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Page 24 text:
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My , 9 ' ei' 4 'V' ,,,,,f Wa R' Y -4 V , if ' S . ' qr' , H9 . ' 'E' A 3 ' , . W . T Q ,, s 4 I gh Q f if -4 9 . ff. . ig itl i Av R xf Y QS W: J' W an fi 1 wit 2'
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Page 23 text:
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All buildings differ. Their appearance is +he exfernal evidence of fhe philos- ophy of fhe archilecfs who conceived Yhem. One may bear +he classic de- sign of fhe ancien+sg anolher, fhe ufilifarian mofif of +he modernisrs. Varied, foo, are The philosophies un- derlying +he many exisfing educalion- al pa'r+erns. The blueprin+ used here has been scaled upon lhe Cafholic philosophy which aims fo prepare man for his earfhly goal so iha+ he may aHain 'lhe sublime end for which he was crea+ed. The plan provides for his physical, so- cial inlelleclual and spirifual develop- menf fhrough fhe s'l'udy of . . . M 1 ' i H fi. T3
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Page 25 text:
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SECTION lB-3J2: lirsl row: Pauline Grido, Alberl Barra, Eleanor Marlin, Joseph Polyniak, Mary Ann Conoscenli, Norman Del Favero, Rosemary Rohri, John Eberhard, Diane Gannon, Roberl Di Peri, Rulh Breslin, Dolores Slaub: second row: John Keqler, Marilyn Eiserle, Chesler Roqalskl. Michele Osiewicz, William G-aceljak, Anna Marie Gevan, Leo Joyce, Elaine Woller, Joseph Plaza, Marqarel Horesla, Estelle Suclol, Roberl Collier, lliiid row: Henry Szembarski, Lois Barlek, Elizabelh Pavlica, Richard Kunzier, Pafricia Finnegan, William Sipos, Lois Sanlo, Raymond Winler, Marqarel Lulerzo, Richard Rapak, Palricia Zurey, Anlhony Fiory: camera shy: William Weiss. masters and masterpieces, Music and ar+ apprecialion courses open fhe door 'lo vas+ culfural horizons for all sfuclenls. Ar+ has grown our of man's desire +o make or invent The power lo appreciafe grows ou'I' of 'lhe cul+iva+ion of fhe sense of beauly- somefimes called fhe aesfhefic sense. Since ar+ appreciafion is developed fhrough ar+ experi- ences a fhorough sfudy is made of deign, painling, sculpfure, arf in lhe home and fhe 'lhealer while a knowledge of fhe masfers, old and new, and fheir works is acquired. The charm of music, a God-given giff, has caplurecl and soofhed fhe hearl' of man since +he lime of Adam. An invesfigafion of 'rhe fascinahng backgrounds ofsacred and secuhr music, fhe orcheslra and lhe musical insfru- menfs, as well as a sfudy of +he greal' composers and +heir works enables each sfudenr 'lo be- come more music-minded, 'l'o love +he liiurgy, fo ap reciafe +he besf in choral and ins+ru- men+a music and +o perfecl fheir +alen+. ART PRINCIPLES applied lo home lile are demon- slarled by Frances Weigh from booklels prepared by seclion lA. Page 21
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