Ohio Mechanics Institute - Omia Yearbook (Cincinnati, OH)

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Iif is lpg Q!! ?l 9 P fl J 5. Q .1 if-wuvz -w XII wmv: X'l.kUl J'lIj.T m Gi ' .-t I :vi-'If v un.-. -- as -snoouuuo A F-. NH. V H Y Y- , - D - 5 17 , -Q gg -,'.-' 1-K W :E G M M v!fI'1.gw. xv1.yw .wg 1 pgvQO5v4.gv5xgg5!15qggQ:1ij lt. ' Q .1 ' . ' 5: ,pl x.-....,.-1-,,-..v,....-.-.....-.. .. I, l I - .m ED WA RD H POTTHAST llk mimic-7As1n.sfntrA IL 14 IQ rum-rn is lluli'-'ll lm ' GREATER appreciation and a bigger under- standing of art is a necessity. The paramount feature of an art course is the beneficient result that follows in its wake. Besides increasing our outlook and broadening our vision it stimulates the preception and the imagination. While the picture is an imitation, the Artist's aim is to arrest nature for the moment endeavor to record a faithful impression. Those who fail to enjoy nature in her various moods and consequently fall to appreciate the pictorial side as given by the Artist do so be cause ot a lack of trainfng lhe Commercial artist needs infinitely more training in that he supplies a Commercial need poxd pasrqlanpe uv uc-JMB enlen paouequa our uct by its embellishment often sells the product lhe manufacturer and the producer allke know this and therefore the field IS constantly increas mg Like music is to the ear, so Art is to the eye, -1 verltable feast for those who are possessed of the understanding d4,.ff9?y .f Department of Alt x I x IQVQXQIQIM KVQUQHQ all HQIJQ l'l'QWDxIh's1lslCa C IQHC I I LID! is 1 s'- -2 S Q ! 9 1 ' ' Q 4 - .- - - - , Q . . f .B x N . ' N 9 ,, . . . . . ig , ,- Z ' -' ' ' . lg 2' - , , , I! P ' - ! in fi -. - Q -F . . . . - '. 9 ' S v-' 'l q . g, . . . . ,g Q! . - Q Y i ' . ' S 4 'A Q 431 ! - l! , 1 , Q li! x - 2 7! it , ' '- - --- 5 - '-' ---.--'rn - -, I 1 ., ,, ., ,, v----ii 7-1 - '-,-7-- ? . A . L-. - - 3. X. . .1 , . V. . . . . . . - - W -- . . ,I , .-. . -. .v V- L l.. M .L--Q-in Puge Thirty-one

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1 ., ,lags .i.:,'E'J- 3-F- 'f'T '7'if'3ZiIf:l2-F 9-1 LLZE .sf -.---L.-------. - . V l ' 1 ' T X . -f-1-1-- ----1W,,--ff- -. J. xzflzf-M mf-Km 5,1 Y JJ I fx N .WWI t 'dttmmnlasmfr - A .m fg .4 , ft '-R . . 4 2 , - N! X 'f - W ' - -' T13-'3L34+,i ,Ls seal:-et':L':'i4: i l n ' 2 , Q I s S RT and Wisdom. In You take the apple as a still-life subject I 2 Devouring it aesthetically and the old vender -ag 5 smiles, , Q y For he knows, that only he who bites the core 1 Q Finds the seed-or tastes the worm. , ' . 1 an 5 l 4 ,r Q l Pl ! .A 41. i .Q l B 2. V B ' J P ' g . l l 2 Cffmxwvdwfm' - g' ' Head of Department of Art l l ! l 9 5 l g 9' e 5 Q CHAS. W. BOEBINGER I i V X 'Q , - ,,- -K ,A , WW , , 4 ,M ,A Y-, ,hm-,--,W - 7-,-,,.--i,-W4--W,-W, W, 1 an -1 lg? izme l-rm- vnwm --rg.-1- w lrn v-:Ni-' Q-in- vhw'?l1'2Av l-Dlx 151115-'fir ' -.-ins-in-vix-in-.'1ni'p-'rm-in-'I'up'Iain'-'iixtl Page Thirty

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' f fIZ:I.E'.1-.'Z.i I lmqit Wr ir! if f 'Y it f f LJIX: . f i V 'Q I i-. 2 s i I-i i F S iii , , s F I HE practice of Art is not a practice of kinds ., or of styles. It is an exercise of skill, a , practice of technical excellence and perfection ' . . . . 1' ana an expression of ldeas. It means, having I something to express, and expressing it well. A, 1 1 ' l n Instructor of Art Qi if I! Ls F 8 S 'r '- ! WILLIAM WIESSLER gi .5 1 -. U S Q ' -- - ' - TQ '14 T 'T' . . 7 - 1, uv - v V . - .- . - .. 3 . . . . . . filing' I' H VlxKYiX'llTfSh'I RQ 1'!D'i'ili'lUiKMKi' 1'IlN'9lx'0i1'lli' XKl' l UIQ nlQ.WAW11x'IlV:D YQWQ Nix' W7 ' ' v'i'lX'tl'vlL s'7Au'lQX'iLrIQ Nj .1,Q Jflwlii .- . , V A ... Page Thirty-two