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Page 12 text:
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Pg,J vZJ'ssmC vvw-ecsfs, 41.2 222 l SQQTQQQX rx xx Y lsl55 Fl I lf rlllmmfx X mv x ff nrmmm ml X l im X 6 '45 xx i i if g I 4 X X s jf! ! s 'dst ,vg T3l ,nkjl ,l,J, 'J fi, m .Cn ' ' 2 Q J -'7' v' , ' f . 1 ' 4 I 4, , ' 1 - V1M.x 14 . ' Lf Q Y f ,, . - ' , Q N W f fl fi ,fu A ? V f , J K7 f I ,iii-'1i?,,fQ.,9'ff1i 31 - ' 1' h ' ff Q zu-'ff-'-x.f1..,y -- J , .ta s N-FV awk,-vzv 5 ll X X ESfif', 'is. 13 fp, Q I , 1 ,nf srl: s s 55, f- E . - I it ,- , ,-I, V R . ,pu s t e if J. ,Yip 1 N i 1 ,. X - tru. , ri n . -. 1 X, xt llllIilllliv'73'?v f ll a HI '- -gt :ffl f V: -I l-' Wu A QE lli: if 5' Ulm - qi :li f,,5,f is ,' ,G ,, NT- - -N I. 0 ' :ei ,.w ' , l ,A fy, :'j:E2:f2gg1:g4gj!, N ,, .1-'V .- Q , , u-my s A ', --- . 4 ! 'o .o w'P'vQI5, Q'g:i N ,.g!, ff YIQQMYP-E f' I l .M H X 3'i 'fiQ'1'a V ff L11 .wg s x Q ' .' If X, ms: -s - i if -ff M2 glyi'1l1-.ifi-guy: nu L 0, Af . , ,. 5,4 X -Ng- , 1,5547 x.. - T-:ff -V f 1 ws., :XT-2 ,.,f fs' .me X v , -Lvl, x , , , I . ,h , X C! S l n s ,..., I , f ' f. , ,Y Y F V in pf- r iiim,-ki i, HCV- Ex Libris THE AMPHITHEATER HE amphitheater, though its name was derived from the Greek meaning double theater, was an architectural structure,iopen to the sky, invented by the Romans for exhibiting gladitorial combats and fights of wild beasts. It spread throughout the Roman Empire, where the love of bloody sports, so repugnant to the Greeks, became widely popular. Whenever possible, the natural inclineof a hillside was utilized to save expense by cutting part of the sears in the natural rock. Most of the amphitheaters were entirely free-standing struc- tures of elliptical shape, built of brick, stone, or marble. Today the amphitheater still lives, for it is found in the halls for public lectures, having the seats in successive curved tiers in a semi-circular room. The massive stadiums of our educational institutions serve their purpose for spectacular occasions, as did the the fore-runners of old Greek and Roman days. Arlington Memorial is an impressive replica of the glori- ous institution of the ancient amphitheater.
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Page 11 text:
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-pp-v-mv' vi-qgqrf-vnu.-wg-gn I ,HT ,.,, V' - Lift the hanmr, hbld it high l The Red and th: Grqy, 'Tis thc banner of the .school That wc .rhall praisa far aye. All :hqll hbld it in rw'r51ce,'l ' N nw :hall it: fold: he .railed By any thought or ward ordeal Of than who hm hmuth it toiled. Alma Mater, dup in ur heart: We chrrirh thy dear gmc . Alma Mater, than hast our praiu For marc than wealth or farm. Though afar we :hall wander, Still our tho't: will wer tum to this Am! to thy honor held .ra dur, ' Will pledge mmol lqyalty. -Louisa CULLIGAN, '18 It is the hut of dll trades to make Jong: And the ngxt hast to .ring them.
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Page 13 text:
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hpixk. . Qgl. Copyright . 1929 BY RUTH E. ARTHUR Editor-in-Chief EARL CHISAMORE Buriners Manager R- DOUULAJS The Cycle Wagons ENGLISH Drama began in the church, with the services called Mysteries, dealing wholly with Bible stories and the life of Christ, but as they became more popular with the masses, a broader field of subjects was sought, and lives of saints were used for dramatic material in the Miracle Plays of a century later, with the priests and choir boys the authors and actors. These plays were Hrst given on Holy Days and Saints' Days at the church altar, or in the enclosure just outside its walls. The Miracle Plays, more comic and more elaborate,were separated from the church, taken up by the trade guilds, and presented in the 15th century in huge two-story covered wagons, called cycle wagons. Every company had its pageant,- a scaEold of two rooms, upon four wheels. In the lower room they apparelled themselves, and in the higher room they played, it being open at the top that all beholders might see and hear them. The performance began at the abbey gate, and when the first pageant was over, the wagon was wheeled to the high cross before the mayor, and so to every street, until all the pageants appointed for the day were played. Four of the great cycles are preserved for us, the York cycle of 48 scenes, Chester cycle of 15 scenes, Wakefield cycle of 32. scenes, and Coventry cycle of 42. scenes. fag i .N M, of ,xt-J-fs if - 1 fs f--1-feerrvf t ef, ' l..x.x,s...aa.4-v? --1- T' - N 'rN '5 : 'f 'f, N-T '-- 'J-9 4.z:., I g 2.
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