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Page 31 text:
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LITERARY 27 lllllIlllllllllllllllllllllllllllllllllllllIIIHIIHIIIIIIH Hllll IIIIII HII I VIIIIII IIIIIIIHIIHIIHIIII IHIIHIHIIIH I IIIIHIHIIIIII KIIIIIIIIII Illllllllllllllll III IIIIIIIIIIIIII IIIIIIIIIlIIHIIIlIIHlI'r - A' :.f.' f 3f' 5 L gas , V, - .far ' 3 i i A M. I2 ,, A 5 . .ggwmrwgbf 'LQ Nu., g , awe S , , A , , Q 1 .X Q Q , ' 1 , 'lllllllug - 'F in ' ir W 5 fifl 'A , 1' rn- H 1 J I f Y A 1 1 1. .' 1 A 1 ' , faux Mg, , A lf Qi? ., :,: ' 'ig ,sk .. Q e --KK ' 9 1-.Q '4 H 3:1 ' -221.--V.. 5' QP r. 5 T' Q 49404 F f fhlfa 9 Jiisfl 3 wif' '15 il 'VMS T X ' P 1 gg 'lm ' n M' V ' 2 A ' if , fl- ru ' HK x l 1 4 'Ti ' ll 0 Fw .Q 'A giml W . U . X R v 's ' x :' -i - X X F l l sin A I uh lwllw 'N ' l lwl Q4 . I . W1r5! . w. :N 4 X .. r X ,I crm-:NUTS anmf' r H 'nr ni W l lfwwflwl ,ga H D.. ?i?' S?f1: 355 li SEQ 15 ,. 3 Q li H 532 -A-5 '- Elgflvillly V-. azffaalziih' w ENE' f 1' H , . ll Qs l'lTwf,ff5Iv1' '5.':f'51fi r I f iq ,gmac lit.'is:l4g g 1 1 -:-W is ' fl-H33 H Q? 2,'i'gg+? zf ..' Q b 5 2 ,R .,., ,I , rf I' 'n A EEE rw-:nik THE FAIR By Molly Chalmers It's Fair time in St. Andrews, And all the world's come down, There are gypsies from the countryfside And grand folk from the town. There are caravans on painted wheels With horses large and black, There are fortuneftellers in their tents- Oh, eVerything's come back. There are roundfafbouts and gurdies Playing a mad, wild tune, There are skies for clearfeyed strangers Beneath the moneyfmoon. There are shouts, there's gay, loud laughter, There are kerchiefs coloured strange,- Ch, there are gypsies in St. Andrews From beyond the mountain range. St. Andrews' streets are cobbled- It's very old and gray, St. Andrews' spires are towering And tapering for aye. And yet, this day in August, It's full of gypsy folk, It's full of song and laughter, Of happy word and joke. Oh, it's Fair time in St. Andrews, And all the world's come down, Each gypsy from the countryfside, Each lady from the town.
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Page 30 text:
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26 CAERULEA ,26 JIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIHIIIHIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIllIHIIIIIIIIIIIIIIIIIIIllIIIIIIllIII!!IIIIIIIIIIIIIIIIIIIIIIllIIllIIIIIIIIIIllIIIIIIII!IIIIIIIIIIIIIIIIIIIIIIIIllllIIIIllllIIIIIIIIIKIIIIIIIIIIIIIIIIIIIIIII5 the track were a few little houses . She must be in one of them, I thought A systematic search would certainly produce her. Just then a hoarse shriek from the train startled me. Great guns and little firecrackers! Did I have to leave that wonderful girl wandering around loose here in the desert just because a mere train was leaving? Ridiculous! I'd find her if twenty trains were pulling out. Settled on that point, I started walking down by the side of the tracks toward the little houses. The train was beginning to move. The engineer gazed curiously down at me as the engine passed. The cars went by faster and faster as I hurried along in the same direction . . . I counted them in derision. Let's see the train big enough to haul me out of here before I get another look at her! I thought. Clickety click! Clickety click! The cars were speeding past. Thirteen, fourteen, fifteen, I counted. Now the last car was passing. I looked aimlessly in at the people on the obserf vation platform. A man, a woman, and a girl were there. The man and the woman were just ordinary people, but the girl! I stopped in my tracks and gazed horrorfsticken at the speedily receding train. Sacred chrysanthemumslw I muttered frantically, and galloped down the tracks like a greyhound. But all to no avail. The weekly train was gone, upon it all my baggage, and also upon it, was that wonderful, marvelous girl! FATE AND CHANCE By Sybil Doubleday The winds of fate Are blowing tonightg The wings of chance Are hovering low. Should fate be kind And chance be true, I'11 be coming home My love, for you.
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Page 32 text:
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WL..pa1mi-vmnn.-.xum..-vsnm.,N.,,...,,,,,,.mug..nun..-mlm'-vvnlln-mulW-wnr,...ww---14nm.iming:.1v1nu:.1-mnnumvguvz1.-ummm-nnr..1x1-lr..-.my-lumpy mmm,lm,,mIIf,,,,I,14111111111111115111111111111l111111111 lIul!,l1lHIIl1.:-LqlullllllllfflllllllllwIllIllIlIlIl1ll1l1Zlll 1 1 :Z-4 R I 1 19 111 1103111111 '1lI'11Lp1a:u1 1111111111 111 11 1111u11u11j1f 11111 11 Ei N PETRI s z' 5 S11 ' 7 Z 11, 1 1' 1 'I ' 1' 'I 1 Q1 l .WP II 1, 111 SV E 1111111112 'ml 11 II11,I11l11f'iw1 M, 'dm U ,: M11h11uWI mmm gum Mm1111.L his 119211222511 1 11' 1' ' .T ' V B 111 ggi ,111.111111111 111114-'1 ,1.1 1 m1T1m1111111 E4,1-5,11 1 '1 1giQ. FLm1m11f1111'1111111111111111111111111111111.11111111111111112i g I 5321 hjllx A 146- Z 511111-1.'u111111 1111211111' 11 1 1111111111111111111111l1 '11' 1111111111111111111111111111111111!l111'11l1Il 11, l1lllI2,i1 ,1111-,g'. 1? is 1311 1. uui--zu:ut-pawnw'v411'11-milwwwIminhwlmf-11Aliz.e.x1uwunmi-.iinis -..v muim vin c-vgsg CHARACTERS ' Alfreda Samrano-an old Spanish Don. Rafael Enriguez-her nephew. Leila Samarano-his daughter. Dolores-her servant. Merced Enriguez-an old woman. Pedro-a servant of Alfredo. Gilberto Enriguez-her son. Three pe-ons SCENE I QA room in Merced's hacienda at San Gabriel. It is late afternoon. There is a heavy table and a settee at stage left, a barred window center, a fireplace and doorway stage right. As the curtain rises, Merced enters.l Merced: Dolores! Dolores! Come, and bring candles for this room. We will need much light here tonight, for Senor Samarano comes with his daughter's dowry. He is a rich man, Dolores, and values his daughter highly. Dolores: And that means-a bounteous dowry. Merced: My child, has not the padre taught you not to think only of gains? Read your Bible, Dolores. Dolores: There is an oxcart coming slowly down the road. Ahead of it a caballero rides. Now they turn into the courtyard. Merced: That is the dowry. And about time, too, with only a week until the wedding! fThey go out, but return almost immediately, ushering Alfredoj. Merced: Bring the chests into this room, Senor. The light fails, but sit and rest you before your ride back. Dolores, wine for the Senor. CDolores gives him a goblet of wine from the table and goes outl. Alfredo: I thank you, Senora. Indeed, a thirtyfmile ride is tiring for one of my age. Think you four chests are enough for the dowry? Pedro, bring them in here. fPedro and three peons enter, staggering with the weight of two large chests. 7 They set these down, go out and return with two more as Alfredo speaks. See, these old linens, all of them hemmed by the hands of my daughter and her maidens. This contains rich shawls and mantillas, all from Spain by the last ship. This last is silver.
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