Philadelphia College of Art - Philadelphia College of Art Yearbook (Philadelphia, PA)

Text from Pages 1 - 140 of the 1965 volume:

;;:-::A; :fl - Philadelphia fouo 3 60 f Since the Annual you are about to look through is the first yearbook the Philadelphia College of Art has ever had, its mere existence would seem to make it a landmark. It is unique, though, for another reason: in its individual, even idiosyncratic way, it sums up the excitement, the vitality, and the temper- ament of our school. Because it represents a college whose curriculum is oriented toward visual com- munication, the Annual is primarily a visual experience. Besides this introduction, therefore, you will find no other text. This is, moreover, a personal statement. The initial conception and all the labor was that of one man, a student who - as far as I know - was given a free hand to do whatever he wanted. Possibly our artistic freedom here at The Philadelphia College of Art has made us blase, but the fact that a student would be entrusted with such a responsibility bespeaks an unusually far-sighted and adventurous faculty and administration. Ordinarily, yearbooks are dull affairs: the products of committees and sub-committees, of staffs and advisors and experts, of scores of gifted men and women who - forced to work as a team - usually manage to lose whatever made them individually valuable and are virtually compelled to tur n out a dreary replica of every yearbook of every graduating class of every college. You have seen countless of them: photos of disembodied faces nailed down next to personal data (nicknames, ambitions, and club affiliations) whose very formality proves the impersonality their admin- istrators would hasten to deny; group pictures of a room full of stiffs that would warm the heart of any social realist or mortician; the cafeteria chef and his staff in their hospital whites; the bilious football coach and his boys; the members of the Chess Club who - by the looks of them - will probably all wind up in the CIA; the Poetry Club; the fraternities; the sororities; the daisy chain. Photo after dismal photo. Pose after studied pose. Everything is clean, rigid, well-ordered, symmetrical, with the deceptive brightness of a military inspection in the split-second after reality has frozen to attention, before the chaos of real life resumes once more. You will find no lies in this Annual: no dull, bureaucratic deceptions. The poses, when they occur, are nude, without covering and ornament. You will find the disorder and beauty you have become accus- tomed to, unaware of how precious and unparalleled it is. You will find the loneliness and the gregar- iousness that - far from being obstacles - are the twin poles of creativity. You will find yourself and your classmates in moments of disciplined absorption and of relaxed frivolity. And so, where you may have expected a yearbook, a plodding chronicle of one of the most crucial experiences of your life, you have been offered a love poem. Tom Doulis . 1 % ■ - « fflUi . jt g 9 . - — - ' %: m i ' ' ' -i H J- 1 ' -rr ' . i .;, ■■■ rf U A y-  ie -fKmf - - i ' ' K- ' y ' f ' i =■6 1 4 ■ ' ■ ' _-5 ■ ct ' ' «  - . ' L nm .  JtTt ' - ■ ' .■ = , .5r ■ Si, hi ' . . ■;i ' i ' . ' i iv ' O ' V.V ■u W tp Tf - P- y- 9 P?f f -■.J .- ' ' ' -r-?it jii ,«i , ' M . ' III? - ■ ' . t ip l Y ' P ' -Lr- h m « ' b«f ' .. ■ r ,.. _ ' : ' -yiK ■:iL; -r ■% ' ' - ' ;V ..VA ' : ' J ■ .ir . ■ .S ' ' ■■■■ f.2 . i iv-. ' ! .. i ' - ' S ' i! PM n ' I ■ Jl ■ - , - 1- - ■ 1 i i :, - :: . .A. j-is. .- . ' jdi.. ' V ' t V fl M ' i 8 S H Ba i i!P m i ' ' ' r : ■-■.-■-■.- iSr,-{P i a -t ' ,7V .;iri -: ■ «.■ - 5m 1-; ' : 0m .--■ •c -f- ■■ ft ; ' 3«.: '  4:.i; -« k! . 5,:%: f ' ; ' ;. :u-yr. ' . ' ' ' i€ Bruc| homas, Di ctor of AdRiis ons Joseph Carreiro, Director of Faculty Moris Weiss, Business Manager ■ ' V ; «: wm. 55 f o- ' . I, Glenn Stroud, Associate Director of Student Affairs Eleanor Oley, R.N., Health Office v Joseph Carver, Assistant Director of Admissions William d ' Meara DtrectQr-of Buildings Grou ' ntls , i,.,V,-;tv ' i 4 Robert Seymour, Director of Public Relation i i % ' - : ' ■•r mm fac Vt Ji. f Ml The faculty members as they appear from left to right on the preceeding pages George Bunker Thomas Doulis Al Ignarri Sol Mednick Ray Metzker Joseph Fiore Biagio Pinto Benjamin Schliefer Jim IVlcWilliams David Warner Natalie Charkow Richard Stetser Dennis Leon Albert Gold Larry Day Leonard Lehrer Charles Bernette Richard Reinhardt Mitzi Melnikoff Edna Andrade Larry Curry Robert Keyser Brie Taylor John Meister Jerome Kaplan Claire Van Vliet Bernard Hanson James McWilliams Paul Partridge Dorothy Grimm Paul Keene Joseph Krush William Barnett John Foster Boris Drucker Jane Eisenstadt Ben Eisenstadt Louis Mendez Fred Schwartz Gabriel Lucas Robert McGovern Shirley Ruben David Burgess Karl Sherman Jean Burns William Hague Sol Libsohn Murray Weiss These faculty members do not appear in the preceeding pages Eugene Baguskas Raymond Ballinger Jane Baltzell Isa Barnett Morris Berd Marvin Bilek Leo Brandenburger Dante Cattani Gilbert Cohen Jean Cohen Sol Calvin Cohen John Condax Robert Cox John Cook Samuel Dion William Erwin Ruben Eshkanian Louis Forman Marian Garfinkel Leslie Goldstein Dorothy Graham David Hare Allen Harris Richard Hood Daniel Jackson Louis Jacobs Edith Kaplan Kenneth Kinman Irwin Krakow Lisa Langley John Loftus Richard Massarella Oscar Mertz Yale Nathanson William Pennock Miriam Pennypacker John Pyle Aurelius Renzetti Clarissa Rogers Donald Sandstrom Vivian Shapiro Morris Shulman Olaf Skoogfors John Slater Harry Soviak Raymond Spiller Doris Staffel Gerd Utescher Petras Vaskys Marcia Wood Dick Yeager ' v ' ' . j i 4 ' •■■■ ' ' • • ' •.Vr ip: :. If. ' ■ -■ ' - ; ivities 1 ' !■ K ' i. ' .■■■- f Mir Student Council Kevin Miller, President Bruce Johnson, Vice President Sharon Malian, Recording Secretary Linda Kair, Corresponding Secretary Carol Kimons, Treasurer Mr. Glenn Stroud, Advisor Nous Barry Selig, Editor Steve Alterwein, Business Manager Ner Beck, Art Director Irene Finkel, Secretary Mr. Thomas Doulis, Advisor f ' ■5=.! -, ■•: ' •• 4 iA- ■: ' ' .S 1- -,. ' ■«.■ — ' yy « U . • ' ' •S ;•.--:■ ' ) i.-r ;3 - ' •. ' ■■ — ■ - -r ?.:! ting I f, . y Cj Illustration Gail Abowitz Fred Beaver Philip Corey Kenneth Dennis Nancy Dodson Joanne Drew Donald Dyen Katy Eisenstat John Gibson John Harmer Douglas Hoffman Rhoda Koff Eugene Krall Bari Kreiskoff Larry Laslo John Laudenslager Thomas Lulevitch Edwin Morris Betty Okerson Nancy Oughton Charles Rosner Nancy Shoeder Frieda Senn Ira Shander Gwendolyn Smith Janet Smith David Swift William Swink Richard Tomita Ti- Advertising Louis Donato Barry Eisenberg Gail Gertzman Ronald Gornstein Beverly Holl Steve Kaplan William Kock John McGahey Thomas Nicholas Bruce Penzur Robin Price Henry Pujol Judith Randle Alice Rhodes Jack Riley Rachel Steinhardt Barbara Wojciehowski wl .ji £t§ ' J Fabric Design Sidney Estreicher Joan Garbeil Theodora Haering Cydonia Rapaport i Photography David Giles Elwood Giaser Miriam Spencer I V m ' Art Education Diane Bevan John Borges Gail Brown Marie DeCaro diaries Diamond Juditii Eby Terry Gardner Anne Gargaro IVIarilyn Hirsh Bonnie Kurland Donald Lantzy Carolyn Lochimiller Patricia Narl eth Arvela Odd Clayton Redwood Gloris Rudolph Arlene Shander Bernice Shapiro Geraldine Spangler Mary Lou Todd Diane Waxman Doris Whiteman John Wade Lisa Werchow Painting Barbara Bodnick Marvin Brown Sandra Glatfelter Margretta Goldstein Francine Honowitz Steve Jaffe Bona Kanefsky Edith Neff Michael O ' Neill Michael Patchen Boris Putterman Printmaking Shirley Bernstein Patricia Del Palazzo Ronald Linder t : . ;?: X,. ' ■■ ' • ' iS ' : «- f ' . ,f. Sculpture Nosta Boll Lynn Clayton Frank McMullen Doris Goldman William Ramage Donald Robb Rochelle Silver John Wagner Frank Zadio Industrial Design William Anderson Richard Benhann Marilyn Calderoni Barry Castle Edward Cheslock Raymond Fischer Harvey Hanig Victor Koch Richard Netzel Edward Wittner Robert Yagura Dimensional Design Roger Bowman Myron Brody Matthew Cunniff • I -I , ?% - ' ;47 ' «-. ■5-.-- ' m -sc ■ ' ' ' ., fo Interior Design Robert Bruckman Matthew Capizzi Robert Memear John Weber by Anthony S. Lane Printed by the Falcon Press on Mead opaque vellum finish, white, donated by Mead Papers ' «,« - ;m. „, . ( 1 :tf j: c - -■: ' v;.? i ■• .■■■;,5;-f ' = ' ;-. FOLIO 378.748 P53 1965 cop, 3 Phila. College of Art Annual 1965.