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Page 32 text:
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High Scliool Journalism Trair Pour o'clock is quitting time for some but not for tht'- young tournalists of O. li. S. lust ask Milton, the ftloiiso whose kingdom is the school lvuilding. lt's very disturbing, sgueaks Miltonf thoso Pcriscopo and Oak Leaf Staffs are always hanging around. Yes, l know, said Patrick, the Papercutter. l thought l could live in peace in 'Ye Olde Periscope Room' this year, but it's worse than ever. Righto, continued Milt. This '44 group is really treating me roughly in their anxiety over this war-time edition. The fellows stop on my tail, ihrw girls scream and run. What a life! No war shortage ol enthusiasm herel Patrick replied, 'Chevkl That art editor, Ramona Calabrese, has me exhausted. Those soph omore apprentices use me to cut anything and everything, The editors, Louise Anderson and Dave Nettleton, are so efficient, sgueaked Milt, that l Just feel like so much dirt underfootf' Patrick replied, Not so last year. They were so green and bewildered as apprentices that they just smile understandingly now at Shirley Clawson and Felton Pinner. While looking for something eatable the other day, I even heard the brains of those literary editors, lean Clements, Vonnie McGough, and Pat Lantz. Such racketl They actually rattled, And don't those business managers, Shrimp Long, Ed Kohal, and B. l. lvlclvlahon, have a mind for figures? The lack and lane of all trades, Ray Kastelic and Mario Melaro, give me the burns rush all the time, sighed Milt. 'WQQQN' The Periscope staff minus the business managers qc to it . . . Ramona receives constructive criticism from Shir- ley, Dave. and Vonnie . . . Felton. lean, Shirley, and Lcuise check up on sales . . . While Marie gets inspir- ation. Pat and Ray inspect page tour . . . Wide grins of business managers, Don, Ed, and B. I. indicate a good sale. llllli ,
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Page 33 text:
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r Larger Field in Post War World 'N11',' ','11111 '111'11: I 'N-1:1 11 111111-1.5111 1111111 111 11111 1111111is1111111 11 1111 1'111:11 11 11.1 :v11j,' 111111 1111111 11111111-1 1'11111111111111 11111I 111. 111 11111111-111'11t1111Z, '1I11-y'111 111111111 1111 . . .111'111'1 '1111!111I11'11 'll1Y.H 111111111 111 1.111111 1113-1:1 111- 111111, 11-1111111111 1V1111, 1.111111 11 11 111 1111111111 1.111 1111::1111111111 1111111111 111111111 1111111111515 2111111 1111 121:11 11111 lI11111. 1111111 111 111111 11111111111'11 111111 VV111 cs 11111 1111 :s111111'11? 11.111 1111 11111111 11111 II11I'1-J111, 1111111113 11111 11111 1111111 VV1111 11111 111v.':1 111111111:1 111 I1111y 11111111 111111 IJ11'1c f1i11111s1111. W111I1v 11111 1111 11111111 111111 III1111111:a, 1-111111111111111111s 11111 1111x1 lSSl165IS 1v11, 11111 1111I',1111 11: 111111111111 11 111111111111 1111w11 11115 111111 11111111111 11111: '111111:11 1111 1'1111111 1111, 111111111111 11111 1111131 11111515 1'1.111111:: 111111111 11111 1111111111:s:: 11111111111111, 111:11 11111 111W 1111111 :v1:111 1'1Lf1'11113 I 12111 111111 111111 1.11111 1111 1111111 w11y 1111111 qym 111111. '1111111 I11'1I1.111 N15. 111 E11 11111111 11.1 11 1111111 'N111111:s, 111111-1 1l'.V111, A1 111111, :11111111, 111111 V11111 1w'111111:s1111 11111 'N11I1yl11'1 111111111 1111151 11111- 1111, 111' 11111.-111111, 11111 1111111 w1111n11111 1y11is1s, 1V!11111v C111111111 1111111, 1111111 111111111, 111111 1111111111y 11111111111I11, 11y 111 1101311111111 11.1 ..11:,1'f :11'111w1:1 111111 11111 11111111 111 1011111111111 11111111. lfvmy- 1.111111 111 11111111Iy 111:z1,111111, 1'111:s:a 1111111111115 s:1111111,111: with 111111 11',1.'11 1:111111:,, 1!11111111 :,1'111111111 11111'Ic 111 I'1111i1'k 111 Yr- I'111:,1'11111 I11111111 1111111111111, I 11111111 1,111 11111 1111111111111i1111G11y 1.11111 11111111111 11111I1', 111111511111 if:111111111111111j111l111r'I1iS11 13651. These home room reporters pep up the Oak Leaf . . . Iosetle and Dolly check a former issue: Phyllis tells Bud, lt's this way . . . Clair, Marge, and Dick are intrigued by typists, M. Ricci and Helen . . . A final step is com- plfrted by Bertha, Ruth. and Dorothy . . . Take time out for a coupe oi pleasant smiles from Tom, Irene, and Marie.
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