O Gorman High School - Knight Legend Yearbook (Sioux Falls, SD)

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. . reach for stars in the sky. . .that he's doine it for some doll! Hookers Alissa Brost and Julie Serle show thelr stuff at dress Mlke Samp and Tony Leggett take lt easy backstage. rehearsal. XXV X'N' X f. C if 0 ' x qgxigtitsg- .4-use 4' af .k rf :H --...fave-we .mwgpfffff Q i NDF j V,W,v,b,,,, .,,, ,..,,,.,, . .,., ,,,. , . . - . --.,,.,.,.,W, e- ,, ... - .wwN--- f Karla Bartscher helps one of the Illustrlous Hot Box Dancers, Mlchelle Maloney, wlth her g 4 V makeup. H k. Laura Bonacker reflects on her last performance. Chad Bomhoh appropriately plays the pan of the dmllslcal 55

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Joe Schmaderer takes time out to show hls style and flalr. ,. ...., L, .'-,. Q, .-..2 , ,R I: . , ff- ee.-.sw T ir ..1 - , e 1:.N M ... ,,,. .L.,,, . . '11 we Nei 'ig 1 at we ' Ja? 9 v gui' S :B A . 1 b-.. : z S . .fi 7K We 1 5, S Egg t X 5 wg Q 'QM 915, sew ...f -S. : H ,- -A . 5 Q - 2 as 1 ,LW ,, Colleen Ryan, Jenny Byrne, and Elizabeth Hobson grlmace as they are Musical told to do lt again! if Q, When you see a suv . . you can bet . . The rehearsals for Guys and DolIs were an interesting blend of song, dance, and sweat. The cast of the musical pushed their way through six grueling weeks of singing, danc- lng, choreographing, blocking, and memorizing while meeting new people and strengthening old relationships. At times, tension was tight, but the cast pulled it all together to bring a wonderful portrayal of Guys and DoIIs . Outside blocking rehearsals the cast spent numerous hours learning dance steps with the help of choreographer Karla Bartscher and Stu- dent choreographer Mollie Jo Krum. The musical was directed by Sarah Spelts and Kevin Brick who were assisted by Patty Spader. RJ .f ,J Q 106 Kevln Rex Lalley tosses the 'OI cellotone over hls shoulder and glves us a smlle before he departs from another arduous rehearsal.

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56 Musical Closing Night Closing night was a night to be reflective. it was a time of mixed emotions of happiness and saddness: of relief and of despair. A cast must endure months of rehearsals, long hours of work, hectic scheduling and nervous stomachs to reach their goal: five magniflcient shows that brought the house down. On that fifth night, the final show, their thoughts wandered back to opening night. They recall the tension and excitement in the air. They could hear the murmurs of the crowd the pitches of the trumpet and trombones, the words of anxious anticipation. For some that was thelr flrst time on stage and for others their last. They sat together then in the small chapel. These were their last glorious moments as the cast of Guys and Dolls. They had been a part of one of the finest musicals ever performed by O'G's Theater Department. That honor they would always cherish. As the flnal curtain call ended the final show and thrilled crowd rose to their feet with applause: there was truth in Mr. Brlck's statement, You haven't seen Guys and DolIs until you've seen our Guys and Dolls ! fi ! . H ' 4 J 2 7 .. .A 5, . Joe Schmaderer and Brad Merrick read what's In the dally news. E 5 ,Q T r ,,.,...tr as Jon Clausen clarlfles a matter of law to Chad Breldenbach whlle Brad Merrlck Krlsti Vickers tangos while Jim Delker contemplates and Sharon Picasso looks bewildered. BSSUITWS 3 P059-