Pratt Institute - Prattonia Yearbook (Brooklyn, NY)

Text from Pages 1 - 94 of the 1976 volume:

A Graphic Celebration of the American Bicentennial Prattonia 1 vik Py veh i fi ne 7 ny : Prattonia 76 lee fo (@) I} (@) WelekeNenenencie ened @ 3 e ey, my 1 oY 5 | H 0 t= 6 A 3 a _ Ay Ay SAEED Ay Z| Beye] NON PN miles) Mom alelele| a) ar- Wm o)(exclalc=ialalt-limicr-l 4 olele) 4 would be too corny. But its appeal as a theme ale) Mexe)anl laren oy- e1.@conUlsm-Kevolu] (olahale|alelgon ia there's only one such year in our lives. So we lig (cro mCome(=1-)(e]a = W olele) @cci-eiaremialomellirciccialt schools of Pratt to the bicentennial, in a re- freshing way. Instead of writing copy to de- scribe this year, we decided to quote stu- dents’ views. With tapes and questionaires we asked them how they felt about Pratt, the bicentennial, and their future. We hope eaeclace)alt-WAeNUIIMeloX=1a)(en’cle)(e¥-lareRsve)aniciialiale] (Ulalte|e(=ncon (ele) .ae)-(e1.ae)aR TanaKlugherz BobNewman_ RobertWonders % . iee f all i“ ’ —_ . xr % , taapon - ‘ ‘ ee eae . eye ah Wea ae, fa - ra a ; a) aps ooh ; ‘a cone e z ht , “ 4 . ee 72 the i om - —_ Re we i. i 34 oh oo o— ae 2). t i ere aa ae is ei By si fa SS 3 we oaths a sé ¢ Ib ; f 4 iH il au Ce ‘aF kt... “e 8 28g, . ai SHI Wit sce RR Ret, S ‘ 1 meciersiit nam . Bo: ae 4 (7 Peer eer ra 11 Seabee NReg dy ok pa gy e at SRP Me a um S Mm we é - Ps ¢ ra 7 y ae ‘ f o 44 “a ‘ = | Fi — Ro a = A $ a¥ , - ‘ | oy ' ' i z ‘ 5 et ee € ‘i a ss ISI WR RYT os tT q 2 = a ee + — S7ass Rese tea ea Nat anaee LYRA eee ma § K “+ ¥ 7 3 BPE Rg an RTE | { 1 3 A aA4 oe nah Se GIR Sot SRA Sa ANN ANNIE NOPE raE pe Herbert Beerman Al Blaustein David Brown Mary L. Buckley Ray Ciarrochi Bruce Colvin William Fassolino Kathryn Filla Larry Flax William Fogler Gene Garfinkle David L. Gates Marion Greenstone Richard Hall Phoebe Helman William Hochhausen Ted Kurahara Jacob Landau Edward Lazansky Donald Mackinnon Yasuhiro Okuda John Pai Joseph Phillips Christopher Sanderson William Sayler Philip F Schmidt Barry Vance Richard Welch “Pratt has taken on many changes since my freshman year. Many of the fan- tasies have been replaced by realities.’ “I'm glad | did it, but | could never recommend it”’ “| can't stand when people only say negative things about Pratt. Pratt definitely has a lot to offer.’ “| enjoy going to school. The new atmosphere and the campus are lovely, which is why | selected Pratt over SVA’’ “Pratt isn't a school you come to to have a blast so I’m not having fun, but I’m learning a lot, and that’s what | wanted” Povey atjigtiegtioy Management (Oli lelslaqvanlt-verel Vlitetaam =t-lige! rN cola avn =10lace)a) Henry Cox Timothy Dacey Robert Devine imtclle)am Ble)e-¥4]e) 'DYoyar- lem BJU larer-ta) Philip Dworkin picevatelxemmatclalrercual Howard Horii Leo J. Kuhn S)ccle)alsian mclanle) Nle s -10) 00 ala (olerere| aclaavalclalicis Paul Mauch WW eTaVATem WALLS TavalaremVilalsdia Philip Olin Irving Perlman Mle) al alm gerer- erer| ale) Samuel Roberts Jules Sells Bertram Sherman Tavilate med (elaarcta) V Ifejatetoledianreyal Lewis. Sunderland Henry Szatmary Niels ols am Olaco Sam Unger Maxfield Vogel Murray Weber - _ —_ — “| will always think | graduated froma respectable school that will help me in the future.’ “Five years from now the charisma of being a college graduate will shrink to the reality that life and education grant no guarantees, only possibilities.” “| think the single most important thing at Pratt is the powerplant.’ “Eight years of perseverance at Pratt has given me confidence in my ability to not only learn, but to reason. After all, it's impossible to learn everything.’ “| have no complaints about the depart- ment except for the classrooms at Higgins Hall. They should be a lot cleaner.” “No comment about the bicentennial— | aman African”’ “| learned that if you commute from New Haven, Connecticut, to Pratt Institute in Brooklyn four nights per week, everybody thinks you're crazy.” Environmental Interior Design Evan Bellin Joseph D’Urso Phillip Farrell Fred Goldberg Marlys Hahn Harley Jones Stephen Klein Laurie Maurer R. Guy McGinnis John Pile James Vaughan “| think I'll have good memories because I'll be sick of working every day and Pratt at least gave me some time to get my kicks: “We've come a long way but | wonder where we'll be for our tricentennial.’ “| think the most outstanding attribute of Pratt is their faculty. There are many teachers from whom a genuine interest in relating knowledge to students can be seen.’ “The surrounding community has taught me one thing. If you live here, you can live anywhere’ “The teachers are superb but the grounds and buildings need to be kept up.’ “| wouldn't live in the dorm if you paid me.’ “Having come from a rural life Pratt was my first contact with an urban environment. | like it?’ mpris Worden, “Has it really been four years?” “Nothing matches at Pratt. All the people are different. Even the buildings don't match:’ “At Pratt you learn to come up with the slickest presentation in the shortest period of time’ “I’m eager to get out. | feel I’ve over- stayed my welcome:’ “In acard shop on Fifth Avenue they have a bicentennial flag kit that makes a13 star flag and a 50 star flag.’ “There's great variety here at Pratt; from engineers to art students pasting up xeroxes on the wall.’ “One does not come to Pratt to find a husband’ ab a — oy os — ae “ pen os FILM Marty Abrams Regina Cornwell Robert Fiala Dan Haskett Lewis Jacobs Al Jarnow Barbara Leaming Babette Mangolte Roger Phillips Pete Rose PHOTOGRAPHY Diana Edkins Arthur Freed David Freund Bill Gedney Marvin Hoshino David Langley Robert Levin Herschel Levit Judy Linn Paul McDonough Alan Newman Anthony Nobile Philip Perkis “| like a progressive school with com- petition. | thrive on competition. Seeing other good work just gives me the incentive to try harder.” “Came here to study drawing and painting, got distracted by film and love it. At Pratt | have learned to direct my talents (no pun intended). “| find Pratt extremely informal, some- times to the point of boredom.’ “Thinking about the bicentennial makes me feel really disappointed. After 200 years they still haven't had a woman president” “At Pratt | realized how serious the whole business of art is. There are a lot of good people in the field, people | would like to get to know and work with” “| see the bicentennial as a good thing giving everyone jobs and achance to win contests of every sort, both artistic and otherwise.’ “If one wants to learn one must depend solely on oneself.’ “| came here to see and since that time | have learned to see and in five years | hope to be seeing more.’ “Well, | can always make a living photo- graphing weddings and Bar Mitzvahs” “Fine arts is not a realistic profession for “Just as important as the lessons someone who loves money and learned vital to my field was the im- materalism:’ portance of organizing one's time, “| felt in 1973 Pratt would hasten my facilities and techniques.’ evolution as a painter. Now in 1976 I’m “| like the amount of freedom allowed convinced that was true.” in arranging your courses. This free- dom allows you to pursue your interest to the furthest possibility.” “At Pratt nothing is typical and I’ve be- come accustomed to the unexpected.’ “Although at times it becomes depress- ing here, | guess deep inside I’m proud to have had my education at Pratt, and always will be.’ “I think I'll have good memories because I'll be sick of working every day and Pratt at least gave me some time to get my kicks.’ “We've come a long way but | wonder where we'll be for our tricentennial:’ “Some people are making a lot of money on the bicentennial. A lot of people will have a lot of time to celebrate because they are not working.’ “This is not our 200th anniversary. Our 200th anniversary will be in 1987 which is the anniversary of our constitution, or in 1992 when the last state ratified the constitution. Unless everyone realizes the constitution is the impor- tant thing and until more than a few people actually read it and understand it there will be no positive feelings on my part about all this hype.’ Raimund Abraham, Luis Aponte-Paris, Daniel Balk, Bill Bedford, George Beggs, Richard Behr, Phyllis Birkey, John Bloch, Alton Burton, Barbara Carr, Glean Chase, Edward Cohen, Jan Dabrowski, Samuel DeSanto, Ron DiDonne, Conrade Dike, Anthony Dominski, Juan Downey, Phil Dworkin, Arthur Edwards, Eleanor Eick, John Ellis, Gamal ElZoghby, Guiliano Fiorenzoli, Alan Forrest, Vittoria Giorgini, Jerzy Glowczewski, Alex Goldfine, Warren Gran, Pablo Guiterrez, David Hack, Paul Heyer, Michael Hollander, William Katavolos, Eytan Kaufman, Sidney Katz, Dorothee King, Richard Koral, Herbert Kunstadt, Haresh Lalvani, Y. S. Lee, Irving Levine, Louis Lionni, John Lobell, Mimi Lobell, Albert Lorenz, James Maeda, Felix Martorano, Robert Mayers, Larry Mersel, William Meyers, George Nelson, Manfred B. Norman, Judith Padow, Susan Pearlstein, Robert Pelosi, Stuart Pertz, Rosaria Piomelli, Brent Porter, Peter Primak, Stanley Salzman, Sidney Shelov, Ronald Shiffman, Arthur Spaet, Fred Stahl, Walter Steinharter, Sharon Sutton, Thomas Thomas, Michael Trencher, Sam Unger, Lauretta Vincarelli, Christopher Wadsworth, Maurice Wasserman, Steven Winter, Peter Wilson, Stan Wysocki, Hanford Yang, Lev Zetlin. Architecture “The vertical studio is probably one of the school’s best assets. This multi- faceted program allows one to develop in a direction the student needs and wants to go.’ “The centennial saw the cultivation of the great Beaux Arts Tradition. We are now the result of the modern movement.’ “| think the n ost outstanding attribute of Pratt is tt. ir faculty. There are many teachers with a genuine interest in relating Knowledge tost!'” is! “Generaily the whole learn iy process consisted of being d- pped into a set of problems. | learned to work my way out of the problems. | found solutions, specifically | learned architecture” “The centennial saw the cultivation of the great Beaux Arts Tradition. We are now the result of the modern movement.’ “| hope the bicentennial will trigger a new sense of optimism and belief in America and | hope it triggers an awakening of values and dedication.” “We are prepared to transform 200 years of architecture into exciting and functional spaces to meet today’s and tomorrow's needs of living, working and playing.’ “In five years the conservation of energy should have taken hold across the country and maybe we can look for- ward to the beginning of a new century with a conscience:’ “My experiences have been more positive than not. I've made numerous friends, I’ve enjoyed my friendships and I've learned from my friends.’ “Pratt is a shoe factory with soul.’ GB REMBRANDT LIEVERF OILCOLOUR ART EDUCATION TALENS ROT HELL ROUGE TALENS CLAIR Elizabeth Burmester Barbara Erlichman Gillian Jagger Dorothy McGahee Andrew Phelan Ronald Piotrowski Ina Reznicek Nancy Ross William Russell “Pratt has been a short moment of my life where | saw and felt much aliena- tion as well as met some special people. | know that facades do not mean any- thing; and that in all of life one only gets as much as one puts in. An overall positive experience.” “We still have a lot to learn about living together because fundamentally, we haven't learned to love one another. However, I'm eternally optimistic.’ “| really think Pratt has excellent resources, you just need some en- thusiasm and interest to tap them.’ “| was horrified at the incredible amount of stealing. Erasers, chalk, anything gets taken.’ “More than one instructor cares about his or her students and they're very qualified in their fields?’ “The bicentennial will be a time to save the world from destruction for our children: DESIGN Jack Cloonan Shiela Murrell Wiel at=i=M@fe) aT=1a) ]Ulalares101.¢-0 ©) alare) Madeline Darling Bella Scharf Linda Daley Nancy Vandenbroek Rose Fabricant Paula Vogelsang Muriel Fleming Susan Jones Marion Lillard Frank Manuela VISUALS IVETa an @ralel cera) Katherina Denziger isrelgey-le-Mml-lale)a) 7 Nalare Wl itclacom ute lerele late MERCHANDISING Paul Agule Barbara Hanlon Felix Buttar Carol Luiken Nina Curtis Gladys Toulis Rose Fabricant Marjorie Quackenbush Ophelia Gilliam Judie Grimaldi Thomas Haas 7 == = id === =a =a | S. =e revew v .) PART) “| had heard Pratt had the best and most unique fashion merchandising and management program in the country.’ “At Pratt you learn professionalism, that is if you want to.’ Tama? . See OS yw we va VY Vee. I wo, eo Ee. BT ZA re e; Wath Aaa A MA J be qe RAT 4imay’ ass pen Bia) e PE ee Kade Bare, , } ree ‘ mg re : he A ARR 4 J “| earned that | was not here to learn about one particular thing?’ “| think I'll see my experiences here as a step in my development which was important and necessary.’ “Great, it’s a one of a kind life here.’ “Our country has got a long way to go— but unlike most other ‘advanced’ nations, we have only 200 years of corruption and discrimination behind us: oy Cal's: Ty x DS, BEE. 3 bate. Aye) ae ae “Pratt was a different kind of college experience than the other schools | had attended. Here | acquired more independence. | find it refreshing that most of the students are career oriented unlike other liberal arts schools.’ “Most of the staff in the Fashion Design Department is actively involved in the industry and are constantly reminding the students of the outside world—they don't reinforce an ‘ivory tower’ standard.’ ——— - 2 + a = . = ie ie a = a ball ge = = —— es we e oa co “ SOUTHERN CORN BREAD, CORN egy las) OR CORN 2 cups Indian Head Corn Meal 4-teaspoons baking powder 11% teaspoons salt 1 egg 1144 cups milk 2 tablespoons cooking oil Corn Bread: Preheat oven to 450°F. Put 2 tablespoons of cooking oil in cast iron skillet, or 8” or 9° square pan. Place in oven until hot. Com- bine dry ingredients. Combine milk and egg: add to dry ingredients; stir until smooth. Pour batter into pre- naated skillet or pan. Bake 20 to 25 minutes, Corn Muffins or Corn Sticks: Preheat oven to 450°F. Put ‘4 tea- spoon cooking oll in eech cup o' large muffin tin or corn stick pan. Place in cven until hot. Follow directions ebove Yor batter. Pour batter into preheated pan. Bake 15 to 20 minutes. Makes 22 large muffins or corn sticks. Philip Antico Edward Bianchi Julia Erwin Margaret Franks Ronald G. Fread Lynne Garnett Joan Goldman Mary Greenwood Renee S. Harker Irene Judge Richard Kemble Hilda Kriegenhofer G. E. Livingston Pedro Rosso Alyette A. Schizas John Silvestro Ina M. Stewart Milorad Stricevic Elba Velasco Alfred Zaher “| most enjoyed meeting people from “In five years I'll probably feel as de- the United States and other foreign prived as | do now, concerning a“hole” countries. | relished the chance to in my education. Perhaps | won't, | have exchange views about life in general.’ to see what's out there after | leave. “In the NewYork area Pratt is rated Maybe I've been extremely fortunate?’ highly as an educational stepping stone towards becoming a diet specialist?’ “The experience is what you make it. The more you put into your class, your friendships, your life, the more you get out of it?’ “In five years | think I'll begin to appre- ciate the experience here as a whole, recognizing the things | learned that didn't have a class number attached to them’ “In five years | will probably be applying my studies at Pratt to the development of nutrition in Nigeria.’ “To accept individuals for themselves at face value was the most important thing | learned at Pratt” Zitz A ZA Lamp Black Ww N DESIGNERS GOUACHE th it the laat curs: re of the oval of capital nom it bent downward and extended upward actor the capital stem, terminating with left extending from one: shalt the beight of fetter alate Pri aaa! 32,3. FG; . atataTatereatata'atevetatate e'ene erat ¥3z1SOd Univers 45 Univers 46 Univers 47 Univers 48 Univers 49 Univers 53 Univers 55 Univers 56 Univers 57 Univers 58 Univers 59 Univers 63 Univers 65 Univers 66 Univers 67 Univers 68 Univers 73 Hsnue-viv 31SVXIWYZINI Fliled Fle} AZ ECLLEDS ANVITNGS Art Direction |, Il Albright, Don Ariev, Ray Barber, David “Graphic Design HW, IV Illustration II, 1V Packaging Design |, II Exhibition Design |, I! Ss PSS SSN CW MA SEX 8 1 { 1 8 “The Communications Department is as good as the individual student. You learn as much as you're willing to work for in exploring your field:’ “As many classes as possible should be held in agencies, studios, etc. Get as many students as possible doing pro- fessional work. There should be more contact with the outside world possibly a work study program enabling experience,” “| learned to relate to a vast import of people, a fairly extensive introduction to advertising and how to play tennis.’ “Emil, a year later and | think I’m begin- ning to understand’ “Never believe everything you're taught because the right way changes everyday.’ “We learned that students can't tell triplets apart?’ | ee ti “Well, since Mr. Contreras has the floor | find things have improved for most of the students:’ “lam disappointed that upon graduation as an above average communications graduate, | can look forward to a first job at a substantially lower salary than a below average business major.’ “The Communications Department seems to be really coming together.’ “Less is More, more or less.’ “The best class was Arthur Harris’ Y R junior class.” “The most positive instructors in my department are George Klauber and Charles Goslin:’ “The three of us have learned to com- municate better.” (Berasis) “In five years | hope I'll have figured out the graphic on the women's dorm,’ “Just Happy 200th Birthday.” heatre Dance Howard Branston Wye lanloxom@relalaliare]arelan Laura Dean Michele Geller Peter Harvey Wish Mary Hunt Nle)cor-lan melt Herbert Lager Kermit Love Billie Mahoney George New macialanameleclaliarselccie Pauline Tish tue ac ave _s to lifs crings zs to tells ” ne sar sreak t .id not id, in t nis in t tonight, was notic red hair 1 ‘ds now—-z vy more dist vice, she s that lave he ity moves up, 'l ratchets, ac olbein picture � yrocess that | e in a cool, to coln Center, shead of ou to be talk be wearir � lighting “obe, her eyes . ma ge is over id nroug own vanel—at le. ler fellows, in on the con- ibordination: it is Beverly Ye house lights up, tier by pounds of gold curtain � yroper union members s in this house have en all the ratchets yy rebellions be- scatter of ap- to; is. pond. Sh. BOM cterlie ‘ADMISSION (clelo}� Rxe), | FRI; 7:30 P. M. NOVEMBER WATIONAL TICKET 00. SHAMOKIN, PA. - SIS, parts, scon an offstage sca trouble com-gone onstage at a low ve N. Y. S. F. PUBLIC THEATER on the he will not tell the vrly, Anne Boleyn s ension, teasing 1 ‘airs, killing ay down, after tw pir at center st -in the first gre ; days of fame; a with delay in using Une. “ve are you, Smeton?” ‘4 er the Queen in her mela a b ig romanza that means, rerly is denied us fora while a matter of waiting, of wai: ‘e is not a great deal of time fing. That is how Bever ‘ame played for the his luced for the big hour vent to Joan Sutherl Montserrat Cabal Donizetti. It is I sasant game in the aore interested in, to Snglish politics. The ¢ rly, and her rivals are 2 ry. But their emissari -, behind that carefully hed her opening conv em wanting; watche’ unregal; played Bing, who as d Queens and toc’ crack: that Mis: oklyn, must hold m1 royalty.” Those about Jane Seymour, 2 tonight, and every ni- Smeton, the par classical-lookine subsidings ¢° ing a cor from lus 7 $6.00 225 ie 2-7 “| chose Pratt because of the curriculum in Theatre Arts. It’s loose enough to take a variety of courses within the department as well as art courses which relate to theatre.” “The faculty are professional people who work as actors, directors, and set designers, a direct link to the theatre world.’ «| THEATRE ARTS | ou’ iN Big BS ‘. ryyir sey 3 — = Cs 4 a9 f “One of the great things about this department is that we get to see a number of New York's stage perform- ances and get to comment on them in our classes.’ “| became interested in Pratt because of its involvement with The Chelsea Theatre, one of the most youth- oriented theatres in the country.’ “Theatre students in New York have the advantage of studying in a city that in many ways is the theatre capital of the Western world.’ “The bicentennial is helping Theatre Arts look into the future. It’s taking the theatre in new directions—the produc- tion of ‘Pacific Overtures’ for one?’ science Engineering Fred Assadourian Peter Basch Eleanor Baum Ted Borechi Howard Boyet Esmet Kamil Max Klinger Herman Krinsky Haroun Mahrous Richard North John Rice Joseph Schwalje Demetrious Zelios Tamas |. Bartha Marvin Charton Donald S. Duncan Burton P. Fabricand Abraham B. Finkelstein George C. Helme Harry Katzan, Jr. John J. McClarnon John Michael O'Gorman Mary Petras Frank Servas Gerson Sparer John Tavantzis Herbert Tesser “| hope this country’s anniversary will stimulate in everyone a sense of good will towards the country to try and solve its problems:’ “Let's put it this way: I’m a bicentennial freak. I’m nuts about the pre-revolu- tionary period. | think it’s a good idea what the country’s doing and individ- uals are doing for their own bicenten- nial celebrations. I’m just gung-ho, that’s all?” “Pratt should be able to solve its budget problems without raising tuition every year.’ “If | had to do it all over, I'd come to Pratt again.’ “| think the students here are probably the nicest people I’ve ever met in my life?’ “| have no positive feelings about the bicentennial because of the invasion of Puerto Rico in 1899: “l'll be thankful | came to Pratt. It gave me two educations in one. The first was theoretical and the second practical.’ “One of the main advantages of Pratt, and the reason | entered, is the Co-op program. Through this program | was able to go to a private school and work and put myself through school.” “This is anew department, architectural engineering, I'll be in the second grad- uating class. They've still got a lot of kinks to bang out. They say by 1978 everything should be straightened out.’ “Here the classes are small, you get specialized attention. In big schools you're just a number.” == = e oe VUE NIUr-lar-WAN cle] qo¥m Mil aer-M (clcer-Uii Daniel Aspis Jack Minkoff Sigmund Beale George New Arthur Blank Norman Oakes imtlaaisxe)all s{el0] ale [om © (-10)f0[- 4 @) e (eyo) Guy Burton Richard Perry Joseph Cobitz Rosemary Palms VETavii an @xe)itcy am BlelU le] Feta nvo)ele)iarsy Carl Craycraft Philip Roddman Lenore Drumheller Carole Rosenthal I €-lialo1-1an =t-la(= am © 1- e)ge(-Releialanl(elt Marie T. Eckhard Oscar Shaftel Elliot Feingold Terry Siegel Rolfe Fjelde Morton Sloane Izchak Friedman Tobin Simon Daniel Gerzog Kenneth Wallace Estelle Horowitz Jules Wein |={-u Mo)pn) oy-lge mv oy-laM UV clatareiian Yowko Ichioka Sal Westrich ontdilfine, a deonl reapcl te the cfunione g L oerdenl; Moat alt mere ane cuedlid eyuals Mal Me hese lights, rnotild auc sreldeatedl ae “Most remembered | guess was the flexibility given by many instructors so that their courses had more pertinence to my major studies.’ “When | first came here | felt the humanities courses extra work but after awhile their relevance to my painting became apparent?’ “| vaguely remember something about avery large white fish.’ “As a Canadian | am amazed at the way Americans celebrate events. It's terrific. | even bought bicentennial glasses filled with jam and bicentennial bikini briefs.’ “Perhaps with the second rebirth of our country there will be some re-discovery and growth of our economic situation,’ “That one needs to be aggressive to get anywhere is the most important thing I've gotten out of Pratt.’ “I'm very happy with my humanities courses. They've given me cross references that | can apply to my major courses.’ “| think the bicentennial doesn't mean a thing: 200 years is no different from 199 or 201—the importance is too trivial and superficial to bother with:’ “Thanks to my liberal arts courses | can now blame my problems on Ze us:’ October 1975 Graduates Architecture David John Aguiar Yvette Attar Bramman Meding Avery Charles Natale Beeler Theodore Bekiarides Roselyn Joyce Roth DeEngler Jean Claude Guilbaud Gregory John O'Connell Howard L. McInnis Orlando Loli Peralta Mohammad Yazdanfar Construction Management Norman Greaves Winston C. Rigg Art Education Susan Beers Ruth Elaine Dixon Robert Victor Travers Fine Arts Brian Evans Bomeisler Steven Mark Buettner Thomas Phillips Environmental Design Maria M. Jansen Richard Michael Koszeghy Daniel Patrick McCarthy, Jr. Industrial Design Houshang Hajishahmohammadiou William E. Reddig Wm. L. Wilkoff Communications Design Yehuda Ako Michael Jerome Cheverino Deborah Ann Fox Angus Patrick Nater Frank Joseph Rikowski Myron Joel Stern Elaine Vaizer Charles S. Trovato Fashion Merchandising and Management Lucy Chin Fashion Deborah Ann Bunkley Joyce Anne Hancock Janice Helena Nichols Chemical Engineering Anthony Chauncey Francis Carlos Genser Electrical Engineering Frank Ballesteros Alix J. G. Duvalsaint Leary Wilberforce Gilpin Karl John Imhoff Ben-Zion Kreisman Joseph John Lattanzio David Steven Madison Ali Najian Pierre Nemorin Winston Park Steven John Pautz George Victor Alexander Rohlehr Bernard T. Wright Vistor C. Minichiello Industrial Engineering Morris Levie Chin Jack |. Mayer Philbert Earle Singh David Bruce Dolny Mechanical Engineering Vincent Paul Fuggetta Richard Francis Magnotta Architectural Engineering Leon Cohen Computer Science Andre Brevil Mathematics Sharon Ann Stein Data Systems Management Alicia F. Irving Food Science and Management Rosael Collazo Bessie L. Deane Pearl J. Hawkins Michael Chike lwugoh- George James LaMar Alice Patricia Lindo Lucille Elizabeth Martins David Scott Shand Thomas John Taylor Integrative Studies Amie Paula Cooper Louis R. Cancel Deryck Fraser Linda Lou Thompson February 1, 1976 Graduates Architecture Ira Howard Ballen Javad Bonakdar Mark Murden Bunnell Enio Crispino David Alan Freedman Frederick Alexander Jawitz Archibald F. Johnson David Harris Lang Lennox O'Riley Mark Paul Nin-An Mok Michael Terence Ormsby Dominique M. Pancol Christos Passos Alan Paul Rand Gary Ray Rediker Yves Pierre Roger Barbara Jean Shostal Kevin Campbell White Lee Wolfson Construction Management John Anthony Braut Spencer Heywood Latham, Sr. Art Education Susan Ann Adler Mark Wall Bennett Marcy Ann Gluck Pairoj Jamuni Lillian P. Lee John LeCocg Lehner Michelle Diane Markowitz Carrie Jane Moy Edward Henry Poplawski Frank Pearsall Schmitz Ronald Peter Sharkey Fine Arts Kyle Bryna Blumenthal Morris Crowe Joseph B. Fessler Gretchen Ester Gelb Bart Gorin Michael William Lemire Weldon H. Lockerman Colin Anthony Marcelle Aaron Norman Jill Anne Obrig Clare Anne O'Malley Francesca O'Malley Lynn Allison Salerni Debora Louise Schauder Jeanne-Marie Ruth Slamka Jane Tingle Krista Leigh VanLaan John Bruce Waldvogel James Francis Zingheim Industrial Design Torkom T. Demirjian James Joseph Garberg Lawrie Scharfenberg Environmental Design Scott Craig Kurland Gale J. Saddy Mahnaz Sharifpour Communications Design Byron Gladstone Allen Laurel Auleta Joann Leigh Hess Galina Sultan Klimenko Eugene William Mayer Wayne Allen McLamb Jim K. Silks Fashion Merchandising and Management Kimberly Brooke Davis Gail B. Harris Fashion Laura Diane Holtrof Deborah Lorraine Lockley Electrical Engineering Khattab Fouad Diab Abdel-Tawab Manoach Boonyam Thanasit Chentaphun Arthur D. Collard Piti Devakula Kenneth D. Ferguson Martin Ira Friedman Bhownashur Jairam Guillermo Jimenez Dan Sergiu Kirchen Frank J. Kulesa Albert G. Langella Malcolm Elton Lee Alan Levy John Winston Parnell Joseph W. Reinhold Helmut M. Roth Miguel Santiago Balkissoon Jairam Martin Seunarine Bhaskar K. Shah Chetram Singh Anthony Joseph Tobacco Frank Joseph Verni Augustus White Industrial Engineering Harold C. Braham Adenowo Osinowo Mechanical Engineering Jeffrey Russell Chrisey Valmiki Joseph Hoffberg Hopeton Kenton Samuel Moron Alan Edward Parker Philip Shun Hai Shui John Tillotson John William Tradeski, Jr. Architectural Engineering Thomas Edward Zabel Computer Science Joel Samuel Binn John C. Lach Roberto Ortega Rawle Allison Shepherd Chemistry Science Eric Buck Jong Young Data Systems Management Jeffrey Lum Thomas K. Ng Nutrition and Dietetics Catherine Atkins Odrie Aneta Cole Lorna Ernesta Harris L. Jennifer Williams Hoyes Adebola Kofoworola ljasan Susana Rebecca Pietri Sister M. Geraldine Therese Reis Beverly Brodber Spaulding Eileen Joyce Stoessel Food Science and Management Robert James Morgan Richard Robinson Integrative Studies Karen Jayne Clark Elinor Baker Copeland Francine Eisner Larry C. Quint Jill Randy Schulman Senior Listing 1976 Art Education Mufeedah Abdul-Karim Robert John Bell Ronnie Altman Black Terrence William Chandler Lorraine Maria Ciulla Louis V. Erbarb Keith John Elam Socorro Gonzalez Patricia’A. Hartz-Halpin Jennifer Robin-Miel ds Hatton Joyce |. Kauffman Ann Elizabeth Keenan Isabella Miele Sandra Pagan Cindy M. Slotnick Barton Howard Snedaker Karen Lynn Vedus Johann Anderson Wechter David A. Weschler J. K. Williams Karen Grace Smith Film Amy Duval Collette Steven Gregory Vivian Marie Jones Sandra Lee Manzke Tony Taylor Gene Wilson Robyn Wohl Photography Patricia Devlin Dominique Ellora Edwards Daniel Stahl Floyd Richard Thomas Henning William James Kontzias Zenon Maczula Anne C. Moore Gina Veronica Motisi Michael John Musante Venita Ozols Marie Elena Prantis Joseph G. Tiseo Industrial Design Jose Augustine Alvira, Jr. Jay Barker Craig James Carlson Thomas Mark DeLese Robert John Ferraro Bradley John Foster Mitchell Glenn Gilbert Robert Goldberg Bert D. Hainzelman Bruce Richard Landry James Wing-Hong Lau Pedro Jose Lobo David Charles Miller George Moreo Steven L. Moy Deborah Ann Nedurian Russel Thomas Anthony Nelson Richard Kenneth Ogg Alvaro Mauricio Olarte Bruce Oliver Peterson Ferdinando C. Ratti Joshua Scharf Cherie Secter Gregory James Tuthill Jonathan Yale Communications Design John Vincent Alaimo Richard Aloisio Barbara Ann Berasi Eileen Augusta Berasi Therasa Rose Berasi Sam Vincent Berdecia Victoria Boyko Michael James Braun Lonna Carol Buinis Thomas Anthony Cerniglia Clyde Everton Chang Paul Florencio Chanyungco Barbi Ann Charash Ronald Chironna Debora DeMartino Deborah Dieneman Michelle Anne Dorman Diane Christine Drago Elaine Eisenberg Carol Sara Favin Irene Susan Feldsher Charles Leroy Fields Charles Pierce Gabeler III Glenda Sue Galt Thomas Joseph Gemignani Steven Bruce Gerber Paula Anna Grcevic Alan Charles Hering Renelda Higgins Ronald Horton Virginia Wilson Howsam Herbert |. Kaplan Robin David Kellner Mark Clifford Kellogg Lawrence Stewart Kirson Tana Klugherz Patricia Joan Kostik Karin Kretschmann Karen Ann Kutny Alonzo Stevens Lee Carol Ann Leffler Gary Lew Peter Anton Lippincott Carol G. Lugtu Cornelia Vera MacFadyen Lorraine Ann Maida Anthony John Malone Denise Martin Anthony T. Mazza Alexander James McAllister Marylin Nance Robert A. Newman John Jack Nolan Richard Davis Pfanz Sandra Elaine Popovich Sharon Beth Reiter Karen Inez Robinson Lawrence M. Rosenberg Richard Charles Russo Michael Barnett Sayles Peter James Scavuzzo Joanne Silvestri Wayne E. Simmons Richard Allen Sobel Ralph Soto Barry Sid Spector Phillip Ensign Sprague Janet Beulah Taradash Gary Elton Teixeira Arnold E. Ten Claudine Eugene Tybaert Diana Lynn Ventura Vilai Vongsiridej Deborah Weinstein Aston Clive Williamson Robert Douglas Wonders Grace Yip Laurence Edward Ziegler Environmental Design Vera Atkinson Elaine Berger Laura J. Bohn Donna Denise Bowser Cornelius Vincent Clinton David F. Duchai Patricia Maureen Dye Linda Hoch Green Christina Wilson Grinnell Douglass Kent Johnston John Woodrow Kelley Raymond Gregory Kuebler Dianne M. March Amy Rose Podolsky Harvey Rosenberg Kenneth J. Sondo Diane C. Vasilakos James A. Webb Fashion Merchandising and Management Linda Ann Ayan Juanita Blakely Gerri E. Brown Sharon E. Brown Constance Gale Burch Elizabeth Burke Lucinda C. Bush Loretta Caughman Eileen Marie Duffy Linda Engelhardt Diana M. Espino Derrell Janice Fennell Jacquelyn Celestine Graham Charlene Leila Hailele Velyn A. Hennings Carla Ann Ireland Cledia Delois Lee Dep Wai Lee Cynthia Marise McNair Lori Ilene Poore Davette P. Reid Deborah Renee Reid Mona Nancy Roth Evelyn Ann Scott Joan Alice Smithwick Julie Ann Ward Ida Watson Elyn S. Zelman Debra Meryl Zun Fashion Rafiqa A. Abdur-Rahim Debra S. Cantor Pauline Chan Sigrune H. Chapman Samantha Conn Cynthia L. Durkee Patricia Elaine Fedoruk Lynn Greenberg Joanne Marie Hughes Nancy Jean Jamrog Mary Valerie Kempinski Chung Ok Kim Donna Maria Levy Theone S. Lingos Maria Dolores Lugo Sandra Ann McRae Alice Lee Morton Elise Randie Moskowitz Liane Puanani Shizuyo Okamitsu Janice Carol Thomas Marguerite McRee Wilson Rosanna Wai Yee Wong Nutrition and Dietics Anette Angela Allen Julie Robin Anderson Arlene G. Bennett Lorna Jennifer Campbell Carol Bertha Chinnon lvorine Editha Davis Kalowatie Gokool Joy Osamudiame |ze-lyamu Claudette Leonie Johnson Beverly Lee Jones Barbara Helene Kelly Janet Ellen Langan Ernestine Lloyd Barbara Celestine Maddox Yvonne O. Marshall Joyce Eveline McMichael Delores Moncrieffe Vinola Nembhard Olutosin Olufolake Okweas Faith Ann Perry Claudette Pough Dorothy May Ramsey Harriet Shafrock Judith Naomi Silberstein Loretta Monica Smith Mona Abelle Soares Charles William Toomer Lynda Dianne Tyson Norma P. Oxford Edwards Food Science and Management Ajibade Adaralegbe John Arthur Benson James A. Brunco Hector Louis Calvano August Joseph Ceradini Peter Gregory Coppola José Ramén Crespo Michael Joseph Imbriale Clara Mclver Seth Perlmutter Gloria A. Walker Architectural Engineering Robert Laurence Bendett Jerry S. Lindell John Peter Longo Joseph John Loria Steven Joseph LoVerde Gary John Mesagno Philip A. Ucci Emanuel Tribie Chemical Engineering Rosa Maria Ofelia Cedeno Sayid Gabay Yau-Jim Tip Electrical Engineering Allan Abramowitz Richard Fritzroy Benoit Alfred D. Brito Jeremiah R. Buono Manuel Tito Cartair Michael John Castrogiovanni Leon Chiu Frances Evelyn Collier William Cunningham Paul Dario Curioli Alfonso Joseph Dazio Rick D'Orazio Lindsay Anthony Edwards Vichien Euaparadorn John T. Gallagher Douglas Howard Gilbert Georges Gregoire Kenneth Lester Holmes John W. Jeanes Albert John Johansson Kevin Kosich Deloke Kronprasert Kyriakou Porfyrios Kyriakou Man Bun Lau Kenneth Lies Milton Markis Lane Moss Patrick Oldfemi Obazee Morad Paknoosh Oswald Hutton Reid Donald James Reindl Allan L. Robinson Paul Simon Howard H. Siu Alex C. Skandalides Carl S. Tennessee John Francis Tomkowid Surapong Tungkarash Harvey David Zwyer Guy T. Cromer, Jr. Frederick Fulcher Bradford Mills Octavio Rodriguez, Jr. Stephen E. Stomber Daniel J. Vasquez, Jr. Interior Design Mark M. Epstein Industrial Engineeri Radcliff Wadeycen s Stanley B. Chambers Dalton Obrien Novell, Jr. Akingboye Odofin Lesley Regis Carol T. Booth Jose Reyes-Morales Carl J. Saieva Mechanical Engineering Barron Otis Berg William Arthur Foley Martin Thomas Garthaffner Andrew A. Hawkins Renaldo Hill Richard Huey John George Issaris Errol D. Jackson Keith Alan Johnson Edison Anibal Jordan James A. Judge, Jr. Thomas Milton Kenney, Jr. Peter J. Kisielewski Mohamed Abdel Aziz Maasarani Gerardo Mena Kevin Michael Richardson Joseph Riemma Philip Tang Gus N. Vassiliadia Robert D. Schilling, Jr. Serge J. M. Nelson Computer Science Haimchand Cheddie Elliot Anthony Drayton Robert John Gargagliano Arthur Goldstein Arnold Johnson Michael Panuthos Data Systems Management Maxine Hawkins Philip Messina Martin Andrew Sitocchi Winston C. Roche Theatre and Dance Terence George Foley Kevin Mathew Golden John Y. G. Walker III Jose E. Colon Integrative Studies James Bradford Brewer II! Stephen Paul Conner Berry Morton Eckstein Saralee Ann Erwin Jeanne Marie Foley Robert Scott Gladden Richard Francis Hofmann F. Glen Jones Sandra Terry Kaplan Susan Amie Kaplan Stanford Kay Salvatore Vincent LaRosa Ira Liss Stephen John Lockard Pamela Angela Margonelli Susan Leigh Marshall Sara Jane Price F. Rachel Resnick Jeffrey Alan Riman Paul J. Rogers Edgar Ruiz Michael Sanzone Sidney R. Schenck Paul Jewen Terry, Jr. Adele Judith Ursone Martha R. Walker Barbara L. Walter George Jabari Williams Chemistry Robert Anthon y Zambias Mathematics Charles Wesley Richardson, Jr. Joseph Charles Surrusco Professional Studies Gerald Arlen Creps Susan F. Pappas Architecture Benjamin MacGregor Albury Sebastian Louis Ambrogio Anthony J. Argibay Eugene Artemyeff Thomas V.Ashbahian Robert Laurence Bendett Robert Alan Benn Mark Harris Berman Simon L. Bialar William Parker Brinnier Edward-Duane Chorey Louis Lanier Crichlow, Jr. William Robert Cullen Frances Albert DeMartini Donald J. DiBernardo William Timothy Dobson IV Bernard John Doyle Hooshmand Ehsani Frank Alfred Fick Hani Flicki Thomas Louis Foerderer Francis R. Frezza Carl Edward Galioto Jeanne Marie Gallo Michael Lawrence Goldberg Raymond Jay Gordon Shmuel Gordon Richard Baker Graham Roger Francis Grutzmacher Jean Claude Guilbaud William E. Hobson Robert G. Holmes Sally C. Howe George Costas Joannides Saiid Keyvani Hak Chul Kim Richard Allen Kincaid Eric Koo Peter Samuel Kukresh Henry Kwong Laurence William Lane Bark Chom Lau Peter Michael Leth Lee Howard Levey Craig Raymond Livingston Patricia Ann Lloyd David Lawrence Mammina David Mandl Eli D. Martin Jonathan B. Metz Victor Manuel Morales Cary H. Moss James E. Nealand Saul Neinstein Peter McLauren Norwood Mark Evans O'Leary Jay H. Poswolsky George C. Rallis Alex Raz Robert Resnick Thomas Arthur Salomon Richard Thomas Sargent Judith Sclawy Noel Craig Shapiro Ruth L. Sine Bruce Mitchell Slesinger Kenneth William Spinka Gene Stephen Stival Robert Gibson Theis Charles |. Thiele Michal Thompson Kenneth C. Winter Elissa Faith Winzelberg Revard Robert Wynn Edward Barrington Young Building Science Frantz Bertin Ducis LeFevre Charles Leroy Reynoldson Construction Management Pierre Benjamin Michael John Cantelmi Richard Francis Casamento Sam Thomas Cibelli Steve John Druga Steven James Farrell Eugene David Frey George Allen Hill Stephen A. S. Knight Jonathan Kyei Antonio Lopez Anthony H. Majewski Harry Loren Posin George John Reichert Fine Arts John Arbuckle Leora Asa Brian Lee Batchelder Diana Lee Beck Steven Bentley Constance Hamilton Berge Amy Brownstein Margaret Louise Brueggeman Vincent Buchinsky, Jr. Joseph Thomas Burns Doris C. Caridi Alex Tick-Yuen Chiu Evan Scott Cohen Martha Christine Cornell Princess Elizabeth Cureton Mary Virginia Delaney Robert M. Durlak Eleanor Katerine Egan lla Melinda Evans Robin Carol Factor Stephen Howard Fay Stephen Joseph Filizzola Gloria Irene Fontak Bruce Friedber Sharon Cecile Gold Marjorie Ellen Goldstein Kathleen Goodfriend Gail R. Grafstein Myrna Elyse Greenberg Allan Barry Greller Charlotte Maria Harris Elio Mario lannetta Michael Eliezer Katz Lorraine Kirsten Cynthia McCormick Kolesar Charles Krypel Susan Sarah Kukle Mark Lefkowitz Gary M. Long James Kwong-Wah Lui Donna J. Marcelle Jacqueline Biaggi Mascar6 Kenneth Glenn McKay, Jr. Margaret Ann Monsor Richard Joseph Murdock Robin S. Netzer Regina Lisa Ongioni Felice Alice Orlansky Dominique Lucia Pasqua Karlene Reicker Christine A. Ritchie Joanne Margaret Ritchie Danelle Rachel Rivas Edna E. Scheibel Franklin Henry Shifreen Scott C. Siken Karin Grace Smith Jan Merle Sosnowitz Lorraine Alynn Tomaszewski Karen Lynn Vedus Johann Anderson Wechter David A. Weschler J. K. Williams Design Tana Klugherz, Bob Newman, Robert Wonders Photography Sheri Lane, Marilyn Nance, Nina Prantis ee Copy AViige]ialt-Wm le) is: laammerele)cellar-lcolg Additional Photographs ViiaTex=1a) @xe)(-lol=||t- Waele) alam Viliisx- are 0a Vala RST=N71|(2) Faculty Advisors IDEWells slants @jaleldl-cne losin Poster Richard Aloisio, Barbara Berasi, Eileen Berasi Theresa Berasi, Steven Gerber Special Thanks to: Adrienne Claiborne, Gerry Contreras, Dave Epstein, Haber Typographers, Inc., Steve Nutt, Red Ink Productions, Slar-lxelalin = ] (clon BRelere)ia erg ailiare nh @xoml [alow Roger Sorcio, Willoughby Type House. � eet ont , ’ 4 - - : ae a ; a 4 A 5 . ‘ f 2 t Bias - ; : ‘ Oye ' eS + : Pair ats ke Re . Z - i= - F : = a : : a . ‘ : ’ . JAS Os ery ae ens @ 7 a Ae eee -—— ene mA gti) bares 4 on Se ;= @:0-c hein 7 ; ee ax Sa or (iu iad —— == PP es = - we a= ow —w nt =a Ss pi tne tet Pe rm 7 a, A nor leew oA a ee ie,