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Page 26 text:
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SUPERLATIVES HAPPIEST Elizabeth Blanchette... Frederick Myhaver CUTEST Mary Marcotte Wayne Hopkins MOST LIKELY TO SUCCEED.. Gail Faunce Robert Hadden CLASS COMEDIAN Beverly Tainter Robert Charest QUIETEST Barbara Codman Ronald Holland FRIENDLIEST Joan Phelps Theodore Hofer BEST LOOKING Meredith Blodgett Donald LaFontaine BEST DRESSED Gail F'aunce Robert Brown BEST WRITER Helen Reynolds Philip Pelts BEST ATHLETE Rita Cabana Donald LaFontaine BEST PERSONALITY Jane Basset Philip Petts BEST DANCER Pauline Mac Nutt John Barry BEST BUILD Rita Cabana Robert Brown SILLIEST Jane Doyle George Taft BEST SMILE Jane Basset Wallace Lawrence CLASS MUSICIAN Meredith Blodgett Philip Pelts MOST POPULAR Meredith Blodgett Edward Wheeler MOST DEPENDABLE Helen Reynolds Douglas Hatfield MOST TALKATIVE Ellen Farrell George Taft MOST TALENTED Geraldine Klardie John Barry MOST COOPERATIVE Barbara Ervin William Andrews MOST EFFICIENT Gail Faunce Theodore Hofer MOST COURTEOUS Beverly Whynott Anthony Brown CLASS FLIRT Marlene Craig Gerald Davis BEST DRIVER Joan Belmore Edward Wheeler CLASS LADY fc GENTLEMAN.. Eleanor Hoyt Anthony Brown PRETTIEST HAIR Marlene Craig Wayne Hopkins MOST SERIOUS Pearl Rabideau Roger Wheeler BEST VOICE . Sylvia Eastman Roy Vezina BEST SPORT Elizabeth Gilchrest .... Howard Russell BEST DISPOSITION Elizabeth Blanchette... Douglas Hatfield TALLEST Leona Ellinwood Anthony Brown SHORTEST • Ellen Farrell Wayne Hopkins FAVORITE SPORT Basketball FAVORITE SAYING “TUSKAGEE FAVORITE ORCHESTRA Guy Lombardo FAVORITE TEACHER Mrs. Craig Mr. Barnard FAVORITE UNDERCLASSMAN . Theresa Cabana David Gavitt 22
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Page 25 text:
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WAYNE HOPKINS and BOB CHAREST leave their manner of driving to DICK CASHJON and HARRY COD MAN, provided they like the view from the air. 1ACK BARRY leaves his Saturday night rendezvous to ANDREW CLARK and FRANK RYAN. PAT FARRELL and BARBARA ERVIN leave to PAT RAJANIEMI and PEARL RAISANEN their knack for finding something to talk about in Office Practice. MARLENE CRAIG bequeaths her methods of fun making to her sister GWEN, requesting that she carry on the Craig tradition. JANE BASSET leaves the love letters from her fellow to NANCY PRICE on one condition: that she straighten them out. DONALD LAFON PAINE leaves his long shots on the basketball court to DAVID GAVITT, feeling sure he will make every one of them. SYLVIA EASTMAN leaves MR. COWGILL alone. ROBER F HADDEN leaves his title of most likely to succeed to JOHN RAMSEY. Good luck. John. HELEN REYNOLDS leaves her all-around good sportsmanship to NANCY ELA. PHILIP PETTS leaves the office of treasurer to ROBERT CUTTER. Take care, Bob. MARY MARCOTTE leaves the cute way of wrinkling her nose to LARRY NUTTER. Make good use, Larry. BETTY GILCHREST leaves her short stories written in the stream of con- sciousness to DOTTY HOYT. You’ll do well. Dotty. DOUGLAS HATFIELD leaves to BOB HATFIELD and STELLA BOUR- GOINE his eagerness to help out. RONALD HOLLAND and WALLACE LAWRENCE leave their enthusiasm for shop classes to IRENE LEDGER and JOAN BANKER. Sounds like fun. ROY VEZINA leaves his boxing ability to WILLIAM LaBRITTON so that he may take the Golden Gloves next year. FREDERICK MYHAVER leaves his quick wittedness to SUSAN DOYLE and JOHN FRANKLIN to use at their discretion. MEREDITH BLODGETT leaves to SALLY HURD her ability to stay true to one man. BARBARA CODMAN wills her bashfulness with the boys to FAITH MYHAVER. HOWARD RUSSELL is just happy to leave. THEODORE HOFER leaves his dramatic ability to RONALD BAILEY. GAIL FAUNCE leaves her knack of knowing just what to do when, to THERESA TANSEY. ROGER WHEELER leaves his ability to skip English classes successfully to GARY BROWN, who hasn't had much success. JANE DOYLE leaves her continuity of motion to ROSE DAVY, just to keep things going. ELIZABETH BLANCHETTE willingly bequeaths to LEONARD GAUTHIER her winning smile. BEVERLY TAINTER leaves her quiet but devilish ways to MARY ANN MOSSEY. Make good use of them, Mary. GERALD DAVIS leaves his helpfulness and his good ideas to GERTRUDE PARKER to use through her Senior year. GERALDINE KLARDIE gives her Marilyn Monroe walk to NANCY LLOYD, with directions. Don’t let it run away from you. LEONA ELLIN WOOD leaves her height on the basketball floor to RACHEL DOLAN to use at her l est advantage. EDWARD WHEELER leaves his crew cut to WAYNE CROWELL, if he’ll promise to keep it in shape. ELEANOR HOYT leaves her gift of gab to NANCY BOWMAN and KATHY SHEA, hoping they’ll slow it down. BEVERLY WHYNOTT leaves her ambitious ways to DAVID WALKER. GEORGE TAFT leaves his Walter Winchell technique to JEAN JOHNS to use in all her classes.
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Page 27 text:
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cuss songs William Andrews ................................ I'm Just A Poor Bachelor” John Barry .................................. Always Leave Them Laughing” Jane Basset ....................... A Pretty Woman Is A Deadly Weapon” Joan Belmore .......................................................... Happy Talk” Elizabeth Blanchette ...............................“'When You’re Smiling” Meredith Blodgett ............................. You’ll Never Walk Alone” Anthony Brown ........................................“A Lover’s Quarrel” Robert Brown .................................................. Done Rovin’ ” Rita Cabana ............................................................“Blue Skies” Robert Charest ............................................ Hangover Boogie” Barbara Codman .......................“Diamonds Are A Girl’s Best Friend” Marlene Craig ........................ What A Little Moonlight Can Do” Gerald Davis ........................................................“Trying” fane Doyle ...........................“My, What A Funny World This Is” Sylvia Eastman ...........................................“Just Imagine” Leona Ellinwood ...............................“With A Smile And A Song Barbara Ervin ............................................“Oh My Papa” Ellen Farrell ........................ What Would ’Ya Do Without Me Gail Faunce .......................... Let’s Take The Long Way Home” Elizabeth Gilchrest .......................... Whistle While You Work” Robert Hadden ...........................................“Let's Misbehave Douglas Hatfield .........................................“Penny Candy” Theodore Hofer ............................... Where Were You Last Night” Ronald Holland ................................ A Little Bit Independent”. Wayne Hopkins ................................... Streamlined Cannonball” Eleanor Hoyt .........................................“If I Had My Way” Geraldine Klardie ............................................. Sophisticated Lady” Donald LaFontaine......................... Walking My Baby Back Home” Wallace Lawrence ....................................................“Anchors Aweigh” Pauline Mac Nutt........................... Why Try To Change Me Now” Mary Marcotte.......................................................... Mixed Emotions Frederick Myhaver..............................................“So Long, Pal” Philip Petts ....................................................“Fascinating Rhythm” Joan Phelps ................................................. Low Backed Car” Pearl Rabideau ..........................“’Tis Sweet To Be Remembered” Helen Reynolds ............................. Where’d ’Ya Get Them Eyes” Howard Russell ................................. Don’t Shove, I'm Leaving” George Taft ..........................................................“Relax” Beverly Tainter ..........................“Everybody Loves Saturday Night” Roy Vezina......................“I’ll Never Get Out Of This World Alive” Edward Wheeler ....................... Milkman, Keep Those Bottles Quiet” Roger Wheeler .......................................“I’ll Take My Time” Beverly Whynott .................................................. Wondering” Class Song ...........................“A Feudin', A Fussin’, : A Fightin’ ”
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