Plymouth High School - Mayflower Yearbook (Plymouth, IN)

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Dances Highlighted Social Scene The rhythmic pulsation of the music was a reflection. Just as in years post, students were to- gether and having fun by danc- ing. Nothing had really changed —the beat was a little faster, the clothes sometimes more casual, the spirit more liberated than in former years. But many more things were the same; the girls' pleasure in long, formal dresses, the struggle to find a good theme and the hurried decorating, the exuberant happiness of an after- game dance following a victory, the cokes, the exchonges of laughter, and the formation of lasting friendships and memories. Living in the present, students were unaware of the post being relived. They thought only of the songs' messages, the people around them, and their immedi- ate fun. In the future they would remember and realize that as they unconsciously honored the post, they were building an un- vwaiing their sc tuts « »•« m m » Sod. iMr. vo Gi« o forgettable part of their own danono r»vw» at ■ ' • «Ms o» boy» Oogpo heritage. MING SERVED of Wno o 1 cookim ora Mark IiEU , «nd JoH Jchmen at Oirofma formoL SITTING ONE OUT oni dl evi% nfl M»Cobra» earn ora ’raahraon Sw « !»-•» Joann Wafcor Sorb Eftin , and forty Hi»kn

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»NIC« SUNSHINE OILS Suv CHopmon Vicki fefguMrt. Undo WJtofcn. ond Su toad aoiof ftomaafvot wltK •» etoat ot tto annual Surv- Ain Qwlftnoi tarmol. SADIE HAWKINS (Mr. Van Cildar) gMi tor done portor, V».t toawy. on httoioui afild oround ito Hoar of ito annual Sod Haaktnt Danaa. TAKING A tfEAK from ito crowdod donot toot at ito SwnaKn lotto and Ivy” Ooittoi forma . Aory Kay Bwctonan and tor data, kick Hot. anyoy a tip a p n k WO KING Off tot at»N aMtodotm «awlting from o bo (torto 11 victory cuor Cubor. Hymoi d itwdonti done ond tort wilt» rto Kip muu of Ito fnk Non' oa bothyoond U

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shoc« o iisrro suemce Ei.iobath I »m «hot «► hot baen ocevead « witeheroft by Abigail or tha Sotam trait. ’69 Seniors Emoted With The Crucible The 1969 Senior Ploy, The Crucible , by Arthur Miller, wo a direct bond with the school's heritage. It brought their ances- tor's beliefs close before their eyes. As it told the story of the Solem witch trials of 1692, which were a result of public hysteria, the ploy pointed out a situation that had a modern-day counter- part in the Communist scare of the past decade. The suspenseful droma with its tension-filled cli- max showed how one man would not be driven from what he knew was right for the sake of satisfying the unjust standards of the time. CtOCISlf CKWS. Oimrtu‘ tabard Kehoe. Aauetont Drector. ttehard fwNimw, SvbM Orat teri Serb Wolf Set Ccnitruetian 0tw« Dov . Martin Spchn. Tm Metean. Serve fraad, Dan Utn- bough (haH.r OMord, M.k towell. Stow Otvomor. Co ne ev Marco Mepfor. Ieoh Covreey. Mary Shardon. Sue She-few ger. Lrdo Gey. Sorb We ff, Powto ScMonegee, Dmw March-. Mery Kay Suchenan fUctr.rnl Ccntrortmg. JW Maurer. lighting ond Special Effort Don SolIHger. Store eod. Sat Dacarotteo Anga Wan no. Sue Chgmon. V.cfc fergueon. tot Me Dan Ml. Jeonn lodrwood Janrf Probe tom Kufeiey, Oefefeta Sattarff, Vat Jhwbwg»r Moke up Conari font Mor oria Mortcmbe. moke up oawi Money WM»or Mary O'Conrell Joann Lockwood. Pot McCfcnifl , Publicity Donro March- Bod» Wolf Prop». Money Thornburg. Hour Mtrogerv Jlea laod. DawM Gerrord Jehn Mallory Tan MSaa. Charta Tanner. T ket»t li db Mautn. DtOto Hour», Lou tie HouM. Dario Donal- tan. Money burhw. Mary Mick taw ice GIK. WHAT AILS YOU? Stop Mot wo .n . Gtril” Afeqoil Will tent and Severe Porre «ry to calm Softy who la in toa midwt at a •emoming to GIVE ME A WOK). John, o ©h word- Abi 9rni W.lllan» bag John Proctor to recron. ond bag» hint for he leva. LOOK 0UT1 Sha t gang to eem «townI Afer go fhee toe courtroom ot tha datni to too a witch m tha form of o bad.