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Page 78 text:
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Creativity Sparks Quill Whal is a Quill? ill A lealher of a goose: l2l A lealcy pen: l3l Spine of a hedgehog: l4l A lule pluclcerg l5l Palriclc l-le-nry's superlalive lilerary-arl magazine, winner of every- 'lhing bul lhe Pulilzer Prize. Righll All lhese lhings are Quills, bul choosing number live shows exlra- ordinary perceplion. l-low does a Quill worlc? Firsl, shorl slories. poems and essays are submilled 'ro Quill slall. Much of lhis malerial is from members ol The crealive wriling class. The arl' classes provide illuslralions. The slali members evaluale lhe ma- lerial and The illuslralions. Then begins The work ol Typing, ediling and pasling up The crummy dummy, and. al' lasl, lhe final dummy for reproduclion by ollsel prinling.
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Page 77 text:
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fx xiniin ... L M -g.::4f 'l. Keith Gordon and David Nash, Sports Editors, watch as Jan Deyerle types for the next issue. 2. The staff waits to go downtown to proofread. 3. Leslie Donat and Susan Lex, Feature Page Ed- itors, and Judy Lancaster, Front Page Editor, work page assignments. 4. Award winning pictures in- terest lra Katz, Photo Editor, and Barry Glassner. 5. David Nash looks apprehensive while advisor, Mrs. Wood, counts hours 'til deadline. 6. Ellen Hancock, Editor in Chief, leaves to get a story. 7. David Dull, Business Manager and Assistant Ed- itor, and Gordon Finch, Managing Editor, check finances with Mr. Graybill.
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Page 79 text:
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fLeft, abovel Mrs. Arnold and Mrs. Kelly consult when literary work and art are at stake. lLeftJ Pat Albertson, Art Editor, enviously eyes the quill held by Laura Keyes, much to the amusement of Diane Dern, Circulation Manager. lAboveJ Quill awards are proudly displayed. CRight, abovej Elizabeth Hammersley, Non-fiction Editor, Karen Poindexterf Poetry Editor, and Carole Thurston, Fiction Editor, enioy a break from their work. fRightJ Looking over possible stories is Laura Keyes, the Editor-in-Chief.
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