never pass, but they did, like a whirlwind, from sophomore year, through a tiresome junior, to the significant fourth. Great friends were made, never to be lost, so many new things were learned. Now it’s time to get out of here and into the Working World. A nine-to-five job... oh dear! 58 —— DUIAT] SOW WadNSVOAT, YOINYSY WII “JUaptsSadg-AIA “JIAPS JOU “JUaptsasd Gl GOVERNMENT 1986 was a year of commemoration for the Student Government Association (SGA). For over a decade, SGA has slowly deteriorated into a ghost organization with a diminishing membership and growing apathy. 1986 marked a turning point where SGA started to repair and renovate the damage that was done over the years. 1986 was the year a new housing policy was being imposed on students, but the students opposed the policy, and denied its implementation. At the dawn of our Centennial Year (1887-1987), the student voice of Pratt has re-grouped itself, and once again has become an organization which represents the student voice. Congratulations to the graduating students. The dawn of a new meaning embarks you as well. As we, the SGA, wish you the best in the future, do the same unto us, for once you were a part of us, and we a part of you. Let us not lose that. Good luck! Mitchell Silver, President, SGA emw P + ee ey ico eee : ns sa a Yi oe ” : ee . Senior Portraits Engineering Group 1 Jeff Sichien Bart Goldberg Claire L. Moseley Stephen FE Smith Nicole Casimir David A. Knights Jocelyn Labbe Group 2 Front row: Antonio Basone Nagi M. Hanna Elisha N. Petito Neil Nguy Back row: Michael J. Lordi Harvey Ingram Jose R. Cadalzo Victor S. Mejia Michael Cosgrove Group 3 Front row: Steve Tang Neil Nguy Vitus Chin Jerry Chan Jimmy Yuen Back row: Alex Chin Kyaw Tha Hla Sammy Lee Gerard Johnson David Chan Wai Mon Lam Chi W. Teu Group 4 Front row: Robert R. Brown Barbra Tung John Grande Freddie Chez Yvonne Mow Back row: Earle Thornhill Frank W. Mannarino Lucian Gonzalez Jose Quintana Clifford Andrews Justin E DeJean Jr. Group 5 Front row: George B. Oma Ahmad Kais Abdul-Sattar II Larry Henry Frank Boltuch Jr. Back row: Gerard Brickman Edouard Dufresne Jr. Group 6 Horazio B. Calcagno Nicholas Difiore Ettore Ciaffi 65 Food Science Rochelle Schneider Yemi Oyename Agnes Idakwoji Salome Ohemeng Communications Design Mlustration Group 1 Front row: Meryl Sklut David Cook Jorge Calderon Megan Montague Cash Juan Diaz Christine Volk Isabelle Werder Back row: Ann Marie Park Sergio Cuan Kevin O'Brian Rich Rice Jim Hoston Mare Mc Laurin Charles Boyce Art Direction Front row: Sue Conley Nancy Fava Tracy Coughlan Debbie Young Michael Ried Back row: Tony Mennuto Ryan Ng Philip Robilotto Graphic Design Group 1 Front row: Liat Perry Paula Barragan Melissa Shimmin Donna DePaolis Bernadette DeCelle Arline Jimenez Back row: Nancy Williams Ken Feisel Cheryl Oppenheim Jim Occhipenti Susan Rodriguez Group 2 Front row: Sam Kuo Tony Mennuto Megan Montague Cash Sari Takita Scott Pinkney Tracy Leviten Back row: Meryl Sklut Ryan Ng Mark Inglis Lou Medeiros Sue Conley 67 Fashion Design Front row: Maria Angela R. Yupango Susan Jones Junnosuke Ohno Anna Rueda de Leon Back row: Garth Robinson Darlene Daniels Anita Otey Alla Goldblatt Anita Singh Jean Marie Fashion Merchandising Group 1 Front row: Trudi Roach Lil Press Robin M. Proctor Mignion Harris Back row: Carol Reid Kristine Van Valkenburgh Philip R. Pastore, III April Cargill Claire Green Wanda Brown Group 2 Jane Williams Shirley Campbell Fine Arts Group 1 Floor: Judi Tordo Front row: Mary Rao Michael Sherman Serge Michaels Back row: Chris Pelrine Sara Brasted Giselle S. Felipe Diane Lightsey Debra Lanino Emily Hopkins Group 2 Front row: Hee Soo Kim Kip Rathke Loretta Lopez Back row: Anna E. Finley Lauren Chaplain Kelton Bound Ronald Rodney Gytis Simaitis Group 3 Willi Chandler Maribel Vidal-Quadras Francis Sheehan Miroslav Kuzminski Architecture Front row: Ernest Sparkman Howard Wolfe Remi Shunk Chian Mare Gordon Back row: Bill Kwan Kwok Chow Yew-Thong Leong Kim Cheung Edward Nicolucci Michael Hirsch Group 2 Front row: Michael Santoro Dionisa A. Polyzos Frank C. Piturro Lisa Marie Dias Daniel Irizarry Back row: Lawrence Lambert Robert B. Proffitt M.D. Donoso Rafael Veras Group 3 Front row: Tom Gribbin Jean Loo Lea Cromwell Steven J. Spencer Back row: Mark L. Solden Bruce Higgins Robert L. Hoffman L. Stephen Hill Group 4 Richard Blender Beth Edmund Iwuagwu Film John David Hazard Jungah Kim Photography Marc Skinner Greg Cleghorne Interior Design Front row: Dorian DeHaan Mieko Suzuki Laura Turney Elizabeth Canevari Back row: ReJane DeFour Marc Gelinas Gina Santorso Polatoglou Prodromos Sheila Britz Debbie Getz Dina Lerman Sandy Vanacore Industrial Design Front row: Paul Segalla Pierrette Ashcroft Larry Langliam James R. Harr Second row: Parrish Puente Frederick Silenar Danae Willson Steven Calabrese Mark Goetz Third row: Debbie Slatkin Jeff Hirshon Bruce Robertson Debera Johnson Jaehwan Lee Yolanda Lew Timothy Richartz Andrew Roberto Fourth row: Xntoine Leriche Paul Hansalik YZ Liberal Arts Art Education Charles Herwick Doe Dominic Yeung Make Ups Front row: Ahmereen Reza Kate Elakhame Genet Moges Beyene Joyia Sibley Julian Vergara Back row: Matthew DeLean Tony Botelho Timothy Georgarakis Joel Shulman October Graduates School of Architecture Archtecture Abraham Avi Brender Barbara Tracy Brown Susan Debra Calace Linda E Cubitoso Stuart Emmons James Fox, with honors Susan Hoenstine Frooks Darragh E. Kelvie David Bradley Lauzon Michael J. McGovern Noora Momtazi Florentinos A. Panayides Panagiotis Petropoulos Michael G. Rosenberg School of Art and Design Communications Design Nicolas Aparicio Anna M. Godfrey Ames Hamlen Garth A. White Christopher T. Wolff Fine Arts Jonathan H. Hill Photography Enid Mastrianni School of Engineering Chemical Saed H. Abuasi Jean Noel Electrical Alex S. Appenteng Dennis M. Bay Benny Bonello John M. Cannata Vito Dorsi Michael D. Dwyer Derek M. Jackson Louis Joseph Bhuvana Krishnan Colette M. E Laguerre Toy-Yan Lew Pierre André Paul Industrial Andres Gomez V Mechanical Douglas Arthur Campbell Paul Stanley Meyers February Graduates School of Architecture Architecture Michael Peter Antonik Elizabeth Ann Briguglio Timothy James Byrne Teodoro Cambeiro Stephen V. Carrozza Helene Marie Conway Sean P. Cuddahy Stanley G. Dahir Oreste Victor Drapaca Sandra Ford Salvatore Robert Garzillo Thalia J. Georgopoulos Cody N. Hicks Maurice C. Janvier Keith Howard Lesser Jeffrey R. Matz Mary T. O'Connor Anthony Oddo Rosemary Nancy Paniagua Mark Sorin Robert S. Staricka James C. Stevens James J. Stout Dikran Tenguerian James W. Tsakirgis Arthur Michael Valente Robert Vecchione Winston Robert VonEngel Construction Management Kevin P. Gavan School of Art and Design Art Education Harry Shuster Communications Design Jeffrey Michael Barcan Susan Berson Don T: Canoy Suet Mei Chan Amy Sue Cryer Thomas Sean Duane Wayne A. Freitag Kenneth E. Fuhrman Abram Hall Kyunghun Koh Virginia Lavado Hyunsook Lee Eric Alan Lurio Erin Maura Marona Joseph W. Massaro Stachia Heather McFaul Ned Norman Ki Jun Park Porfirio “Copie” Rodriguez Mark Jeffery Schimmel Randi Lynn Schlesinger Mark P. Shvarts Timothy Scott Young Fashion Merchandising Tori H. V. Beauclaire Teresa Marie Cunningham Kathleen A. Dooling Maria T. Santoro Film Ellis Villanueva Fine Arts Rosalba Braidich Caroline L. Chandler Edward DiFarnecio Carrie L. C. Fetherolf Teresa Anne Gabriel Lee Murray Hale Cecilia Marie Laureys Anthony G. White 76 Interior Design Elena Caniglia Takanori Nagayoshi Photography Twana Renee Alexander Susan Edna Duca Kenneth Selody II David Yujin Tomono School of Engineering Chemical Albert S$. Gordon Henley O’Neil Morgan Electrical Magloire Amisial Lazarus V. Antoine Milton Apotsos Steven Joseph Bonocore Michael Bratstein Luis Roberto Burbano Lawrence Chaleff Lesly Joseph Chauvet Karim G. Courgi Michael L. DelSecolo Lionel M. Domond Josline M. Dure Joseph Micheal Edmonson Edward Eng Gulamraza A. Fazel Robert A. Greene Avrohom D. Hayes Victor Hernandez Nicu Kempijan Kevin T: Kornegay Vasilios Kranidis Tommy Eng Lee Edward Maguire Isaac E. Maldonado Ezra H. Malek Maribeth Sublich Surg P. Toolasprashad Luis A. Vazquez Donna Williams Industrial Cameron B. Goddard, Jr. Richard J. Lopez Patrick Michael Marrinan David C. Mass Civil Ashwani K. Bedi Paul Faublas Emile M. Hanna Vinod Patadia Johnnie Santiago Mario W. Valenti Mechanical Massoud Firouzeh Clyde A. Hazell Winslow A. Hylton Oliver Chukwudi Isiofia Edward H. Lam Christopher O. McHugh Joseph Moschella Michael Gerard Rene Allen Joseph Volant Thomas P. O’Neil School of Liberal Arts and Sciences Data Systems Management Mihail P. Gavriilidis Nutrition and Dietetics Mary F Burns Deborah Sharon Charles Karen D. Demas June Graduates School of Architecture Architecture Kevin Lee Abbott Juan E Aguilera-Toro Diane E. Alexander Rene Alvarez Anastasia Antoniadis Daniel Assayag Yair Ben-Horin Paul Jean Berry Ana Maria Bertuna Don James Benjamin Blackman Antonio Augusto d’Assuncao Botelho Mihai-Bogdan Craciun Alexis A. Briski Anthony John Caradonna Miguel A. Cardenas Charles C. Clarke Steven T: Considine Robert R. Corbett Anthony J. Costantino Timothy P. Cramer Matthew X. Curry Imad Damah Joel E. Davidson Matthew Robert Delean Gino R. DeSantis Pietro DiSalvo Cono DiZeo Brian E Farnsworth Catherine A. Fletcher Margaret Fotopoulos Viviana Frank Malka M. Friedman Christine Carole Friello Juan M. Garcia Peter Gee Rocco Giannetti Leslie Gist Stephen Curtis Hambrecht Nelson O. Hernandez Anne Holford David John Holleran Chi An Hsu Alicia Anne Imperiale Mark S. Jewett Michelle Anne Jubran Paz M. Kaspi Johannes Marinus Petrus Knoops Guy L. Kohn Stephen Lesser Joseph Edward Luciani Michael S. K. Lui Berj Malikian Kfthimios C. Maniatis Stephen J. McGrane Meor Yaacob Bin Meor Ahmad-Ariffin Smit Mrigadat Rosemarie Nash John A. Nastasi Robert K. Ness Mark T. Oliver Seunghee Park Susan M. Paszkiewicz Sergio H. Paz Howard S. Peck Konstantinos K. Perifanakis Mark J. Reichert Diane Barbara Rubin Thomas Emil Sneeringer Donald M. Stark Gregory R. Stephens Uriel Stern Goran D. Stojanovic Thomas Strumolo Krishna I. Suharnoko Anat Teitelbaum Jeffrey M. Tortora Robert Weston Werthamer Abel Yee Yuen-Yin Yu Christine Dako Mihai L. Radu Miguel Weinstein Construction Management John A. DeSilvia Ebiaru Michael Seifuddin Mustafa Friday Ogbewele Michael H. Silverbow Michael H. Smith Bryan Anthony Solomon Art Education Rina Bontemps Robin Eileen Elliott Abbe Futterman Kandee Lynn Nathan Communications Design Andrew M. Allison Leigh Andersn Leah A. Becker Matthew R. Bender Kathy A. Benkert Diane A. Boston Allen Jay Breiter Mary E. Brosnan Sandra Jean Childs Jeffrey Charles Cole Charles Andrew Colladay Steven J. Cosman David Lee D’Andrade Carol Dietrich Mark A. Figliulo Jorge Humberto Franco Steven D. Gimson E Scott Gruber Christine Leslie Hale Michele A. Hurtubise Eric D. King H. Spencer Kipe Sophia Effie Latto Sharon B. Laudat Deborah M. Lipman Juanita D. Loman Maria E. Maccarone Nancy Ness Angel G. Nieves Mark H. Ogilvy Janet L. Paes Francis J. Palminteri Yoav Palatnik Antoinette Loraine Phillips Yumiko Seo Richard Y. Shen Karen A. Sliwinski Matthew S. Smith Kimm Viniconis Christian Michael Woods Fashion Design Patricia M. Bailey Bennett D. Bluestine Sheila Denise Haynes Esther Laro Bernard Jay Ohlstein John Eliason Scher Timothy Zau Fashion Merchandising Peter R. Daly Michele Susan Lee Marguerite E. Robinson Fine Arts Anderson M. Ahamad Ines E. Aponte Sharon L. Brown Elizabeth $. Doherty Douglas E. Farrick Ruth D. Felsenburg Stanley Geter Lisa Maria Green Scott E. Haag Michelle Anne Hayden Allison A. Jakelsky Theodore Towles Llanso Iona Mereenie Malcolmson George W. Matthews Christopher P. Maylone Janet A. McDermott Sheila Moss Margaret M. Patella Christopher Gundry Rand John Semerad Ann Elaine Shelton Audrey M. Stone Justo T. Torres Linda D. Weinraub Brent A. White Jun Yoshimatsu Photography Merri A. Cyr Laura Ann DiGiola Industrial Design Jerry Halatyn Paul Cole Harris Dean B. Kozelek Guillermo Yjo Lau Bonnie K. McCormick Craig William Puffer Todd S. Radwell Simon Hamui Sitt Jonathan B. Trueblood Interior Design Bryan Beckom Ghislaine C. C. Boreel Michelle S. Lim Julia V. Pitrelli John B. Scott Frangoise Vieux School of Engineering Chemical Hamadou M. Diallo Michael R. Estremera John A. Hernandez Keith R. Moncino Andrew E. Shanahan Gautam Thapar Sydney Boto B. Tyobeka Melodie Elaine Wright Electrical Sajid Ansari Kaushik Banerjek Mario Barbuto Genet Moges Beyenk Eucal J. Cousins Roger Louis Derrien Susan Diaz Ralph Dimeo Trevor Anthony Dixon Marc D. Fidler David Garoogian Paul J. Giampaoli Gin E Goon Leonard J. Holland Harvey Anthony Ingram Luc Yves Jean Michael Lee Johnson Jordan Konstantinidis Kit H. Lee Fred G. Leone Michael S. Mahrous Howard Jordan Majansky Salvatore G. Manzolillo Fortune Falliere Mayard Luther G. McFarlane Terrance Mitchell Julio R. Monroe Arnold J. Nelson Kwok Kay Ng James W. Nolan David D. Ramsay George Michael Raskulinec Juan A. Rodriguez Edward Vinales IV Ronald Wasserman Erica J. Williams Thomas Edward Williams Winston N. Wright Marilyn Yee Industrial Yoodi G. Djimar Nolan Lee John R. Seeley, Jr. Civil Devanand Arjoonsingh Glen Thomas Kartalis Dennah R. Melvin David A. Parsotan Seniors not Pictured Te! Steven M. Reid Paul Augustine Schisler Godfrey R. Taylor Mechanical Carlos A. Aguirre Allister B. Akong Eugues Fedner Antoine Everett C. Apelt John T. Aylward Blaine Orlando Belgrave Rogelio Borges Boris Bulanov Paul E. Cenci Antoine G. Cheiban Eric Eguaze Carlos R. Jorge John J. Kelly Paul I. Metellus Tit G. Mui Ramzi N. Nasser Everald Claude Palmer Alvaro V. Simon Paul J. Vetrano School of Liberal Arts and Sciences Computer Science John Edward Solder, Jr. Howard E. Smith Food Service Management Gale Grayson Nutrition and Dietetics Emily I. Blake Gustine Gombs Annette Hugley Helene S. Marcovici Jacqueline Ann Reid Bernadette Helena Renahan Martha A. Scott Icilma A. Southwell Integrative Studies Ricarda Fritz Eggert Pratt Manhattan Associate Degree Program Graphic Design Jennifer M. Appel Fernande Alea Bondarenko Joanne Sue Bongiorni Cristina Marie Costa Emanuela De Vergottini Sandra Jane Leopold Marianne Mhedb i Nancy J. Stamatopoulos Judy L. Wong Mlustration Susan Attai Linda J. Berry Jerry Allan Garber Deborah Melanie Terry Credits Concept, design and editing Samuel Kuo Megan Montague Cash Tony Mennuto Contributing designer Ryan Ng Faculty Advisors Charles Goslin George Klauber Michael McGinn Copywriting Peter Castro Willi Chandler Greg Cleghorne Darlene Daniel Rejane DeFour Mark Goetz Claire Green Philip E. Grisaffi Deborah Marton George Matthews Tony Mennuto Steve Perrella Gytis Simaitis Senior Portraits Chris Lee Photography Pete Acken Beth Binki Bernadette DeCelle Jason Lee Cheryl Oppenheim Frank Palminteri Vivian Riffelmacher Melissa Shimmin Parry Purente Illustration Paula Barragan Sergio Cuan Donna DePaolis Timothy Georgarakis Arlene Jimenez Christy Hale Liat Perry Meryl Sklut Special Thanks Randy Barrett Rudy Baumohl Nagi M. Hanna Alice Latimer Ray Sementini Barbara Tung Gulio Turturro John Van Fleet Wendy Prattonia 86 was printed by S. D. Scott Printing Company, Inc., New York City. The paper is one hundred pound Vintage Velvet text. The text is ITC Garamond Book set by Typo-grafix, Inc., New York. Prattonia 86 was published by the students of Pratt Institute, Brooklyn, New York. Copyright 1986, all rights reserved. 78