Our Lady of Lourdes High School - Knight Yearbook (Marinette, WI)

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q9V ug FU 7 A ' 'WLVQ tithe Saupremz Actor Behold the Supreme Actor, the Actor of Actors, to whom was given the extraordinary and difficult role requiring the deft touch and the boundless sympathy of an Artist who thoroughly understands the sufferings and hardships of human nature For is He not the Maker of the universe and its populace and did He not assume our nature that He might show us the correct way to walk the straight and narrow path to heaven? The stage is the world surrounded with a trellis of dark and bright colors Casting shadows on the earth now dark and resisting, now cheerful and inviting Before the stage is seated the most distinguished Audience, Almighty God, and the Heavenly Court The understanding between the Actor and the Audience is perfect In the maiestic role the part He is about to portray, the lofty standards of truth, beauty and goodness reign supreme As each scene changes necessitating greater skill, the act is performed in an unhurryin and unperturbed manner It concerns Him not whether the setting is now in a cave nom in a temple-now in the mist of tears, now under running laughter He played His part and played it well in every scene Neither did the faulty performances of His comrades trouble Him First it was the heard hearted Herod then the rude Fishermen, once the hypocritical Pharisees, at another time the weak Pontius Pilate and the cruel executioners There IS a sharp contrast between these and the sublime characters including the Blessed Virgin and St Joseph whose home is governed by obedience He took the part of a humble child before the three Wise Men a marvelous young prodigy among the great doctors of His time, the affectionate Master of St John, while at the same time He was the Lord Whom St Peter loved even unto death This cannot be called a vain display because the one and only purpose in revealing His talents was to please His celestial Audience among whom was His August Heasenly Father It was Love alone sweet, tender Love that urged His every movement There was no ennui, no tarry ing in His acting, even as the end of His career drew nigh and darkest moments threatened' shadows and gloom dared to enshroud the stage, when His passionate love incited His begging the Father to permit Him to drink the bitter chalice to the dregs. At times His fellow-actors faltered in their parts forgetting their lines and doing in- ferior acting before this select Audience. Then with all the pomp and grace of a king Our Supreme Actor showed forth the truth and beauty of His acting. It required self-mastery and the conquest of human feelings to keep ones soul in peace while others failed before the ever-knowing and kind Audience. Now what made His acting supreme? The answer is simple very simple for He was just His true self no camouflage. Without effort or excessive exertion His part formed one continuous prayer-the union between the Actor and Audience. He was always Himself, just giving Himself. His Audience understood Him perfectly and their applause made Him put forth every effort to win their favor. Then. when the scene shifted from Calvary to Heaven the Invisible Choir chanted the sublime, unending and everlasting praises of an Actor, true to Himself, the Supreme Actor. ELLEN DESLAURIERS, 530. s 0 I v Y I C' onus SN CI' ' jx P 53,2 ' u-an-u-,rn 1 pf - ' '4 M' , ...r -4.-4.1-. -L-, .f - L -1 -4 .- fn , jf -....-.-- n-,a-----sf-u- l-.uq.,1-ln..-.s- X fb 1 . .V u ,r Q .n Q' N. jg VLA: 'STM Q31 QJQQ' .4 . . ,, . . . . Cv . . . . . . 1 n 1 1 a . ' 9 f s 5 . . ' 'J 9 ' ' 7 9 9 I 9 , ,, 3' 7 5 5 v ': 4 'gs , .. t 1 T' ' 5...-..-v .-.1v?...,-,.-.'f --- -I! i --W:-,--.. ---1---gl--L --1- --1- I Page sixty-two

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.Q J'4 4 I I J . iw I ! :A i J, J 'al ' in :., .0 I ' -K J . :J 5 nf ' 1.,.,,-.e M. ,I O 12-?.-- -..-. 4. -. W' 2 -4, Q 401 Jlunz It was a bird That s what I heard Thus singing winters doom What was the song That echoed along And drove away the gloom? Was it a dream This golden stream Of sunshine tn my room? Oh' yes twas this Nothing amtss Tis June at last in bloom' MAnJonn: STANG CIEDD 5 jFlD1DB1'5 Ona day as God walked through Hts garden Of blossoms sweet and rare He wished to make another flower More beautiful, more fair F we waxy petals He then plucked From flowers growing by He shed on them Hts own red blood A true and lasting dye Then midst these petals Eve He placed A heart of burnished gold. Five emerald sepals round the whole He deftly did unfold. And to support this new-made flower A thorny stalk He chose. He placed on it His living jewel- And lo! it was a rose! ALICE ROOSEN, '30. cI5ranuation Wight As in the story book you read, The preface forms the opening leaves: And so the years of school just past Are but a glimpse into the vast Wide world ahead. We say adieu- Tonight we part to begin anew. Ussuun LAUERMAN, '30. Q .s Q Of Vg 1 ,- -v-- -1-- nv- ..-.---- 1-- 1 I I I 1 I I I I I I P I t 4 v I l l 9 I U 1 4 4 F . L I I 4 F n I :Ll y- 51' o FC,-. O , -.gf 930 . ,,,,,.,,, , ,,, ,,, ,,...... .- .- .-... ..1. .. ..,-,.. Page sixty-one fs. Q? QT' 17. Q: 'KJ GNIQQ -Q 'n: I P a C 65 ' z I ' : bij' ll . f Z , ' I s I I u 5? . V U' . . ,J ' .Pac . . g'Q,:' KJ. .. . ' Q ' . we . ' h I 1 D Us 9 7 F I all :E R ' F I I I - X Snr Lf---1----.e-L:,s,-5 , 'I

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. The Lark . . J J 1 Q I' Q fl44'awx 4Q3 'Nx WLQGNZM f 'Qf Cfibnf-X5 Recital Tuesday Apr1l29 1930 PROGRAM Overture- If I Were King O L L Orchestra The Flatterer Helen Marlon Holub Idlllo Catherine Hershey Scarf Dance Jeanne Doran Berceuse from Jocelyn Grace Devlin a Melody of Love b Gavotte Vlouns Rosalle LICSCOIS Bernlce Plante Adam Chamlnade Lack Chammade Engelmann Gossec Loretta Scanlan Frances Schomaker Marcella Boerner Mane Vogt Bemlce Weldemann Edna Marmeau PIANO Ottllla Tovar a Hungary b Shepherds Hey Dorothy Hocklund Curious Story Helen Larson Pas des Amphores Lucille DeLeers Humoreske VIOLIN Loretta Scanlan PIANO Mary Elizabeth Doran Ottilia Tobar . Duet 'Valse Brilllante . Rachel Liegeois Cecilia Camps ' Fairy Folk . . . ' Moon-time . . 4 . Glirl s Glee- Club . AccoMnN1s'r-Helen Lharette Falling Leaves . . . . Lotus Petal Kathryn Frink- . Rondo Capprlccloso . . . Helen Charette Gltana Mazurka . . . . . ' Claudia Christ D - Dance of the Dolls . . . i ' Loretta Scanlan G a Minuet . . . F b To a Wild Rose ......... 1 VIOLIN-Rosalie Liegeois ' CELLO-MHISBFCI Charette . 9 'A ,, . . Q s PIANO-Helen Charette Love's Dream No. 3 ........ . Rachel Liegeois - 0 . - 9 1 1 i Etude Melodique . . . - -Q Clara Carrigan 2 Impromptu in F sharp Minor ...... 5 Mary Elizabeth Doran ii , . ' if , I ' f N 0, e, , Q: 4 I 1 'xx . - M acDowell Gramger H eller Chammade Dvorak Glmka-Balaklrev Krentzlin Lester Brewer Frazee Tenney Mendelssohn Heins Poldini Schubert M acDowell Liszt M oskowski Chopin EST 'P sn- v.--4. .-1- .- -1- 1 tvs- --- uf- -u--..-'--- 1 A ox' l I l U 5 'a :at I I 0 I 5 ug, H-: Q.: .0 1? V 05- - f :.-1.--.l...' ...-- --. -..nun .H -f -L -1. -1 -4 -. ' --Qu.-- s-.s---vV-'tTs- s-,n---au?-feat .2 I .c vof? 3 K J M U WAN!! :D fj :L Q . Q- :G Ji ' 1 g 4 , 1. V , ' , l 'EP Q 4 55 ' 99 a -kj, . . . .. . . . . . , Us . 75 , . . .... . . 4 'G . 5 1 . . . . . . Godard ' 2 1 2 A 1 I I 0 U I u A ' H l . . . . s QP! . 3 9 ski, . . N . - - v I , ............. ' F l . . . . . . . . I . v ,, I B .C I . . . . . l . . . . . , , If e J , . .... . . . . . . ,I i Q H ' - ff' v I ' A . ,, D . I I - 7 C a . . . . . 3 ' ' lr . . u ' , l I ' I 5 ua, . ' . l 1 8 . . . . . . . . o', b . . . . . . . ' I ' . . . Z n ' Q J, 1 5 ' 9 Q I l I If 1 v 1 Page sixty-three