Oakton High School - Paragon Yearbook (Vienna, VA)

Page 22 text:

Overture from MAN OF LA MANCHA .ind GODS- PELL by C Concert Band, Magic to Do” t rom PIPPIN, I ' m Gonna Wash That Man Right Outta My Hair” from SOUTH PACIFIC, Fugue for Tinhorns” from GUYS AND DOLLS, I Don’t Know How to Love Him” from 11 SI S ( HRIS1 SI PERSTAR, ' Hair” from HAIR, Honey Bun” from SOL1TH PACIFIC, Overture from FUNNY GIRL by orchestra, Where 1 )id All the C lood Times Go” f rom OVER II FRF!. Born to Hand Jive” from GREASE, 1 Want to Be Happy from NO, NO NANE TTE, Day by Day” from G( )DSPELL, Money” from CIABARET, Bosom Buddies” from MAME, I’ll Never Fall in Love Again” from PR( )MISES, PRC )MISI S, We Beseech Thee” from GODSPELL, Aquarius” from HAIR, Matchmaker” from FIDDLER ON THE ROOF, Gee, Officer Krupkc” from WEST SIDE S 1 ()RY, My City” 1 rom SEESAW, C i reused Light¬ ning” from GREASE, Colorado Love Call” from LIT¬ TLE MARY SUNSHINE, The Big Beat” from OVI R HERE!, Freddv M Love” from GREASE. The Telephone Hour” from BYE BYE BIRDIE, Maybe This Time” from ( ABARET, and Applause” from APPLAUSE.

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Musical Theatre Oakton High School presented a musical review, An Evening of Amer¬ ican Musical Theatre” on the nights of November 14, 15, and 16. This production, the largest in Oakton’s history, was a big success. There were sell-out crowds on both Friday and Saturday nights. During the last weeks of September, auditions were held after school and the cast was selected. The following week, rehearsals began and involved a total of 497 rehearsal hours. Pointer Sisters exercises and bruised knees were among the highlights of these rehearsals. This musical was presented as a combined effort of the Band, Choral, and Drama Depart¬ ments, as well as the support of many other students in school. It involved twenty percent of the entire school population; 130 of them in the actual cast, 150 in the bands and orchestras, and 100 in backstage crews and cos¬ tumes. Thirty songs from twenty of the most popular musicals were cast and individually staged and costumed. There was a total of over 800 cos¬ tume changes, and an average cost of twenty-five dollars each for members of the cast. In addition to the long hours of regular rehearsals, over thirty members of the cast devoted extra time and energy to dance rehearsals, cho¬ reographed by Marlene Cunningham and Paula Pavlovski of Dance World Studios. To many in the cast, this musical served as an introduction to the stage, an opportunity to explore and express some of their talents. This year’s set, a collection of musical titles and a red, white, and blue theme, was designed and constructed by a student, Alan Schleeper. In addition, many of the indi¬ vidual numbers were staged and directed by the students themselves. This was a very successful experiment dealing with a new dramatic experience for Oakton. An Evening of American Musical Theatre,” because of its tremendous support and enthusiasm, has been recommended as an annual event. The enthusiasm of both cast and audience, combined with student interest for drama, foreshadow the probable success of similar productions in the future.

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Tracy Allen, Heather Archer, Therese Ash¬ man, Pam Austin, Debbie Baker, Faye Balazs, Holly Berry, Pam Bessler, Sylvia Bisutti, Kitty Blackwell, Bene Blake, Laura Bombere, Devon Brown, Sue Byrd, Carol Callis, Robin Cattaro, Margie Childs, Jeff Clark, Susan Clark, Kris Clayton, Beth Collins, Sharon Comer, Tracy Cousins, Chuck Conover, Mary Crawford, Tom Crockett, Mary Beth Daley, Ann Daly, Ruth Dearmitt, Jay Derr, Fred Dobbs, Renee Doiron, Connie Dolinger, Keith Dowell, Cheri Dozier, Pam Dreo, Karen Duvall, Ron Epson, Gail Fagan, Rhonda Fergeson, Kelly Fitzpatrick, Chris Flores, Jeannie Flynn, Laura Frenseen, Paul French, Larry Gascoigne, Penny Gates, Linda Gehr, Shelia Goggin, Toni Gorsuch, Herb Hall, Greg Harris, Jennie Hay, Deanna Hen¬ dricks, Liz Hester, Beth Heubusch, Sherry Hogge, Susan Hollans, Kathy Holms, Stacey Isaacs, Jackie Jenssen, Michelle Jessop, Sara Johnson, Carol Jones, Tom Karn, Kevin Kreitz, Karen Kittilstad, Karen Larrick, Ellen Larson, Gerri Lay, Sharon Litch, Gary Logan, Donna Macleod, Carrie McCauley, Laura McCormick, Bill McDonald, Lisa McGuire, John Monch, Stephanie Morrison, Eleanor Morse, Chris Moyer, Rick Murphy, Janine Muzidal, Christian Nolan, Ann Normandy, Gina Ellen Panther, Renee Picard, Marty Post, Dan Purcell, Fred Reger, Ramon Revilla, Jerry Reynolds, Gail Ritchie, Lory Roddy, Chris Rossi, Marie Rossi, David Roush, Melody Rouzer, Teresa Ryan, Josette Sancho-Botiet, Ralph Sancho-Bonet, Donelle Sawyer, Alan Schleeper, Pam Schleeper, Cindy Searcy, Rod Searcy, Ellen Sharf, Sara Shihda, Roseann Sheridan, Stephanie Shroyer, Gerri Smith, Rob Sommers, Sandee Sommers, Anya Spielberg, Freya Spielberg, Kathy Ste¬ phan, Patty Stephenson, Harry Street, Kellee Sutton, Donna Tasselmyer, Nita Tate, Cindy Tidwell, Janet Towne, Nancy Trimble, Cathie Tyson, Tom Walter, Suzanne Watson, Carol Wolfe, Dana Wynn. Also: The Con¬ cert Band, Symphonic Band, Jazz Lab, and Orchestra. 21