Our Lady of Lourdes High School - Knight Yearbook (Marinette, WI)

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. The Lark . . J J 1 Q I' Q fl44'awx 4Q3 'Nx WLQGNZM f 'Qf Cfibnf-X5 Recital Tuesday Apr1l29 1930 PROGRAM Overture- If I Were King O L L Orchestra The Flatterer Helen Marlon Holub Idlllo Catherine Hershey Scarf Dance Jeanne Doran Berceuse from Jocelyn Grace Devlin a Melody of Love b Gavotte Vlouns Rosalle LICSCOIS Bernlce Plante Adam Chamlnade Lack Chammade Engelmann Gossec Loretta Scanlan Frances Schomaker Marcella Boerner Mane Vogt Bemlce Weldemann Edna Marmeau PIANO Ottllla Tovar a Hungary b Shepherds Hey Dorothy Hocklund Curious Story Helen Larson Pas des Amphores Lucille DeLeers Humoreske VIOLIN Loretta Scanlan PIANO Mary Elizabeth Doran Ottilia Tobar . Duet 'Valse Brilllante . Rachel Liegeois Cecilia Camps ' Fairy Folk . . . ' Moon-time . . 4 . Glirl s Glee- Club . AccoMnN1s'r-Helen Lharette Falling Leaves . . . . Lotus Petal Kathryn Frink- . Rondo Capprlccloso . . . Helen Charette Gltana Mazurka . . . . . ' Claudia Christ D - Dance of the Dolls . . . i ' Loretta Scanlan G a Minuet . . . F b To a Wild Rose ......... 1 VIOLIN-Rosalie Liegeois ' CELLO-MHISBFCI Charette . 9 'A ,, . . Q s PIANO-Helen Charette Love's Dream No. 3 ........ . Rachel Liegeois - 0 . - 9 1 1 i Etude Melodique . . . - -Q Clara Carrigan 2 Impromptu in F sharp Minor ...... 5 Mary Elizabeth Doran ii , . ' if , I ' f N 0, e, , Q: 4 I 1 'xx . - M acDowell Gramger H eller Chammade Dvorak Glmka-Balaklrev Krentzlin Lester Brewer Frazee Tenney Mendelssohn Heins Poldini Schubert M acDowell Liszt M oskowski Chopin EST 'P sn- v.--4. .-1- .- -1- 1 tvs- --- uf- -u--..-'--- 1 A ox' l I l U 5 'a :at I I 0 I 5 ug, H-: Q.: .0 1? V 05- - f :.-1.--.l...' ...-- --. -..nun .H -f -L -1. -1 -4 -. ' --Qu.-- s-.s---vV-'tTs- s-,n---au?-feat .2 I .c vof? 3 K J M U WAN!! :D fj :L Q . Q- :G Ji ' 1 g 4 , 1. V , ' , l 'EP Q 4 55 ' 99 a -kj, . . . .. . . . . . , Us . 75 , . . .... . . 4 'G . 5 1 . . . . . . Godard ' 2 1 2 A 1 I I 0 U I u A ' H l . . . . s QP! . 3 9 ski, . . N . - - v I , ............. ' F l . . . . . . . . I . v ,, I B .C I . . . . . l . . . . . , , If e J , . .... . . . . . . ,I i Q H ' - ff' v I ' A . ,, D . I I - 7 C a . . . . . 3 ' ' lr . . u ' , l I ' I 5 ua, . ' . l 1 8 . . . . . . . . o', b . . . . . . . ' I ' . . . Z n ' Q J, 1 5 ' 9 Q I l I If 1 v 1 Page sixty-three

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q9V ug FU 7 A ' 'WLVQ tithe Saupremz Actor Behold the Supreme Actor, the Actor of Actors, to whom was given the extraordinary and difficult role requiring the deft touch and the boundless sympathy of an Artist who thoroughly understands the sufferings and hardships of human nature For is He not the Maker of the universe and its populace and did He not assume our nature that He might show us the correct way to walk the straight and narrow path to heaven? The stage is the world surrounded with a trellis of dark and bright colors Casting shadows on the earth now dark and resisting, now cheerful and inviting Before the stage is seated the most distinguished Audience, Almighty God, and the Heavenly Court The understanding between the Actor and the Audience is perfect In the maiestic role the part He is about to portray, the lofty standards of truth, beauty and goodness reign supreme As each scene changes necessitating greater skill, the act is performed in an unhurryin and unperturbed manner It concerns Him not whether the setting is now in a cave nom in a temple-now in the mist of tears, now under running laughter He played His part and played it well in every scene Neither did the faulty performances of His comrades trouble Him First it was the heard hearted Herod then the rude Fishermen, once the hypocritical Pharisees, at another time the weak Pontius Pilate and the cruel executioners There IS a sharp contrast between these and the sublime characters including the Blessed Virgin and St Joseph whose home is governed by obedience He took the part of a humble child before the three Wise Men a marvelous young prodigy among the great doctors of His time, the affectionate Master of St John, while at the same time He was the Lord Whom St Peter loved even unto death This cannot be called a vain display because the one and only purpose in revealing His talents was to please His celestial Audience among whom was His August Heasenly Father It was Love alone sweet, tender Love that urged His every movement There was no ennui, no tarry ing in His acting, even as the end of His career drew nigh and darkest moments threatened' shadows and gloom dared to enshroud the stage, when His passionate love incited His begging the Father to permit Him to drink the bitter chalice to the dregs. At times His fellow-actors faltered in their parts forgetting their lines and doing in- ferior acting before this select Audience. Then with all the pomp and grace of a king Our Supreme Actor showed forth the truth and beauty of His acting. It required self-mastery and the conquest of human feelings to keep ones soul in peace while others failed before the ever-knowing and kind Audience. Now what made His acting supreme? The answer is simple very simple for He was just His true self no camouflage. Without effort or excessive exertion His part formed one continuous prayer-the union between the Actor and Audience. He was always Himself, just giving Himself. His Audience understood Him perfectly and their applause made Him put forth every effort to win their favor. Then. when the scene shifted from Calvary to Heaven the Invisible Choir chanted the sublime, unending and everlasting praises of an Actor, true to Himself, the Supreme Actor. ELLEN DESLAURIERS, 530. s 0 I v Y I C' onus SN CI' ' jx P 53,2 ' u-an-u-,rn 1 pf - ' '4 M' , ...r -4.-4.1-. -L-, .f - L -1 -4 .- fn , jf -....-.-- n-,a-----sf-u- l-.uq.,1-ln..-.s- X fb 1 . .V u ,r Q .n Q' N. jg VLA: 'STM Q31 QJQQ' .4 . . ,, . . . . Cv . . . . . . 1 n 1 1 a . ' 9 f s 5 . . ' 'J 9 ' ' 7 9 9 I 9 , ,, 3' 7 5 5 v ': 4 'gs , .. t 1 T' ' 5...-..-v .-.1v?...,-,.-.'f --- -I! i --W:-,--.. ---1---gl--L --1- --1- I Page sixty-two

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1X Q r'U 45? H lzaguz of the Santan ilpzart What doth lt profit to gum the world Or madly to seek as our goal Its honors and glory wealth and Joy If we lose ln the seekmg our soul? Thls league IS the proper name of the Apostleshlp of Prayer Its associates league together ln certain easy but strong devotlons to the Sacred Heart of Jesus to obtaln Hls lntentlons and thelr own thus practlclng an apostleshlp wlth mutual share ln merits Its motto IS Thy Kingdom Come Its devotlons are the Three Degrees One duty IS lmposed and that IS the Morning Olferlng by whlch a member shares ln the prayers and good works of 30000000 3550018163 and of nearly all the Religious Orders ln the world 681110115 51lIDPl115 1551011 4I1'1158UB The object of thls SOCICIY IS by means of prayer good works and a small fee to further the lovlng deslgns of the Sacred Heart for the salvatlon of mankmd The students as Knlghts and Ladies of thelr Klng and Sovereign have for thelr motto THE SACRED HEART FOR THE WORLD' THE WORLD FOR THE SACRED HEART' , s .0 Zlunior isolp Mama bounty The Junior Holy Name Society of Our Lady of Lourdes is composed of boys from the sixth to the twelfth grades. The primary object of this organization is to keep them prac- tical Catholics, boys of clean speech, who are willing in a sensible, prudent way to suppress as far as they can in others every form of unbecoming speech. The Holy Name Society re- quires the boys to be an example and an apostle for the good of religion in the parish. The Society encourages frequent Holy Communion, and Holy Name men can gain a plenary indulgence by going to Communion every second Sunday of the month. The nobility of this great aim is admirably illustrated in the words of St. Francis de Sales: Two classes of persons should communicate often, the perfect and the imperfect. The perfect that they J may remain perfect, and the imperfect, that they may become perfect. I 3 I 3 . 5 sg Y I Il. i 5' A 4 , ...H ---L-.,..,... -f -L -1. -1 -1 -. f Q 'N 0 F -- ---i:-a--------'-- 5-,lu Q ex J haf'--M ' 'J -9 ' by oQ 6 1 . , .A 4 cc - - 1 D . 1 ' ' D I 9 ' ' - sc - as - 9 7 U 9 . ' ' , as - as ' ss 99 - - 9 I a 9 e ' . . - I I I I . . . 9 9 9 7 Page sixty-four al Y: JI 'EJ Q'