Pratt Institute - Prattonia Yearbook (Brooklyn, NY)

Text from Pages 1 - 78 of the 1984 volume:

is loving, a treasure, treasure of sharing A piece of forever. Touched by your knowing That having is giving, Giving forever 'till never. Is never Forever in our hearts, Is always today, Befriending is loving, Forever to stay. Dedicated to Anne Pfrcvndschuh L ci i n 1 I ICLUJ L F k k k k k k Sr k k k k k k k k k k k 035675069809 U. IU U IU IU liu lU U U JL Table of Contents 6 Administration 8 Foundation 10 English Social Science 12 Archetecture 16 Construction Mngt. 20 Art Education 22 Fashion Design 24 Fashion Merchandising 26 Communication Design 28 Film Video 30 Fine Arts 34 Industrial Design 36 Interior Design 38 Photography 42 Engineering 52 Computer Science Data 54 Math Science 56 Food Science 60 Student Government 70 Graduates not pictured mTlii CD r- CD Cm UD CO -C Dr rn r- r CD r- CD CO UD CO -C O' no (— i— CD (— CD CO ADMINISTR PRATT INSTII BROOKLYN, NY 1J £ fc § 7 8 Martin 3 a 3 1 3 3 •a i a i « ! a a a a I came three thousand miles to study photography at Pratt, but first found myself in the foundation program. I hadn't done a lot of painting or drawing, and certainly hadn't done much with plaster in highschool. The semesters seemed an eternity, and the endless, unencouraging crits almost convinced me that 1 had made a terrible mistake, and perhaps I should have FOUNDATION ART chosen a field of considerably less risk — like medicine. My three room-mates were so talented, and 1 felt like a schmuck next to them; they seemed to complete the assignments with such ease. In these moments of self-doubt and muddy-headed worries I would head for the bathroom for some quiet moments to really think about what I want, what 1 want to say and do, what exactly my priorities are, and do I really have to draw like Leonardo in order to be a good photographer? Looking back now 1 realize that even though it was frustrating, I learned an incredible amount. I still have a few criticisms of the program, and one or two complaints about a professor or two, but it is a valuable program with a lot of information to give, that won't be forgotten. x 1 y ; J u 2 n g • o u i Four years over and whore am I at trying to got my baccalaureate Memorising homework with overworked brain paintings by Cezanne requisitions from Spain History recorded from Janson's view “Art Principles Part I Part II Then the social sciences humanity as a whole Machiavelli's Prince his utopian goal Classics ol Western Thought read in Gen. Psych 1 — behavioral disorders versus the Battle of Bull Run English 101 requires Modern Lit. which, for all courses is a prerequisite Liberal Arts and Science finished senior year Tell me. in the real world do they drink Budwoiser Beer?! Fran Adnenno DiGvcvme cl. n u, u; imi WJ UL (A IZJ UU in 'JL 'JL 1A !£J 'jU £i The success of any great work of art has as its main objective — staving for the universal experiences of all, transcending our worldly influences and appealing to everyone's sense of the universal image of love, inspiring one's spirit and revitalizing one's innocent wonder. Architecture, through the interplay of form and space captures the essence of the metaphysical in a physical reality. Left to Riqht Andy Warren. Marcel DcWirter, Jorge Montesdooca. Manuel Flores. Front LR Bashir Zivan. Maurice Lombardo. Michael Fbmanco. Larry Rotte' Back L R Omid Balouch, Michael Fahey. Darnel Schunkewitz. Mark Sdeluka, William Corantugni. ill MU $ S C CO Carlos Zapata wr The Art Education students at Pratt Institute are taught that their career in teaching and their art should not be separate One should nourish the other. We do not sit in class and talk about cute ways to make puppets. We are taught to search for our own philosophy of teaching art and creating art. We believe in the unity of process and product in art, combining both intellect and emotion. We step out of our classes and into our studios, schools, and museums Left to R qht Marlssa Anderson. Sharknc Wirlhen. Heidi Brody. Gary Bochfvilter. Shannon Elliot Karen Sutherland. Karon Ernst. ART EDUCATION iii Lai Montana, Mugler, Miyake, Missoni... Just four names out of thousands of fashion designers around the world. Ready to become part of the crowd? What do you design? How do you design? Why do you design? What has happened? What is happening? What will happen? Three questions. Always haunting your mind. Fashion — is truly one ultimate form of self-expression — telling the outside world who you are, and who you want to be, what you are doing and where you want to go. Four years in Brooklyn trying to understand a profession that is filled with irony, inconsistency, and questions is ironic in itself surrounded by poverty. You design — you dream of luxury, learn to create beauty. For some it is just a job, a carer, for others it is an art, an obsession. Like learning to read right, you start slowly. Freshmen learning to turn the flat into three-dimensional. It seems an eternity before you are finally turning your own designs into real garments only to find yourself wishing for the good old days when you struggled with your first princess line with ease Top LR Stephanie Bonhlio. Lydia James. Mary A bee Ladd. Gladys Milsap, Mikyeong Kim. Sandra Santana. Laura Grosstephan. Martha FemaSd. Sheila McDonald, Janet Vaz. Manlyn Hetteren. Lome Pryce James Dutka fashion merchandising 'V Gerry Contreras says that to illustrate is to illuminate; to make clear, and I'm sure he's right, (if Gerry says so, that's good enough for me). Charles Goslin is also a staunch advocate of intelligence and simplicity, but I'm not so sure it's as cut and dry as all that. For an illustration or graphics design student at Pratt, it's the little things that count, make us truly love the whole race It's whether or not you can sneak into your roomate's room to borrow his workable fix without waking him up. It's starting your ideas just in time to catch the Honeymooners . It's being able to pick up almond cookies while you're waiting for your stats on Mott Sreet. It's a quick cup of coffee at Mike's before fessala-qua's class, it's your friends who can only relate to commercial art talk 24 hours a day. It's a new tube of Naples yellow gouache or a fat black marker or that ratty old little black book that you write EVERYTHING in. It's the paint, the brushes, the hastle, the hustle, the smell of crystal clear, those damn I NT's, the faculty, it’s Maxfield Parrish and Milton Glaser, it's your friends and it's Pratt. COMMUNICATION DESIGN £ £ £ £ £ £ 1 £ !! K !!  i« GRAPHIC DESIGN AND ART DIRECTION - Front Row DR Debra Korb. Gre g Paulnack. Olivia Olkowski. Leonor Korke, Adrienne Dxjiovine Second Rcw D R Brian Funai. Brad Shapiro. Kandice Brewer, Jan Yaeger. Codas Mendoms. D. Scctt lander, Cynthia Brown. Carlyne Reem. Man Kakuno Third Row LR Robert O’Brien. lulene Kulanda, Ilieana Sanchez. Cynthia Sofer, Heather Comeau. Anne Mane McNamee. Sandra Sharp, Bruco Sugarman, Mikako Hirata Forth Row L-R Christopher Jamn. lube McNaughtcn. William Glauner. Kay Tbrgeson. Andrea Ross Fifth Row L R Bo Kyunq Vfoo. Allan Delhsh Back Row L R Mark DiGvovanm. Martin Camchner. Frank I-oahy. Margret laubor ILLUSTRATION — Kneehng Edgar Torres Front Row LR Ellen Sweet land. Sbonlyn Van Valkenburgh. John Gurney. Rick Hilliard, Kimberly Zimmerman. Laura Lee Cundilf Second Row L R John Mazani. Kent Williams, Mark Chiarello. John Van Flee . Scott Hanna. Sue Greenberg. Thomas Duane third Rcw DR Anthony Freda. Lyle Puente. Joseph DiCe.uare. Suzanne Philpott Back Rcw DR Kevin O'Malley. Warren Nottage, Haibe Richards, Julio Tuturro, Michele Stewart .LI U u u u u Many a sleepless night I have spent pouring countless hours of work on a visual image which may live for only a moment on the screen. That isn't just for animatin, but also on film and video productions. It has been a lot of work, but it also has been a lot of fun. I have made a home of the film department and feel rather sad leavinq. Not just because of the new equipment and facilities, but tne new surge of student interest that has awakened much enthusiasm. A combination with the photo department, the introduction of slide presentations, and the addition of computer animation has created a new MEDIA Department encompassing Film, Video, and Photography. I feel like one of the first products of this media combination, and only wish I could spend more time expanding along with the department. But at semester's end, after the annual Film and Video festival, I shall depart from Pratt... until, of course, this summer's annual Film Department boat party. S3j IS! UL L3J ISi tA USj 1«j [% a is- isj i«j iSi JU Lfti Lftj 'JU AJ Up and down — Black and white — Rhythms and Patterns. Seasons that divide time here, seeming so long, but really so short in a lifetime of pursuit, or is it a lifetime of pursuit? One and the same, yes they both count as one, as we begin here in Brooklyn. When end comes we realize that we are the teachers of our craft. So what are all the seasons in Brooklyn for? Pure and simple; human interaction; the purpose for making art. And the Youths asked unto their teacher, What of the future? And when the seasons ended the Youths answered unto themselves, We are the future!! PRINTMAKING Loft to Right Tom Usmcwicz, Johnl Andrew Raddtife, Hiromichi Ichikawa, Bnyitll McGinn Drawing Loft to Rxjht Daw Dishman, Daw Farrell. Vxrki Giordano Sculpture Daniel W. Rstersoo. 31 CM CO n it w i «■ 5 H i; ii ii M UjWlMWUUKLUJlAl The sculpture Department is one ol the smallest in the school — if it were a class, it no doubt would have been cancelled long ago. But the size of this department allows for an intimacy that many other lack. Most teachers are allowed the time to get to know the students and their work, and most of the professors do have the desire to do so. In my experience in this department, I have met few teachers who have disappointed me, and none who have done so entirely. PAINTING Back LR Jennifer Hawkes. Gail Downey. Neal Parks. Eung Ho Park. Sharon Brown Sitting L R Martin Landau. David Boothman. Mary both Atkinson DRAWING Kwangsoon Park m a Hi it Hi ii IMJ -MJ IMJ Lacoon is quoted, prior to judgement, I've got nothing to say and I'm saying it. This, however, should not be frowned upon, even though he did go throuqh with it. What is important is to have the freedom and desire to apply the concept to the real world. Well, maybe it's the thought that counts. On the other hand. Bill Fogler stated in design 1983, A Manifesto, the specific content of the declaration is not the object. The object is to demonstrate that the practitioners of design (that's us) have the ability to generate new and relevant perspectives. And this is the essence of our experience in the department of Industrial Design at Pratt Institute The object is really secondary, it will only represent what is truly pnmary. That being the philosophy that brought this object about in the first place Another primary philosophy, relating to visual experience, given by Roweena Reed Kostello, In any visual situation there is always the dilemma of the relative importance of the positive forms vs. the negative volume One should be aware of the possible dramatization of the one or the other. The choice will depend on the character of the design idea. The rest of the quotes come from our work in I.D. Access to space rather than form is the primary human environmental need. Design form should not only identify itself, but also it should identify a component in human behavior In a short view life is a continuum, not a collection of discontinuous steps. Attention to the continuum, rather than the steps is the value of design. The goal of design is the promise of today; it is not the confirmation of a dead, but remembered, past. Design is not objects. It is a response to the possibility of Life Design form itself is not self-defined; it is defined by its presence in someone's life In a log view life is not a continuum; it has discreet steps. Reclining Rich Parsekian Sitting L-R Vmeta Sylvester, Adam White; Kurt Nygnn. Charles Stone Thomas Gamble Standing Front L-R Tom Van Dyke, Gregg Krehcl. David Hobbs. Lam Massa. Dixie Estes. R chard Gioscsa Standing Back L-R Kathy Collins. Daniel Hughs. Kevin Brown. David Rodstein. Roxanne Beausdeil. Gregg Soargenl. Zicljko Scgota. Kevin Fox Window L-R Eh Elyses Bob Bacigal. Adam Levinson Ul 12.' £ la 1 z rr 5 □ 0 □ m CD 0 Z It's 3:00 on a damp and foggy Wednesday. Spring is approaching. It's been a hard day so far, after staying up all night drafting working drawings for my morning class, I find myself in my afternoon lecture with an hour to go. A glance around the table, and I see 16 people who have grown and shared so much together in the past three years, each one of us is so unique Andrea (the girl who would rather be partying) is making a list of things she likes and does not like (she has included me under one of those categories), Loretta's mind is definitely on other things, Patty is sketching away — the girl who never quits, Laura: a quick smile and a glance at her watch, oh, and Allison, I still owe her change from the Tab I got her during the break (I'll bet she likes the circular form of the can it comes in); David the minimalist, is one of the best actors at paying attention in class, Nancy is pourig herself a cup of coffee from her thermos, as Helen is looking over Mr. Morgan's shoulder copying the lecture notes, what would the room be like without Julio, the socialite of Puerto Rico, and Cecilia's tan from her world travels, Chris probably wouldn't have made it through school without Gretchen Bellinger, Bill is dozing off with the sounds of clocks in his mind, probably dreaming about how to build an indestructible building or a Victorian Funeral, Liz is trying to sell her homemade jewelry, Italian imports, or anything else that is tres chic, oh, I hear the pitter patter of footsteps, could it be Francicso coming back? Danny's chair is empty — I guess he couldn't handle a lecture today , I'll never forget him or his disco church, Joanne is but like a light' but her son Danny will be in soon to wake us all up, of course Linda and myself are having our own party, repressing deep into our childhood years 1 1 Jo Right Nancy Whitford McHalft Allison Wwtpbal. Cociba Hcrmanson. Bryan Boclcom. William E Magner II, Loretta Chavez. Helen Han, Ehzabcth Hanlon, Daniel Caaorla, Johan M Rogers. Dawd Mann, Ion-da Ginsberg, Richard Adams Standing Christopher Wheeler «■ w In the future, when I think back to Pratt days. I'm sure I will affectionately recall my five-foot square home away from home located In the ARC. but with its developer-and-fixer-stain decor, and those many wee-moming hours spent up to my elbows in Dektol and Fix. I will recollect trying to print color on days when the physical plant decided to deprive us of hot water, and how could I forget the hassles -with security about getting into the ARC on nights and weekends. But, all of that's almost past me now and as I sat and think about my upcoming thesis show, I realize all I've learned at Pratt and how many interesting people I've met here Photography students at Pratt are f serious about what they do and the g- instructors create an atmosphere f favorable to on going development. I've grown a kit here and have learned how to continue this growth on my own I'm confident a lot of ter-nfic things are going to come out of this class! PHOTOGRAPHY Melissa Defineko MECHANICAL Front L-R Felix Gotlibovsky. Pietro Luigi Palmari. George Andreucci. Arnulfo Taganas Middle L-R Guy A. Resasco, Alex Podovich. Richard Barra, Nicholas Politis Back L-R Darryl Lawrence, Ali Reza Shaibani, Frantz Jacques 1 r r i flRP tiff'1' rrictfc lUUI' rrnrr n ii rr i r f r 11 rrtrtt rnrcr r f e r r r EEurc EttCfC rccrrr r r r r t c eeeecc Thinking that it's 2:00 when it's actually 3:00, getting up two hours late for class, checking and rechecking the alarm clock the night before a test, forgetting whether it's day or night; there's nothing strange about this, it's just business as usual at Pratt. Experiencing heavy frustration, stress, pressure, relief, happiness, and excitement are just part of the pursuit of an undergraduate degree in Mechanical Engineering. Loading, compiling, and ER-ing a program on the HP for days on end. and two hours before deadline your fingers just happen to purge the ampersand file...LARGE neon signs are now flashing through your mind: YOU HAVE JUST REMOVED YOUR PROGRAM FROM OUR FILES. In the space of a millisecond, your body shifts into overdrive as the adrenaline starts to pump. You ask yourself, Did I really do that? Or is this just some kind of bad dream? From this you learn the First Commande-ment of the world of computers: THOU SHALT CREATE A DUPLICATE FILE. Sure it's been tough, but it hasn't all been bad. For all the times I doubted my choice of career, there's been an equal and opposite force telling me how dull life would have been had I chosen a different road to travel. Looking back I'm rewarded by past accomplishments; but the best part is looking forward to new challenges and achievements. Photo - ELECTRICAL Front L-R William L xing. Joseph Docanso. Robert McKcnao Dennis J. Smith Middle L-R Alex Rodnguez. Chiwai Chan. Lyon no! Eugene. Joseph Masini. Vito Dora. Frodio Hernandez. Mark Fudd. Elmer Divitto, Richard Thompeen Right Photo - CHEMICAL Front L-R Ariadne Rodnguez. Dianne Simons. Giliane Tardieu Bock L R Freddy San chez. Greeno Ramiros. Joan Coupet, Andros Sanches. Albert de Paz 47 Karvdioe Brewer Top Photo - ELECTRICAL Fronl L R Mi Lord. Michael Gordon. Bari Goldberg Middle L-R lames Francois. Jean-Robert Deiean. Stephen Akinyemi. Michael Al-Acha Back L-R Daryl Coupe . Terence R Dxjnan. Reinaldo FVw.. Juan Lamadnd Bottom Photo Left — CIVIL Front L-R Pierre-Louis Fames . Nuhu Abdu Nauao Back L-R Luis Fete II. Roxane Karastathis. Mark Wilkerson Bottom Photo Right — ELECTRICAL Front L-R Edward Kelly, Ronald A Bo. David Vales. Jack 1. Costagbola. Ralph G. Magenta Middle L-R Howard Lea Paul Prokons. Antonio Lo Brutto. Daniel N Arbeeny Back LR John T. Russo. John Kubasky, Vasa Miladinov CO Sharon Roberts Fbwdl Benedict Ml IJU IJW 1 1 1 1 t U Iftl IKJ l J I IK- I A. i a. LA. t J LA- COMPUTER SCIENCE DATA SYSTEMS MANAGEMENT IDENTIFICATION DIVISION. PROGRAM-ID. COMPUTER SCIENTIST ENVIRONMENT DIVISION. 01 ARTIFICIAL. 05 UNDERGROUND PIC X (5) 05 NO SUNLIGHT PIC 99-99.9. 05 AIR CONDITIONED PIC Z9. 05 CONTROLLED HUMIDITY PIC S9(6)V99. DATA DIVISION. WORKING-STORAGE SECTION. 01 ROOMS. 05 ARC A-109 PIC X(8). 05 ARC E-6 PIC WET. 05 ARC B-8 PIC ?. PROCEDURE DIVISION 01 MACHINES WORK AND PEOPLE SHOULD THINK. 01 LAWS OF COMPUTER SCIENCE. 03 THE ATTENTION SPAN OF A COMPUTER IS ONLY AS LONG AS ITS ELECTRICAL CORD. 03 FALLIBLE PEOPLE DESIGN FALLIBLE COMPUTERS. 05 A COMPUTER PROGRAM DOES WHAT YOU TELL IT TO DO, NOT WHAT YOU V ANT IT TO DO. 03 PROGRAM COMPLEXITY GROWS UNTIL. IT EXCEEDS THE CAPABILITY OF THE PROGRAMMER TO MAINTAIN IT. 01 AT THE SOURCE OR EVERY ERROR BLAMED OF A COMPUTER YOU FIND AT LEAST TWO HUMAN ERRORS INCLUDING THE ERROR OF BLAMING IT ON THE COMPUTER. 01 IF YOU PUT NONSENSE IN A COMPUTER ONLY NONSENSE WILL COME OUT. 03 THIS NONSENSE, HOWEVER, HAVING PASSED THROUGH A VERY EXPENSIVE MACHINE, IS SOMEHOW ENOBLED AND DARE CRITICIZE IT 01 PROGRAMMING PARADOX. 03 IF SOMETHING THAT COULD HAVE GONE WRONG DID NOT GO WRONG THEN IT WOULD HAVE BEEN ULTIMATELY BENEFICIAL FOR IT TO HAVE GONE WRONG. RESULTS. HYPERTENSION. 54 Maths' Science n-nmitiirnriiiifnr nrm 4 3 3 1 «1 ?l !f 3 rt ii i n ii «i «| g H g (JMKHOtiti MfffH Sc EricE Senior. £ !A' M. I I im ft 'Jl 14 A l« IA 'A 'M. !Ml UL ll FOOD SCIENCE Palette Which Palette? Why else would one attend Pratt, but to slave over a...stove The art of Food Science We learn the basic ingredients and sift them through our minds to create the colors on our palette Soima Hodge. Jacurta Joseph John Van Fle« 100 f 5 if f i O O o O o O O) co h- to in tj- co c£ m © o o 1= r j: 1= s= Working in S.G.A. is: — an incredible experience — stealing popcorn with Father Ferry — making posters with paint set markets — arguing with the treasurer — a bottomless mailbox — hoping that your fliers got posted on time — putting them up yourself — a fifteen-hour day — finding relief at Ray's Pizza — Grossinger's breakfasts — stuffing orientation packets — the thrill of a successful event — accepting an agonizing bomb — collecting old posters and yearbooks — getting into the movies for free — serving beer at parties — trying to convince Milsop to enter the pie throw — calling Kelly the operator, 20 times in one day — getting sick on the Circle Line — asking for aspirin — wondering how Mary lasted so long — sneaking in for the Billy Joel video — waiting for superdance to end — presenting a check at the Labor Day Telethon — threatening to start a petition to get Jeff's hair cut — lots of Pratt cats as co-workers — not having a penny to your name — getting cash advances on Fridays — starting new activities — getting a piano donated and another one fixed — living on Swiss Miss — swearing to never step one foot into the offices. s 66 Mark Chiarelk) is i! is 15 if, rynrra'firmwwif rtriwrrnru’iw inini 4 A! J ‘JK JX J 'A 'A1 A M! 'A (Ml 'JL (A A A A A 'A (A. 'JL SAL 68 70 Ralael Cepeda Donald Chan Sui Chan Christian Chnspin Ernestine Cook Richard Creavalle Russell Dale Kevin del® Rosa Yehudah Eckhaus Dale French Hans Ganthier Lours Georges Nikolaos Golas Craig Goldstein Panayiotis Hadlimitscs Mohamad Hakami Haralambos Haralambos Reg wood HiH Leonard Holland Joseph Ingrao Stanley Isbell Nicholas Ivanov Haroutuon Jilccnan Chns Kalaitzidis Yochid KSctnman George Kramer Chung Lee Desmond Leo Nai I x Neil Lipschik Arcangdo Longo Gregory Lum Edward Ma Joseph Mangum Kevin Manley Louis Mlkedis Kesnel Milord George Milbadou Vincent Mdbca Peter Morel lorge Mosquera Chuck May Richard Niggemeier Iraj Paxanden Jacques Pierre-Lows Paul Pompoo Adrian Pysanwsky Marcel Rhoden Frank Rizzo Edward Ruskcwski Manny Saclaridis Armando Salmon Haig Sarkisian Gaspare Scaturro Eliot Scncion Steven Sherman Barbara South Taddesse Solomon Marlon Soudatt Howard Sterling Gerald Stewart. Jc John Sbckevers Iqbal Syed TonTiy Harvey Tenen Julio Torres. Jr Paul Tzetxos Joan Valmo ■an nr nr nr rr (i If if if Keith Rambert Brian Shendan Yulia Shm Vladimir Shpxgel Michael Smith Chnstine Solaza Michele Stewart Edgar Torres Industrial Design Matthew Hammerle Paul la Cotta Stephen Petnk Industrial Engineer Athit Aptchan Dorothy Chuchro Garry Dakers Albert de Paz Tbudi Djimar Bertram Gamory Kenneth Jordan Edward Monaco Ramak Sepehn Richird Stzipeibs Owusu Takyi Interior Design Patricia Bartolomeo Andrea Fadil Angelo Ferraro Laura Simpkins Mechanical Engineering Dumarsais Barlatler Andy Barnett Scott Berlin Boger Borges iWr Cantolls Gilbert Cato David Chang Efromis Chretoh Costas Constantinides Greg Cuneo Lous Ddlaquila Frank EXtucci Stephen Eng Mark Fling Sergo Fontaine George Giovas Felix Gothbcvsky J. M Gnlfin Georgios Had'iantoms Collin Grimes Steven Homyak Franklin Lee Winston McDonald Scott McNevin Milbades Milhadou Humberto Montoya George Moy Mohamed Nasrudm Motilal Premdran Thomas Scarptnci Roy TorzuHo David Van Holdo Thomas St Vfonq John Zell fr (V ii im t ® 'A A A A A A1 'A' A 'A' 'A' 'A A A A A A A A A A A Architecture Douglas Ad.l Dana Aikor C’.ro Asperti Peter Anyang Hassan Awad Richard Ballinger ludith Benaer Chris Bianchi Russell Blue John Bohan Leonard Brandos William Brown. Jr. David Buckman Susan Calaco Laura Campbell Suzanne Carroll Laura Casale Anthony Catamabdcs lose Chabla Ramon Cintron F iter Clements William Colantuom Richard Colavecchio Vincent Cortina Carl Cray Ross Cromarty Linda Cubitoeo Robert Cuevas Robert Culok Ismail Cumgay Cary Cutler June Daniel Angelo Davila James Davis Craig DeJong Louis DeWinter Hal Dorfman Jay Fast Barbara Fenakel Sanford Ferguson Herbert Feuerstein Firouz Firouz Alfred Floyd Melvin Garcia Thomas Hitchins FVter Houghtahng Gerald Houtlun Chi Hsu John Jeffords Miro Junsa Alfred Kaiser Shashank Kamat Harry Karaywnopoulos Wilham Kassar, Jr. Garrison Key M Khodadadogan Stephen Kioly Stanley Labnere Susan Lake Richard I’Amere-Sims Ana Lopez James Margeotes Joseph Matalon Davis McFadden Carlos Midos Jerry Moy Kai Mui Ting Mui Abed Mustafa Margaret Nen Javier Nieves Nancy Nugent Brian O'Donnell Mark Oliver Luis Pinto Stephen Preston Lew Primor Manlou Querns John Rahmes Richard Roanski Rosemarie Rubimc Robert Rust Robert Simon Juliana Samide LeRoy Shankwctlor Paul Sheehan Syod Sobn James Sevens Luis Tornado Julius Trama John Turmelle Rodney Weils James Williams II Edward Allan Wnghi All Yazdi Abel Yee James Zethpaus Louis Zunta Art Direction Donna Allen Wendy Arlers James Becker John Butler Leonor Kerke Anthony Kobylinski Donna Lucches Janine Manheim Timothy Mantz Gavin Mulligan Maureen OBrein Chemical Engineering Keith Christian Mynam Deo me Mamadou D-allo Ixster Francis Domingo Genao Gazy Harthy Joan Holas Astrvd Lewis Donovan Miles Jean Robert Noel Avrnash Ptwar Lesley Rolan Marthe Telson Chemistry Carlos Gama Civil Nuhu Abdu-Navzo Dominick DeSimone Damley Faria Roxane Karastathis Christopher Kay ftjtros Iouados ftiter Macaluso David Rogers Edward Tatem Edwin litem Computer Science Michael Horn Darrell Jones Howard Smith Construction Management David Afolabi Robert Everett Makoom Housen Giuseppe Lamarca Jordan Najjar Alan Nesdill Kolade Ofukanni Data Systems Management Anthony Bonnett Mur Chang James Jackson Frantz Thcogono Ronald Tunstull Drawing Michael Alport Margaret Atkinson Chang Bowden Andrea Ciaston Nancy Daloo David EXshman David Farrell Marianne Laing Ann Lodobu Janet McDermott Clifford Mott Theresa Nagerl Andrea Nora William Olson Lynn Parrish Rose Retrench John Rodal Anthony Rubtno Skylar Switzer Michael Timer Electrical Engineer Anthony Alexander Lance Alexander Chsriambco Alexandres Adolfo Amaya Wilfred Amiaal Michael Amorese Steven Aron Jearune Au Brian Baliack Ramiro Barrera Stephen Bcrtosa Purcell Bird Michael Bivona John Bowler Maurice Bradley Michael Brathwaito George Brown Howard Bryan William Burke Humberto Casal Matthew Wakeham Sophie Wrobiewsii Constantino Yip Fashion Design Frederica Brumby Veronica Chong Alluson Grade Levs Marley Sook Moon Hec-Kyoog Rhee Dons Satawhite Diane Slowik Gail Smith Deborah Vfomak Bo Yoon Fashion Merchandising Martha Hunter Mary Johns Judito Neves Kimberly Retd Charles St. Juban Royal. Jr. Courtney Singer Gregory Tsombanss Annamana Valvo Film Susan Graef Graphic Design Heidi Braun Steve Brodcur Annetouise Bums Suet Mot Chan Carlos Domiruci Richard Ferrara Aki Fuliyoshi Eva Georgsson Liza Green Karen Haase Laura Hawbokit George Ho Linda Jensen Dawn Kunker Guy Lawrence John Ligon Stacey Mannheim Mana Nasol Wan ftik Laura Ouick Pen-Ek Ratanaruang Dvina Rudio Richard Ucello Lisa Wallers Illustration Russell Calabrese Susan Conns William Delaney Allen Edwards Linwood Felton Susan Greenberg Ffcul Harwood Shaun Johnston Mark Kaufman Chi Kwong forge Lay NedHlko Matura Scott Mowry Edward FVircz Nutrition Dietetics Anne Adogbami Sarg Clarke Goulda Downer Leorue Genus Annelda Gooding Ronald Hall Mane Henry Marvhn Hunter Opal Mahoney Phyihs Morgan Paulette Richards Martha Scott Hahma Sulo Kunjamma Thomas Jeana Williams Gilda V ilson Painting Mariisa Anderson Juliet Araujo Nelson Avila Mana Aylward Robert Bomstein Gary Buchhacter Randy Cook Barbara Dempsey Rory Duling Benito Esquenazi Joseph Garozo Alex Hackworth Allison Jakelsky Ruth Labbe John Loamy III Gloria Letchter Merleann Mainelb Akinon Matsu Wilson McCray Brenda Paul Christopher Raymond Carol Rowan Michele Scott Michael Varley Stephen Wolenchuk Photography Tali Baralay Karen Elias Peter Kiiielea Bruce Kletman Richard Koenig Caroline Monaghan Thomas Rush Printmaking Emmanuel Bmos Dorothy Brown Amy BrownsSetn David Chapman Chris Davis Martina Dillon John Flansburgh Rita Glonn Jody Hendrickson Theresa Praskaeh Orect Rees Frank Sansone Sculpture Gena Ram lean Wynne Concept, Design Editing Olivia Olkowski Cynthia Soler Photography Suzanne Revy Administrative Assistance Jeff Kessler Faculty Advisor Charles Goslin Faculty Assistance David Epstein Michael McGinn Special Thanks! Ray Sementini Michael McGinn SGA Officers Suzanne Revy HAP Engraving Plastic Elliott Copywriting in Order of First Appearance Suzanne Philpott Suzane Revy Andrea Ross David Niemotko John Anastasiou Shannon Elliott James Dutka Anonymous Mark Chiarello Richard P Adams Neal Parks Anonymous Anonymous Richard M. Adams Carrie Monaghan Gilen Chan Powel Benedict Anonymous l eslie Nolan Anonymous Artists Kandice Brewer Annelouise Bums Russell Calabrese Martin Camchner Mark Chiarello Ross Cromerty Adrienne DiGiovine Aki Fujiyoshi John Gurney Rick Hilliard J ul LaCotta Neal Parks Suzanne Phillpott Ileana Sanchez Sandra Sharp Bruce Sugarman John Van Fleet Kent Williams Carlos Zapata Kimberly Zimmerman Prattonia '84 was printed by SD. Scott Printing Ca. Inc. NY The paper is 100-lh Vintage felvet Dull-coated stock. Tho text typeface is Stymie set by Mynad. Inc, Normandy Beach. N.J. Bound by Wire-O Ca, Inc Cover stock is .035 Natural Fbiyethylane supplied by Henry Fuchs. Inc, N Y Prattonia '84 is published by the students of Pratt Institute Brooklyn. N Y, copyright 1984. 4 a 3 3 t - ■ tr - rdi 2 5 € fc £ 9 M M U £ K H £ S t i f