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Page 53 text:
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Page 52 text:
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Page 54 text:
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Di I I I d hl llti , DI t MI S It I di ti t th i sp ay ng ea ers P qua es rec or ss pe S re ays rec ons 2352 Keri Hebrink manages the control board to create special effects 'QQ Portraylng vlctlms of strokes, actors Sharon Picasso, Chrlstlan Novetzke, and Joel Kunkel work out a scene set In group therapy' DlRECTOR'S NOTES: Wings has been a unique project for the members of the drama department. We hav been working on this production for competition since before Christmas. As we have become more involve with this special script, we have grown both spiritually and theatrically as an ensemble. We realized what I challenge was before us . . . a journey . . . a flight. We began to explore the world of aphasia through the centlrlj character, Emily Stilson, a stroke victim. In our research and observation, we learned that stroke victi experience a fragmented world in which emotions and perceptions seem shattered. Oftentimes, the patient even feel as if they have been captured in a foreign country. This play is a mixture of the outer and inner world of Emily Stilson. Through, countless hours of experimentation, exploration, discussion, and research this cas has entered Mrs. Stilson 's unique and changing world. We have observed medical facilities, stroke victims an researched airplanes and speech disfunctions. Because Emily Stilson was once a wing-walker - a woman wh actually walked out on wings of airplanes to perform in the late 1920's - her flight is much like Charle Lindbergh 's : I weave in and out of the strange clouds, hidden in my tiny cockpit, submerged, alone, on th magnitude of weird unhuman space, venturing where man has never meant to go. Am I myself a livin, breathing earth-bound body, or is this a dream of death I 'm passing through? Am lalive, or am I really dead, l spirit in a spirit world? Am Iactually in a plane, or have I crashed on some worldly mountain, and is this thi afterlife? - The Spirit of St. Loui 50 One Acts
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