Overlea High School - Omega Yearbook (Baltimore, MD)

Page 64 text:

' is All! : f ' - 5 .,. E tasf L K, V gel? S . , in Tlw result of constant practice: perfect form. Cheerleaders form Boosting the Falcons to 1'I'!'l0fj' were: Friin Slzerrill, Criptain Pat Rea of the lzluc sqziatl, c'o-captain Janet .llfcl-YIIII of the lrliic sqimtl, Jayne Schelein, Slmron Stanley, Lit Brozcrz, Jlrirge lfiampri, lliitnc Rouge, Captain Ruth Jones of the orange squatl, C0-Fllllllllll linrlz llorflvr of tlu- omngt' squtztl, Diane l Emerick, Toni Christian, Carol Rm, lflzris Griffin, nnrl Scott Hill. A close match and a flashing scoreboard are reflected in the excitcrl expressions of 0verlea's cheerleaders. 60

Page 63 text:

One of the most frequently used advanced facilities at Orerlea is the well equipped darkroom. It is said that a picture is worth a thousand words, but a photograph which accomplishes this is a result of many hours of study, planning, and practice. The Photography Club, under the direction of Mr. Richard Calligan, instructs its members in camera techniques and development processes. Busy members of the Photo Club can be spotted at every Overlea event, often snapping pictures for the Oracle and Omega, a practical service that they provided for the two publica- tions. Betty Blevins slides gently into a split position for the members of the Modern Dance Club and Mrs. Pat Goddard, their sponsor. The tables turned, Photography Club members .llr. Richard Calligan, Sharon Merchant, ,loe Radoscrich, Torn Clark, Tony Giordano, Diana Brathuhn, President Ed Thorsctt, Rod Lapazzslfy, Ken Rujfo, Shirley .VC- Cadden, and Sue Hart, pose for I1 picturel Modern dance is an art form in which ideas and emotions are expressed through movement. It is necessary that a thorough knowledge of the body and its movements be acquired in order to derive the rnost expression from movement. Under the guidance of Mrs. Pat God- dard, the members of the Modern Dance Club learned the techniques involved in making a dance a flowing whole, as well as the fundamentals of movements. After many hours of practice the girls were able to present a composition which was pleas- ing to both performer and beholder. 59

Page 65 text:

425522 , 'V .. .. - ',1,:.sg,.2y, 91 .,.a,4 K, ..1 ,fm .mu .-., -rg,-ff, f . . .SW Q. - K ' I Qgsg., K fig? . - Q 1 W- if vii i VV? V ' ' i 7 V '--' 1, ' 'E La, m, L. - - I Q .SLE Q S - 5 W1 1 1z1,:fgfw ' f' WW. . ,g xwf59K.!we:'5' . . . 'Lf L . ' Q ,LL, S E 2 ... . f if ' ' .ligwl su, 7 ' 5- . - f .5 -W , 'kill' Es' :iv fihflj gl 5 W www 1 ' ., ,,., K.. Swgfilli wif, 4? 1 ' , f QQEQZ ' -' 2 , - . , 1 f .K .. V , . . ,,.., ' ig' ,. ,Q44:fsf.iil.i'fhzk L . 92, F' 'FH K , Q S .. 1 . . L. . ., .. f, , L.Ll LKZL 4 gz WLZI Q 5, Q .Q 2 , ., ,V , . fx . , Lf QQ, var, 'gi' - fl , ' 1 is ,A Y M., 1 ,f . W f- 'vw W4 f fl , ' ' NLF' m M K . - , f wi F1 P wil' H JR, . 'ik 43- 4, , if, W .iw isxfwif, Siwwi. W, 4 - A fgxiirvy : f k 3, 'Y' Wvan Q ., f f u w, 2, Lv f, , f W., ww. -W 42, . Q, . 'inzw , .f , -S... J, .,, , , 'R - A Aw-1 W 5, :H ,r W , M f Q . ,..- , K., f ,vga . q bf , , X- 1 3' 'mf , ,..g ij ,ff .wk f 4, ,A , 2 .- -- - 5, I 4 - , , viii., .K- K, , ., 4 Y,