Pratt Institute - Prattonia Yearbook (Brooklyn, NY)

Page 28 text:

Khosrov Ajootian Figure Composition, Structural Repre- sentation. Carolyn S. Ashbrook Field Research, Color Theory. Frederick V. Baker The Figure, Oil Painting. homas Benrimo Illustration in Advertising. Margaret Blumenthal Two Dimensional Design. Lyle F. Boulware Architectural Design, Freehand Repre- sentation. Laurence Brulin Mechanical Drawing. Alice |. Bryan Philosophy of Education Psychology Child Study. J. Albert Cavanaugh Lettering. Walter L. Civardi Photography, Visual Aids. Dorothy McVey Cother Water Color. Monte Crews Pulp Illustration. Donald R. Dohner Supervisor of Dep Design, Three Dimens Georgia Everest Supervisor of Dept. of Illustration Design. Anna S. Fisher Water Color. Paul Fjelde Figure Drawing, Modeling. Robert Foster Lettering. Maurice Gauthier Architectural Design, Professional Re- lations. William N. Goodridge Theatre Arts. William V. Gorham The Figure, Research. Douglas Grant Layout, Advertising Design. Maitland E. Graves The Figure, Anatomy. Warren E. Green usiness Administration, Building nw e E. Hanks The Figure, Anatomy.

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SCHOOL OF FINE AND APPLIED ARTS Po program of this School has been developed upon two basic objectives which have contributed definitely toward its ever in- creasing success. The first calls for a continuously changing program that syn- chronizes with the best contemporary professional practices. This is possible of realization only when the faculty and student body work together in terms of the business and art activities prevalent in the commercial and industrial worlds. To support this program a corps of instructors has been secured who are themselves leaders in the various professional art fields. Under their direction the students develop an attitude of seriousness and application resulting in a wholesome professional atmosphere. At the conclusion of three years of such a program of study the graduate finds he is in the happy situation of having no gap to bridge between his art training and the workaday world. The second objective, even more difficult to realize than the first, yet predicated upon it, maintains that the educational intent of the Art School is fully realized only when all its outgoing graduates are employed in the professional field for which they trained. In addition the School actively participates in the advance of its alumni to their maximum capacity service. JAMES C. BOUDREAU, Director. 23

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Mac Harshberger Decorative Illustration. Gideon P. Haynes Lettering. Max R. Hermann Costumed Figure. Prudence C. Herrick Research and Costume Figure. Haig Iskenderian Mathematics. Alexander J. Kostellow Composition. Philip J. Lawson Merchandise Delineation, Structura Representation. Robert L. Leonard Style Figure. FACULTY SCHOOL OF FINE AND APPLIED ARTS Margaret Lincoln The Figure, History of Costume, Fashion Illustration. J. Gordon Lippincott Instrumental Drawing, Stonctural Representation. William L. Longyear Advertising Design, Supervisor of Dept. Advertising. Zue Martin Advertising, Style Delineation. Austin W. Mather Socio-Economic Architecture. Richard S. McCaffrey, Jr. Construction, Building Materials. Luigi J. Moglia Fabrics, Estimating, Field Trips. Dorothy S. Mulloy Industrial Design, Costume Figure. Grace S. Nutley History, English. James R. Patterson Instrumental Drawing, Interior tion, Supervisor Dept. Interior De tion, Eugene H. Petersen Structural Representation, Lettering. Carlotta Petrina Pictorial Illustration. Philip H. Pratt Design and Color. Frank O. Price Structural Design, Laboratory and Surveying. Matlack Price Advertising Design, Architecture Modern Art, Typography. William E. Probert Silk Design.