Pratt Institute - Prattonia Yearbook (Brooklyn, NY)

Text from Pages 1 - 88 of the 1977 volume:

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Well, let’s see, June ’74,°75, °76, °77, yes, just as expected, four years, How things have changed, four years ago the Dolphins were atop the N.F,L., Nixon got his four years and almost ten to twenty, Jimmy Carter could only lust after the presidency at that point, and Gerald Ford’s forehead was bruise free for the last time. I can still remember the day the acceptance letter arrived. It was somewhere between my New Year’s Hangover and the euphoria over Lincoln’s Birthday. I was working on a High School Art Project, a contour drawing of Jerusalem, thus completing my series of contour drawings of great ancient cities. My mother tapped me on the shoulder as I was finishing off the low rent district. “It’s a letter from Pratt,” she said solemnly, dying to open it. I said nothing. | put down my pen, took th e letter and calmly slit my finger with the letter opener. Plunging the wounded digit to my mouth I handed the enve- lope to my mother. “Just the first three words,” I said, “Just the first three words.” “O.K.,” she said, “Dear Applicant: We...” “No, not those three words, the three after Dear Applicant.” “We are happy...” “That’s it, that’s it!” I yelled. No one starts out a rejection letter with We are happy. “We are happy to inform you that it’s tough cookies,” that’s too cold. I grabbed the letter, re-read it twenty-five times and ran around the house. My mother ran around the house. Two hours later when my father came home we were still running. We told him and he ran around the house and he hasn’t done that since the Truman administration. The months passed blissfully by—March, April, May, blissful due to the image of paradise in Brook- lyn I held in my heart. I started introducing myself by saying Hi, I’m going to Pratt. This continued until I met someone going to Harvard. June, July, August, the leaves fell casually off my calendar as I looked forward to my first term. trains, from the IRT to the BMT RR. On the way to the RR a man (and J only say man because it would be impolite to say thing), dressed in a derby, a layer of grime and a fifty year old Bloomingdale’s Special invited my mother to buy him lunch. She suggested an amusing way for him to wear his derby and we moved on. By now the humidity practically made the air visi- ble and as we approached the RR platform things got a little uncomfortable. My first impression was that of a nasal cavity. The station was at least thirty feet long and must have been lit by a flashlight suspended by a rope. It must have been designed by the man who engineered the escape from Stalag 17. Once in awhile I thought I heard the flutter of bats overhead but I preferred not to dwell on it. Mom just shook her head, After awhile we heard a rumble, a roar, the MES OF AMERTCA, i Rm Sea 2 ground was shaking, the platform was swaying and the bats were going bananas. Through the dark, almost opaque atmosphere twin headlights pierced the darkness, as the train rolls in (TA-DA). Pulling ourselves together hesita ntly we boarded the train. The inside appears to have not been acquainted with anything hygienic since W.W.I. ‘The Kaiser has pig’s feet.’ says the graffiti ahead of me. A man dressed in sleigh bells and a wet suit passed in front of us. Mom shook her head. The cooling system was interesting though insuffi- cient. Naked propeller blades whirled around the ceiling daring anyone with an Afro to come within twenty feet. As I was pondering the possibilities my mother suggested we move down, seems the gentleman seated to her right wanted to lie down and since he was going to do it regardless of our presence we changed seats. Mom just shook her head again. Finally we came to our stop. One more change, to the GG, and then nirvana, or at least fresh air anyway. The GG intrigued me already, even though I hadn't seen it yet. It is mind-boggling that so much time, money and energy would be spent to inconve- nience so many people. We waited so long that I was beginning to think it was all an elaborate practical joke. I imagined I saw Alan Funt in the Hershey machine, and Mom was getting ready to shake her head. After another wait we heard a cough and a wheeze up the track. I was astonished, it was the first time I ever saw a geriatric train. If it had been a horse, it would have been shot. Once again we entered a contemporary of the Sopwith Camel. ‘The Kaiser has bad breath’ says the antique graffiti. C'mon, says ma, we have people coming over for Thanksgiving. We arrive at Clinton-Washington two and a half hours later and 25 degrees warmer than when we started. Due to the darkness of the tunnels we slowly emerge from the station into the daylight and stop. -STREET | When our eyes clear we’re standing six inches from a tree, Since this was supposed to be Brooklyn we were not surprised. On closer inspection the neighborhood was some- what older than I expected but, then again so was the girl I took to the Prom, I was just wondering what the twelve Cadillacs were doing in front of the home for old ladies. At this point I whipped out the map provided by Pratt and, like Bogart in “Sierra Madre”, we followed the map to the treasure. Around a corner and down the block we came across a doorway amongst a grouping of trees. It was either the gate- way to Wonderland or the Institute I was seeking. Since there was no tardy white rabbit in sight I opted for the latter. “That must be it” I said. Mom seemed unimpressed for some reason. We closed in and entered. Ironically, the first thing I saw of Pratt was the cannon, painted black at that time. This comforted Mom, she saw the cannon not as a decoration but protection. We continued down the path and passed a student mowing the grass and the bare patches with equal vigor. We toured the entire campus marveling at the old buildings, they gave the place a sense of history, along with a sense of age. Mom had just about forgotten about the heat and humidity, The campus seemed more like a park than anything else, a park even used by people in the neighborhood. “Let’s see,” I said checking the map. “There’s the new building, the Main building, the library...” “A woman breast-feeding her child,” adds Mom. I checked the map again. “No,” I said, “That’s the library park.” “Don’t tell me, you think your generation invented hygiene classes?” “That’s a woman breast-feeding a child, whatever happened to Pablum?” Well, I didn’t see her but being hungry myself I sympathized with the kid. Mom saw it differently. Suddenly I wasn’t her mature son going off to college but her little boy who must be protected, Since she was visibly upset I thought it best to return home. Lest you think that was it, you are mistaken, Punchenello face. We returned the very next day, bypassing the subway trip of the day before and opting for the Downtown Dynamite D which aside from being orange, was also air-conditioned. We passed through the gateway of heaven, passed the neatly mowed soil, and passed the spot where Miss Dairyqueen was refreshing her offspring. We entered the Main building. thus proving it was not a cardboard facade. We walked up a few flights and miracle of mira- cles there was a real live Pratt student. Hesitantly we approached, not sure how to address him, we tried English, “Do you go to school here?” says Mom, spokes- person for the group. “Yea, I’m a junior” he said. “My son is just starting here and Id like to know more about the place.” “Well.” he said, “Pratt is a vocational institution which first opened its gate in 1887. Millionaire philanthropist Charles Pratt, our illustrious founder...” “Can it, it’s too warm for snow,” Mom cut in, in no mood for Gilbert and Sullivan. “O.K.,” said our guide. “If your son is serious about what he wants to do you won’t find a better school. The teachers are professional and even though the place is somewhat run down you won't get a better education.” Well, that made Mom feel better and we went home with some peace of mind, and our anonymous Pratt booster? Last I heard he went to study in Europe. her reunion t many a mo QUICKIES A Pratt official admitted that Memorial Hall is not named after anyone in particular. “We had always hoped someone famous would go to school here and die, but no such luck.” HEX Raymond Hernandez, the elevator operator in Main Building received a commendation from the National Aeronautics Administration for logging 5,000 hours behind the lever. The magic moment came between the second and third floors when the elevator was stopped and the award made, much to the chagrin of the twenty- seven passengers. HHK Ina scheduling snafu a nurse licensing test and a C.P.A. examination were held on the same day. In the confusion some accountants were asked to change sheets while some nurses were asked to perform a hypothetical audit on a chicken farm. In protest to rising tuition costs a group of students loaded and attempted to fire the Pratt Cannon at the Bursar’s Office. The attempt was thwarted when “the biggest squirrel in the world,” according to an eyewitness, showed up and stole the ammo. HEH A cure for the infamous Legionnaire Disease was discovered growing on a custard doughnut in the PI. Shop. Unfortunately the doughnut in ques- tion was purchased and consumed by an unknown hungry person before authorities arrived, HR In an effort to improve productivity, Pratt effi- ciency experts have called in a tree surgeon to work on Physical Plant. 8 and ©xpenseg for the Tight of Parking your rump here. , 137.50 8dditionay fees. , ee 19.95 Sub tote) 13,146.09 Room g Board Rene ss un sian ) 35601.89 1,000 Kratt macaroni z cheege dinnerg 4) | 590014 C f Boy-ar- dog food Stuffs, FPaRiMisi tarot f 245473 ton Rolaide(retaiz) ° 13.76 eat aes ey b spears 104.64 Hostesg Twinkeeg Nei lionel ia 67-50 Tenn 0 ) Nati eeitehe ivi 1,521.09 insectici ge THnelemtieei evi 743.19 Levig SG ymheiia vane SST eat aslo 9298 Sub total 7+69 Miscellaneous Expenseg 1 ( gy 273C50¢) . | 399.35 i nN Week ied) orth ° 15.00 1.97 65.49 85.40 2.49 AAS ey aL ( Fi eae ARH PROGRAMMING PROGRAMMED Purpose: The purpose of the Programming Dept. (Herein called dept.) is twofold and of two functions. Firstly, said dept. shall expedite in the selection of classes by students toward the completion of a degree or just for the hell of it, and to keep record of such points so said students will know when they've had enough. Secondly, to act as an agent and or excuse to keep the room holding said dept. open and heated during the off months of January and February. Function: Early Registration (ed. Note. Since there seems to be an absence of “Late Registration” Early Registration herein shall be called Registration, The term “Early Registration” is simply a traditional phrase maintained so as not to change the stationery.) On a day which shall be specified and announced beforehand students will appear before the programmers for the appointing of appointments for meeting with said programmers. The method for doling out allotted time slots shall be the “time honored” first-come first served doctrine. (See Serve, First come First.) Under the Students’ Rights Act of 1969 students shall be free to choose their program- mers, limiting their choices to persons now living. (Art. | Para. A, Section If Line 27. Students’ Right Act of 1969.) Upon choosing programmer, student shall announce name, major, grade, height, weight, and sexual preference after which he and or she shall receive the programming packet. Students shall then take packet and charge to their respective chairperson’s office for appointments and or if counseling (See Rules of Chairpersonship Para. IV. “Do what you want.”) On day of appointment student shall meet with selected programmer and be counseled as to unpaid bills, credits taken needed, failure to clean locker and any gossip concerning his her immediate family. The aforementioned counseling session (herein called “idle chatter’) shall be followed by the actual programming (herein called “programming”). The programming shall commence with a review of the past year. Student making sure he and or she and or it has properly notified the computer as to the classes they are taking. If the fantasy of the aforementioned computer does not coincide with the reality of the student’s experiences then corrections can be made. (See Goofs, Art. II Section 12 Para. B Line 2 or is it 3?) During the next step, or intermediate stage, student is advised as to classes required, but not yet taken by aforementioned student. Student chooses immediately. The aid of an astrologer is permitted. Student then fills gaps in schedule and requirements with free electives. Students may choose either of them. The next and final stage is the reaffirmation stage. Here student reaffirms knowledge of name, address, etc. (See Etc. Art. 5) by rewriting it eight different times. Cards of different sizes and colors are provided to allow student to show versatility. At this point, process turns over to other Pratt departments of which we share no blame. Pomp and Allegro, ¢un molto fuoco 5 3 Nine Circumstance Edward Elgar, Op. 39, No.1 Arranged by Joseph Prostakoff For many people the reception of a college diploma is the crowning achievement in life, completion of college is a dream many people have for themselves and their children. However, I feel the real value of a college educa- tion is not in the diploma, even though it’s in Latin. In fact, the diploma itself, in my inflated opinion, is at least as misunderstood as Dr. Pepper. A college diploma, even framed over your grand- mother’s picture, does not signify thirty plus liberal arts credits, one hundred or so credits in your major and a considerable dent in your finances. People don’t put themselves into hock to take the Literature of Southwest Africa or the History of Dominos or even the Aesthetics of Bowling. The key word about college, and especially a professional institute like Pratt, is experience. One comes to Pratt to get experience in his her field. You are allowed the opportunity to fail, to try, to experi- ment in an atmosphere where it won’t cost you anything. It may simply be the difference between a B and a B+ and no one was ever hurt by a letter. No matter how dismally you fail you can still return next week and fail again. Fail on the job and next week could be spent in various personnel offices around and about the city. Many times a person who’s a washout in school becomes a dynamo in the field. That’s because that little devil made so many mistakes in school he can no longer surprise himself. He’s learned his limitations. Be that as it may our college experience, like a Playmate of the Month, is twofold. The other crease of our experience is that which is learned around the classes, the before and after the classes, the getting around the red tape to get to the classes. In short, what you call your life experiences. You learn more about just plain living while in college, than just about anything else. For the thrifty-minded among you, I might add that this added extra comes at no additional cost. How would they charge for something like that anyway? Would you go to the programming office and ask for three credits of coping with deadlines? Would there then be additional requirements for gradua- tion, such as a required six credits of learning your limitations and would two hours with a nasty aunt qualify you for a waiver? Such experiences are a natural fringe benefit of your education and are just as much a part of your degree as Medieval History 102. FAREWELL TO BROOKLYN: FORMER HOME OF THE DODGERS, THE NAVY YARD, AND ME. As we end our education, I think it’s time to ponder On all the after classroom places that we used to wander. And reflect upon Brooklyn, the borough of the stars And all the interesting places, that you really are. Your namesake bridge that spans the water And carries more cars than it oughta! For culture lovers and history buffs The Brooklyn Museum had much nifty stuff. For nature lovers we had a choice Of places, we could hear her voice. Brooklyn’s own garden Botanical Where all’s real, nothing mechanical, And if this place became a bore You only had to walk next door. There resides Prospect Park Where it’s not safe to walk in the dark. For places to eat, there were no floppers We had three places to use our choppers. Juniors with the cheesecake of lead Was a nice place to break our bread. Closer to home to the Venice we'd travel Where plates of spaghetti we'd unravel. Thirdly last, but certainly not least We'd hit All Pro Chicken for our feast. Butif the day was mighty tough We'd fall into Erik’s to strut our stuff. But on looking back on our stay here It’s the little places we'll hold dear. The subway station at Clinton and Wash. With all the ambience of a marsh. The home for old ladies had plenty of style Except it got raided once in a while. In art supplies, Jake’s and Charlie’s abound, Rumor has it they're joined underground. And so in closing, let us say That Brooklyn, we’ve enjoyed our stay. But as our lives continue their run So long to Brooklyn—we think it’s been fun. SUOH [OIA Sj WnOd TIL yu + Rede Baw Des Bos ED) G ie es Jo} : e! 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Folger, William Fasolino, Kathryn Filla, Lawrence Alan Flax, David Gates, Eugene Garfinkle, Marion Greenstone, Richard Hall, Phoebe Helman, William Hochhausen, Ted Kurahara, Jacob Landau, Edward Lazansky, Donald MacKinnon, John Pai, Joseph Phillips, Philip Schmidt, Christopher Sanderson, William Sayler, Charles Schucker, Bary Vance, Richard Welch Fine Arts Faculty Rudolph Baranik, Ernst Benkert, Richard Bové, Ernest Biggs, Howard Buchwald, Richard Budelis, Anne Carlson, Franklin Faust, Alan Fenton, Peter Frank, James Grashow, Arthur Hoheb, Licio Isolani, M. Omar Khalil, Michael Knigin, Ted Kurahara, Doris Licht-Tomano, Louis LoMonaco, William Lovell, Michael Malpass, Salvatore Montano, Donna Moran, Iashio Odate, John Pai, Leon Polansky, Michael Ponce de Leon, Richard Pugliese, Tomaso Puliafito, Clare Romano, Anthony Saris, Charles Schucker, James Silva, Joseph Smith, Jack Sonnenberg, Joseph Stapleton, Jeffrey Ingram Stone, Byron Temple, Vasilious Toulis ash ’ yO� 2 a = = = — - — science Engi pee Engineering Science Math Faculty Tamas I. Bartha, Morton Bernstein, Raymond Borichewski, Marvin Charton, Donald S. Duncan, Burton P. Fabricand, Abraham B. Finkelstein, Izchak Friedman, Paul Friedman, Benjamin I. Gross, Luther H. Haibt. George C. Helme, Henry Katzan, Jr., John J. Me Clarnon, John Michael O’Gorman. Stanley Petrick, Frank M. Rand, Gerson H. Sparer, Milorad Stricevic, Herbert Tesser Engineering Faculty Arthur H . Seidman, Fred Assadourian, Peter H. Basch. Eleanor Baum, Theodore B. Borecki, Howard Boyet. Morton B. Herman, Esmet M. Kamil, Max M. Klinger, Herman Y. Krinsky, Joel H. Levitt, Haroun Mahrous. Richard C. North, Ida Rafail, John T. Rice, Joseph L. Schwalje. Demetrius Zellos, Julius Randall, Jr. Carolyn Simmons, Vicki Baartmans Fashion = « M4 o = = w = WOLFC MODEL bw F ORM cn. Pay? ome oe we we + oe ne ee i ome a aed Fashion Design Faculty Marilyn Church, John Cloonan, Linda Daley, Madeline Darling, Rose Fabricant, Muriel Fleming, Susan Jones, Marion Lillard, Charles Macri, Frank Manuella, Maggie Mercado, Melissa Meyer, Junnosuke (Kandi) Ohno, Julia Poteat, Paula Vogelsang Fashion Merchandising Faculty Paul Agule, Felix Buttar, Marilyn Church, Rose Fabricant, Judie Grimaldi, Thomas Haas, Anthony Johnson, Nina Kurtis, Carol Lulken, Gladys Toullis NOLDWOOGS Lay 1. The skilful and gs tion of means for the 4 practical application of dexterity; facility; po for procuring some sc Art Education Faculty Elizabeth Burmester, Michael Desiano, Gillian Jagger, Sheila Lamb, Dorothy McGahee, Ann Morris, Joseph Monserrat, Andrew Phelan. Ronald Piotrowski, William E. Russel, Nancy Ross, Judith Reiss Theatre Faculty Howard Brandston, Michael David, Richard Green, Peter Harvey, Burl Hash, Kermit Love, George New Dance Faculty Michael Aubrey, James Cunningham, Laura Dean, Mickie Geller, Wish Mary Hunt, Pauline Tish. Rebecca West Industrial Design Faculty Ralph Applebaum, Giles Aureli. Florence A. Bezrutczyk, Alfred Blumenfeld, Frederick J. Blumlein, William A. Fogler, Gerald Gulotta. Rowena Reed Kostellow, Joseph M. Parriott, Dominic A. Saporito, Alexander Sarkis, George H. Schmidt, Richard Welch, Stanley A. Wysocki eG CONSTRUCTION MANAGEMENT Rts Mit Tine ace. Feb.1O™ | ” Construction Management Faculty Gilbert Amiaga, Alton A. Burton, Ralph Dorazio, Philip Dworkin, Richard Flanigan, Hall H. Graves, Howard Horii, Leo J. Kuhn, Joseph La Rocca, Harry B. Mahler, Paul G. Mauch. Marvin Mills, Irving Minkin, Philip Olin, John Procaccino, Samuel Roberts, Jules Sells, Bertram Sherman. H. Irving Sigman, Michael Simon, Lewis Sunderland, Norbert Turkel, J. Sam Unger, Maxfield Vogel. Murray Weber 7 Prat, yo, « fice y oY Gan dy Vittegh yh ents yon ; Equipment +A e on 1B) ‘ St xT sulty Martin Abrahams, Regina Cornwell, Robert Fiala, Ed Greenberg, Daniel Haskett, Robert Ippolito, Lewis Jacobs, Al Jarnow, Babette Mangolte, Nick Manning, Bill Milling, Mike Mohammed. Roger Phillips, Peter Rose I C Diana Edkins, Arthur Freed, F. Dane Freund, William Gedney. Marvin Hoshino, David Langley, Robert Levin, Judy Linn, Paul Mc Donough, Alan Newman, Anthony Nobile, Philip Perkis re FAAILY Swecvcs 6 a aes '‘a'-6 N gas, Ig es wkends Houses—4 | merece cenirtoas® sab Me aict a MAN ! | | i | il SNH” | Pe Archit re Faculty Raimond Abraham, Richard Ayiderans Luis Aponte-Pares, Henry Arnold, Robert Aten. Daniel Balk, Bill Bedford, George Beggs. Richard Bernstein, Noel Phyllis Birkby, John Bloch, Paul Buckhurst. Barbara Carr. Glean Chase, Edward Cohen, Lowell Cohn, Jan Dabrowski, Timothy D. Dacey. Samuel DeSanto. Theoharis L. David, Robert Devine, Ronald DiDonno, Conrad Dike, James Doman, Tony Dominski, Juan Downey. Arthur Edwards, Eleanor Eick. John Ellis. Gamai ElZoghby, David Etherton, Secundio Fernandez, Giuliano Fiorenzoli, Alan J. Forrest, Vittorio Giorgini, Jerzy Glowezewski, Alex Goldfine, Leon Goodman. Warren Gran, Pablo Gutierrez, David Hack, Paul Heyer, Michael Hollander, Arno Huth, John Johansen, Richard Kahan, Samuel Kaplan. Roger Katan, William Katavolos, Sidney Katz, Eytan Kaufman, Melvin Kaufman, Ismail Khan, Dorothee King, August Komendant, Richard Koral, Herbert Kunstadt, Harold Kuplesky. Harest Lalvani, Stephen A. Lamb, Y. S. Lee, Aline Lenaz, Gerald Lenaz, Irving Levine, Barry Light, Louis Lionni, John Lobell, Mimi Lobell, Albert Lorenz, Jim Maeda, Norman Marcus, Felix Martorano, Robert Mayers, Larry Mersel, William Meyer. Nancy Miao Twitchell, George Nelson, Susan Niculescu, Nipun Patel, Robert Pelosi, Susan Perlstein, Stuart Pertz, Jan Peterson, Rosario Pionelli, Stuart N. Polly, Brent Porter, Peter Primak, George Raymond, James Robinson, Marvin Roth, Donald Ryder, Stanley Salzman, Harvey Schultz, Sidney Sheloy. Shirley Sherak, Ronald Shiffman, Arthur Spaet. Walter Steinharter, Brian Sullivan, Thoman J. Thomas, Narelle Townsend, Michael Trencher, Loretta Vinciarelli. Christopher Wadsworth, Joan Wallick, Philip B. Wallick, Maurice Wasserman, Peter Wilson, Virginia Yang, Hanford Yang, Arthur Zabarkes, Lev Zetlin, Jeffrey Zupan environmental interior design Interior Environmental Design Faculty Evan Bellin, Rex Curry. Joseph Paul D’Urso, Philip Farrell, Frederick Goldberg, Marlys Hann, Harley Jones, Stefan Klein, Laurie Maurer, R. Guy McGinnis. John Pile ll he er ay Nii wt i Lt haw ae Ut] fiat - ' i fen ¢ fis ‘Liberal Arts Liberal Arts Faculty Juana Alégre, Daniel Aspis, Sigmund Beale, Reginald Berry, Harrison Lee Bounds, Guy Burton, Joseph L. Cobitz, Marilyn Coffey, Carl L. Craycraft, Henry Cox, Lenore F. Drumheller, Kathleen Earley, Marie Therese Eckhard, Elliot Feingold, Rolf Fjelde, Josef E. Garai, Daniel Gerzog, Kathy Hahner, Estelle M. Horowitz, Dorothy Y. Ichioko, Hesper Jack- son, Lee R. Lombard, Linda T. Metcalf, Jack Minkoff, Norman E. Oakes, George Obiozor, Rosemary G. Palms, Irving Periman, Richard H. Perry, Douglas S. Robbins, Philip Roddman, Carole L. Rosenthal, George P. Schmidt, Jr., Sidney Schwartz, Oscar H. Shaftel, Terry B. Siegel, Tobin Simon, Morton J. Sloane, Kenneth G. Wallace, J. Sherwood Weber, Jules H. Wertheim, Sal A. Westrich Physical Education Faculty Guy Burton, Marie C. Gehibach, Robert A. McMaster, Anthony Mis- sere, Judith Padow, Susan Perlstein, Dongshil Rim, Carole L. Stemmler, E. Wayne Sunderland, Jr., Nick Yank Communications 218 se ie ond = lg +1 TST ‘GRAPHIC’ $13,000 tea alt st co, cold ste P 5 research 1, excl Lor Keeney 181 Bway Barsifo. aarisy2 yrs exp-art NS |, Mech WiSD8M ST uAiMiing has 1312202 Art Graphic Catol, Start Corp, Potentia} agency 475 5 Av. ART DIRECTOR for studio, heavy background produc- tion creative. Midtown. 686-5320 i, OP la xD es Adi archer ‘agency 2A Meo 40 S1 685-499 Communications Design Faculty Don Albright, Donald Ariev, Ray Barber, David Barnett, Michael Becker, David Byrd, Gregory Chislovsky, Adrienne Claiborne, Dale Clark, John Collier, Gerry Contreras, Robert Dacey. Kenneth Deardoff, David Epstein, Lee Epstein, David Gates, Charles Goslin, Ruth Guzik, Arthur Harris, George Klauber, Jacob Landau, Herschel Levit. Gerald Lynas, Joseph Messina, Jacqui Morgan, Donald Munson, David Passalacqua, Werner Pfeiffer, Stanley Smith, Bert Waggott. Douglas Wink alli ni ' al | Aye ™ fr 1g vé | we Oa SUI — | Food Science Nutrition Dietetics Faculty Joy P. Crichlow. Julia Erwin, Sr. Margaret Franks, Allan Freedman. Lynne Garnett. Joan Goldman, Renee Hacker. Irene P. Judge. Richard Kemble, Hilda Kriegenhoffer. G.E. Livingston, Pedro Rosso, Alyette Schizas. Ina Martin Stewart. Alfred Zaher Graduates 1977 Architecture Luis Ayala 1A, Alan Baily 1B. Irania Batista 1C, Dimitrios V. Batsos 1D, Alexandre Beskrownyj IE, Paul Bonvicino IF, Kyle Bressant 1G, Larry Bullwinkel 1H, Leora Carmi II. Eric Allen Cohen IJ, Leon Cohen IK, Michael S. Dalia 1L. Richard DeSouza IM, Gerald Donnelly IN. Mark Ebner 10, Charles Farmer | P. Carl Feinman 2A, Stewart Fishbein 2B. Harold Francis 2C, Ehud Gefan 2D, Ray Giolitto 2E, Michael Gyles 2F, Rex Hordeman 2G. Eric Steven Jacobs 2H. Gary Juda 21, Christopher Jung 2J, John Keleman 2K, Irwin Kizil 2L. Lisa Kulbida 2M, Rex Lalire 2N, Zev Lazar 20. Neil Lemelman 2P. Roger S. Lichtman 3A. Anthony LoGrande 3B, David Mandl 3C, R. Timothy Meier 3D, Peter Mercorelli 3E. Philip Alexander Mitnick 3F, Michael Muroff 3G, Pantelis Nocolacopoulos 3H, Michael L. Nola 31, Hector Ossa 3J, Eric Dana Platt 3K, Carlos Jose Rangel 3L. Lynn Ellen Rebsamen 3M, Raymond Rola 3N, Daryl Rosenblatt 30, Mario Rusich 3P. Alberto Salvatore 4A. Louis Savenelli 4B, David Schwartz 4C, Paul Siebenaler 4D, Joe Spina 4E, Michael Stahl 4F, Ronald D. Swann 4G, Jeff Talka 4H. Stephen Valentine 41, George Byron Visas 4J, Maria Xeromeritou 4K Construction Management | eroy Bennett 4L, Jeffrey Cherna 4M. Rich Gibbons 4N, Richard Greenberg 40, Peter A. Gross 4P, Leonard Kelleher 5 A, Trevor Marshall 5B. Harold McDonald 5C, Mesoda Pennant 5D. Craig Roberg SE, Henry Shute SF, Joe Viscome 5G Architectural Engineering Kevin McGrath 5H, Vasiliki Tsatsaris 51 Chemical Engineering Rick Adams 5J, St. Claire Adams 5K, Errol Bonadie 5L, Paul Capobianco 5M. Frank C. Chan SN, Anthony Chiedu 50, Skip Evans SP. Herbert Graves 6A, René S. Henry 6B. Tania Lopez 6C. Fabiola Sepulveda 6D. Edgar Sy 6E Electrical Engineering Carmen Carrera 6F, Maurice Cottman 6G, Michael Davies 6H. John Esposito 61, Vichien Euaparadorn 6J, Michael Fanfair 6K. Alexander Fong 6L. Kenneth Hom 6M. Bruce Horowitz 6N. Jared Ispahany 60. Haretioun Kellzi 6P. Fee Li 7A. Morland Matthews 7B. Samual Oni 7C, Peter Pele 7D, Felix Rivera 7E, Allan Robinson 7F. Thomas Roche Jr. 7G. Mark Rudner 7H, Lincoln Samaroo 71, Lawrence Robert Tietz, 7J, Collins Uwaifo 7K. Aziz Valliani 7L. Julio Velez 7M. Theodore Wieworka 7N Industrial Engineering Carl Saieva 70. Sydley Robertson 7P Mechanical Engineering David Boshnak 8A. Alexis Chan 8B. John Doe 8C, Steven Haffner 8D, Andrew Hawkins 8E. Lloydie Johnson 8F. James H. Judge Jr. 8G. William Lee- Sharp 8H. Kosmas Lorandos 81. Jeff Nowak 8J. Robert Pluchino 8K. Philip Raphan 8L. Andy Rubino 8M. Carl Syversen 8N Computer Science Data Systems Management Louis Catala 80, Winston Roche 8P, Alan Pp Wasserman 1A, Math Stephen Shepard 1B Art Education Dona Abbey IC. Cecilia Asforis 1D, Beverly Berger IE. Theresa Cetera IF, Timothy Clarke 1G. Nomi Frederick 1H, Jacqueline Gimson II. Rona Goldberger IJ. Joana Jones IK, Leonard Lambert IL, Sheryl Libo 1M, Harry Lopez IN. Nicholas P. Maravell 10, Edith Sepulveda Marrero IP, Edward J. Perten 2A, David Reid 2B. Raymond Sanchez 2C, Judy Lynn Spellman 2D, Daniel Wittmayer 2E Painting Drawing Rand Angelicola 2F, Melanie Baker 2G, Craig Barndt 2H, Jacqueline Dedman 21. Jeremy Feinberg 2J. Michael Fitzmaurice 2K, Claire Fontaine 2L, Sandra Gendell 2M, Carmen Gonzales 2N. Bennett Harris Horowitz, 20, Lena Holt 2P. Tina Levin 3A, Louis Marciante 3B, Paul Merrill 3C, Donna Mitchelson 3D, Barry Moldovan 3E, Ann McKay 3F, Tore Fredrick Paulsen 3G, Will Perkins 3H, Christoffer Von Platen 31, Laurel Purinton 3J, Susan Ripkin 3K, Robert B. Roger 3L, Sharon Romney 3M, Gayle Ruskin 3N, Sara Ruzi 30, Jonathan Segan 3P, Raul A. Torres 4A, Ann Uherek 4B, Johann Wechter 4C, Ellen Werther 4D, Chris Wikoff 4E Printmaking Julie Blount 4F, Virginia Bubek 4G, Donato Diotisalvi 4H, Kaare Hansen 41, Linda Kaufman 4J, Paul Moran 4K, Marie Nogowski 4L. Deborah Plumer 4M, Jan Sosnowitz 4N Sculpture Ceramics Steven Bleicher 40, Toni Grossi 4P. Howie B. Leifer SA, Mike McNelis 5B, Sheila Orick SC, Pam Paolucci SD, Dean Swerdlin 5E Communications Design Jil] Robin Abramson 5F, Leslie Balaban 5G, Robin E. Bell 5H, Stephen Bodkin SI, Barbara Bokert 5J, Alexandra Borthwick 5K, Lilian Brant 5L, Anita Burnett SM, Annmarie Cassetta SN, Debbie Coffey 50. Michael Cohen 5P, Marjorie Crane 6A, Denis DiVicenzo 6B, Nina Ezrati 6C, Peter Fiore 6D. Eric Fowler 6E. Cynthia Flynn 6F, Philip Franké 6G. Howard Friedman 6H, Margot Goldstein 61. Brian Grey 6J, Nancy Harmon 6K, Bonnie Hirsch 6L. Steven D. Hofheimer 6M, Mark Hogan 6N, Mark Ianacone 60, Susie Iles 6P. Jim Kaplan 7A, Marty Anne Katz 7B, Collin Kellogg 7C. George Kurten 7D, Candice Lager 7E. Pat Larts 7F, Karen Lee 7G, Elizabeth Levine 7H, Arthur Maizler 71. Leslie Mankes 7J, June McCallion 7K, Ann Neumann 7L, Allan Neuwirth 7M, William Ng 7N, Joseph Notovitz 70. Clifford Ohl 7P, Susan L. Palamara 8A, Jim Palmieri 8B, Jean Perrault 8C, Michael Pilla 8D, Mark Prigoff 8E, Cathy Pukel 8F, David Ramsay 8G. Patricia Rodriguez 8H, Douglas Rosenthal 81, Michael Ross 8J, Tom Rycz 8K, Richard Schwab 8L. Junichi Segawa 8M. Robert John Sekelsky 8N., Jennifer Senko 80, Scott Silverman 8P, Ralph Soto 1A. Joe Staluppi 1B, Frank Tagariello 1C, Gerald Tarpinian Jr. 1D, Boonchuoy Thitibordin 1E. Tom Wambach IF, Valerie Williams 1G Industrial Design Jim Armstrong 1H, Marti Berkowitz II, Ramzy Boutros IJ, Alvaro Bramble 1K. John Cafaro IL, Roland Charriez 1M, Mark Danese IN, James Dunlavey 10, Alex Eisenberg IP, Joel Feirman 2A, Nick Giardina 2B, Susan Hansen 2C. Viviane Hays 2D, Mark Lacko 2E, Chick Lam 2F, Sam Lay 2G, Sherman Lo 2H, Don Mandell 21. Kerry McCaffrey 2J, Michael Palumbo 2K, Chin Park 2L, Mark R. Richards 2M. Judith Sacks 2N. Maria Schwarck 20, Mark Snyder 2P. Diana Sung Ming 3A, Warren Thun 3B Interior Environmental Design Betty Jean Anderson 3C, Francisco Diaz 3D, Antonio Figuero 3E, Louis Frye 3F, Kathy Goldman 3G, Emily A. Kopin-Solowey 3H, Kathy MacKay 31, John Melodia 3J, Peg Petersen 3K, Noel Pugh 3L Fashion Design Virginia Binyard 3M, Jacinto Cuellar 3N, Linda Harvey 30, Lee-Temmi Kaplan 3P, Marie Louise Lawton 4A, Dorothy Mann 4B, Janna Russell 4C, Shaheen Sadeghi 4D, Michele Silver 4E, Miriam Wong 4F, Susan Woodland 4G, Igor 4H Fashion Merchandising Patrick Louis Anslinger 41, Sharon E. Brown 4J, Kathleen Grahm 4K, Minnie Grant 4L, Sharon Hackett 4M. Leron Harroo 4N, Lorraine Hoffman 40. Ellen Husted 4P, Diann Karnitsky SA, Nancy Katz 5B. Vevolyn Kemp SC, Laurie Kimmel 5D, Cynthia Kiner SE, Pam King SF, Cynthia Matthews 5G. Marguerite Pollard SH, Carolyn Ratkowski SI. Leslie Salley 5J. Kim Schrader 5K, Mary Beth Sheetz 5L. Susan Sutton 5M, T’Wana Warrick 5N. Scott William Mason 5O, Christina C.Y. You 5P, Diana Zeller 6A Film Chris Burke 6B. Alan Markowitz 6C, Nat Pius 6D, David B. Rogers 6E Photography Vincent Colabella 6F, Lenny Eiger 6G, Arlene Gilmore 6H, Lynn Grabowski 61. John Hogle 6J. Sheri Lane 6K, Conrad Reina 6L Food Science Nutrition Dietetics Adenrele Aderohunmu 6M, Mercy Agori-iwe 6N, Judith Archer 60, Eve E. Barber 6P. Cheryl Campbell 7A, Joy Carnegie 7B, Richard Conner 7C, Ethel D. Edema 7D, Gerald Fantana 7E, Patrick Foley 7F, Modupeola Glasgow-Ekpo 7G, Jamie Herskowitz 7H, Veronica Hinkson 7I, Al Krieger 7J, Jacqueline Lancaster 7K, Funmi Lily-West 7L, Delores Moncrieffe 7M, Chuck McMillan 7N, Bolanle Obisesan 70, May A. Odiachi 7P, Olutosin O. Okwesa 8A. Elizabeth Ormsby 8B, Doreen Osbourne 8C. Tony Palermo 8D, Jean-Meran Reid 8E, George Sierra 8F, Martha Spruill 8G, Iona Watson 8H Integrative Studies Diane Borkowski 8I, Cleven Goodall 8J, Norma McMichael 8K, Pam Levine 8L, Toby Rosser 8M, Russell Swezey 8N, Rick Tulka 80, Fay Williams 8P eaeneae d ya Architecture Alexis Anderson, Robert Arant. George min, Ronald Carl Binder. Lawrence Bailey Bogdanow, Jeffrey Brand, Robert Brusilow. “Tomas Canzana. Robert Cerutti, John Samuel Cohen, Timothy Dale. James Davis, John B. Goehring. Steven Goldberg, Daniel Haggerty. Charmaine St. Cecile Hastings. Edward W. Jenner. Akel Ishmael Kahera, Joan Kirchheimer, Donald Klybas. Ronald Krieb, Peter Samuel Kukresh. Robert Kupiec, Daniel Harry Levin, Jose Martinez. Joseph A. Montgomery. Stephen Paul Morgan. Peter McLauren Norwood, Frank P. Pace. Thomas Parisi, Deborah Ellen Pedler, Martin Radburd, Jane Ann Rhetta, Thomas Rinaldi. Theresa Susan Roberts. Michael Stephen Sorin. Yadollah Sh. Tehrani, Maria Isabel, Payen de Thomson, Andrew S. Tobiasz. Louis Felipe Triana. William Vollmer, Kirk Wassman, Winston George A. Whittaker, Sarkis Yeterian Construction Management Maart Jaama. George Katinger. Yolanda Ng. Robert Paige, Paul Pucci, Theophilus Simon, Earl A. Thomas, Kenneth Valek Architectural Engineering Robert Bendetto, Tommy Chu, Edward Obrenski, John Harvey Smith IV. Tricia Tichenor Chemical Engineering Katherine Gunn, Cheryl Hardin, Ines Sandoval Electrical Engineering Charles Bagi. Dawn Brown. Chong Yaw Chin, Richard Demarco. Lindsay Edwards, Douglas Gilbert, Georges Gregoire, Chun-Sing Kenny Hui, Ronald Katz. Majid Khan, Alsiviade LeGrand, Paul Mersch. Fred Meyn. Carl Midttveit, James Milliner. Rafael Mora. John Morelli, Earle Parris, Neville Rodney. Michael Roth, Luis Serrano, Jacob Sibovits, lan Taylor, Carl Tennessee, Lawrence Thompson Industrial Engineering Carol Booth. Alvaro Bramble, George Cheung. Melvin Robinson Mechanical Engineering Courtney J. Bartholomew, Frank DeStefano, Ganfee Eng. Anastasios Frangias. Daniel Greene, John Hermann, Renaldo Hill, Errol Jackson, John Stefandl. David K. Tang, Michael Theogene, Anthony Yu Computer Science Data Systems Management Claudia J. Ferreira, Diosdada Gonzalez Math Science Cecilia M. Young Art Education Mufeedah Abdulkarim, Martha Albert, Anne Anderson, Susan Bai, Alan Bassett, John Camejo. Alexis Delbridge, Marie Enouchty, Purcell Geter. Arnita Grenee Reed, Harold Toledo Painting Drawing Lorene Bodenstedt. Gerard Consales, Marilyn Gailliard, Douglas Geiger. Suzanne Gyorgy. Willie Hendrix. Eileen Kennedy. Yong Kyung Kim, Mary Anne Kinsella. Rita McShea. John Muth, William Nadra, Nancy Rubin. Lissi Siaillo. Scott Clifford Siken, Anna Singer. Mark Snider Printmaking Peggy Brady. Paul Keim Abbie Kessler. Charles Martin, James Mulligan, Aley Nalywayko, Brad Parsons, Ellen % Shore Sculpture Ceramics Michael Grossinger. Louise Kurahara. June Long, Richard Miele. Arild Juel Pettersen, Gail Price. Americo Rizzo Communications Design Catherine Bley. Jay Bogan, Robert Burger. Kevork Cholakian, Vivienne Clarke, Anthony Dipersia, Deryl Dunn, Arthur Johnson. Frederick Johnson, Matt Kiffin, Crispin Kope. Wing Lee, Steve Nau, Eileen McDermott, James O’Heir, Tetiana Sklepkouyeh, Steven Smith. Danial Thompson. Sally Vitsky Industrial Design Sherilyn Baily, Dalia _ Ben-Eliezer. Karen Campbell. Gregg Davis, Paul Gildersleeve. Grace Johnson, Richard Poulin, Laura Lisa Smith, Julio Soto, Curtis Tow Environmental Design Francisco Aljama, Glenn Barnett. Scott Burgess. Gabrielle Crettol, Richard Fay. Linda Hock Green, Jamie Nesbitt. Wendy Tilley Fashion Design Brenda Byrd. Frank Celauro. Catherine Ann Harms, Athene Ledbetter, Jose Levy. Isiah Minson, Karen Moreino, Alice Lee Morton, Cynthia Mullaney, Flara Nikrooz, Gwendolyn Sawyer Fashion Merchandising Gloria Andrews, Kimberly Bush, Veronica Cooper, Peggy Dillard, Mary Kartsonis, Film Jon Neuburger, Mark Organek, Theodore Robert White Photography Peter Belamy. Linda Cataffo. Christine Frey, Anibal Gonzales, Jan Gustafsson, Robin Elyse Lubins, Debora Sarjeant, Ernest Viskupic Theatre Margot West Williams Food Science Nutrition Dietetics Maria Ashley-Jackson, Rutha Mae Barr, Tracey Barrett, Jessica Beckles, Madge Chin, Henry Cooper III, Belford Earl Diggs, Graceil Frasier, Myrna Greene. Shirley Herndon, Romenna Hewitt, William James, lolene Doyner, Ena Millington, Erelys Nilsen, Andrew Sapp. Ella Singleton, Ethel Spann, Aishatu Suka, Bernadette Thomas Integrative Studies Christopher K. Amy, Patricia Berger. Brad Brewer, Nancy Petch-Carloni, Richard Eggert. Lynne Einbender, Susan Kleckner, Ira Lukens, Jean Nykamp, Susan Paul, Lethia Robertson, Joe Ellen Schein, Larry Thomas, Mary Weeks, Michelle S. Wiggins 6 SPRING 77 PRATT STUDENT PROGRAM AS QF 2 17 77 P AGF OI VINCENZD DENNIS P OB C=50S1160 9 NES S=€ MAIS Y DEG=3 CIS 7s (SX =M IS AUTHORIZE) TO ATTEND THE FOLLOWING COUPSES Pratt Institute, Brooklyn 177 This certifies that the student has satisfactorily completed the course of study prescribed by this college and is therefore awarded this diploma. This certifies that the student has satisfactorily completed the course of study prescribed by this college and is therefore awarded this diploma. This certifies that the student has satisfactorily completed the course of study prescribed by this college and is therefore awarded this diploma. This certifies span. ae eee Richardson Pratt, Jr. Thanks to: Charles Goslin for his wit, wisdom and wisecracks; Sterling Roman Press, Inc.; Cardinal Type: Typemen; R.J.P. Photoprint; Hewig Marvic: Steven Pilla, Wayne Tucker, Marty Katz, Cliff Ohl and Pete D. for additional photographs; Hall Graves for sending his seniors the maps leading to South Hall basement; the Foodies for the delicious cookies and the vodka punch; Igor: William Mickelson for the senior lists: the Banana Mobile for not falling apart before the completion of the book; Staten Island for not getting involved; Carl Saieva for the muscles, the garbage pail and the moral support: the ComD senior class; Gay at Pratt and the T.M. Club for being neighbors: the Aquarian Yoga Club for taking the old office; the back seat of Cliff's volkswagen; Michael Valetine; S.V.A.. N.Y.C.. M.T.A.. A.R.C., M.O.U.S.E.; Adele DiVincenzo for her patience, time and typewriter: Paul Friedman; the Bronx Llama for we don’t know what, but we'll think of something: Vickie Muller; Mom and Dad; the person with the same initials as New York’s finest; the Chicklets: and lastly, one of us wishes not to thank anybody because he she it did it all him her itself. eee ee ; SS ee = = - Se = Ses SS ee See ee ee ee pecs ea ee a ee 2 ee pate ee Sas = 3 ——— Sees a SS SS = et ee c Se a ee ee See == = z é : Se E : ae ire emer Sear ee = i ot - a er SSS: SS SS eee ses = SS ee ee Se SS a a Spa ee Se ane = aS = SNe a ee = a = = ———— a = = 5 = ——— —— = a: Awe —————— ee ee = a ee == nt SSS See ST ee = Sea So —— SS SSS ee = a Se ; — = Ros Se Se a Se ae ee ee ae Se ne ee = eae : Pen is z = oo a - se ——— 7 s See Se Se ee 3 = = —— Se = = ae zoe = a Se = : i ee Se OS en oe See se a7 SS = = : a ee ree pa eae Ee Sean SNe Se pera ea a a : PI ——— = aes a ae ee = z ne ee =o im s eee Sere = = Se ee Se ee Sa ee oe = = Dae ee x SS = ae aoe = SS ee ee Se