Pratt Institute - Prattonia Yearbook (Brooklyn, NY)

Text from Pages 1 - 122 of the 1980 volume:

2 WUE? oe Left to right: Richardson Pratt Jr., President; Stephen Kaagan, Provost;Stratton Lee, Vice President for Campus Manage- ment; Joseph Azzinaro, Vice President for External Affairs; Betty Bennett, Dean, Liberal Arts and Sciences; John Klinzing, Vice President for Student Services; William Stack-Staikidis, Dean, Engineering; Beverly Wolff, Legal Counsel; Bruce Sharpe, Dean, Art and Design; Constantine Karalis, Dean, Architecture. ; i N B ARR Y! yee i W = e ) ay | | HI q il Jean Claude Rouchon Winston R. Von Engel Ann Watson Matthew Tripp Lynn Buchanan 80 2 Sterling D. Hall O Barry Z. Davis lon Yolanda Pauling Robin Gayle ww Anne Marie Michael om S Mr. | | 3 4 lil | iG 4 - - hy CUT TUT TVET ROUTED eae SS S = ID Ya z li li ni vill hi TEV eT thes il 7 mt idl | | ip ip il, i ENN M i: N i} ARCHITECTURE _ Many of our instructors are not on speaking terms. They hate each other! Mg Perhaps this is the most satisfying thing about the architectural school at Pratt. A student may pick and choose his own route by sampling from scores of different viewpoints and emerge a uniquely individual architect. There can be no right philosophy in designing things. What is important is that the designing is done skillfully. In a world of architectural schools that preach their single-minded ideologies like world-saving doctrines, Pratt stands out as a working alternative. One that | continues to draw dissatisfied students from the most — prestigious of other architectural schools. Pratt is the Sony Trinitron in a world of black and white Zeniths. We've been given a choice here that does not exist anywhere else in an American educational system that preaches uniformity. Freedom of choice is still a must for the modern American and school was never as much fun. RIERA , a A j a ’ : : ' 5 s | 1] ee ad | CRS ——— rn ae YH ” poe | i i i ee ee eS = 2 : 5 = Many of our instructors are not on speaking terms. They hate each other! Perhaps this is the most satisfying thing about the architectural school at Pratt. A student may pick and choose his own route by sampling from scores of different viewpoints and emerge a uniquely individual architect. There can be no right philosophy in designing things. What is important is that the designing is done skillfully. In a world of architectural schools that preach their single-minded ideologies like world-saving doctrines, © Pratt stands out as a working alternative. One that continues to draw dissatisfied students from the most prestigious of other architectural schools. Pratt is the Sony Trinitron in a world of black and white Zeniths. We’ve been given a choice here that does not exist anywhere else in an American educational system that preaches uniformity. Freedom of choice is still a must for the modern American and school was never as much fun. xe ARCHITECTURE 1. Michael Hollander 2. Sidney Shelov 3. Raimond Abraham 4. Michael Trencher 5..¥ 3; Lee 6. Barbara Carr 7. Albert Lorenz ee ee ARCHITECTURE October 1979 Graduates Catherine Amador Patricia Jean Ceglia James Wesley Evanson Hanna Gafni John B. Gochring Amanda Edwards Griffith Madan Gopaul Jadunandan Brian E. Kaye Michael Robert Landolina David Lee John Bleeker Leggett Henri Mangones, Jr. Rita N. Marks Joyce L. Rhodes Julia Claire Riso Lothar Stelter Bruno Jehan VanDame Frank Wilson Paget Hazlehurst Winter February 1980 Graduates Gustavus Ladele Ademu-John Kurt A. Bedenbaugh Samy Brahimy Kyung Bong Choi Helena Raxana Chymych Israel Cohen Christopher A. Colantti Joseph Conti Douglas Edward Culter Steve Dimitriadis Yacov Pinhas Gilat Stephan Green David Walter Haase Beth Ann Hartwick Henry James Henrichs Luisa Iglesias Kevin Arthur Johnson Todd Allen Johnson Paul Adams Knapton Charles Henry Kolb Casil Lenard Libman Vivian Lo William H. Mak Nicolas Orlando Mascia James William McBride Anthony V. Ottilio Sparky Pertchik Paul John Peters Elizabeth Anne Petervary Albert Joseph Povonra Alan Jeffrey Richman Jeffrey K. Silberstein Pamela Tapolcai Gail Lelia Thompson Ronald Vargo Young Sik Woo Robert Eldridge Young May 1979 Graduates L’enir Toufic Francois Abillama Aretin Johannes Altmann Chainun Amornpiyagris Wayne Robert Asper David Peter Baranowski Jose Heriberto Becerra Thomas Sabestian Bertolino Phyllis Berton Catherine Ledyard Blackburn Michele A. Boddewyn Daniel William Bragoli John Michael Bratichak William Parker Brinnier David Pierre Cahn John Thomas Cameron Robert Micheal Cerchio Myra Estelle Coffmann-Gordon Amy R. Cohen Jose E. Colon Timothy Frank Conway Alan Jeffrey Cooper Gregory Laurence Cox Jorge DeArmas Michael Bruce Delpriore Clementina Velutini De Monteverde Daniel Neil Edelstein Catherine A. Elinski Jane Louise Estella Anthony Rocco Paul Fava Donald Tom Fram Arthur William Fraser Warren Raymond Freyer Paul Joseph Gallo Samuel A. Gavish Jessica Goodyear Elizabeth Abbott Haney Paul Hariton Paul Kenneth Hatten Michael B. Hogan Yousef Jalali James Chi-Jen Jao Margo Nielsen Kaminsky David Mark Kershner Dean Kaoru Koga Ann Koll John F. Kornahrens Christopher Peter Kovary Nelson Allan Kuperberg Nestor James Kyritsis Bark-Chom Lau Apichat Leungchaikul John Anthony Liggero Steven Mark Loeb Mario J. Lucci Walter Francis Maffei 10 Charles Alexander Mallea John M. May James M. MclIntyre Ronald A. McLaren Avilio Eduardo Mieses Ellen Louisa Miller Andrew Jay Neuburger Richard J. Northway, Jr. William Henry Noss Matthew R. Oscar Michael J. Panchak Thomas Michael Parisi Michael Frank Pepitone Richard C. Petersen Eugene Lawrence Primavera Lily Ray Lynn Susan Redding William Graham Rice Michel Christophe Robert Jorge Rodriguez Anthony Roussos Peter W. Ruebel William Richard Ryan Fermin Sanabria-Tirado Anthony Vincent Saviano Jack Ward Scott Gary D. Simon Karen Estelle Small James Christopher Snyder Lorin J. Sonenshine Miguel Soto Smith Billingslea Stanley Warren S. Tessler Lester Evan Tour Joseph Vincent Robert Vallone Pedro J. Weinberger Philip Wayne Williams Anton Howard Wong Lenore Wong Paul Terrill Zankel Doron Zur Josertt CONTI atph Cot™ Joseph Conti Wayne Asper David Baranowski John Bratichak Amy Cohen Alan J. Cooper Gregory L. Cox Michael DelPriore Daniel N. Edelstein Jane L. Estella W Nelson Kuperberg Nestor Kyritsis “5 AN Elizabeth Haney Paul Hariton James C. Jao W David Mark Kershner Michel Robert James Snyder Richard Northway Jorge Rodriguez Lorin Sonenshine ray ae 2 ta ten JIM OGRODNICK Aim cat rodmch ah RCHITECTURE Jim Ogrodnick FERMI NADI EVN JAW ee Anamtirtercrt ine Fermin Sanabria Smith B. Stanley 12 J «goes Bure a Richard Petersen Maa lit mig’ ° wen a ° Jack W. Scott Lothar Stelter A Eugene Primavera Gary Simon Doron Zur Lynn S. Redding Karen Small log) = CONSTRUCTION ag Bier ie asessetuad This is the manager that Pratt constructed. This is the groundwork, surveyed by Weber; that showed where to put the foundation, laid by Unger and Procaccine; that became the first bricks that made the manager that Pratt constructed. This is the preliminary budget, estimated by Sells; for the structural designs, reinforced by Burton; that put the first floor on the groundwork, surveyed by Weber; that showed where to put the foundation, laid by Unger and Procaccine; that became the first bricks that made the manager that Pratt constructed. This is the conception to completion practice project, administrated by LaRocca; that used the zoning procedures, decoded by Minkin and Heimberger; that permitted financing considerations, transacted by Kuhn; that went into the preliminary budget, setimated by Sells; for the structural designs, reinforced by 14 Burton; that put the first floor on the groundwork, surveyed by Weber; that showed where to put the foundation, laid by Unger and Procaccine; that became the first bricks that made the manager that Pratt constructed. These are the final bricks, laid by Olin and Sigman; that completed the structure of the manager, that looked down on the legal negotiations, judged by Herbst; that developed on awareness of the entanglements, that came about from the conception to completion practice project,administrated by LaRocca that used the zoning procedures decoded by Minkin and Heimberger; that permitted the financing considerations, transacted by Kuhn; that went into the preliminary budget, estimated by Sells; for the structural designs, reinforced by Burton; that put the first floor on the groundwork, surveyed by Weber; that showed where to put the foundation, laid by Unger and Procaccine; that became the first bricks that made the manager that Pratt constructed. CONSTRUCTION a laf care : eS e ut, s ‘ etd ape a ay : This is the manager that Pratt constructed. This is the groundwork, surveyed by Weber; that showed where to put the foundation, laid by Unger and Procaccine; that became the first bricks that made the manager that Pratt constructed. This is the preliminary budget, estimated by Sells; for the structural designs, reinforced by Burton; that put the first floor on the groundwork, surveyed by Weber; that showed where to put the foundation, laid by Unger and Procaccine; that became the first bricks that made the manager that Pratt constructed. This is the conception to completion practice project, administrated by LaRocca; that used the zoning procedures, decoded by Minkin and Heimberger; that permitted financing considerations, transacted by Kuhn; that went into the preliminary budget, setimated by Sells; for the structural designs, reinforced by 14 Burton; that put the first showed where to put the fo the first bricks that made t These are the final bricks, lal the manager, that looked d developed on awareness conception to completion p zoning procedures decode financing considerations, t budget, estimated by Sells; put the first floor on the grq put the foundation, laid by made the manager that Pra he 8 POETS te LEAL il OEE i oe St es CONSTRUCTION MANAGEMENT 1. Leo Kuhn 2. Phlip Olin 3. Alton Burton 4. Susan Henderson 5. Nathan Streitman 6. Howard Horii 7. Bertram Sherman October 1979 Graduates David Toon-Beng Cham Peter Michael Donnantuoni February 1979 Graduates Colin Philip David Marc Loeb Lazarus Norman Oliver Lewis Jeffrey Stewart Zinke May 1980 Graduates Allan Teddar Ailey Neville Garland Blair George Wellington Cargill Joseph Henrick Elie John Wesley Hall Paul Dexter Johnson James I. Keller Lelsie George Kormann Samuel Tdowu Makinde John E. McCleverty Richard P. Miele Saverio Anthony Quaranta Gregory William Vogt CONSTRUCTION MANAGEMENT 16 John W. Hall 17 n the begin- ning there was dark- ness... Then Foundation said unto all in coming freshman: let there be light!!, color, and of course design. However there was still a great void to be filled before students could attain enlightenment. We must fill the space with form someone replied. It’s rumored that the haunting voices of the foundation leaders can still be heard today echoing through the halls of Pratt Studios...”Clay and plaster will thy masters”... Thus the broad concepts of form and of space were boldly put forth for benefit of the foundation masses. Yet there remained an unfilled gap. An underlying need for structure and form, basic lights and darks. Perceiving visual information and directing it on a two dimensional surface. They called it drawing. And so it was then, is now, and ever shall be this way until the very end of time...for Foundation is the cornerstone upon which all our thinking rests. foundation : mi paresis pre a er erarer aver arar ar arairanin eee AVearcl Dyxyien Art Desx STRAINED STRAINED Film Industrial Photography NET WT 3 YRS (6 SEMESTERS: STRAINED Fine Arts NET WT YRS ¢ ORMES! NET WT 3 YRS ‘6 SEMES' i: 7 ww POEM a Now one recalls those days with warm fondness. Anaspiring I.D. studentinlight shapes, doyou hear anyone complaining? Nooooooo00000. On the contrary no one and color class “I want to be an industrial designer so whatam I paintingfor?” And seems to mind at all. In fact everyone is paying very close attention. the occassional photography student in Form and Space: But I want to be a And how could one forget their first all nighter eh? Staying in the dorm on photographer, so why am I playing with clay?” weekends and getting wasted because no one has enough pennies left over from However in drawing class when the first model sheds his her clothes to reveal _ their tuition bill to fill a shot glass. Ah such fond memories, farewell Foundation. every inch of epidermis, those well toned muscles, those curved lines and firm 21 The Pratt Photography Department has an interchangeable 134 credit curriculum; f 4 years, with a B.F.A. lockmount; eye-level instruction with quality image center, microprism collar, and ground glass field. Portfolio review shows B.F.A. indicators for independant manual control or wrong shutter speed; has center weighted instructor-priority, automatic exposure-to-student control with ASA film speeds 25-3,200; hot shoe synch, with Photography Depart- ment elective flash, automatically adjusts learning material and lens aperature. Optional M.F.A. attaches at B.F.A. base and reaps higher quality, rapid single-frame or sequence shots at two frames per second. Priced $16,960 with light-weight senior class, compact curriculum and integrated electives. MAIN FEATURES: Alan Brown, Dennis Chalkin, Arthur Freed, David Freund, William Gedney, David Paul Horton, Maruin Hoshino, Alan Klotz, George Knoblach, Judith Linn, Jean Locey, Ann Mandelbaum, Elaine Mayes, Paul McDonough, Chris Moore, Philip Perkins, Nina Prantis, Sandy Rosenberg, Sarah Vanouwerkerk, Lynn Zelevansky. The manually keyed type Film curriculum has diversified universal focus with multi-speed power zoom; fully automatic 4 year exposure control of New York City area with a 3 year film core. Instructor’s meter exposure and end-of-potential indicators. Provision for on-camera poise; input monitoring before and during filming; automatic learning control; sound understanding and professional ability, indicated by successful graduation. This department operates on 10 instructors; self-resetting faculty counter; need not be engaged in classroom for full power zoom. Priced $16,960.00 with orientation, culture shock, wrist strap, graduation and eye cup. MAIN FEATURES: Boris Bode’, Howard Danelowitz, Bob Fiala, Gordon Hitchens, Lee Howard, Doreen Hyman, Joyce Jesionowski, Paul Killian, Nick Manning, John Snyder. 22 The Pratt Photography Department has an interchangeable 134 credit curriculum; f 4 years, with a B.F.A. lockmount; eye-level instruction with quality image center, microprism collar, and ground glass field. Portfolio review shows B.F.A. indicators for independant manual control or wrong shutter speed; has center weighted instructor-priority, automatic exposure-to-student control with ASA film speeds 25-3,200; hot shoe synch, with Photography Depart- ment elective flash, automatically adjusts learning material and lens aperature. Optional M.F.A. attaches at B.F.A. base and reaps higher quality, rapid single-frame or sequence shots at two frames per second. Priced $16,960 with light-weight senior class, compact curriculum and integrated electives. MAIN FEATURES: Alan Brown, Dennis Chalkin, Arthur Freed, David Freund, William Gedney, David Paul Horton, Maruin Hoshino, Alan Klotz, George Knoblach, Judith Linn, Jean Locey, Ann Mandelbaum, Elaine Mayes, Paul McDonough, Chris Moore, Philip Perkins, Nina Prantis, Sandy Rosenberg, Sarah Vanouwerkerk, Lynn Zelevansky. FILM PHOTOGRAPHY . Boris Bode Marvin Hoshino Nick Manning Philip Perkis George Knoblach Ann Mandelboum Arthur Freed NAWARYWNE FILM May 1980 Graduates Adina Gary Paul Lisker Laura Jean Padgett PHOTOGRAPHY October 1979 Graduates Zion Ozeri February 1980 Graduates Amelia Panico May 1980 Graduates Adam Harris Anik Christopher Baier Wendy Marion Barton Karin Cafazzo Lorraine Corsale Lilia M. Fontana Robert Lee Hales Anita Ruxton Heppenheimer Kin-Chung Kong Kenneth Hale Marshall Barry Nelson Jorge A. Otero Sara Ellen Sackner Charles Walter Schiller 24 Adam Harris Anik Kin-Chung Kong Paul Lisker Karin Cafazzo Jorge A. Otero Lori Corsale Laura Padgett AA tatatctatati ttt ae Adina Gary Anthony Scott Robert Hales Painting, Drawing, Printmaking, Sculpture, and all of the other activities that come under the traditional heading of “Fine Art” are still treated as “soft” subjects by many colleges and universities today. Not so with Pratt. Students and teachers alike in Pratt’s Fine Art departments devote their time and energy to development in a profession, not to a dilletaneish affair with the “easier” (that is, less technological) aspects of education. All is not sweet and light in a graduate’s life, of course, and minor fits of paranoia like “where am I going to find a job?” are bound to occur. Compe- tition in this area can be described as “fierce” (and that is an understatement) but then hopefully for most seniors the discovery of a new color of paint will bring as much joy as a new pair of Yves St. Laurant jeans in years to come. Painting, Drawing, Printmaking, Sculpture, and all of the ot that come under the traditional heading of “Fine Art” are sti “soft” subjects by many colleges and universities today. Not sq Students and teachers alike in Pratt’s Fine Art departments deva and energy to development in a profession, not to a dilletaneis the “easier” (that is, less technological) aspects of education. All is not sweet and light in a graduate’s life, of course, and paranoia like where am I going to find a job?” are bound to oc tition in this area can be described as “fierce” (and that is an und¢ but then hopefully for most seniors the discovery of a newcolo bring as much joy as a new pair of Yves St. Laurant jeans in ye FINE ARTS . John Pai ; . Richard Budelis . Rudolph Baranik . Charles Shucker . Vasilias Toulis . Jack Sonneberg . Sal Prevete . Franklin Faust ONIADMNARWN— DRAWING May 1980 Graduates Alyson Antonia Diaz Thomas Charles Donahue Elizabeth D. Fagan Donna Ferdinand Dennis Joseph Hawkes Gilbert L. Hsiao Derek Alan James Daina Sofia Jurkus Bob M. Mickens Mary Minieka Paulus Laurentius Musters Judith Louise Rubin Roger C. Sala Barbara Lee Sparks Pamela Hope Stanfield Billie Lillian Maria Tannen INTERATIVE STUDIES October 1979 Graduates Renee Laura Levine February 1980 Graduates Louis David Caracciolo Margaret Guarino May 1980 Graduates Renee N. Adler Walter Austerer Edward D. Burbridge Jerome Joseph Fox Lenore Frances Fried Neil Gerald Murphy Anne Eleanor Schaefer Barbara Smolover PAINTING May 1980 Graduates Douglas Robert Anderson Peter William Barba Charles A. Bastow III Yoshiko Saito Bright James Michael Boyd Steven Layton Buckley Anthony Cox Lisa Corinne Davis Robert Egert Catherine Marie Fern Julie Davis Flather Deborah Glassman Marjorie G. Gray Robert Michelangelo Guadagnino Carmella Gullo Bernard J. Hallstein Michael Nathan Helsley Noel Mary Hennelly Linda L. Hiwot Katherine Glynne Johnson Donald Danson Kinsman Jacqueline Lee Kirkman Susan Klein Gregory Paul Koester Karen Lynn Kolada Carol S. Lipnik Adrienne Margolis Robert J. Marty Susan Maria Merletti Harry M. Nyberg Val Amarante Pretel Patricia A. Powers Kathryn Jean Roake Carolyn E. Sheehan Bruce Laurence Stouter Ludmilla L. Strugatski Jonathan T. Waldo Lowell Warshawsky Gail Esther Weinstock Christopher Monroe Young PRINTMAKING May 1980 Graduates Jane Fay Jennifer L. Geiger Jane Jennifer Gekler Sabrina O’Meara Danielle Lisa Peacock Donna Rose Schechter Anne D. Sekelsky Cheryl Katherine Wilczak SCULPTURE May 1980 Graduates Christopher Thomas Coleman Margaret Beth DeRose Tegan Phylis Evans Carl Montrose Francis Findlay Nadine Gay Alan M. Hochman Maria Gabriella Kiss Gabrielle McMahon Jazwiecki Bruce MacKay MacDonald Hussien E. Mahfooz Ellen Elise Painter Peter A. Pryor John Addison Reed III Dhara L. Rivera Gary Benjamin Santagata Robert Lauren Thorsheim 28 ye TeaanEvens � Fea Cee 3 x4 sculPrvre Peter Barba Anthony Cox Lisa C. Davis Tegan Evans Elizabeth D. Fagan Donna Ferdinand Katie Fern Robert Guadagnino Deborah Glassman Michael Nathan Helsley Noel Hennelly | i Donald Kinsman Susan Merletti Mary Minieka Pamela Stanfield Gary Santagata Gail Weinstock 29 ARTE;,DUCATION, See Dick. See Dick draw. Draw Dick, draw. See Jane. See Jane paint. Paint Jane, paint. See Spot. Spot is Dick’s dog. See Dick draw Spot. Dick likes to draw Spot. But Dick needs help. Who can help Dick to draw Spot? Miss Smith is Dick’s art teacher. Miss Smith was trained to help people like Dick. She knows the basic principles needed to teach young people. Teaching principles such as educational philosophies and the writing of detailed lesson plans and unit curricula. Miss Smith first put her educational knowledge and theory into practice when she taught at the Saturday Art School program. From there, Miss Smith took a teaching position in a museum-run art education class. This gave her experience in helping to develop the creativity in boys and girls the same age as Dick and Jane. Miss Smith enjoys helping Dick draw Spot. But at the same time, Dick is helping Miss Smith to see the world in a new way. Learn Miss Smith, Learn. VS, s | a N T EDUCATION WaRT h1dd0d000001 ‘SEGRE RBOECD 1}}) _— — —— = = ‘yi = Ri a hk———_wy_ = os o Fa © =) ( y S )) — y —wS OF a Le . yA —= GA = D a SS G = NOLEVOOC YL RY rt } 1. William E. Russell 2. Ursula Von Rydingsvard 3. Nancy Ross 4. Judith Reis 5. Gillian Jagger 6. Michael Desiano 7. Andrew Phelan ART EDUCATION October 1979 Graduates Debra C. Lyles February 1980 Graduates Grace Therese Fahlstedt Anne Lossieff May 1980 Graduates Debra Ann Chiarella Thomas Richard DeMartini Carole C. Doerr Barbara Tobi Fleitman Joanne Gabriel Goudreau Don Leon Johnson Shari Lynn Levine Geralyn Marie Maroney Manuel Michael F. Michalowski Leonie Elizabeth Santiago Mary Susan Thomson 32 é Fk Thomas Demartini Geralyn Maroney Daryl Joseph Moore Mary Thomson 33 Jerome Fox Joanne Goudreau Don Johnson Preparation for the B.F.A. in Fashion Design involves more than just “selecting pattern pieces needed and disregarding perforations.” All of the beautiful stay-stitching, gathering, clean finishing, and extremely talented blind-stitching in the world will not help if one is a bore in the realm of imaginative design. Graduates work in various fields designing sportswear, daytime and evening wear, children’s wear, or more specialized items within the industry. Department courses reflect this diversification. From shoe design to field work in Seventh Avenue fashion houses, they offer an opportunity to study major aspects of the design world. Instructors in the Design department include: Marilyn Church, John Cloonan, Linda Daly, Madeline Darling, Rose Fabricant, Muriel Fleming, Linda Goldberg, Susan Jones, Marion Lillard, Charles Macri, Frank Manuella, Ronald Marini, Sheila Murrell, Junnosuke (Kandi) Ohno, Paul Reynard, and Paula Vogelsang. The Fashion industry is also a complex business, involving Fashion Merchandizing and Management. What appears to be several tons of managerial marketing terms such as F.0.B.’s”, “invoices”, “buyers”, “sellers”, and price- checking” must be digested by undergraduate students of Merchandizing and Management. Of course, the business of fashion is not just business; it is a stimulating mixture of both management and involvement in the rapidly changing fashion scene. Many graduates later recieve Masters degrees in Business, while others choose further study in fashion design. The following instructors compose the Merchandizing and Fashion Management faculty: Paul Agule, J. Augustine, Elizabeth Burger, Felix Buttar, Bruce Catt, Marsha Cohen, Marilyn Church, Rose Fabricant, are Judie Grimaldi, Thomas Haas, Karen Kramer, N. Kurtis, William Love aT ‘S- 8 ‘a “di Albertion, . Tle . . 2, Joan Robinson, Ronald Sigal and Gladysto ” -—— Preparation for the B.F.A. in Fashion Design involves more than just “selecting pattern pieces needed and disregarding perforations.” All of the beautiful stay-stitching, gathering, clean finishing, and extremely talented blind-stitching in the world will not help if one is a bore in the realm of imaginative design. Graduates work in various fields designing sportswear, daytime and evening wear, children’s wear, or more specialized items within the industry. Department courses reflect this diversification. From shoe design to field work in Seventh Avenue fashion houses, they offer an opportunity to study major aspects of the design world. Instructors in the Design department include: Marilyn Church, John Cloonan, Linda Daly, Madeline Darling, Rose Fabricant, Muriel Fleming, Linda Goldberg, Susan Jones, Marion Lillard, Charles Macri, Frank Manuella, Ronald Marini, Sheila Murrell, Junnosuke (Kandi) Ohno, Paul Reynard, and Paula Vogelsang. The Fashion industry is also a complex business, involving Fashion Merchandizing and Management. What appears to be several tons of managerial marketing terms such as ad F.O.B.’s”, “invoices”, “buyers”, “sellers”, and “price- ) 9 checking” must be digested by undergraduate students of | Merchandizing and Management. Of course, the business of fashion is not just business; it is a stimulating mixture of iP both management and involvement in the rapidly changing { fashion scene. Many graduates later recieve Masters degrees ' in Business, while others choose further study in fashion design. The following instructors compose the $ Merchandizing and Fashion Management faculty: Paul Agule, J. Augustine, Elizabeth Burger, Felix Buttar, Bruce Catt, Marsha Cohen, Marilyn Church, Rose Fabricant, ioe Judie Grimaldi, Thomas Haas, Karen Kramer, N. Kurtis, William yovel's Vs; ‘So = 2 ler: “i Alberti gn, Tig w VY as oe OX SKC; SS aK We FASHION DESIGN MERCHANDISING . Felix Buttar . Susan Jones . Paula Vogelsang . Marion Lillard . Alexander Bodea . Rose Fabricant . Gladys Toulis NDAWNRWN— FASHION DESIGN October 1979 Graduates Janice Jean Janoski Timothy William Mendelsohn February 1980 Graduates Lizette Berrios Vita Joann Edmond Wayne Alexander Elliott Deborah Eileen Goebel Nadine Mann Iris Denise Nelson Doris D. Pritchett May 1980 Graduates Pamela Denise Allen Cynthia Andino Rosemary Kay Combs Frances Ellen Kumashiro Michelle Ann Lowe Diane Elizabeth Mancene Catherine Manno Gwendolyn Hanna McKenzie Karen Keiko” Irene Moreino Cynthia Ann Mullaney Rayda C. Marquez Robin Carol Ostrofsky Patrick James Owens Karen Barbara Peters Evelyn Santiago Todd Michael Shearer Ehenhye Shin Carol A. Slezycki Rose Lesa Smith Adrienne Ruth Wells C. Susan Williams FASHION MERCHANDISING October 1979 Graduates Carole S. Elias February 1980 Graduates Susan Galat Dawn Cherri Snell Maria Jude Testa Consuelo Wilson May 1980 Graduates Vanessa T. Brantley Donna Marie Frances Dorsey Anna Ellis Laurel Marsha Evans Karen Laverne Glover Victoria Annette Granberry Tami Denise Hadden Tina D. Krieger Monica Tremont Moore Kathryn Eleanor Nordstrom Myrna Jocelyn Pickitt Carmen D. Royster Yustina C. Rusyn Marsha Evelyn Salisbury Karen Elizabeth Smith Loren Estelle Talbot Urania Seleni Thomas Veronica Grace Towey Sandra Diane Vass Barbara A. Whalen 36 Ernest Barnwell Catheri ne Manno George N. Scholomiti Vanessa Brantley Robin Ostrofsky Karen Elizabeth Smith Donna Dorsey Patrick J. Owens Urania Seleni Thomas 37 Laurel M. Evans Myrna Jocelyn Pickett Veronica G. Towey Victoria Granberry Jonsha Jan-Yvonne Richardson Sandra Vass Diane Mancene Yustina Rusyn Barbara Whalen Sa ee ee ee ee ee 8 7 OS (| MF Bsc. CE OP a em. 12S seg ae pee Pie wee bee we. aed me WE bee. nes ale. onem oD te IER tec SA ao) LOO Sa) Ge? Daan Gnan meter gaa See ne ee 7 LS ty AOS Seis SE BR SOI. dn soon Senne Omn-Oe a ee RM RARE ences ean an Snes ay A. ' ih : Floyd Brezavar Sara Brezavar Willard Ching Phillip Farrell Robert Kaminoff Stephan Klein James Morgan John Pile Interior Design is located in Pratt Studios, on the fourth floor, same as Industrial Design. It’s not a large department, Jack Aureli, who's the chairman of Industrial Design is the chairman of this department too. He must be a pretty smart fella. weer ieee om LL me Be Be es GAR. wie Be wt, ER. eat § emi ae Ca ire «a a a OR as ae bynes tm wae GS - tune SR SB Be Ae me ee o@ nei d Wi 4 ua 2 A Ae Yt opie Olt 8 ‘ie Gee ee ut MORE aie 2 eee och oe we ee WEPwers (oS “o Me Die al | Be rR Braet a Big: det eh ie, Ge 2 i: wR SR 2 wee eee ee) me A - ces AM Ree tee chix a Salem a rtd GAM 3 rem ae aa Mee a Stites b.:iinsd Ge ‘ Rill Ca a docs eal BO abe as dé ee WEES ry — aS RS Ke BELL Ue Anyway, the glass showcases which line the corridor of the fourth floor usually have some pretty interesting projects in them. The work facinates me to the point of wanting to do it. I think I could be pretty good. You know, may be if I took a few courses, in a few years I could hack it. I could refine my skills, and with a little luck the pieces would begin to fall in the right, places. I’d be in Interior Design Magazine. I’d be world renowned. I’d...Naaa! “2 Pence “noe sn Cae pony hes =a ao a Oem me wo� BE oe son beamed Gm a nen | AC: WOO we eee be | oe oe ee Be giRte RE OE peep p 1S RP ys me. PMA Mb MM yas: 0 wr cut BRA, | Bhs RR Me Oa se Sm nodes DUR we |. a ee oY nies AEE xe, i ee eee of. fle ae ak ae Siren aN |... 0 BNE pes es Be RE BME 4. Ca Beg a bet a oi, OB hyp i: OAD GRE RA a. t Bie aM Myo Set 95 ee ee chin Lc Bem Ce PO eee rere A es ery Seay teak sb. Mind Stee QB wit “Rll Oh oe i ae i i a x4 SE Wes 30 dna) Wemwinn Si | Jie wenn hs: eB es see BON ie Se AD OO w Te naggenee “ :. s bal ont oak =) ST yee ‘ Be z a | rs = « a INDL 28. ene aoe pee be wee oem Oh. came we Lit RR eS Qe” S75 ieee Por Wee eee GEE ex en cane | SS teks AOS Sema s WEE TT Dg eee NTT i� @ ME Me™ ane Te NG, ate GB Es ttt] | leas en We ime ga a Floyd Brezavar i : Anyway, th Sara Brezavar i oe a wi which line t Willard Ching i: GSR ate aes 6 fourth floor Phillip Farrell +e ees pretty interes Robert Kaminoff at PS The work faci Stephan Klein Be - see Bre of wanting to James Morgan hae: Ate me ze be pretty goo Tia Gn Coe) ears years I could my skills, and pieces would right . places. Design Magi renowned. I’¢ John Pile ° 4 i } Je Se ee] Interior Design is located in Pratt 4 A ii Studios, on the fourth floor, same emi a ae as Industrial Design. It’s not a wt ones bes 8 large department, Jack Aureli, tot he GRR ia who's the chairman of Industrial i RS Ce al cs ais Ast ao @ = Design is the chairman of this c ke i a” ‘a department too. He must be a F ceraguenr Mathie d an ah or 1 | pretty smart fella. ay! GlPweed (°c 1B otha 8 Rel es oa) i. scope —s oo s . OR cae as, awe ORS et a “4 Be Bee y ba oe es oe a it: wat GRR 2 (tae elm Me er SRM ce: SM Bae tee chis Lele Sethe as ee he ee | oe? fe ren 2 oe Steak bie Ow i Riis Gs = oe KORE Peteen acs Gaalaliad PEPE ESS an DS Gea EE TOP | we a ton oe 8 oD od Bp: ved memes ae: Gp “a Hm] om 2 VEE we nos a ee iC. SP OD an eS RO Ber OO ee ll ——s — Bie RES 0 INTERIOR DESIGN . Alfred Scholze . Stephan Klein . Willard Ching . William Fogler . Philip Farrell . Frederick Blumlein . Harley Jones . James Morgan DrIADMNAHWN— INDUSTRIAL DESIGN cI 7 iDSa INTERIOR DESIGN October 1979 Graduates Robert M. Kellogg May 1980 Graduates Betty Jean Anderson William Michael Billy Chari Lynn Bromley Laurie Ellen Butler Jeffrey B. Einhorn Carolyn P. Hutchinson Mark Kirby William D. McIntosh Alice G. Namm Risa J. Reingold Carol A. Russell Masanori Suzuki Patricia Eileen Tanger 40 William M. Billy Pat Tanger Laurie Butler Carol Hutchinson 41 Mark Kirby William McIntosh 4 AUCE GOLIN NAMM i We ao yo Vaan a Tre ewe ‘Denier 4 Alice Golin Namn ey Yes, Theatre is an art, it’s even in the School of Artand Design. Three basicingre- | people mere players.” , dients are: what is performed, the performance, and the audience. Each ingredient is essential to the other two. What good would the greatest production be without an audience. For that matter what would an audience gain if they were gathered in a theatre, and nothing was performed? (Although judging from personal experience, it would seem that some directors had this in mind!) Theatre is not confined to just the £ stage. In the immortal words of William Shakespeare, ”All the world’s a stage, and all its Theatre exists everywhere; next time you’re at a Pratt disco, look around you—actors, you'll find them everywhere. Theatre is an art a chosen few are given. Here, we “chosen few” have the opportunity to learn by doing. Theatre at Pratt can mean anything: Shakespeare, you can actually take out autographed copies of his plays in the Pratt Library; Dance, which unfortunately is no longer a major, but still teaches excellent courses in ballet, movement, and the Funky Chicken; Cabaret, with people who still think that sheet music is something to listen to while making your bed; and Puppetry, you remember the famed Rubber Plant Lounge shows. Puppet? What is a puppet? Why it’s the inanimate made animate—kind of the op- posite of the Bursar.—J.K. 42 Paul Corrigan James Cunningham Gary Finkel Michele Geller Peter Harvey Jordan Hott Herbert Lager Kermit Love Nancy Rhodes Alan Stern Pauline Tish dients are: what is performed, the performance, and the audien is essential to the other two. What good would the greatest pro a theatre, and nothing was performed? (Although judging from pq it would seem that some directors had this in mind!) Theatre is not € stage. In the immortal words of William Shakespeare, ”All the world people mere players.” Theatre exists everywhere; next time you're at around you—actors, you'll find them everywhere. Theatre is an a given. Here, we “chosen few” have the opportunity to learn by doi can mean anything: Shakespeare, you can actually take out autd his plays in the Pratt Library; Dance, which unfortunately is no | still teaches excellent courses in ballet, movement, and the Funky with people who still think that sheet music is something to liste your bed; and Puppetry, you remember the famed Rubber Pla Puppet? What is a puppet? Why it’s the inanimate made anima posite of the Bursar.—J.K. 42 ee tl Alan Stern 2. Paul Corrigan Peter Harvey 3: THEATER DANCE 6. Sharon Kinney 4. Kermit Love 5. Herb Lager he oe THEATRE February 1980 Graduates Glenn Paulsen May 1980 Graduates Big Al Evelyn Renee Bess James J. Kroupa Jim Kroupa Big Al 45 Communications Design is Pratt Institute. Pratt’s image, designed by us � visual communicators, . attracts thousands of new students year after year while cleverly concealing the truth. The hicks come here expecting a huge, sprawling campus and running through the grass barefoot. Instead they get their feet cut and find they can’t go out 1% after dark. Don Albright Donald Ariev Ray Barber David Barnett Michael Becker Ellen Bernstein Robert Billings Frank Bozzo Dale Clark Gerry Contreras Bruce Duhan David Epstein Lee Epstein Ralph Fernandez Peter Fiore Edward Fox David Gates Charles Gehm Charles Goslin Ruth Guzik Arthur Harris George Klauber Richard Krepel Jacob Landau Joel Mitnick Jacqui Morgan Minoru Morita Barbara Nessin Robert Newman Marvin Oberman David Passalacqua Werner Pfeiffer Anthony Saris Ted Shane Robert Shore Harold Silverman John Snyder Barron Storey Bert Waggott John Waters Herbert Young’ Bruce Zahor Victor Zurbel Communications Design is ¢ Pratt Institute. Pratt’s ? image, designed by us , visual communicators, . attracts thousands of new students year after year ' while cleverly concealing the ‘B® truth. The hicks come here expecting a huge, sprawling campus and running through the grass barefoot. Instead they get their feet cut and find they can’t go out after dark. Don Albright Donald Ariey Ray Barber David Barnett Michael Becker Ellen Bernstein Robert Billings Frank Bozzo Dale Clark Gerry Contreras Bruce Duhan David Epstein Lee Epstein Ralph Fernandez Peter Fiore Edward Fox David Gates Charles Gehm Charles Goslin Ruth Guzik Arthur Harris George Klauber Richard Krepel Jacob Landau Joel Robert Newman Marvin Q Saris Ted Shane Robert Sh] Waggott John Waters ee fs COMMUNICATIONS DESIGN . Jacob Landau . Ray Barber . Gerry Contreras . Charles Goslin . Dave Epstein Dave Barnett Lee Epstein GRAPHIC DESIGN October 1979 Graduates Valerie Anne Aarons Victoria Beth Aarons Charles Smith Cynthia Jane True February 1980 Graduates Deborah DiFronzo Debra Miller Joseph Fredrick Steven Schnell John Trask May 1980 Graduates Felipe Joseph Acevedo Virginia Lamb Atkinson Faye O. Balestro Steven J. Bennett James Frederick Best George Leonard Bing Jr. Stephen Bradford Britt Kim Michele Brown Peter Stephen Calandra Anita Oi-Yan Chiang Alberto Colombani Ted DeCagna Rafael Antonio Earle Carolyn Ann Falletta Daniel Mark Fay Bonnie Friedman Lynn Olympia Golden Elihu Hershfield Linda E. Keyes Mary Claire Koczanowski Esther S. Kong Barbara Cheryl Lemberger Wayne Walter Lempka Norberto Lopez Domenick Peter Lorelli Gregg E. Lukasiewicz Andy H. Lun Bonnie Lee Lyons Kathleen Malewski Paul Vernon McLaughlin Scott A. Menchin Joanne Delorres Miller Monna Theresa Morton Jodi Beth Nathanson Laurie Margaret Osborne John A. Palancio Jr. Lynn Ann Reardon Dianne Mari Rella Brent Charles Robertson Mary Beth Rosen Jeffery Frank Rosenkrantz Richard Johnathon Ross Janet Michele Rotondo Joyce Laurie Sheer Randee Bea Schwartz Howard Andrew Service Gary Richard Sitomer Paul Slutsky Roy Sheldon Smith Robert J. Stein Barbara Studamire Joseph Temkin Curtis Leon Thomas Guy Lawrence Tom Joyce Marie Trerotola Theodore Morris Warner Jeffrey Victor Winter Ronald Raymond Young ILLUSTRATION Mark Erik Neumann Michael Kevin Park Joseph George Paschke Rodney Steven Pate Stacy Jocelyn Scott October 1979 Graduates William Franklin Lawton III Thomas David Ryez Thomas Hilliard Wright, Jr. Clifford G. Timm February 1980 Graduates Lauren Michelle Uram Peter George Campbell Janice Reoma Walker Joann M. Flaherty Roger Tuckett White Maud Peirre-Charles Carolynn Morton Williams Lorena Carol Pugh Steven M. Wujcik Michael Frank Tedesco May 1980 Graduates Michael James Apuzzo Sheyda Ardalan Luis Alberto Arvelo Brian Bednarek Alan H. Bensew Michael Charles Bianchi Ileana Patrice Dancewicz Joan Alexandria Deprisco Kurt Edward Griffith Richard Charles Hecht Geoffery Richard Howell Fuh-Lin Hsin Peter John Ikrath Herbert Ira Kaplan Thomas Richard Padraig Keough Anne Kesa Kobayashi Frank W. Lam Sok-Wah Lee Martine Louise-Marie Christiane Leroux Karen Loccisano Jonathan Mazur Daria Louise McKinnie Christine Mirando Daryl Joseph Moore 48 Michael Apuzzo Sheyda Ardalan Virginia Atkinson Faye Balestro Brian Bedmarek James Best Michael Bianchi George Bing Stephen Britt Peter Calandra Peter Campbell Ileana P. Dancewicz Ted Decagana Carolyn Falletta 49 Daniel Mark Fay Bonni Friedman Lynn Golden Janet Rotondo Clifford Tim Jeffery Winter pate X. Uae Og ylustvaer a Joyce L. Scheer Guy Tom Ron Young Joyce Trerotola 51 Paul Slutsky Frank Vertin Barbara Studamire Janice Walker oe “Temkin ‘with lmbeq Uda lscng Joe Temkin Letitia Wells anim Sa SS SO SOOO S-00- S.-0--0- -6- Oo © 6 6 2 © ue wVwTuevuvwvwvwvwvwvw lit iis Reali ”A chair is a chair is Ideally, ind ustrial Uke materials, crOeas thoes: and adva intellectual aspects of industrial design. Pratt’s I.D. program offers an education to “artists Students are free to take full advantage of other are: them to develop a sophisticated sense of design. As te: influential an innovative design professionals. - ps) (t Si saa A A Veuvvuvuwuvwvvwwvvwyy fi S O Ac a INDUSTRIAL DESIGN 1. Victor Lazzaro 2. Frederick Blumlein 3. Giles Aureli 4. Joseph Parriott 5. Stanley Wsocki 6. Gerald Gulotta 7. John Pile 8. Alfred Blumenfeld INDUSTRIAL DESIGN October 1979 Graduates Yoram Alroy February 1980 Graduates Peter W. Friedrich Marcy Paula Guth Fernando Hoyos Emmanuel Sevilla Misenas Kristen Maria—Nicola Salvatore May 1980 Graduates Richard Allan Best Bennett Bosco Richard Kevin Branch Matthew Edwin Burger Joseph Nicholas Casale Linda Nancy Celentano Bruce Everett Culp Valerie A. Fernandez Michael Thomas Gilbreath Vincent Michael Guercio Peggy Herron Christopher Adams Johnson Stephen Robert Kandora Darani Lekvanijthamvitak John Jude Marchese Neal E Mayer Ann Elizabeth Reibel Mark Robin Richards Pierre ALexandre Rohatyn David Bennett Rosenthal Joseph Michael Anthony Ruggiero William Sikora My) David Rosenthal Richard A. Best Matthew Burger 35 Linda Celentano Valerie Fernandez Peggy Herron 6 ENGINEERING: engineering We are born to work and study.—John Roebling | 58 Nozzles, orifices, and weirs, h, hybrid-pi and s-parameters, momentum, energy [Logic]— FFTe2 transform (+control bus IC’s) = U arts. Guided electro- magnetic wave theories, signals and spectra, probability. Inelastic behavior, function under stress, tension, compression + fatigue tests = (Advanced Laboratory I and II?). Magnetoplasma-dynamics, thermoelectricity thermonics, paramagnetism resonant cavity maser amplifiers, plus Regession and analysis (after that why not... thick walled cylinders, noncircular torsion + contact stress and power screws (interesting) — not to mention shafts, keys, and couplings — Gunn and Impatt microwave devices (mmm...), plus D.C. and A.C. rotating machines, multi- vibators and moments of inertia (don’t stop now). Beams, frames, and articulated structures, Forces of static fluids, laminar and turbulent flows, qualitative and quantitative techiniques, stimulated and spontaneous emission of radiation (includes special studies under direction of the faculty) — K-maps and state diagrams, combinational and sequential logic, solid state memories, sinusoidal oscillators and theories of failure (oh no!) And finally...terminations (details arranged with instructor). Engineering certainly does sound fun! - architecturol Esmet Kamil Anthony Vairamides uljyuely urmelusg—7ysi4g sdomyp si May pasn ayy ji _ es UJDDUISUD FACULTY Fred Assadourian Esin Ayen Sanjit Bardhan Eleanor Baum Morton Herman Joel Levitt Haroun Mahrous Fred Raff Ben Sandler Arthur Seidman George Sevaston Jesse Sheinwald Chris Wernicki electrical Zo +i set TAT BAC BQ Fag j ulo sulq Woq| y¥—svapi jnfiapuom maf D J08 aavy J BUIJDDUISUD chemicol FACULTY Abubakr El Saiedy Herman Krinsky Dr. Ramasamy Krishan Allan Rakow Gabe Tzeghai uosipy sewoy] —alp J a4ofag yon] fo yvass vp aavy Apu J 40f dn aaid saaau ]},] BUIJDDUISUD FACULTY Abubakr El Saiedy Mahmoud Arifat Peter Basch Paul Baum Wallace Chinitz Kevin Craig Perry Grossman Lynn Hall David Kettler Chin-Ben Kim Harry Kountouras Kay Nordstrom Richard North John Razuikas mechanical W fy “iy } pio4 Aluay—ssiuydo up au puas pun jno jay UJDDUISUD industrial Xe Ce BUIIDDUISUD BUIJDDUISUD O CR le ee Bet ENGINEERING 1. Herman Krinsky 2. Peter Basch 3. Eleanor Baum 4. Esmet M. Kamil 5. Theodore Borecki 6. Fred Assadourian 7. Demetrius Zelios 8. John Rice ARCHITECTURAL ENGINEERING October 1979 Graduates Robert Kam Cheong Chow Luz Marina Munoz Serge Rigaud February 1980 Graduates Bijan Nourani Araghi Hamza Muhammad Nancy Judith Chinchilla Vivas May 1980 Graduates Anthony A. Joseph CHEMICAL ENGINEERING October 1979 Graduates Byron George Powell February 1980 Graduates Sherwin John Boucher Dinorah C. Castillo Jimmy Jose Cervantes Robert Payne Winston Beresford Smith May 1980 Graduates Kevin Joseph Knob Bruce Jeffrey Ligerman Frank Milton Theodos ELECTRICAL ENGINEERING October 1979 Graduates Robert Carmine Chiraz Maurice J. H. Jean Willy Leonel Leger Leslie P. Listwa Jeffrey A. Nasta Mario Savarese David H. Schwartz Giacinto Nicholas Vigilante Edward Welz February 1980 Graduates Donald Berozi Donovan M. Burnett Anthony M. Chiraz Abdul-Rahman El Seidu Mark Lee Frohlinger David Gallardo Ruben Daniel Oscar Ghiraldi Cheryl Adrianne Green Scott Howard Lipson Anthony Stanley Lomnicki Manuel T. Lopez Jr. Stephen J. Manzione Boris C. McKay Sheikh Manaf Mohamed Bill D. Ossenkopp Chandra Shekhar Pawar John P. Pesca Ramon Sanz, Jr. Stanley Savarese Michael A. Totaro James Robert Wilson May 1980 Graduates Harry Leon Agins David Emanuel Beaton Michael Anthony Calderaro Robert F, Cantor Sorin Capota Jeffrey E. Carmella Steve Victor Chandler Leo Frederick Charles Joseph Vincent Cipriano Patrick Jerrmiah Connors Carmelo Crespo Glenn Cullar Bruce Edward Dingle William Bryan Firzgerlad Adrian John Foley Aurelio Horacio Hartley Renard Lance Haywood James Neville Hooper Allan H. Hoosain Russell Harvey Johnson III Peter T. Kanakos Nicolaos D. Karadimas Theodore Wesely King George Osvaldo Lebron Howard J. Levine Andrew Liang Jeffrey G. Livings Andrew Thomas Lombardo Frederick William Lund III Cecilio A. Mulgrave Jose Julio Pereira Bill Perlman Karl Louis Petschauer Robert James Piepiora Asthon Pierre Edward James Pugach Michael Stephen Sanphy Irwin Schildkraut James A. Seibert Charles Keith Sherman Angelo Smaniotto Thomas E. Socci Claudio Spinelli James William Stephans Paul Michael Thompson Henry J. Verde William Winter Benny Wong INDUSTRIAL ENGIN. February 1980 Graduates Shirley H. Kuan Eddy Leconte 60 Allen Lew Michael Tyinomen Oboite Simeon Oluwatugbami Olasokan Robert Peter Schultz Ivan Sipilief May 1980 Graduates Stanley Martin Brown John Anthony Dzurenko Mimi Eng Robert M. Hyland Saidu Olumayowa Ajadi Jimoh Naresh Lachmandas Jeff lan Marcus Lynwood Oliver James E. Patella Salvatore F. Pepe Edward Tom May 1980 Graduates James Vincent Babakitis Javier Moises Brand John Edward Drazba Jr. Jeffrey Fishkin Frank Steven Glaug Charles John Holloway Roger Anthony Jeffrey Kam Chiu Ng Mark William Pace William Spencer Ramsay Richard Rosenhammer James Warren Scott Cosmore Davidson Sylvester Steven John Tafone Matthew Allen Thoben Glenn Wong MECHANICAL ENGINEERING October 1979 Graduates Roland Benoit Walter Goyzueta James Rathbun Horchner February 1980 Graduates Mehmet Fikret Acar Charles Carlton Balen Enrique E. Carrasquillo Wilson Changeau Raynald, P. Duverneau Shih-Wu Hsieh Darryl Lowery Irene E. Osit Leslie Jay Osit Juan J. Perez Nicholas Prezioso Paul E. St. John Philip F. Archer David E. Beaton Sorin Capota Dinorah Castillo Manuel Cevallos Joseph V. Cipriano Raynald Duverneau Mimi Eng Demetrios Flamiatos Frank Glaug +UKELIO HARKIMEy pe als AM “7% Lileetvical Engueeying t= Aurlio Hartley Charles J. Holloway Robert Hyland Roger Jeffrey Anthony Joseph Nicolaos Karadimas Naresh Lachmandas Kevin Manley Richard O’Connell James Patella ed Karl L. Petschauer Asthon Pierre Edward Pugach Carmine A. Raimondi Angelo Smaniotto Cosmore D. Sylvester Chris Tedesco Rudy Telson Matthew Thoben 62 Paul M. Thompson William Winter Benny Wong 63 Leash, re Ui a= lar-lale fe (=¥-] a Ue) after your calculator. Please. re ee eee LIBEKALARTS ADD SCIENCES: — - og a On a Science...the final frontier. These are the voyages of the Class of 1980. Its four-year mission: to explore strange new ideas, to seek out a new life, a new civilization; to boldly go where where no one has gone before... 66 SCIENCeS Tamas I. Bartha, Raymon Borchewski, Barbara Cain, Barbara Charton, Burton Fabricand, Abraham Finkelstein, Izchak Friedman, Paul Friedman, Luther H. Haibt, George C. Helme, Edward Johnson, Harry Katzan Jr., Peter Markstein, Harry Mc Ardle, John McClarnon, Stanley Petrick, Frank M. Rand, Carol Sirovich, Dr. Gerson Sparer, Herbert Tesser. SCIENCeS Science...the final frontier. These are the voyages of the Class of 1980. Its four-year mission: to explore strange new ideas, to seek out a new life, a new civilization; to boldly go where where no one has gone before... Dr. Gerson Sparer, Herber| NS 4 ae = ss SCIENCE . Rod Serling . Izaak Friedman . Raymond Borichewski . Herbert Tesser . Paul Friedman . John J. McClarnon . Marvin Charton . Barbara Charto CONDMNAHPWN— CHEMISTRY May 1980 Graduates Dolores Valerie Goreczny COMPUTER SCIENCE October 1979 Graduates Chen-Hsuen Hsin Alan Edward Irwin Linda S. Rode May 1980 Graduates Paul Anthony Armano Stephen Frank Lightburn Wendall Winston Wilson DATA SYSTEMS MANAGEMENT October 1979 Graduates Otis Olufemi Aiyetiwa Michael Garrett Daniel Scott February 1980 Graduates Vorasithi Chuysoontorn May 1980 Graduates Dirk Eugene Adams Sandra Rosario Alayo Miguel Antonio Echavarria Michael Harold Johnson Scott E. McDonald ENVIRONMENTAL SCIENCE February 1980 Graduates Cecil Washing Jeffers II 68 DIRK Eugene A J WOK €. heer Dava System Mana. Dirk Eugene Adamsi Paul A. Armano Miguel Echavarria 69 Wendell W. Wilson SY SCIENCES Combine in a large pot the following: 1 student, 3 teaspoons Basic Food Preparation 1 cup finely diced Food Sanitation and Safety 3 bunches of Whole Cost Accounting 2 cups of sifted Personal Administration 1 small Introduction to Management Mix at high speed until smooth (about 5 minutes). Then with a fork carefully fold in I teaspoon of each of the following ingredients: Layout, design and Equipment in Food Service Areas, Fundamentals of Accounting, Nutrition I and II, Environmantal, Historical and Cultural Aspects of Food, and General Dietetics. If General Dietetics is not available any | of the following may be used asa substitute: Management, Therapeutic and Clinical Dietetics, Community Nutrition, or Food Technology. Then pour intoa lightly greased and floured baking pan. Cook at 350° for 4 years or until ready. Remove and voila, you are now ready to put your knowledge to good use in the professional world. i S = : Pox fi li E i d oad Combine in a large pa I student, 3 teaspoon 1 cup finely diced Fo 3 bunches of Whole q 2 cups of sifted Perso] 1 small Introduction Mix at high speed unt 1 teaspoon of each of Food Service Areag Environmantal, Histo General Dietetics is nd Management, Therap Technology. Then po for 4 years or until knowledge to good ug FOOD SCIENCE . Joy Crichlow . Sister Margret Franks . Hilda Kreigenhoffer . Ina Stwert . Bruce London . Irene Judge DAUNkwnne NIN), A TOMATO h yercUR ‘i 4 { ) FOOD SCIENCES October 1979 Graduates Beverley Moore Chuck McMillan February 1980 Graduates Jeffery Belton May 1980 Graduates Robin Dwight Gayle Harris Morshenson Edwin Perez NUTRITION AND DIETETICS October 1979 Graduates Maria R. Davis Heather Magnolia Larrier Flavian A. Martin Esi Mensima Nunoo February 1980 Graduates Reita Evadney Blake Donna Brunhilde Bonner Sandra Patricia Daly Shirley Rowena Elliott Leonidas Alicia Fernandez Anita Gill Mattie Ruth Gray Retta Jean Matthews Betty McRae Nikki Eunice Onugha Heather Dawn Marie Reid Valrie Yvonne Staples Velta Theresa Walker Janet Lee Zumpano May 1980 Graduates Amy Dorothea Anakwe Ines T. Berrios Erica S. Bittencourt Patricia Anne Charles Diane Elaine Craine-Campos Marvo Gwendolyn Forde Judith Marie Gaare Ida Dennis Harrington Heather R. Ishmael Culisa M. Johnson Claudette Virginia Josephs Barbara Renee Kaplan Joan Ann Landers Leonie I. Lewis Wendy A. I. Marshall Marjorie M. Matthews Robert William McCoy Jean Delores McKoy Paulette Alemna Myrie Justina Obiageli Oguagha Iris Thelma Pilgrim Elizabeth Ann Siemer Irma Graciela Simpson Hope Maxine Spence Lillian Gederon Steele Jennifer Oliveen Stewart Marvin Louis Zucker 12 Amy D. Anakwe Marvin L. Zucker Robin Gayle an Paulette A. Edmondson Myrie dédsn Culisa Johnson Vivian E. Okapor 73 Joan Ann Landers Nikki Eunice Onugha Jennifer Stewart Cyndy Washington YP fae] proann porn Poison “MAN IS THE MEASURE OF ALL THINGS Protagoras Man is the measure of all things...Presumably because of his capacity to think in abstract conceptual terms while at the same time being able to reason logically. Hmmm... Ah-hemm. Just because people can reason logically doesn’t mean that they always do. Even if we know what's best for ourselves, 95% of the time we go against our own better judgement anyway. Weighing our wants with our needs, we usuall y end up with an ice cream cone instead of a subway token, having to panhandle our way home, short changed again. I’m just in it for the credits! Gimme those credits! Good teachers? Yeah, as long as 74 they fit into my schedule. I’m trying to keep Fridays free (isn’t everybody?) Yes, understanding yourself can be very difficult. The humanities are a way of unlocking your own insights and exciting your intrests through personal experience. The thirst for knowledge should increase. It must increase. The one lesson above all others that should be taught as well as learned is to dwell upon not how much we know, but how little. To realize that four years of furthering your own formal education has not come to an end but merely a begining. YP sa (ecceae peed ee | Man is the measure of all things...Presumably because of his capacity to think in abstract conceptual terms while at the same time being able to reason logically. Hmmm... Ah-hemm. Just because people can reason logically doesn’t mean that they always do. Even if we know what's best for ourselves, 95% of the time we go against our own better judgement anyway. Weighing our wants with our needs, we usually end up with an ice cream cone instead of a subway token, having to panhandle our way home, short changed again. I’m just in it for the credits! Gimme those credits! Good teachers? Yeah, as long as 74 Yes, understanding you unlocking your own if experience. The thirst for knowledge others that should be ta know, but how little. Tq education has not come CIAIDMBRWH— . Norman Oakes . Oscar Shaftel . Carole Rosenthal . Carl Craycraft . Marie Eckhard . Morton Sloane . Lenore Drumheller Wo, HUMANITIES : : ‘ DV DN | JO AS NS Jf ras alt .S Jk I . Jack Minkoff ir oronies . tah ES A OS A a ee NEW YORAGITY CO tS is for art hung in the Modern and Met. is for BAM and the ballets they get. C. for Canal Street and old China Town. D. for dog shit all over the ground. E. for the Empire State Building with all of its floors. is for new wave clubs and the whole new rock scene. ee are is for on and off Broadway plays. P. the parks (but only during days.) Q. for Queens a borough quite pretty. R. for Rockefeller Center with Radio City. S. for the subways, slasher and all. lr. for Times Square where they drop the ball. No EASY CONCEPT, DESIGN EDITING Daniel Mark Fay Jack Palancio COPYWRITING James Best, Steven Britt, Dave Kessler, Jim Kroupa, Jack Palancio, Janet Sloboda, Jeffrey Winter DESIGNS ELL US TRATIONS [Ragga Ra RB 0 a SD James Best, Peter Campbell, Lynn Golden, Karen Loccisano, Gregg Lukasiewicz, Miriam Nerlove, Sharon Occhipihti, Joseph Pashke, Gary Sitomer, Jeffrey Winter, Jeff Zack FACULTY ADVISOR S [SERIES REST OE SE Cc OD David Epstein, Charles Goslin GENERAL ASSISTANCE Wendy Alkire, James Best, Peter Calandra, Peter Campbell, Joseph Conti, Amy Feiden, Melissa Fournier, Lynn Golden, Noel Hennelly, Donald Kinsman, John Kneapler, Andy Lun, Gerry Morony, Sharon Occhipinti, Joseph Pashke, Janet Sloboda, Jeffrey Winter, Jeff Zack aa a ee MECH ANICALS Ht Peter Campbell, Amy Feiden, Joseph Temkin, Jeff Zack AREY RY a ee EE TEN PHOTO GRAPES Adam Anik, Lori Corsale, Tony Fodera, Pat Greenberg, Kevin Leen, Sharon Occhipinti, Hillary Stone, Mary Thomas, Jeffrey Winter, Jeff Zack eS ee ee NM re ell Ree erie a TE ees a eae nh ae ert cleo hd Ntspe Uriah OEE OP MEE Me Pee en ee ee et ATE A a M a SET TECHNICAL ASSISTANCE John Camejo, Christopher C. Finkle, George Knoblach, Sal Prevete Bia eae ae eae STS ne Cat eae Ce Ee Mi Gis a Se ala eo Ue a eR a EN Te ae al ee A PE ue eR can tas ek ee eee Prattonia 1980 was printed by the Sterling-Roman Press, Inc., New York. The paper is eighty pound Mead Offset Enamel and seventy pound Kromekote, one side. The text typeface is Times Roman set by Pra tt Type, Brooklyn, New York. The Colorforms and box was manufactured by Colorforms, Inc., Norwood New Jersey. The stickers were printed by the Langendorff Corp., New York. The Kromekote pages were laminated by East Coast Finishing Corp., Fairview, New Jersey. © 1980 nie —