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Page 17 text:
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Opposite Page: Upper Left: Joy Ooechom ond The Dolly Doys; Robert Forphol Tom Woodruf. Joy Doe chom Mark Kroepftn. Jomie Sotrensoo — ond h o den tx-hind Joy. Scoff Follert Upper Right: The Vot-lerts yell, Do rhe Funky tody! ro the excited co-onorion onlookers Middle Left: The doncefcne o a otts their entronce Middle Right: Joson Wilts ood The Suburbon Wfvre Doys bounce to the boot Lotver L eft Don Hreho tokes 0 breok from toot boll to sing l.obombo. which loter was encored by the pepfest group Lower Right: Plrotes pictured from left Seniors 75 Jomie Sorrenson 60 Mike White, 12 Don Autey. ond 15 Mark Lundborg set for the intense gome oheod. This Page: Upp :r Left: Eric Anderson rocks the crowd! Upper Right: MC's Jill Purdes ond Fred Cheng ore on Safari. Right Middle. The poss reception by 24 Don Hreho wos on Importont offensive dnve to score L outer Left: Korey rtnehey s-ngs for the royolty donee L outer Right: Plrote Defense from left 7 More Quitmeyer 67 Chris Oelkers. ond 23 Don Kopp prove to Ournsv.-ie The bigger they ore, the horder they four Homecom ng — 13
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Page 18 text:
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Park Center Sweoty polms. rocing heort, squeoking voice, noodle legs ... Who mode it? Pleose God. soy I mode it.” I thought I did well ot try-outs.' My voice only crocked once .. .” But there were so mony people there, how could they pick me out of thot group of tolent?” Did I lough too much; did I hove enough feeling in my voice? Did I lough too little? Did I over exoggerote? Did I look nervous? Did she notice when my right foot went up. in-steod of my left? Will they pick me? Why should they pick me? They won’t pick me. will they? I wont them to pick me!” Nerves ron to the limit the doy coll-bocks were posted, ond. ogoin, the doy the cost list wos on-nounced. Who wos going to be one of the few members of the 1987-66 foil muslcol, Give My Regards to Broadway?” Nerves were strung out even offer the cost wos chosen, because the octors were not assigned specific roles until the following week. Who will I be?” Who do I wont to be?” . .. haunted the cast members' minds the first few days, but offer the script was read through over several days time, most minds were set as to who would ploy certain roles. Nor only was the cost hard to choose, but more people than ever wanted to be on the tech (technical) crews. Lighting, set, props, costume ond audio crews help to moke a production complete. The crews hod mony nervous situations also this yeor. but hoving the set finished on rime wos not one of them, due In port to the new set room behind the stoge. However, the mysterious cords which hung down from the middle of the stoge were o problem for the set crew. And. a reol fear for the props mistress wos loosing o prop or giving the wrong prop to someone, but, the crews all hid their fears. In oddition, the nerves of the bond members went sky high! Pit orchestro. o group whose importance is sometimes overlooked, is another mo-jor contribution to ony musical. Anito Normon conducted the pit, ond found things running smoothly, except for o few emotionol conflicts with the pit members. Tryouts for pit were fairly simple, no strings, o small brass section ond percussion. Bo-sicolly. it wos on ensemble to bock up the piono. Boredom con be hord to ovoid while in the pit, but the members hove to hit cues, follow along, improvise when verses ore missed ond wotch the conductor ot oil times to moke o musical reolly happen. Although feor ond nerves were major obstacles for oil the groups, they reolly bonded together. The performance level was high ond Give My Regards To Broadway” wos o highlight for the cost, crews. directors ond oil who viewed it! , , — Jodi Hunter 14 — MujkoI Shines en Ercadway P.tge It: ’V'.;':' C'enr Po’m dreomirvg of opening n ghr! Right Center Orion Swoovon ond Or: g wilso' ' ' o - '-.vo-h txeween oers Right Bottom Hoppy together row 1 Jenny Howard Step)! Co'te Orer.’ Palm Jod. Fronz Kane Moron He.di Kludr row 7 Peggy Srroh Donna Moved . of-n Telega Sob Sir th Shonnon Shackelford row 3 Jim Orvu
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