Pickering College - Voyageur Yearbook (Newmarket, Ontario Canada)

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cti ities 'l'l1r' U.,--lmu' lnrirlwnt NI'4'Il1'N in lhw U.r-lmu' l'uIIf',1f :mal l'11nl1y.x Nfllrfull, the rod curtain 4 me l'n'l41clcIx4 VUIIMI IM num mum liars zllwnlw Im-11 Hl'i'l3IlIlll'4l als illl vxywrl- lm-:mil 1lN'2llI'l' fl xu IHIX ll 11 The 1930 Pl'1Nllll'1i0ll ul' Tin Um-lwrl' ln- rzflrni wus. lDl'l'lI2llPS. 11141 must znnmlvilimxs mul lllliilllll ui' ull its sllm-vssm-N. I1 wnnluim-fl vxvvptiullzxl sms, Ivy I r1-cl HZIQZIII, suywrlm 214+ ful play. Thr Om-lwu' lnf'2'1l1'nl by Walla-1' Yam mg, final 11111-vfimu :xml an vxwwlillg-ly pmx'f'1'- 'l'lIlrl11'U' Vlzirlx is El strung' nun-I uf Hu- XYvs1 yn lmswl HDMI! iZ1t'i4ll'll1N XYlli1'll m-4'lll'rc-fl in Nc-Vanin in ISM. .

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lt' you min ohtuin fr-om your 0llllC'Zlll0ll 21 freefloin from ?lI'1'0Qilll1'GZ if youx n .- ltllltfllltbll 1-:in instil in you thc yirtuc- ol' humility, tht-n you will ho zihlv to tziko si just pi-lilo in yoursolf and your sr-hool. lfow ol' us, inflvotl, sm- hlm-ssewl with humility. We am- :ill prone to 2ll'l'0!l'lIll't .incl to tht- winitios. YQ-t tlu-y ami in-ost rlzunziging' to us. For virtuo without hunulitv lu-1-ounos soll'-riglitt-ousiwss. sinugnvss, prig'g'islui0ss. l.va11'ning' without hunnlity hoc-oinos tloglluntism, poflzmtry, llll0l6l'2llll'G. Passion without humility lvoi-ouws :ull munnvr ot' liiispozilmlmlt- things. ltlvcn low- without humility dv- ,,'oiu-rzitm-s to soll'-iiululgoiu-1-. self-pity. Svlf-El2'2'l'Zlll4llSOIlNlI1l at tho vxpensc oi tlu- out- wo low. ll l vulllll ask that Pit'lil'l'lllg' zxnfl its static lIll2'lll tlo just ont- thing' for you l woulel zisk for El high thing. I woulfl aisk that tlivy-iiiipert'ec't as thcy are u 1 ' - tlmonisolvi-s-smight still serv- to holfl 21 inirroi' up to you in whit-h you could su you: oxxn mnitims thu thu llllflll tuuh you thu xiitue of l 'l't ind ' i 2 g ' j ' - - iunu 1 y. 1 in that muy lwstow upon you your rightful llPl'll2lQ'li' - the vnrth. 'rcfvrzly-ugh! ffrom ll !'1lfllN'l urlrlrczwx 1111 If. W. JfIl'li'S0lI.j 0 9? if XlltltI'l'-WA'l'l 'll 'l'lu- vliurvli livs in tht- slizulows, tlvvp. .Xnfl :ull gootl uuin sm' lust zislt-op: YY llu- moon is lull, tht- night is 1-lvair, 'l'ho g'i'nws am- still, tho ill-:ul :wo na-air. Aufl tlu-n. ns spirits sm-In to lly. 'l'lu- ilziwn illuuiinzitvs tho sky, .Xml hriugs to onrtli uuotlior morn. Wlu-ro oltl folk tlio. :intl hnlws nrt- horn. 411111 l'ul1'rsnn

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Many drama enthusiasts remember the excellent motion picture based on this novel which was directed by John Ford and starred Henry Fonda and Dana Andrews. Many of these same drama enthusiasts, concerned with the theatres problems, have wondered if a successful book, once turned into a successful motion picture, can still be made into a successful vehicle for the stage. Messrs. Charles Beer and Ward Cornell have answered the question. Their stage adaptation was brilliant. The narrative was developed with re- markable power and tension from the angered beginning in Canby 's Saloon, to the hysterical lynching near the Ox-Bow and, finally, back in the saloon when the cattlemen learned of their error and were left. to live out their lives with tortured souls. The cast, led by Bill Purves-Smith, Pete Wigston, Ted Helwig, Albert l'nderhill, Terry Sumner and the incomparable Mrs. Jackson, was first-rate. Smiths burning sincerity, Helwig's steadiness, Wig-ston's toughness, Under- hill's hysteria and Sumner's cold brutality were well in character. Alfonso Suarez, as one of the unjustly accused, played the Mex with understanding and feeling. Charles Vassar created a memorable role as the young husband about to die. Nothing more could be asked of the players. Great credit should be given to co-producers Meikle and Beer. They handled a large cast on a small stage without confusion. Never did they allow the mood or pace to get out of hand. The Of-Hou' Incirlcnt was a great performance-a perfect blend of manner and matter. We will watch with interest future productions by this group. the glee club His REVIENVER NVOVIJD LIKE 'ro XVRITIC A Lovm-LE'r'rER to the Glee Club. He would not address it to the Club of any particular year, or to any par- ticular members of any year, but to the tllee Club itself, as a continuing entity through all the years. He would try to express his inexpressible gratitude for the fun and suspense, the elan and beauty, the youth and gaiety and melodious- ness that it has brought to Pickering for s-o long. He would praise, this enam- oured reviewer, the ideal combination of youth in its freshness and verve, with the foresight and high standards of experience. It seems to him that, in this, the tllee Club eats its cake and has it too. It satisfies the critical spirit that asks for trained voices, musicianship, expert production. And it satisfies the uncritical l-ove of zest and gusto and high spirits. And he would praise its veterans and the perfection of their casting. They are troupers, these old hands, they give us all the wit and finesse and style that these rich acting parts contain. Style is indeed their secret, and they impart a little of it, as if by contagion, to their young associates. This reviewer remembers declaring, in his last year at Pickering, that the music of H.lVI.S. Pinaforen was the finest and most exciting music he would Thirty