Northwestern University - Syllabus Yearbook (Evanston, IL)

 - Class of 1975

Page 1 of 374

 

Northwestern University - Syllabus Yearbook (Evanston, IL) online collection, 1975 Edition, Cover
Cover



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Text from Pages 1 - 374 of the 1975 volume:

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SYLLABUS: Generally speaking, what do you think a student gets from four years at Northwestern? STROTZ: I think the first and most important thing that a student can get at Northwestern is turned-on intellectually and a sense of the depth and sophistica- tion of some area of knowledge. SYLLABUS: What is your sense of the university ' s state right now? STROTZ: I have the impression that there is an increasing concern and commitment on the part of the faculty and administration to the importance of instruction. I also have the feeling that there have been important strides made in the direction of developing the total environment of the campus, recognizing that a lot of our students not only go to classes here, not only go to the library here, but they eat and sleep here, they have their recreation here, their artistic interests become satisfied here (to a greater or lesser degree) as well as their intellectual interests. I think we have been moving successfully to, in a sense, integrate all of the day to day experi- ences of students into some unified intellectual and cultural growing experi- ence. SYLLABUS: Are you trying to get away from the limited notion that Northwes- tern is a nose-to-the-grindstone school? STROTZ: Well, the long-time conception hasn ' t been that. The long time concep- tion has been that this was a school for playboys. That ' s been a misconception. More recently the notion has been that there is nothing to do here except study. And I ' m more pleased with that percep- tion than with the previous one. I think that a university like this one differs from a subway school or a commuter school in that we are more than just a curriculum, a library and laboratories. We have a very great variety of activities going on, many of which are extra-curricular, many of which are intellectual and cultural and we are trying to develop an environment where the student is able to partake throughout his entire waking hours, rather than just between the time he arrives on the subway and gets back on to go home. SYLLABUS: When the class of 1975 came here, things were in a state of upheaval but now they have quieted down considerably. Do you sleep better these days? STROTZ: I don ' t sleep better now because the problems have shifted from the psychiatric to the economic. SYLLABUS: But weren ' t students more excited about what you call the psychia- tric concerns? STROTZ: Well, I don ' t want to label all student concerns as somehow pathologi- cal. But the concerns that were legiti- mate and were expressed in legitimate ways never constituted a serious prob- lem for me or for the university, in my judgement. There was never really a fundamentally serious problem. The really serious problem had to do with students that were so alienated from society, so in search of an identity, that they represented important psychologi- cal problems for faculty and administra- tors. I think students today are less struggling in this area. Now , they may be despondent. It could be that depres- sion has taken over--I don ' t mean economic depression— but psychological depression. We have fewer problems that arise from a kind of blind acting out against the establishment where stu- dents were trying to find identity through rebellion as they were then. The 38 w ! I !: I don ' t sleep better no _ ibe problems have shifted from katric to the economic. IS: But weren ' t students more tboui what you call the psychia- ,: Well. I don ' t want to label (docenis as somehow patholo 6 r ihe concerns that were legiti- d were expressed in legitimate ,« constituted a serious prob- K or lor the university, in my f nt. There was never really a lentalW senous problem. The eno OS ' problemhadtodo .th re so aliped ta -. „f an identity, ha. -rented important psychologi- , uld he that depres- u, have fewer P ™ 5 rs s university has far greater problems than it did in the nineteen sixties, at least in the financial area. SYLLABUS: But students are not too radical about economic concern, are they STROTZ: There isn ' t much they can do. How do you call a mass rally on Deering Meadow to complain about inflation or what the Arabs have done to the price of oil. SYLLABUS: But many students think that at the rate tuition has been increasing, it will be eight thousand dollars within five years. STROTZ: It may be eighty thousand dollars in a couple of years. It depends on what the federal government does with the money supply. I don ' t blame anybody who is distressed by the kind of inflation that we ' ve had recently and who has great anxieties as a result of the kind of unemployment we ' re having currently. I don ' t blame anyone for getting upset about it. My own feeling as an economist is that these are problems that require study, thought, intelligence and wisdom, rather than flag waving. And I do not think that the problems of the economy or the society will ever be solved by bumper stickers. I think that if there ' s hope for solution it will be in the seminar, in the library, with the computer, in research, but never by bumper stickers. They will be solved, most likely, at universities and by the university-trained. And by those who are trained to think problems through, who have some appreciation for the nature of evidence, who are prepared to be realistic as problems are confron- ted. But the sloganeers will never do it. They may highlight the problems, but they ' ll never solve them. SYLLABUS: Does it make it easier for you that students are only here for four or five years at the most? STROTZ: Since it ' s so much in the nature of things that students are a transitory component of the university, I don ' t think I ' ve ever thought whether that makes me feel better or worse. It ' s not a matter for feeling. It ' s a matter of recognizing the nature of the organiza- tion as a social institution and being honest and frank about it. There are. I think, a lot of difficulties that derive from the fact that a very concerned component of our university population and obviously a very impor- tant one, is our student body—and most of them aren ' t here very long. But I might just as easily cry out against death or taxes. SYLLABUS: But in the final analysis, do students really have any effect on the university? STROTZ: Students have a significant impact on the institution, the difference has to do with time perspectives. A student who comes here, let ' s say, for lour years, really doesn ' t get involved until his second year. By the fourth year, he ' s concerned about getting into law school or where he ' s going to get a job. Faculty are here, typically, for a whole career. Similarly administrators. Alumni are here in some sense forever. The institution has enough participa- tory democracy that it changes very, very slowly. And the changes appear to be almost infinitely slow to a student who passes through with such tremen- dous speed. The changes are impres- sively fast to those of us who spend many decades at the institution. So that I can see how things have changed over the last ten, twenty, thirty years with ease. Students can ' t even sense it because they are travelling at such a rapid speed through the place, that they can hardly contrast their own rapidity of develop- ment with the development of the institution. SYLLABUS: Would you want to be in the class of 1975? STROTZ: Well, I would gain a number of years and lose alot of weight. But, I think I would enjoy that magic transformation, though I think I might have preferred being in the class of 1970. I don ' t know how I would have behaved myself, but I, think that those years. ' 66 thru ' 72, were years of such turmoil that it must have been very exciting for students, however nerve-wracking they may have been for others. But I think I ' d be willing to risk starting my career opportunities all over again if I could be younger once more. This is a far more fascinating era for an economist than 1970. I used to think that economics had become kind of a dull discipline, that all the big problems were in international relations, war and peace, race relations, and that the economy had become sort of boringly steady. Now economics has become a very exciting field once again. No one wants to rejoice in the misery either of society or any of it ' s members but to the extent that we become fascinated by problems and the challen- ges of problem-solving. I think training in economics is somewhat more perti- nent at this point than it was five or ten years ago. How would you like to be a physician and never see a sick patient. I suppose the problems of war and peace and of race relations and social reform and all the subtleties of social revolution during recent years are still with us. But many of them have become secondary to the very serious problems of inflation and unemployment on a very significant scale. SYLLABUS: You are constantly cast as Northwestern ' s villian by students-the bad man on top. Is it a reflection of you, the job, or this university? STROTZ: It ' s not unique to Northwes- tern, I ' m sure of that. The role of president may vary a good deal with the variations in kind of institutions, but there are other universities that are not that dissimilar to Northwestern. I don ' t think it ' s something that is peculiar to this environment, or to me, or to the student body, or to student leadership, or to the editors of the Daily, at all. The only thing that would make a difference here would have to do with the extent to which I want to stand on a pedestal. If I would stand on a pedestal and try to avoid dealing directly with students or faculty or other groups, than other administrators might get the flack and I would be a ritualistic personnage who only appeared at commencement or whatever. But I like to get into a controversy and debate things and make decisions and let people know that those were my decisions and try to defend them. I guess that if I like to get in the kitchen, I ' m going to find it hot. I think students recognize my involvement in the decision making process and the operations of the institution, that I ' m not simply a figure head. And if they don ' t like decisions most times they ' re going to blame me. And if they don ' t like decisions most times they should blame me. 39 ' . 41 •% V M 42 43 Pill 1 y (i j H IB PT 7 i SJS - . K mkzZ • ' .-. hk A I ] 46 T 48 49 i 50 J I 51 52 J 53 55 56 1 I m 57 58 i .Wt M 59 tO l 1HC 90CML 9TUDGMT 60 Gl Ml! 7i ' Sw A ■ wr: 62 63 64 M€DM m if - mm  feS! rfflS? :- • ... 65 . T - [1 67 68 71 ■ 1 1 1 ] m a| f wA B t- w Iff it_l 3 4 Hf 1 yp H v- 1 £ ' ■ ' : I ■I flU93i .•If i POLITICS 74 73 74 % w MlkVIrt 76 STGMGN90M 78 79 THCriTRe 80 WINNGBdGO 81 K ft— 82 — —■ 83 ■uni 85 HINDGRYCkX, MrikING THGdTRG VIIM SYLLABUS: There is a lot of confusion and argument about the Northwestern Theatre Department ' s reputation. The popular thing to say is that it has been going downhill since Alvina Krause left. Do you think this is true? HINDERYCKX: Part of the problem is that everybody always talks about the good old days. There ' s a nostalgia sickness in the country and it ' s in our department too. If you really looked at what things were actually like in some so-called good old days and ran down the sequence of what shows were actually done, who the students were, what the basic feelings were from year to year, you ' d find the batting average ratio in one of those years turns out to be strikingly, almost scarily, the same. I can ' t remember a time, and I spent one year as a student here a long time ago (and took courses from Alvina Krause), when there weren ' t a certain number of factions going in terms of this person disagreeing with someone else ' s work and that person disagreeing with somebody else ' s work. It ' s the nature of creative artists to be individualists, and, to a certain degree, anarchists. They work intuitively as well as intelli- gently, putting their guts into what they do. And when it comes out on a stage, in a statue, in a painting or in music-that ' s them up there. If you start taking pot shots at it, they feel it personally. And it takes a very well trained artist to be able to be a diplomat. To be able to not always get their ego tangled up. When people start talking about the good old days, my first response nowadays is to say, When? Name the year. First of all they usually can ' t. They talk about some vague time, some period fifteen or twenty years ago. I talk to alums regularly who were students here 20 or 30 years ago. If you pin them down to specific circumstances, it sounds like today. It ' s really wild. We had Theordore Fuchs as chairman, who was a vital, a really vital driving guy and ruled the place with an iron hand. And ' yet many people look at those as the good old days. And it surely was a time when reputations were being forged. SYLLABUS: Do you believe that your program produces well prepared profes- sional theatre people. HINDERYCKX: Professional is a bad word because nowadays when you say professional some people only think of vocational commercial. Professional should mean the same thing as the word professor does. It means you profess something. A professional in an art form professes a certain integrity to what he believes his art form is supposed to communicate and it has nothing to do with earning money. In that sense, we use professional to instill in people a sense of the discipline and the integrity of the art form. And if they can go out and make a living with it, that ' s just great. And if we can help them do it, that ' s great. But if they don ' t want to go out and make a living with it they ' re not second-class citizens. Nobody ever said you had to make money to be a great painter. And a lot of great painting has been done by people who never sold their work while they were alive. Then you can say they were not, therefore, professional painters. No, they had a profession of an art form. I think we have a unique situation in ts this season. I important to do prod pleas audiences ' ' MERYCKI Thei tion to the audience. them. They are pan c e going to do a sho ■ to accept i bi fequirement of bei: Ml never get pap of sen S i t i vitv new , actions, ,f tfe p ' yourtowa able to pace, shock  g. their aZ, beia 86 eople. i: Professional is a bad .owadays when you say ne people only think of imercial. Professional same thing as the word It means you profess ofessionalinanartform am integrity to what he 1 form is supposed to ,nd it has nothing to do 3 nev. In that sense, we ,1 to instill in people a cipline and the integrity And if they can go out ; ng with it. that ' s J re can help them do it, tfthevdon ' iwanttogo yving with it they ' re not M s. Nobody ever said [emoneytobeagreat 01 of great painting has )Mp le who never sold Mhev were ahve. hen ,v were not, therefore. .inters. No, the?  ada i art form. , e a unique situation in that we can force students to broaden their approach to their art form by making them take humanistic studies and putting them in an environment that has a great library next to it, where they can go listen to great lectures on Shakespeare, where they can get math from people who are tops and where they can hear the University Symphony. It means that you are dealing with all the qualities of life and culture that an artist has to have. SYLLABUS: Many of the University Theatre productions had d ifficult recep- tions this season. Do you think it is important to do productions which will please audiences? HINDERYCKX: Theatre has an obliga- tion to the audience. You cannot ignore them. They are part of the show. If you are going to do a show, first of all, you have to accept a basic bottom line requirement of being entertaining. You ' ll never get people to higher levels of sensitivity, new enthrallments or exhaltations, if they go to sleep half-way through, if you lose them. So you ' ve got to know your business well enough to be able to pace, shock and entertain an audience well enough to keep their eyes moving, their ears open and their minds awake for two hours. And if they ' ll sit there and keep looking and listening and being kind of delighted and surprised or confused-but interested, then you can do all the rest of that stuff that art can do too. It they won ' t come set- a play, you ' ve lost them before you ' ve even started. You ' ve got to guarantee them, at least, a feeling that they ' ve got a going chance, a better than average chance, that when they go and sit down in the theatre, and after all they do their part— that ' s a big gesture— they pay money, they usually dress up a little bit, they come and sit in a crowded auditorium with other people, they keep their mouths shut, they watch-that ' s a big initial statement and when the curtain opens they ' re listening. SYLLABUS: Do you think the big shows are worth the difficult mounting? HINDERYCKX: For the kids that are actually working in the department, the major shows are just milestones along the way but there are lots of other shows besides. We have shows opening in the theatre lab virtually non-stop through the year. The kids sense value in little things and value in big ones and failures in big things and failures in little ones too. SYLLABUS: But isn ' t it a lot easier to fail in the big things? HINDERYCKX: Sure, because you ' re sticking your neck way out there. The biggest problem is still Cahn — not that you can ' t do a play in Cahn, but Cahn has it ' s expectation levels to which actors and directors have to respond whether they want to or not. The scale of the place says that a certain kind of thing is going to happen. It lures you into having to choose certain kinds of plays. And it has cut down the size of our season. We use to do six major shows a year, two a quarter. Then one of those became the opera and when we closed down the Annie May Swift theatre auditorium, we were really doing only four major shows a year. With only four major play productions, you get so careful in your selections of plays that you select yourself out of having fun. You say. this has got to be important. When I think back just about four five years we ' d start a season with Luv come right back with a renais- sance tragedy, then a Shaw and a seventeenth century American play that was kind of funny and corny and a Chekov. There was such a spread of shows-big and little— that we really had a chance to flow with some kind of variety. And we ' ll be able to do that when we get our new space in the Theatre Building. But we have two years to fight through yet until the building opens. SYLLABUS: But do you want to get out of Cahn altogether? HINDERYCKX: Yes, partly. As a school, we have the problem of challenging learning actors so that they reach, they stretch. If you challenge them too far, they stretch too far and they fail or they stretch voices, they stretch sensitivities, beyond what they ' ve grown into yet. They are not mature professional actors. They ' re learning students. 87 89 T ' - r- 90 91 ORGY Of THG rfRTC Acccording to popular legend, the first words Columbus uttered when he landed in America were Give me a Big Mac to go and hold the pickle. This is untrue. Actually the frenzied Spaniard said, When I find those swine from Orgy of the Arts who assured me that the Atlantic Ocean was a short-cut to Queen Isabella ' s bedroom, I ' ll buy Golblatt ' s back from the Indians and send their scrotums up the totem. Fortunately cooler heads (and an imaginative translator) prevailed. Orgy President Patrick Goldstein was rushed back by coolie from Menninger ' s Clinic (where he was staging the religious epic Jesus Gives Us A Shine ' with Orgy Treasurer Bill Nuss as the late Lord) to entertain the sun-crazed explorer. Columbus was so pleased that he postponed the discovery of Florida until after the tourist season and delayed a visit with Manuel Labor, the renowned Puerto Rican sociologist and author of All Anyone Need Know About Any- thing. Then the Orgy extravaganza com- menced. Entitled Sex-Change, it featured an aging octaroon (fresh from his success as a pigs- foot in Harlem Eats and Meats ) who checks into the Hotel Cuspidor posing as a fat German businessman refunding Thalidomide baby athletic scholarships. His sidekick is an off-duty flight controller from Iceland who has a pet halibut (originally owned by Marcel Proust) that he carries around in a portable bidet. After being arrested for selling bull fight posters to wandering Jews during the 100 Years War, they hijack an antique Iberian jumbo-jet and go off gambling in Aruba while the plane hemorrhages on the beach and imper- sonates the Dauphin to the throne of Tripoli. Finally the entire Orgy cast sojourns to an abandoned spaghetti farm where they attempt to buy a Bulgarian bottling plant from Paul Wavshauer. After a brief cavalry charge by the American Express. VYarshauer trades the fresh water fish- ing rights to the Suez Canal for the Mee-Ow Show script. Then he eats it (the script, not the spaghetti) and dies of stock fraud. Columbus was so impressed by this theatrical triumph that he drove his DeSoto onto the first boat back to Spain. If we don ' t hurry up, he said as he retired to his cabin for rhumba lessons, Isabella will think I ' ve spent the night out. Then Ferdinand will have me on the day shift for sure. The Orgy of the Arts staff just smiled. They knew Columbus would be back. After all, he ' d bought season tickets. Patrick Goldstein II, 92 Popular legend tl,« f enzie i Spaniard said ia s a short-cut to Queen £? ■ oler heads land an PnflW.ftp -m Menninger ' s Ciinic SAi  ' withOrgv uss as the late Lordl to n-crazed explorer. ls s pleased that he Florida imlj ason and delaved a fl labor, the renowned « « and author of eed Know About Any- s7 extravaganza com- -ange. it ig Maroon (fresh from i pigs-foot in ' ■Harlem ' i who checks into the f sing as a fat German (funding Thalidomide Warships. His sidekick flight controller from a pet halibut (originally ■I Proustl that he carries able bidet. nested for selling bull wandering Jews during War. they hijack an i jumbo-jet and go off mba while the plane the beach and imper- uphin to the throne of a sojourns to aghetti farm where they Bulgarian bottling plant hauer. After a brief i the American Express, H the fresh water fish- ,e Suez Canal for the script. Then he eats it ic spajrhettil and dies of I so impressed by this iph that he drove his first boat back to Spain, rrv up, be said as he , in for rhumba lessons. r.k I ' ve spent the night ffl d will have me on the e Arts staff just imbuswo ' ,J wght tickets. Patrick Goldstein 93 NORTHWeSTGRN MNCG COMPANY £ Bk i ., J ' Mi 1 1 itfiM.-i f ■ r , 1 ' jK m i 3( ;• j W Kafl , ' s.s ¥ j f ma mj m yt aa , - «ii P | ' --• fth ml % MH H 94 95 WHrtT DID VOU eXP€CT? I i 96 97 IS I M mien gimsbgrg 102 £ 103 104 105 106 1 51 107 TH€ MU9IC SCHOOL „ , „ cOMI£MPOB lir HJ« E s ; 1S M.mMOA EHSEMBLE ;; 8 ' 15 c ,aoo S . r o ™ v ' 5 „ FRE0FP.E. • '  « ' ,6 90 OUL HILLIUW «0«N UWP.EUCI D l P '  .. ■ s siuoekt naamm  ■ , MUSSLLOS MUSI! CLASS , „) TRACT HAHS0N CF.U.0 I 30 6E«E «1V «0 TnUMPtT El I 15 KIUIAU MASSilOS 8 j 3 30 PRiP SIB«0S I Pl  0 W 108 109 112 r j 113 T€CH OP£M HOUSG 115 116 .id 117 118 HOMECOMING 120 INDIANA 121 V)£AXf £ NORTHWESTERN ' HOMECOMING CONCERT rfkfe t£ Hi b JI mkP9 1 IIP ' 122 123 124 125 126 OOTMLL TH€ MW. TH€ MM9. TH€ G MG 127 1 to ■ if , ■ . i 5??: N 128 $ L 130 131 132 134 135 136 ,, . ' ■ m ii kvt ' ik U j kUA% V. 137 138 139  « v 141 142 S JI 143 144 145 146 147 • w CHrfRL€Y9 RGVJIGW The Northwestern Athletic Department has a reputation for producing some great tragedies. In fact, it is possible that the 1974-75 season is the most tragic yet. There were times when the two latest plays, Pal Johnny, and The Winter of Discontent, were so much like their predecessors, that audiences might have thought they were watching productions from the past two seasons. Both shows were about losers, as are most of the Athletic Department produc- tions these days. Their common theme was the hopelessness of trying to make a winner out of a loser at a semi-prestigious midwestern university. It takes time, repeated John Pont, during the first act of Pal Johnny. Yet his teams got worse instead of better. The theme was the same old tired one which has been batted around the Northwestern Athletic Department stage for the last three years. The last time the Northwestern Athletic Department stray- ed from its meat and potatoes produc- tions was fall of 1971 when the bouncy musical Maurie and His Friends, starring quarterback Marie Daigneau and Alex Agase as the coach, depicted a winning football team which sang and danced its way into second place in the Big Ten with a 7-4 record. Although the theme was redundant, both Pal Johnny and The Winter of Discontent were perceptive pictures of what losing can do to men as they attempt to combat its degrading affects on their careers. Pont was brilliant as the frenzied paranoid, Jeckyl and Hyde football coach of ' ' Pal Johnny who hadn ' t had a winning team in five years. Tex Winter surpassed Pont ' s performance in the leading role of The Winter of Discon- tent, the story of a once great coach humiliated by his team ' s clumsy defeats. Pal Johnny began with charming John Pont, despite his five year losing streak, trying to convince everyone that his team would be a winner. The next week his team, the Wildcats, went out and lost its first game 41-7. I was surprised at our inefficiency, said the Wildcat quarterback, played by Mitch Anderson. It is one of the many lines which provoked more laughter than sym- pathy for the characters. Anderson delivered a strong perfor- mance as a one-time great quarterback, twice Big Ten passing leader, whose career went down the drain during his senior vear. Anderson ' s characterization of an athlete down on luck was good, but it fell short of making him a tragic hero. Anderson was bitter at the end of the play, never understanding why things happened the way they did in his team ' s 3-8 season. Don ' t ask me what hap- pened, I don ' t want to talk about it, the Quarterback said at the end of the play. One of the strength ' s of Pal Johnny was the brilliant performances of four actors in minor roles. Paul Hiemenz, Larry Lilja, Carl and Joe Patrnchak stand out in the huge cast of over 100 actors, as seniors who couldn ' t cope with the agony of defeat anymore. They performed well in the action sequences and were especially good in the post game locker room. Carl Patrnchak held the crowd in the palm of his hand when he delivered his soliloquy after the Wildcats lost the final home of the four seniors ' careers. I just hope the younger guys see this, shouted Carl Patrnchak as he stripped the pads off his battered body. I just hope they learn from this and do something about it. We seniors won ' t be around, I know, but well, I just hope they see this and try to turn it around. It hurts to have never played on a winner. While the audience was moved by the tragic plight of Carl Patrnchak, his twin brother Joe, Hiemenz, Lilja, and other players, no one could really feel sorry ior Pont. The tragic situation of some of the Wildcats was clearly demonstrated, but the audience came away at the end of Pal Johnny feeling somehow that Pont deserved his fate. After Pont ' s team ' s losses began to pile up, (his team lost its first three games by a total score of 139-17) , he degenerated into a raving maniac, who desperately tried to maintain a calm exterior to the outside world. He screamed at his players on the sidelines, then soft peddled his actions after the game. He snarled his answers to repor- ter ' s post-game questions on Saturday, but smiled optimism by Wednesday. While Pont ' s characterization was fas- cinating, it lacked depth. No motivation for his actions was ever given. What he is really like never surfaced in the play. If there was a weakness in Pal Johnny, this was it. And while it was fascinating to watch Pont ' s antics, the question remains: what makes Johnny run? The depth of character was never a problem in The Winter of Discontent , as Tex Winter turned in a virtuoso performance as a once great coach mired in a losing environment. Winter played « basketball coach recently hired by the Wildcats to rejuve- nate their dismal program. He came with a fantastic success record as a college coach, having had only one losing season in his 20 year career. In the first scene it was revealed that Winter ' s first year with 148 the Wildcats was a mild success, as he brought them out of the Big Ten cellar for the first time in three years and achieved a 9-15 record in 1973-74 without two of his best players who missed the season because of academic ineligibility. The action of the play began with hope for the coming season as the ineligible players returned and the others players had a year to learn Winter ' s system. Then Winter ' s world collapsed around him. His bumbling team threw away game after game, losing two games in overtime, one in double overtime, and a total of seven games by four points or less. The play worked best during the game scenes. While his team put on a slapstick show which had most of the audience in stitches, Winter stood in the background watching. But after a while, the audience ' s attention was drawn to Win- ter. He dominated and took over the scene as he agonized and bemoaned his team ' s stupidity. In these scenes Winter showed himself to be an actor of great animation and range. The audience felt his pain and frustration. Winter ' s performance transcended the comic scene in front of him and turned it into high drama. Winter managed to sum up all his frustration and embarrassment in the third act of the play during a game with Michigan State before the home crowd in McGaw Hall. Unable to tolerate the dumb mistakes his team continually made during the game, Winter finally broke. He grabbed a folding chair at court side. The chair tipped over and Winter landed on his back, his legs stuck up in the air for a minute until an assistant helped him up. The audience didn ' t know whether to laugh or cry and Winter was a joy to watch as he milked the scene for all it was worth. Reminiscent of Casey Stengel ' s im- mortal line, Can ' t anyone here play this game, in the long running broadway production of The Amazing Mets in the early 1960s, Winter, too, had his own moments when he realized the hopeless- ness of his plight. Sometimes I feel like we ' re batting our heads against the wall, Winter said in the beginning of the third act. No matter how many times we work on correcting them in practice, in a stress situation, they ' ll (his players) often go out there and revert to the same old bad habits. . .What does it take to be a good college coach? It ' s complicated, and it ' s certainly not enough to be a good teacher. No matter how well or how often I blow the whistle and demonstrate the funda- mentals in practice, I can ' t go out there and do it for them in a game. As a critic once said, Great acting is not the portrayal of character but the development of character. Winter ' s disintegration was clearly mapped in this evenly paced tragedy as he tried every possible recourse to avoid another defeat. After looking in vain to his bench to find better players, Winter looked to the future. In the end Winter admitted what he knew all along, that his team didn ' t know how to win. I ' m no miracle worker, Winter said to the audience in a moving scene in the third act as he braced for another losing effort. Finally the season ended for Winter as his team lost its last game 94-70 to Wisconsin, a team it beat earlier in the season. The Wildcats clunked into last place in the conference. The season produced the worst record in Winter ' s career, 6-20. And as if the coach had not suffered enough, the play ended without hope for the future. Winter was frustrated in his attempts to get a top high school basketball player into Northwestern because the school ' s admission ' s department wouldn ' t let him into school here. Now he ' ll go to Michigan and score 30 points against us next year, said one of Winter ' s players at the end of the play. Winter wandered off stage in the last scene, seeing his status as one of college basketball ' s winningest active coaches slip away. The future looked bleak for the coach, and perhaps he realized what the audience did: that his tragic mistake was coming to Northwestern in the first place. cmrlgv NCkenrw 149 X i 150 w 151 152 153 154 155 156 r- a.-r 157 - i ' ' ! -; 6- . ,W , !Hr ' HHB IfeS ■ 158 159 TGNNI9 1 160 161 162 RUGBV 163 TH€ RK1 9TGP9 ' TH€ TOUGH£9T 166 1 .. I t. J 167 WOMGN 168 V- WOMGM IN SPORTS ' __ 170 - 171 172 • «a 173 174 mw. 1 1 .jf u {fl Wl if ' 1 L- ' _«r. -- S P r 1 175 f eu Hockev ' If riLi + 9 ♦ -- + + j BflBfl HhM + 1 — - • • ■ '  , t t  4 ' • 4 4 • ♦ ♦ CO O • fr! ! 5 Imjii i « j 178 J8 ill m 179 INTMMUML9 • . -S ' £ ± j| I l Vm 1 ■ ' - T jkj . Jl fr4A.vW a H j _21 180 181 COGD VIOLLGYBdLL 182 I o 183 Z= z= 184 • a 185 186 w ■iu,..S ORGdNIZrtTIOM PHI MU riLPHrf J a Z E 188 Kneeling: Captain Cathy Mavrolas Standing (left to right): Judy Ann Iwata, Suzanne Miles, Marvel Gentry, Cindy Fuller, Patti Riedle, Judy Hallstrand, Britt Gilbertz. Peter Adesman, Gabriel Kain, Robert Hart 189 190 191 _ 192 193 194 195 196 JIN P09T GDDIG Um l S 198 Bonnie kOLOC m b w • x ' RV COODCR 199 200 201 DERLis themembt This yea merits, ath It is an I 204 DQU DERU is the oldest senior men ' s honorary and the oldest campus organization. Each year since 1895, the members of the DERU have been elected for their demonstrated ability and recognized leadership on campus and in the community. This year ' s eighteen member class is a diverse one. It includes men noted for their academic achieve- ments, athletic prowess, work in the student media and government, and service to their fellow students. It is an honor not taken lightly! 205 206 REPS: Front Row: Linda Grayhack, Cindy Jaques, Karen Dombro. Back: Nora Dundurs, Jill Thompson, Lynn Voile, Betty Rodgers, Laura Abbott, Carol Spolar, Toni Massaro, Laurie Mela med, Lisa Rivitz, Jody Moses. Thompson, Itz jody Moses 207 209 211 212 mu Gme 213 In Front: Co-captain Vicki Schwenneker, Oleg Petrov. Second Row: (left to right): Jim Mahady, Bruce Potenza, Buell Cole, Bill Sprick, Steve Joffe, Clarence Teeters. Third Row: Cindy Reynolds, Pam Scott, Lyla Correoso, Sue Sandlund, Linda Livingston. Not Pictured: Tracy Morgan. 214 I . PURPL€ PrtRROT indiund. Linda 215 216 IT ' S JUST LNING 217 6 U D CM 6 218 m is D CO 6 1 M ,V4 r v . jf - • y - . ■■ ' It i iTm ' J , V- e? f [[ID V LLI LffU EssBlj n5 7 v IB 1 f Rn] 1 L 1 «• ■„ • f i j r .j|L ' ' i ■ 1 1 hP M MARVIN GARDENS ai  J 4i jaaMI RENT $24. riMBEB IkysMr. 1 House $ 120. gi Bj ' ' T Sl Bfc ' rtf 2 Houses 360. EHMDK Wih 3 Houses 850. Kvv . 4 Houses 1025. , ' : ;• _;;. I With HOTet $1200. J . w E J Ifl P 1 ■ Mortgage Value $140. V M -, £3 ¥ Houses cost $150. each 4 ' M ' M™ Ho ' eK. $!50 plus 4 houses 1 m ■i 1 ■ ■ HPr v nOhi ■ . 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Bornholdt J. Boudreau S. Burzawa J. Busdicker S. Cibrario J. Dahlin R. Decker DeGiola L. Duffill J. Freeman M. Freeman N.Friedman C. Frey J. Fuerst C. Fukuchi R. Ginn J. Qould C.Graham K. Hahn C. Hambley S. Hanrahan P. Hanzl J. Harris L. Hell S. Hershfield R. Howard J. Infantine E. Ingram L. Isaacs C. Jaumol E. Kahn N. Kalfas C. Kearney K. Kearney B. Kennedy J. Kennedy S. Klein B. Knab M. Koch K. Larsen D. Levinson J. Markowitz L. Masterton A. Mattoon fi °, J HKIl P. Radic L. Renshaw B.Richardson C.Schreiber N.Schwartz M. Scovill T. Selfridye 0. Shur D. Steen J. Steidl R. Steinhardt 246 • •• w I 3, 1  P.HaiB i m ill j. Pnce ff PI krtPPrt LPHH ii 247 ■ flWNGLG R. Berger S. Berger T. Blankenberg T. Bruce K. Crews M. Choi F. Deamant R. Dell ' Andrea M. Frystak muni s ;4M 4 J tot rfl ita i4 248 M. Weisman T. Wojcik jJKlB •s-s:i « !  itno wm tmKi u [J LFoertsch J-Foi J Greenberg A. Km ■ C. Johnson P.Jomi SLo « lip K.N ta -■:.•, i ««, Ml •few, ■:-. . 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Fumbanks CHI PHI ' 1 A. Garcia G. George R. Gilbert K.Grady D. Gross M.Gudanick W.Huang M. Hulett P. LaMonica J. Lo B. Miller M. Monson B. Morgan S. Moss D. McCarthy P. O ' Oay M. Oelze R. Parker T. Redman T. Riordan J. Royce J. Slavick D. Smithyman B. Strzalka R. Stumpt K. Tomera M Weeda R Whalen S. Yount n.AltscH D.B J.W i.-p ■i. PCansen G « r HFotlbain J.F  1 ■ i i LGoUberg HGoqkm : V.A ' Z ; ,;-t Hi . w, HOki Pwro, f J-Sno HiH SBbis 6.CNW :: i :. . A-Funbinks ! k j k D. Altschuler A. Aronsson P. Barron ■I S. Batmaz P. Carlsen G.Cascino J.Clark J.Drew R. Elvove I S-Sujt HGilwi 1 Huang ILIMat MMonson B MorjKl UOeO I am ill ' IW D. Smrttiyffi 7 8. to rILPHrl TriU OMGGrl K. Fishbain J.Fisher G. Folz M.Fuchs J.Gerard s 3(3§! E. Goldberg H. Gottschalk M. Graney D. Gruzd G. Guckes B. Harvey G. Heady D. Herzog R. Hobson J. Houser R. Izquierdo S.Joffe J.Johnson R.Kaplan T. Karaba R. Kaspers M. Killion S.Kline T.Larson J Layer Leon M. Lewis A. Loewinsohn M Marcus M Marder M. Meiselman S. Mershon B. Misle H. Myers J. Olshaker M Olsen O. Petrov V. Phillips W Reschke F. Rice T. Rivelli 0. Robinson S Rosenthal P. Sanderson A. Simmons J. Snow O. Story W. Strome J Wallace F. Wang W. Williams R. Zaplel 259 9IGM 1 NU 3 %duL MM Ia imLnkM I D. Corirossi A. Dalessandro C. Domeck W. Eichar T. Galganski R. Goetsch M. Gottfried I33IP M R.Gullgerg D.Herbert J.Holmes C. Jaynes W.Johnson E. Karp K. Kawashima M HM HMB H H HnW: : ' g S. Latshaw C. Limperis P. Lindeman N. Lucchesi D. Lusk £ D. Marks J. Mata W. McCarron M. McCoy B. Miner C. Needham A. Pakalniskis L. Pintak C. Plros W. Polley R. Roenigk J.Rollins G. Samorajski S. ScholDrocn S. Topinka A. Traut S.Watson R.Weidner S. Wertheim B.WIIkofl D.Zablotney 260 I I L I I III Ix tarfL I li I. Binder Bradley J. Bush K. Byrne J. Cahn R. Cypret A. Davis R. DeHarde J. Eisner Kazys D. Kostyk N. Kowalsk R. Farrar W. Kroshl J. Laundenslager T. Gaffney G. Madeja R. Matson L. Pierre J. Port H. linger J. Johnson R. Rudawsky M Jones R. Sasine G. Judge P. Vettel J. Villaverde B. Walker J. Wight T Wolf D. Yelich G. Young 261 ¥ . 9IGWI CHI D Ablin D. Adolf E. Asboe C. Asche B Bagdady jMmM «WH FMt TGOM J. Koegel M. Kraus G. Krauspe J. Kuklinski C. Lambert J Iwyff ™ T. Magliozzi M. McCracken S. McCrary M. Miller M. Palmer J. Repsis M. Schneider J. Sheridan F. Stevens R. Stitcher WM LSraa J.Wallech J.Waycuilis D. Weiler M.Wright W. Zemitzsch 262 I ' ingann, 9IGM 1 HLPHH GPSILOM R Buckley F. Buese B. Bultie S. Casati J. Cheadle C. Christopher T. Clayton W. Clayton G Couper J. Davis P. Frenell S. Voorhees P. Wallace M. Westln S. Westin M White D. Woodbury w M, Zinganni 263 ■ GrtMMrt PHI BGTrf   M G % k4M C. Crotser P. Crowley P. Dowdy J. Engdahl N. Ferguson A. Fistedis J. Flood D. Forman B. Fruehling K. Glicker C. Goodnetter P Gray L. Grayhack P. Gryzb S. Hanney R. Herschthal S. Hondo H. Hill E. Johnson C. Kemmerer C. Knowles J. Lee B. Maksymczak E. Miller T. Murray L. Pasco F. Pomierski R. Rierson C. Schlepphorst L Seidl J. Slupski S Socolowski M. Springer V. Varga 264 M. Wain C Walczak C. Woznlak m «mtu Wt lw . M ,;.,..,. v.w  a C.Woji 265 ■ A. Arkm C. Bagge C. Bailey P. Bailey I. Bauza M Beckstrand B. Bennett P. Bitter 266 BH P. Boren M Buck S.Buckley C. Cassel J. Coughenour H. Cramer M. Dembo M.Denton C. Dudgeon A Ettelson M. Elias p. Scott B. Seymour L Sommers D. Stoery B. Stevens G. Sullivan M. Sunderland B. Thomas J.Thomspon L. Toll S. Van Ness J. Von Utfel J.Warner B. West A.White M. Woel MPP 4 LPH 1 THGTrt V.Wright J. Ziegler L. Zwack rtLPHd GriMMd D€LTrt n ' Ml  .« Front row: D. Sauer, A. Dickinson, D. Antoinette K. Dombro, K. Jen- nings, D. O ' Neill, L. Trochim. Row 2: M. Jimenez, K. Bertelson, Mrs. M. Couve, C. Hagmann, A. Burns. Row 3: L. Cook, F. Mortlock, S. Sciez, S. Vail, L. Lively, V. Kalter, K. Landis, R. Gott, L. Even, M. Kite, M. Nardy, E. Janopaul. 267 D€LTrt DGLTrt DGLTrf P. Anderson M. Auster C. Varnum K. Sprecher C. Spaulding M. Holton L. Browning D. Hogate C. Zabor P. Pfister K. 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Ziven i 1  nnum ■ir krtppd yawa Gmm W w 9 J. Aigler C. Alexander M. Bartlett P. Bell A. Benedek b. Benning S. Bozek O. Braun E. Brengel A. Brunk C. Burger C. Card M. Casey S. Corbett H. Crosby K. Dameison D. Dawson D. DeMoya S. Dickey M. Dubois M. Duncan S. Dunn S. Erke J. Ellis 4 8 1 « • %L 9 % M. Fallat L. Fischer C. Ford E. Ford S. Franzetti M. Friedman C. Fuller W. Gajewski K. Gordon L. Grede H. Grell $ § - ipyBP S. Hanle D. Hermann J. Jacobowitz C. Jacques C. Kaelin L Kaplan L. Karonuf K. Kassouf J. Kringlee G. Lavezorrio R. Levin K. Ling J. Lock M. Mangan S. Martin M. Martino S. McCahey E. Mclneray P. Mesdag S. Miles S. Moore T. Morgan K. Myler A.Nelson N. Naustadt N. North C.Reynolds H Rodgers J. Rodgers C.Ross M.Ryan S.Saunders S. Schaeper ass ? P. Scott M. Slaton R. Sonneland C. Sopata S. Spence N. Spencer S. Sphire 270 E.Sutherland N. Tyra D. Wallington L.Warner M.Warren L. Wholley N. Wingate if , s.Boa, S. Corbett faen « h.Gret Km T. M«tan mm S.Sp i '  ■ CHI PS ! 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Shuster P. Skerrett c: = ' e« 5 =?■■: ' «« W «w 274 J. Cheverud G. Paccocha L. Szwajkowski L. Wo|cik 5 Strum R Krause E Lannon J. Fleps S. George D. Goldstein F. Gramarosso D. Halleck B. Hallenbeck D. Harding 1 2TO3A9Z M. Hinkes R. Hinman A. Hiral J. Hochberg K. Holz S. Kahn J. Krivicich 3H M2 tMUtm k A. Magantm W. Mara K. Meenan R. Milam D. Moore M. McGuinn J. Papilion im OS? p swell USiOsm awwi ts l,W PSI UPflLON R Parmelee R Peard J. Perlmutter D. Pince J. Pohndorff A. Pratt J. Priest T. Reed R. Reeves J. Richter R. Russow M. Schar A. Scheflow P. Shumway L Siegel S. Smith G. Solomon R. Stark G. Strum M Sturwold J.Terenzio C. Teeters R.Ward S.Watson H.Weber R. Wedam J. Weigel S.Wilson J Yanofsky 275 X PHI IMPM SIGMrf W. Ahrens R. Book M. Bulovic R. Burns C. Edwards R. Figel K. Galus M. Gorecki pwerf CSFrW I : - B. Gradishar L. Jungheim J. Kanegawa S. Kerlin S. Klippert I. Kobushigawa J. Krecisz jFtfei F. LeFranc S. Mandelblatt J. Manno G. Muller A. Murakami M. Mcintosh G. Nishimoto M.Nomura W. Often C.Olmsted D. Plotkin R. Radtke C. Rector A. Riojas D. Rippinger B. Rupp D. Saran S. Starrat J. Steele G. Sunada D. Takasugi W. Werner B. Whitlock B. Wong R Wong IGuBW J l « 4 mi Uocher D.Lm  J ■ « . ' ■■:■:-: A-Aiccomini q if M Teska S «iUt% 276 «Mfttt aiwg l k mm chi alpm J Drollinger J. Farley T. Flannery M. Grabowski T. Greeley S. Greenky M. Gross A Guumer J Heykes J. Howard J. Huston D. Icenogle W. James J Kenny 1 HUM titan |_ Kocher D. Lark J. Love M. Massery DSw S M Obuchowski J. Padden S. Polydoris H. Querfurth P. Badanovich I «■ A Biccomini D. Shinn S. Sonet M. Stover M. Teska G. Van Moffaert J. Wick 277 $li1§ C. Morsette K. Muller M. Zuber ■Sigim aSh 278 }} 1 Hatt I DGLT ZGTrt Hensley K. Kottemann ra®£ A .Levinthal L. Mananello C Marlln G. Martinet T.Mattlx L. Medgyesy L. M.chaelson H. McGill 279 rfLPHrt GP9ILOM PHI 5 - . r Yw Tv ♦ ' r r oi vA :. ' .n i B t L hk 3 ' ! i ' 280 Ira lS gr -lg WE ' VE GOT A BETTER PLACE FOR YOURS Over the past four years about 1040 men decided to go Greek. They found fraternity life had a lot to offer. It is more than just a residence; it ' s a home. The people they live with are more than just roommates; they are friends and brothers. The concept of brotherhood is hard to define. It can only be lived and experienced. Interfraternity Council and its 24 member fraternities can give you an opportunity to see what Fraternity is like. Start thinking about what you may be missing and when you come back from Spring break come and see us. Go through informal rush during our Go Greek Week. Then decide if we really are right when we say we have a better way. TRY IT GREEK 282 iCE _ 283 Q4-40 GROUP SK 284 ■ O iC f Mfc ffGVIGIW rtPPdRITION 285 GAMING DNI9IOM BARBARA ANN ANDREWS Ph. B. ED BARIA B.S.G. Ed. TIMOTHY JAMES BEAUDRIE Ph.B. HARRY ALFRED BERNHARDT Ph.B. DIANE MARIE POLSGROVE HESEMANN Ph.B. MEGAN NORMA JOSEPH JACKSON Ph.B. KRISTINASAULE JAUTOKAS Ph.B. GERALD GORDON KAUFMAN Ph.B. OLIVIA ANNO LINDERBERG Ph.B. JOHN DOMINIC LUPORINI B.S.G. Ed. RONALD CECIL MARGARET DELORES MAJEWSKI MASIWCHUK Ph.B. Ph.B. MICHAEL JOHN RAFA Ph.B. JAMES DAVID RICHMOND Ph.B. EDWARD ERIC JAMES ROBISON. Ph.B. RICHARD SERAFIN ROSSI Ph.B. RONALD ALFRED SCHOENBERG B.S.G. Ed. CECKA PlLl I i Meow n 8SG.EU U 4 ■ ' ' •■ ' ■ ■:■.;-- SCOimca BS.G.EH 286 10 _ JMIES HAPM MB i hi ALBERT JACOB CECKA Ph.B. JOHNAN-YEU CHEN Ph.B. KENNETH PAUL CHRIST Ph.B. PHILIP JAMES DAVIS B.S.G. Ed DEBORAHIA ELAINE EASLEY Ph.B. LORRAINE ALMA LEEENQ Ph.B. BARBARA HELEN FISCHER B.S.G. Ed. SANDRA LUCILLE GARBER Ph.B. :e. « BG RCTDaORES TIMOTHY WALTER RONALD LOUIS DONALD PAUL RICHARD WILLIAM JOHN DAVID JUDITH GREENSTEIN ■ HORN MC CARRON MROWIEC OLSON PERREAULT PETERSON POLEN I 1 1 B.S.G. Ed. B.S.G. Ed. Ph.B. B.S.G. Ed. B.S.G. Ed. B.S.G. Ed. SCHOEBBBB BSS.Ed a Lfctfei DONALD ROBERT LILLIAN ALICE JAMES EDWARD MARILYN JOHNSON SCORNAVACCO WALLIN WEST WINBORN B.S.G. Ed. Ph.B. B.S.G. Ed. B.S.G. Ed. 287 Northwestern Unive ■ Evanston, Illinois 6020X 1974-1975 HAY JAMES I 52 67.3 8383 Schoo sity C!as STUDENT IDENTlFICATjONCA i , ' 7 JK n i I 288 T • i % (, Schoo ' Sit C 3 Class nncAi roN card pi m fey f i 901IOK 1975 289 Nftthwestern University Evanston, Illinois 60201 School Class ™ STUDENT IDENTIFICATION CARD i i 1971 •  72 _ 0-- . ■ orthwestern Uftversity Evanston, Illinois 60201 REDDICUFFE STEVE School Ciass I STUDENT IDENTIFICATION CARD PiN thwestern Universi Evanston, Illinois 60201 ELIAS5QM KARS School Class B STUDENT IDENTIFICATION CARD [ i 1971 - Wf2 iO -. -- orthwestern University Evanston, Illinois 60201 hA¥ jahes i j ft t x n a g s w School Class STUDENT IDENTIFICATION CARD 1971 - WT2 290 YOUR I.D. HERE YOUR I.D. HERE -: • • •h North g| vanston, Illinois 60201 1973-1974 SCHRBINBR SIR L 327646303 4 H TUDENT IDENTIFICATION Evanston, Illinois 60201 A SCHREINER SARA B 227646303 4 4 K, x 0- . ' 3 £L B • Sci ) t_ V 1973 1974 « 1 fl Northwestern I m Evanston. Illinois 60201 | 1974-1975 REDOICUFFfc ST E VIM 3334275 52 3 4 1 ; School C ■STUOENT IDENTIFICATION CARD [ f stern Ui • Evanston, Illinois 60201 1 Q73 1 07 A iSLIASSON KAREN 073464755 fl STUDENT IDENTIFICATION CARD i r-. - - = kzt u .Northwestern University Evanston. Illinois 60201 £ 19731974 . . .. •• • 3 • ' - n 3 f! : 10 ' School C ISTUDENT IDENTIFICATION CARD — il+vu. ™ STUDENT IDENTIFICATION CARD -L=u( L Northwestern Univr Evanston, Illinois 60201 1974-1975 aUASSON KAREN 173464755 f 4 School Class STUDENT IDENTIFICATION CARD ClAjl aj d£c CX 2 - cr7i Northwestern University Evanston, Illinois 60201 A 1974-1975 riAY JAMES School CI I STUDENT IDENTIFICATION CARD $.4 s ?%$ .HERE YOUR I.D. HERE YOUR I.D. HERE 291 X 292 ■MHH Diane Abbot Barry Abel Robin Abrams Paul Adamczyk Speech CAS CAS CAS Georgetown, Texas Chicago, III. St. Louis, Mo. Chicago, III. Gloria Adamek Kenneth Agatstein Hollis Alpert Donald Altschuler CAS Tech CAS Speech Chicago, III. Evanston, III. West Hartford. Conn. West Haven, Conn. Phyllis Amaral Joseph Amanllo Robert Amedeo Judi Anderson CAS CAS CAS Speech Evanston, III. Glenview, III. Park Ridge, III. Highland Park. N.J 293 Michael Baechle CAS Evanston, III. Arlene Banoul Robert Bansborg Richard Barbour Cyndee Barnickle Allen Barr Thomas Barthold Cynthia Bass Cynthia Bauer Journalism CAS CAS Music Speech CAS Education CAS Chicago, III. Evanston, III. Beecher, III. Naperville. III. Stevenson, Md. Ballwm, Mo. New Rochelle. N.Y. Perrysburg, Ohio Mark Bauer CAS St. Louis, Mo. Lisa Baum Journalism Evanston, III. Daniel Baumgartner CAS Naperville. III. Michael Beach CAS Evanston, III. Edward Beaver Tech Barree. Penn. Jane Beck CAS Dayton. Ohio Robert Beck Speech Westlake. Ohio Warren Beeh CAS Evanston. III. •0 U :■■ ' ' : ' ■ Jtt 295 yZH? Elizabeth Beckman Herbert Beighley Judy Belk CAS Journalism Speech Evanston, III Westlake, Ohio Alexandria, Va. William Bell Darren Bender CAS Speech Rocky River, Ohio Stamford, Conn. SHEF Kathryn Bertelson CAS Glencoe, III. Robert Best Journalism Wilmette, III. Robert Birndorf Speech Evanston, III. Sydney Birnie Education Longmeadow, Mas David Birr Tech Toledo, Ohio Elizabeth Blanche CAS Evanston, I ' l. Howard Blassman CAS Des Plaines, III. Theodore Blsazak Tech Parma, Ohio Howard Blood Speech Canton, Ohio Jeffery Bluefield Education Brooklyn, N.Y. John Bogdan CAS East Moline, III. David Bohan CAS Brookfield. III. Frank Bohan Speech Aurora, III. 296 w John Boyle CAS Indianapolis. Ind. Brian Bozek CAS Chicago, III. Richard Braznell Tech St. Louis, Mo. William Breil CAS Norfolk, Va. Jacqueline Bridges Journalism Chicago, III. Julie Brodie CAS Oakhurst, N.J. Jill Brooks Speech Miami, Fla. Heather Brown CAS Des Plaines. III. 297 LCS 3 ngoiB Laura Browning CAS Lake Bluff, III. Michael Brummond CAS Ionia. Iowa Karen Bruno CAS Chicago, ill. Sherrie Bubis Speech Nashville, Tenn. Sheila Buckley Speech Buffalo. N.Y. Jane Budimer Tech Chicago, III. Susan Bugg Speech Columbia, Md. Cynthia Burger Philip Burgert CAS Journalism Evansville, Ind. Pittsburg, Kan. Chicago, III. ITOA Andrea Burns Suzanne Burns Joan Burnstein CAS Speech Speech Clarendon Hifls, III. Chicago. III. Highland Park, III. Carolyn Busch Speech Short Hills, N.J. Bobette Buster Speech Cincinnati, Ohio Robert Calgaro CAS Rockford, III. Mildred Calhoun CAS Indianapolis, Ind. Sue Campbell Tech Manchester, Mo. 298 m 299 LS Mark Camphouse Bruce Carlson Mary Louise Carnevale Diane Casalino Music CAS Journalism CAS Cicero. III. Arlington Heights. III. Elmira. N.Y. Park Ridge. III. Linda Casse AnneCassidy AmyCassman CorrineCast CAS CAS Speech Journalism Wauwatusa. Wise. Lexington. Ky. Omaha. Nebr. LaGrange Park, III. Susan Castorino Katherine Chadwick Warren Chan Nancy Chapman Speech Speech CAS CAS Columbus. Ohio Auburn. N.Y. Chicago. III. Rocky River. Ohio ■fl IMMM ■WCHIi Tut b co woc I iL mk Edward Clark Arthur Clark Theodore Clatlelter William Clayton CAS Speech Speech Speech St. Louis, Mo. South Haven, Michigan Homewood, III. Souix Falls, S.D. Wayne Cobb Robert Coblentz Donald Cochrane GerthaCoftee Speech CAS Tech CAS Aliquipa. Pa. Pittsburgh. Pa. Nlles, III. Memphis. Tenn. 300 Ellen Cohen Susan Cohen Nancy Cohn Ronald Colberq Education CAS CAS Speech Silver Springs. Md. Carmichael, Calif. Omaha. Nebr. Des Plaines. III. Ber nadelte Cole Honor Conway Marilyn Cook Donna Cooper Journalism Music Music Speech Waukegan, III. Chicago, III. Des Moines, la. Evanston, III. Michael Cooper Marilyn Cardovi Frank Corina Dale Corirossi Tech CAS Education CAS Lincolnwood, III. Evanston, III. Bradford, R.I. Rockford. III. ■MM Honolulu, Ham Elaine Cotromanes Marsha Courchane RuthCoulit John Csernansky CAS CAS CAS CAS Chicago. III. Madison, Wise. Evanston. III. Elmwood Park. III. I r i ' Sow Raymond Cubberly AnneCurley John Curry Pamela Curulewski Journalism Journalism CAS Education Lombard, III. Glenrock, N.J. Westchester, III. Alta Loma. Calif. GdDiaCoH CAS Harry Cynamon Phyllis Czimer Teresa Daehn Alan Dalessandro CAS Music Music CAS Roslyn, N.Y. Lockport, III. Sidney, Mont. Addison, III. 301 Susan Dallas CAS Whitman Square. N Kathleen Dammann Gwendolyn Daniels Bruce Danotf Andrew Davis Walter Dawless Mary Ann Dean Dorothea DeGutis Music CAS CAS CAS Speech Education Education J. Skokie, III. Philadelphia, Pa. Wilkes-Barre. Pa. Greenwich. Conn. Handen. Conn. Chicago, III. Hartford, Conn. Bradley DeLong James De Maria Margaret Dembo Myra Demkowicz Tech Speech CAS Education Lancaster. Ohio Bellwood, Illinois Huntsville, Ala. Hazelcrest, HI. John DeMott Diane DeRoy Ira Deutchman Virginia Dickinson CAS CAS Speech CAS Prairie Village, Kan. Pompano Beach. Fla. Ramsey, N.J. Deerfield. III. James Dixon Kenneth Dodge Linda Doherty Mark Dombrowski Craig Domeck Arthur Don Margaret Donaghy James Dorsey Speech CAS Speech CAS Tech Speech Education CAS Huntington, N.Y. Oak Lawn, III. Evanston. III. Des Plaines, III. So. Euclid, Ohio Glencoe. III. Tampa, Fla. River Forest. Ill Margaret Dougan Merrill Douglas Carla Doyne Belinda Drews CAS CAS CAS Music Bloomfield Hills, Mich. Monroe, La. St. Louis, Mo. University City, Mo 302 •• • Regma Dnskill Robert Drlsko James Dutfin Geoffrey Dugue Kathryn Ounlap CAS CAS Tech CAS Music Montgomery, Ala. Shawnee Mission. Kans Riverdale, III. St. Petersburg, Fla. Austin, Minn. Shara Dunn Wayne Durnii Catherine Dyni Susan Dziengiel Jeffery Easte Robert Ecker Ellen Edmond Kati Edstrom Speech CAS Music CAS CAS CAS CAS CAS Rye. NY. Sedalia. Mo. Birmingham. Mich. Park Ridge. III. Cleveland. Ohio University Heights, Ohio Washington, D.C. Winona. Minn 303 304 r k WW as :;t:; ' MM IT Harry England 46y Sfwtf us Mn,ta EMM UartFameb Joimafem jg SW Fi | inr Robert Eek CAS Norman, Okia Richard Ehrenzeller CAS Port Jervls, N.Y. April Ehrlich Speech Woodmere, N.Y. FEW Harry England Jill Engleka Linda Erton Speech CAS CAS Dickson Tenn. Centerville. Ohio Morton Grove, III Virginia Eul Journalism Robert Evans Music Mary Fallat Christine Fallen CAS Speech Wilmette. III. Arlington Heights. III. Auburn, N.Y. Carnegie, Pa. David Fanta CAS Oak Park. III. Mark Farinella Randall Farra Mary Farrell MaryEllen Fazen Linda Feder Joseph Federichi Journalism Journalism Journalism Tech Speech Speech Mansfield, Mass. Mt. Vernon, III. Livingston Manor, N.Y. Racine, Wise. Morton Grove. III. Pleasantville, N.Y. Aileen Feldman CAS New Rochelle, N.Y. Robert Fialkowski Tech Chicago. III. Stephen Field Venita Fields Lydia Fiesselmann James Finger Tech CAS Speech Speech Minneapolis. Minn. Greenwood, Miss. Birmingham, Mich. Livingston, N.J. 305 Jeanne Fischer Education Hinsdale, III. Morgan Flaherty CAS Pittsburgh, Pa. Mathew Flamm CAS Chicago, III. Douglas Fogelman CAS Dallas, Texas Kristine Foss CAS Evanston, III. Janine Foster CAS Bay Village, Ohio 6 fc H Paul Fox CAS 306 Paramus. N.J. Stephen Fox CAS Palos Heights, III. Emily Frank Speech Baltimore, Md. Mark Frank Journalism Brooklyn, N.Y. Michael Franks Tech Evanston, III Stephanie Fraser Education Hyde Park, Mass. Ricky Fred CAS Kankakee, III. Judith Freeman CAS Highland Park, III. Robert Frese CAS Allenhurat. N.J. Marilyn Friedman CAS Chicago. III. Ronna Friedman CAS Cincinnati, Ohio Robin Friedman Journalism Chicago. III. Gordon Fuller CAS West Bloomfield. Mich. Michael Fuller Education Circleville. Ohio Allen Fumbanks Journalism Chicago. III. William Gall agher CAS East St. Louis. III. Alison Galusha CAS Horseheads. NY. Daniel Gandor CAS Chicago. III. Orestes Garcie Tech Miami. Fla. Richard Garofalo Speech Chicago. III. MicheleGaspar Journalism Hoopeston. III. Robert Geiger CAS New Profidence, N.J. Cathy Geisenheimer CAS Rockville Center, NY. James Geist CAS Wilmette. III. CAS ju f mghw 1 p? ' 307 Joanne Goldsmith CAS Chicago. III. Susanne Gollin CAS Lincolnwood, III. Stuart Golub CAS West Orange. N.Y. Gary Goncher CAS Chesterland. Ohio Harry Goodfriend CAS Cleveland. Ohio 308 ■NHMl MicheieGover Carey Graeber Diane Graese Jetfery Graff Cynthia Graham Frank Gramarosso Martha Gray CAS Speech CAS CAS CAS Education Speech Springfield. Mo. Aberdeen. S.D Saddle River. N.J. Northbrook. III. Ann Arbor. Mich. Chicago, III. Albion. Mich. Deborah Greene CAS Barrington. III. Alan Gregerman Robert Grierson Charles Griffin Stephen Griffith CAS Education CAS CAS Berkeley. Calif. Chatham, N.J. Evanston. III. Virginia Beach, Va. Emily Grinspan Lisa Gross Kenneth Grover Pedro Guilarte Speech Journalism Tech Tech Memphis. Tenn. Prairie Village, Kans. Hudson, Ohio Miami, Fla. OS IMriM CAS am 1 ;V Ruth Gutman Armin Gutzmer Erik Haagensen Speech CAS Speech Mountainside, N.J. Rockford. III. Fairview Park, Ohio David Hale Janet Half Ruth Hamill Journalism Education CAS Des Moines, la. Pittsburgh. Pa East Hampton. NY 309 ' JEXd Elizabeth Hammond Suzanne Hanney Steven Hanson CAS Journalism CAS Kenosha, Wise. Chicago, III. Neenah, Wise. Mary Harbaugh Speech Downers Grove Laurence Harlan CAS Dayton, Ohio Jilt Harman CAS Wauwatosa, Wise. Mark Helm CAS St. Louis. Mo. Henry Henderson CAS Joliet. III. Alexandra Hendnckson CAS New York, N.Y. Nancy Hensley CAS Arlington Heights, III. Janet Herbert Marcia Herlach Music Waukegan. III. Shawnee Mission. Kans. 310 Edward Hermann Tech Chicago, III. Selma Hershteld CAS Methuen. Mass. Janet Hershman CAS Wilmetter. III. 311 312 Sandra Hlrai CAS Chicago. HI. Jeffrey Hirsch Kimberty Hitchcock Sandra Mobson Speech Speech CAS Mamaroneck, N.Y. Harrisburg. Pa. Chicago. III. Kristin Hofacker Speech Charleston, III. Arthur Hoffman CAS Harrisburg, Pa. Stephen Hoffman Speech Milwaukee. Wise. Randi Hoffman Speech Boca Raton, Fla. Robbie Holivay CAS Cleveland. Ohio Loreen Holmes Education Wichita. Kans. Ruth Holtzman Music Rockville Centre, N.Y. Hester Hinda CAS Kahului. Hawaii Jaroslav Hoobchaak CAS - Chicago, III. Michael Horan Journalism Green Bay. Wise. Joanne H o re n stein CAS North Bellmore. N.Y. Chicago. ■ Fred Horn CAS Chicago. III. Phillip Hornbostel CAS St. Charles. Mo. Calvin Hori Tech Chicago. III. Leslie Horwath CAS Palatine, III. Kevin Hosten Music Queens, N.Y. Christopher Hoyt CAS Milwaukee. Wise. Kenneth Hsu Tech Skokie, III. Susan Hubble CAS Missoula, Mont. Ann Hudek Speech Cedar Rapids, la. David Ml ions CAS Commack, N.Y. Janet Infantino Education Maiden, Mass. Yoshi Ishikawa Donald Jackson JanJacobi Donald Jacobsen Jacqueline Jadrnak Robert Jaffe Music CAS Speech CAS Journalism CAS Lombard, III. Alta Loma, Ca. Evanston. III. East Lansing, Mich. Joltet, III. Louisville. Ky. Lauren James Speech Jacksonville, Fla. Mark E. James Tech Burbank. III. Pamela James Journalism Evanston. III. Paul Jasiukaitis CAS Cicero. III. Anthony Jedlinski Tech Chicago. III. Sheryl Jedlanski Journalism Chicago, III. Gail Jefferson CAS North Wales. Pa. Dale Jelinek CAS Mount Prospect. III. Jonathan Jensen Music Silver Spring, Md. Kyle Jerome CAS Commack, N.Y. 314 Dec 5 CAS Ml Gwendolyn Johnson CAS Decatur, Ga. m t James - Tetf Curtis Katz Lynne Kaufman Speech Music Wayne. New Jersey Milwaukee. Wise. 315 316 Kenji Kawashima CAS Tokyo, Japan Philip Kazanjian CAS Evanston, III. Gary Keith Speech Bloomington, Ind. J. Sue Kennedy CAS Kenosha. Wise. Kelvin Kennedy CAS Chicago, III. Donald Kessler CAS Chicago, III. Gary Kilkenny CAS West Plains, Mo. Deborah King CAS Kansas City, Mo. I LMH Denise King Speech Washington, DC Thomas King CAS Greenville, S.C. Kenneth Kirsch Tech Marblehead, Mass. Jane Kirtley Journalism Indianapolis, Ind. Susan Klepper Speech Evanston. III. Carla Kloppenburg CAS Chatham, III. Nancy Klosowski CAS Osceola, La. Linda Knapp CAS Albany. N.Y. Kitty Knecht CAS Cincinnati, Ohio Donald Knudsen CAS Roselyn, Pa. Mark Kogan Journalism Chicago, III. Joellen Kohlenbrenner CAS Skokie. III. 317 Fred Koplin CAS Atlanta, Ga. Richard Kotrba Speech Chicago, III. Jeffrey Kovaleski CAS Clifton. N.J. Anita Krichmar Speech Kensington, Md. Maida Kriesberg CAS Bethesda. Md. Stephen Krisik CAS Chicago, III. William Kroshl CAS Schaumburg, III. Carounn Kuebler CAS Avon Lake, Ohio Jeffery Kurland Adrienne Kurstin Jacinta LaCabe William Lahti Speech CAS CAS CAS Westbury, N.Y. Washington, D.C. New Orleans, La. Long Beach, Calif fettfc William LaRocca CAS Berkeley, III. Josh Lazar CAS Goshen, N.Y. Gary Lazich Elisabeth LeBris Kevin Lee A. Scott Lee CAS CAS CAS Speech Palatine, III. New York. N.Y. Cambridge, Mass. East Grand Rapids, Mich 318 i:;,:.:-r MKI Muse Jnnin, UN - ■ ' . ■ Ms kxWPi. !-■: ....., Spwch wsington.Mil. ' ■ ■■■ ' ■.•: I OS G!££E Barbara Lelsky CAS Massapequa, N.Y. Philip Leflel Speech Corning. N.Y. Jonathan Lehrer Speech Morton Grove. III. John Lemonnier CAS Brooklyn, NY Rhonda Levin Andrea Levinthal John Levy Donald Lewis CAS Journalism CAS Journalism Warsaw, Ind. Lincolnwood, III. Evanston. III. St. Paul. Minn. Helene Lieb Karen Lilianstrom Robert Lilienleld Chris Limperis CAS CAS CAS CAS Chicago, III. Hanover Park, III. Livingston. N.J. Oak Park, III. Lloyd Lipman Rosalind Littlejohn Janet Livingston Barbara Loeb Journalism CAS Journalism CAS Forest Hills. N.Y. Cleveland, Ohio Columbus, Ohio Chicago. III. Steven Loewengart Stephen Loh Music CAS Cincinnati, Ohio Old Tappan, N.J. Susan Long Speech Amy Lopyan Speech Berea, Ohio New Miltord, N.J. James Love Ellen Lubin Nancy Lucas Deborah Lucks CAS Speech Speech CAS Western Springs, III. Brooklyn. N.Y. Washington. DC. Western Springs. III. 319 Christine Lull CAS Albert Lunde Tech Robert Lupo Alessandra Lutiger Lynn Lyall Brian MacDonald CAS CAS CAS CAS Fredericksburg, Va. Chicago, til. Norridge, I Evanston, Glenview. Mitchell Macknin Mary Madden CAS Education University Hgts. Ohio Decatur, III. Linda Magee Mary Jane Magnowski King-Tim Mak Robert Malkin Rita Mankowski Edward Mann CAS CAS Tech CAS CAS CAS Gary. Ind. Chicago, ill. Kowloon, H.K. Valley Stream, N.Y. Wheaton, III. East Chester, N.Y. Georgia Mann Thianda Manzara CAS CAS Winnetka, III. Oak Park, III. 320 1 pm Caren Marcus CAS Pittsburgh. Pa. Joan Marcus Music Somerville. N.J. Cynthia Marion Education Great Neck. N.Y. Richard Marsh CAS Webster City, Iowa Nancy Martin CAS Elmhurst. III. Gail Martinetti Robert Mason Robert Mason Speech Speech CAS Milwaukee. Wise. Rosweii. Ga. Hopkins, Minn 52 Bruce Massaro Cheryl Mattox Jeffrey Mattson William Matucha Richard Matyi Cathy Mavrolas Elizabeth McAllen Daniel McCarthy CAS Journalism CAS Tech Tech CAS CAS Tech Plymouth. Mich. Memphis, Tenn. Naperville, III. Chicago. III. Cleveland. Ohio Rocky River. Ohio Glencoe. III. Palos Heights, III. 321 L2 Deborah McCarthy Lark McCarthy Cynthis McClure Malcolm McClure Speech Journalism CAS Tech Slmsbury, Conn. Chicago, III. Oak Lawn. 111. Winnetka. III. Michael McCormisk Daphue McCoy Franklin McCoy Vincent McCoy CAS CAS CAS Music Chicago, III. Washington, D.C. Williston.N.D. Evanston, III. Dan McCullar CAS Chesterfield, Mo Charlene McGrady Journalism Corning, N.Y. Martin McGuinn CAS Chicago, III. 322 323 mi Mt. vemw. Nort MMCHj Philip McGuire Charles McKenna CAS Journalism Shawnee Mission, Kans. Carle Place. N.Y. Michelle McKenzie Speech New London, Conn. John McMasters Speech Alliance, Nebr. Janet Meier CAS Dallas, Texas Mickey Meiselman CAS Lincolnwood, III. Garry Melnick CAS Plainview, N.Y. Janice Melnick CAS Shaker Hgts., Ohio Susan Meyer Music Waukegan, III. Sharon Michaels Journalism Niles. Ill Julie Mikelson CAS Lacrosse. Wise. Suzanna Miles Speech Omaha, Nebr. David Miller CAS Skokie. III. Edward Miller Tech Beaverton, Ore. Karen Miller CAS Jakarta, Indonesia Patricia Miller CAS Evanston, III. 324 325 LZSJ 326 MarK Nelson Hichard Nelson Thomas Nelson Karina Negvin Richard Newman Margaret Nichols Nanci Nigro Nancy Norton Speech Speech CAS CAS CAS CAS CAS Goleta. Calif. Park Ridge, lit. Streator, III. Evanston, III. Chicago. III. Kankakee. III. Evanston. III. River Forest. Ill ' - ' ' -■■ ■:-,, CAS f CHw,li n ihrooz Nouraei Janet Oakley Kathleen O ' Connell Patrick O ' Day Matda Odom Robert O ' Donovan Melvin Oelze Tech CAS CAS CAS Journalism Journalism CAS Chicago, III. Chicago, III. Oak Lawn, III. Northbrook, III. Akron, Ohio Lake Danen, III. St. Louis, Mo. mi W CAS ft I Carolyn O ' hara Walter Olden Nancy Orbison Davis Ostrich Joan Palmquist James Poznak Ruta PanchuK Rodney Panter CAS Speech Music Speech CAS CAS Tech. Falls Church. Va. Chicago. III. Appleton. Wise. Lafayette. La Minneapolis. Minn. Highland Park. Ill Chicago. III. Des Plaines. III. 327 m — • r i ■I 1 Sipllp • J . .-. ft -■ ■• ,. ' ,. V ... . R 1 • ! W 4 IP tmoPaMK Speech Ba|  mM4 E«« 328 James Padilla Gary Pappin Stephen Park Pamela Parkinson Linda Parrent Marqo Pauli William Paulsen MaryLou Pausewang Thomas Pawlowski CAS Tech CAS Speech Speech Speech CAS Speech CAS Glenview. III. Chicago. III. Edigon, N.J. Phoenix, Ariz. Leawood. Kans. Neenah. Wise. Brooklyn, N.Y. Patchogue, N.Y. Chicago. III. Margo Pearlslein Speech Baltimore. Md. . 329 Neal Peyser Theodore Phelus Kenneth Phillips Victor Phillips III Victoria Plckell Linda Pieper Speech CAS CAS Speech CAS Journalism Merrick. N.Y. Glenview, III. Lyndhurst, Ohio Maxwell AFB., Ala. Naperville. III. York. Ne br. Mark Pilliod Patricia Pippert CAS Speech Wauwatosa, Wise. Duncan. Cin., Ohio Randall Pirwitz Tech Chicago. III. Mark Pittelkow CAS Milwaukee. Wise. Ronald Pitts CAS Cleveland, Ohio David Plaut Speech San Diego. Calif. Maria Plummer Journalism Chicago, III. James Poindexter CAS Chicago, III. Alvin Ponder Robert Pontarelli CAS Speech Chicago, Chicago, III. l:.i- J0HPW« , SpMCh EaiK- = ' « :•. M Ht MorwGrMl at 330 Speech Oklahoma City, Okla. ,M Ronald Rabjohns CAS Jacksonville, III. Grier Raclin CAS Evanston, III. Polly Radic CAS St. Croix, V.I. Lester Raft CAS Chicago, III. «« £ Karen Read CAS Munster, ind. Laura Reeb CAS Flossmoor. III. Dona Reese CAS Potomac, Md. Brian Reich Speech San Antonio, Texas Linda Rimac Speech Rochester, Mich. 331 Hinda Ripps Andrew Roberts Barbara Roberts Beverly Roberts Jessica Robins Loreen Robinson Leslie Rogers CAS Music Speech Journalism Education Journalism CAS Baltimore, Md. Homewood, III. Santa Clara, Calif. South Plainfield, N.J. Bronx, N.Y. Willoughby. Ohio Montgomery, Ala. Benjamin Rodriguez CAS RioPiedras. P.R. Robert Rogoz Carmela Rondmella Thomas Root Alexander Rorke Candale Rose Philip Rosenberg Dara Rosenblatt Scott Rosenbloom CAS CAS Speech Speech Education Journalism CAS CAS Chicago, III. Chicago, 1(1. Virginia Beach, Va. Hollywood, Fla. Youngstown, Ohio Rochester, N.Y. Scarsdale, N.Y. Pittsburgh, Pa. Gayle Rosner CAS Lyndhurst, Ohio William Rosner Tech Wood Dale, III. Barbara Rothstein CAS Denver, Colo. Arnold Rubin CAS Chicago, III. Steven Rubinstein Stephen Rudolph °9«S s CAS Speech US South Euclid. Ohio Sarasota, Fla. :•• ' --,... 332 CAS « %w (Mknlktir MS TMi •WO WOaleJl j-tai RafJonHBos CAS CAS .NI CinoimOM Paul Rue CAS Western Springs. III. Michael Rusin CAS Park Ridge. III. Patricia Rust Elizabeth Rutledge Mary Ryan Thomas Ryba Donna Sadkin Pamela Sakowicz Speech Speech CAS CAS CAS Journalism Fort Thomas. Ky. Tulsa. Okla. Chattam. N.J. River Grove, III. Rockville Centre. N.Y. Park Ridge. III. Roger Saks Karleen Sakumoto Kavin Sampson Carol Sanes Leslie Sann Michael Satz Patrick Schauer Douglas Scheldt CAS CAS Music CAS CAS CAS Speech CAS Shaker Heights. Ohio Hiio. Hawaii Austin. Minn. Highland Park, III. Jericho. N.Y. Succasunna, N.J. Fort Wayne, Ind. Chicago. III. 333 Robert Schenkman Mitchel Schneider Lisa Schoenblum James Schorfheide Robert Schreiber Sara Schreiner Jefferey Schuett Ellen Schuh Speech CAS Journalism Tech Tech CAS CAS Tech Philadelphia, Pa. Levittown, N.Y. Forest Hiils, N.Y. Kirkwood, Mo. Smithtown, N.Y. Great Falls. Va. Waukegan. III. Watertown, Wise Patricia Scott CAS Chicago. III. Paul Scott CAS Park Forest, III. Steven Sebastian Jeftery Segal Louise Seidl Michelle Sells Charles Seton CAS Speech CAS CAS Speech Dallas, Texas Highland Park, III. Elk Grove. III. Evanston. III. Larchmont, N.Y Richard Shaffer CAS Sharpsville, Pa. Susan Shandelmier Speech Lempyne, Pa. Ilene Shapiro CAS Lincolnwood. III. Linda Shapiro Maureen Sheehan Jennifer Sherman Mary Shimer CAS CAS CAS CAS Miami, Fla. Elmhurst, III. Lima. Ohio Johnson City. N.Y. Paul Shiverick CAS Chagrin Falls, Ohio Dennis Shoemaker CAS Fullerton. Calif 334 I KMMX 335 Gerald Shoults CAS Chicago, III. Peter Shumway Speech Lake Geneva, Wise. William Sieseltuch CAS Brookhne, Mass. Laurence Simon Journalism Glencoe. III. Sharon Sisskind Tech Roslyn Harbor, N.Y. Siu-Mmg Siu Tech Arlington, Texas James Sivard CAS Lyndhurst, III. 336 AlanSklan Frankie Slater Ramona Sluplk Timothy Smlght Susan Smith Thomas Snelten Jeftery Snow William Snyder Speech CAS CAS Journalism CAS CAS Tech CAS Evanston, III. Bronxville. NY Chicago. III. Los Angeles. Calif. Normandy. Mo. Arlington Heights. IH. Rock Creek. Ohio Sylvania, Ohio ■• ::; e;;  SfMMLO 9 fi6£E£ Laura Soil Philip Sonenschein Steven Sonsky Karen Sprecher Jeffrey Spring Speech CAS Journalism CAS CAS Roslyn Heights. NY. University City, Mo. Brooklyn. NY Chevy Chase, Md. Berwyn, Pa. Robert Stade CAS Fort Wayne, Ind. Karen Staib CAS Chicago, III. John Stamelos CAS Chicago. III. John Slarks CAS Wyckoft, N.J. Diane Starsiak CAS Oakbrook. III. Joan Stearns CAS Shaker Hgts. Ohio Jaye Steele CAS Morton Grove. I Abraham Steinberg CAS Chicago, III. David Steinberg CAS Norwalk. Conn. Marcia Stemfteld Speech Evanston. III. 337 John Sullivan Jeanne Swadey Judith Sweeney Patricia Sweeney Nancy Swegler Wally Symcak Edward Szachowicz Les Szwajkowsk CAS CAS CAS CAS CAS CAS CAS Holbrook, Mass. Chagrin Falls. Ohio Evanston. III. Fox Lake. III. Evanston, III. Chicago. III. Morton Grove, III. Chicago. III. 338 ' •Jim itoyAmStw] S 111 - 01(9.1 W OB Fred Ta|inan 8« «lj I CAS London. England Steven Tang Tech Phoenix. Arizona Reed Tanner CAS Morgantown. W. Va. Katherine Tarbox CAS Edina. Minn. Melanie Taylor CAS Evanston. III. Velma Taylor CAS Washington. DC. Clarence Teeters Nancy Tesser Speech Education St. Louis. Mo. Rockvilie, Center. NY. 1 % William Testa Harry Thalhimer Bradd Thomas Florence Thomas Suzanne Thomas Tracey Thomas Holly Thompson Richard Thompson CAS CAS Tech CAS CAS CAS Speech CAS Parma, Ohio Richmond. Va. Homewood, III. St. Louis, Mo. Youngstown.Ohio Silver Springs, Md. Cincinnati, Ohio Franklin Park, III. 339 ■WMhMM M CAS Kalamajoc. Mcf M 340 Richard Thompson Pamela Todoroff Robert Tootelian Esther Toporek James Torres Steve Traisman Kim Tretheway James Troupis Nancy Tyra CAS CAS CAS CAS CAS CAS CAS CAS CAS Glencoe. III. Dearborn. Mich. Chicago, III. Lincolnwood, til. Libertyville, III. Wilmette.lll. Kansas City, Mo. Mendota. III. Golden Valley, Minn Michael Van Hamersveld Gary Van Moffaert Michael Varrin Pamela Vieha Michael Vodde Susan Vrbsky Robert Wade Gere Wageman Nancy Walton CAS CAS Tech CAS CAS CAS Speech Journalism CAS Kalamazoo. Mich. Naperville, III. Algonquin, III. Flossmore, III. Collinsville. III. Brookfield. III. Phoenix, Ariz. Springfield, Mo. Parker. Colo. 341 Melisa Wattenberg CAS Oak Park. III. Lynetta Watts Ernest weorj CAS CAS Kansas City. Mo. Oklahoma City, Okla. June Webb Paul Weber Margaret Weesner Karen Weidenheim Charles Weigel JohnWeigel CAS Tech Journalism CAS Speech CAS Chicago, III. Oak Ridge. Tenn. Nashville, Tenn. Princeton. III. Matawan, N.J. Baltimore. Md. Richard Weinstein Bonnie Weinstein CAS Education Bettendorf, Iowa Chicago. III. 342 Kathleen Wilde CAS Pittsburgh. Pa tfflw- il Mobolati Willdughby CAS Evanston. III. Barry Weitienfeld CAS Judy Weitzner Speech Pittsburgh. Pa. Philadelphia. Pa. Pittsburgh. Pa. Highland Park. III. Stamford, Conn Madeline Weldon CAS River Forest. III. Carol Wideman CAS Salem. N.J. Robert Joseph West Tech Elmwood Park. III. A SS •? Rfi Deborah Williams Journalism Washington, D.C. Murray Willis CAS Overland Park, Kans. James Wilson CAS University City, Mo. Samantha Witt Speech Lake Zurich, III. David Wohl Speech Brooklyn. N.Y. 343 Barbara Wolf Christianne Wolf CAS CAS Westfield, N.J. Elgin, Barry Wolff CAS Jamaica, N.Y. Timothy Wolfram Music Burnsville, Minn. Lawrence Wolin CAS Lincolnwood, III. Thomas Wong Tech Hong Kong Gary Wood CAS Mascoutah, III Gary Wood CAS Barrington, III. Dana Woodbury James Woodgates Elliot Wool Kathe Workman CAS Journalism CAS CAS Alma, Colo. Bakersfield, Calif. St. Louis, Mo. Chicago, III. Toby Wosk Journalism Susan Wurcer CAS Bernard Wurth CAS Nelson Wurth CAS Evanston, III. Milwaukee, Wise. Caseyville, William Yearout Tech St. Louis, Mo. David Yelich CAS Chicago, III. Deborah Yepsen Speech Ballwin, Mo. Nancy Yoder CAS Ambler, Pa. 344 Stephen Yount Journalism St. Louis, Mo. Tsuen-shui Yu Tech Evanston, III. EarlineZealey Speech Nashville, Tenn. Sandra Zelman Valerie Zimber CAS CAS CAS . Mt. Vernon, III. West Bend, Wise. Manhasset, N.Y. aftQ Donna Zimmerman CAS Cincinnati. Ohio Helen Zrake Speech Brooklyn, N.Y. Marti Zukerman CAS Rock Island, III. 346 347 rfDVOTI9€M€IW S A V I L L E Flowers Inc. 1712 SHERMAN u. 4-0632 Flowers telegraphed anywhere EVANSTON HOOS ' DRUG STORE 1745 SHERMAN AVE. EVANSTON, ILL 60201 STORE ISTON, ILL 60201 or all your rthwestern xtbooks Arby ' s 1 Roast Sandwich Arby ' s Evanston and Skokie Roast Beef Restaurants Hotel I 349 u == : P ri M ■ ■ r p 1 ■ E l 1 J| ' :::::-h::- r jfl ■ I 1 Hi • ■SSU r-- i i 1 ta hW JT I PHI BSH£B If ggrrgrf III tf T 1 ,?-=■ m m fit tti ut m ■MM j - ■ : i! : I ' . . ' 31= J ' ' i J? V I « If V: 5 V. . f J • LiiyHo i ' V,.- H t 5 [ « ' ii SI fefehtil UMtt fluum 351 The Hardest Working Bank OnThe North Shore S STREET GROVE STREET First National of Evanston ' s Drive-In Walk-In Is Now Open FIRST NATIONAL BANK AND TRUST COMPANY of EVANSTON 800 DAVIS STREET EVANSTON ILLINOIS 8hh-8100 • ;-n 4?00 STUOW 1737 JHfl 352 353 THE NORTH SHORE HILTON 272 Rooms Suites Rooftop Beef Barron Restaurant Lindy ' s Coffee House Indoor Outdoor Pool Private Facilities 10-500 Gusts Weddings-Banquets-Meetings Conventions-Anniversaries Dinner-Dances-Seminars 9599 Skokie Boulevard Skokie, Illinois 60076 312-679-7000 355 THG PHOTOGMPHO . JrtV BMUNff€IM, 21 B, 54T, 63T, 116BM, 133TR, 133BL, 142T, 142BL, 143B, 147T, 159, 173B, 229MR, 229BR, 229BL, 306, 353BR, 356B .::; RICHARD GIMBGRG: 9BR, 14BL, 25B, 29B, 54B, 55T, 56T, 60TR, 73, 74T, 324, 334, 356T 356 PrtUL B. GOODG: 7TR, 20BR, 28T, 29T, 31, 35TR, 44, 45, 46, 47, 48, 49, 50, 61T, 62B, 102BL, 108, 109, 110, 111, 129T, 129BL, 130TR, 131TL, 134BL, 137B, 138T, 138B, 139BL, 140TL, 141T, 144T, 144BR, 144BL, 145TL, 145B, 145L, 162, 165, 166, 167, 174, 175, 176T, 178, 179, 180TL, 218, 219, 220, 221, 222, 223T, 235B, 240, 241, 244, 245, 278, 292, 298, 304, 309, 339, 343, 355R, 357 357 N JON 9riUNDGft. 2T, 27B, 51B, 60B, 117T, 43TR, 43BL, 43BR, 128, 129BR, 138M, 139T, 141B, 142BR, 146B, 150, 151, 153TR, 154TL, 155TR, 222, 228, 349, 358 358 MM CHdRLGS ' 9GTOh= 5, 6BR, 23BR, 32, 33T, 34, 36BL, 38, 39, 66L, 66T, 67T, 84, 96T, 97B, 100, 101, 102T, 102BR, 104, 105, 106, 107, 118B, 120BL, 121BR, 122, 123, 124, 125, 155WF, 170T, 170BR, 172T, 190, 191, 194, 195, 196, 197, 198, 199, 285, 303, 316, 338, 340, 345, 354T, 359, 367 359 JON 9TMUCH: 4TL, 6T, 6BR, 8BL, 14BL, 15, 36BR, 37BR, 51, 61B, 70, 71, 72, 74B1, 74Bc, 74BR, 75, 94, 95, 96R, 96B, 97T, 103, 118T, 119, 120BR, 120T, 121T, 121BL, 142BC, 146TR, 147B, 152B, 152TR, 153TL, 154TR, 154B, 155BL, 156, 157, 160TL, 160TR, 160BL, 160BR, 164TR, 164TL, 164BR, 164BL, 173M, 181T, 181BR, 186, 187, 200, 201, 202, 203, 215, 223, 227, 231B, 312, 313, 335, 353TR, 354MR, 354BR, 354L, 360 mm 360 ,75,94,95,96a 3, 152TR, 153TL, lR.164BL.t73M. 353TR, 354MR. )£ff- TUTTLG: 7TL, 62M, 63M, 63B, 1 16BL, 192, 193, 223B, 229BR, 229TL, 229TR, 230, 236, 237, 242B, 243T, 243BL, 297, 361 361 THe burdgm ot photogmphv 0€CCrt NILLGR PriT VJALSH: 19T, 20T, 21T, 22T, 23BL, 23T, 25T, 26BL, 26BR, 27TL, 27TR, 28B, 30TR, 41, 30B, 54, 55, 60TL, 170BL, 176BL, 176BR, 177BL, 177BR, 308, 320, 321, 330, 332, 333, 362 a „•  ■ 362 a bh as MM© Wl RMGR: 14TR, 58TL, 58TC, 59B, 112BL, 112T, 113BR, 114, 115, 116T, 116M, 116BR, 204, 206, 207, 208, 209, 210, 211, 212, 213, 214, 215, 234, 235T, 238B, 239T, 280BR, 307, 363 363 CMIG W€IL: 1, 2BR, 3, 4BL, 4BR, 7B, 8T, 8BR, 9TL, 9TR, 12, 13TL, 13TR, 13BL, 20BL, 33B, 35TL, 35B, 35BL, 36T, 37T, 37BL, 51T, 55B, 568, 57, 58TR, 58B, 59B, 67BL, 76, 77, 78T, 82BL, 82BR, 86, 87, 88, 89, 92, 93, 98ML, 98MR, 98TL, 98BL, 98BR, 102M, 112BR, 113BL, 113TL, 113TR, 117B, 126, 127, 130BL, 130TL, 130BR, 131B, 131TR, 132TR, 132B, 132TL, 133TL, 134M, 134BR, 134T, 135BL, 135BR, 135TL, 136, 137T, 141TR, 141BR, 146TL, 171, 205, 216, 226, 231T, 231M, 281, 283, 284, 295, 311, 323, 336, 347, 351 B, 353TL, 355ML, 364, 365 364 i tfND: Carolyn Busch: 12BL, 18, 68, 69, 90, 91, 173T, 299 Curt Chandler: 161TR, 161TL, 161BR, 161BL John Drew: 238T, 239B, 242TL, 242TR, 243BR Ellen Edwards: 23BL, 82TL, 82TR Bob Hendel: 78B, 79B, 79BC Scott Lasser: 42, 66BR, 98TR, 351 T Tommy Loeb: 139BR Jim Montemayor: 19B, 40BR, 62T, 158, 180, 284, 294 Helen Morris: 79T Les McCarter: 181BL Mark Pescovitz: 24T Maxa Pescovitz: 352BL Steve Tryba: 30TL, 43TL ...end 365 TH€ ■ neiL mim, GMPHia  fc TH€ 5YLMBU9 367 THG 1975 BOOk GDITOR: CMIG WGIL PHOTO EDITOR: JON TR UCH MVOUT GDITOR: TONMY LOGB rftfltfrfNT GDITOR: WrtYNG WGINGR GOPV GDITOR= 9TGV1GM 9IGGGL MB DIRGCTOR= CH RLIG 9GTOM rtHKMNt MVOUT GDITOR= MY MT ftriHGRTY GMPHIC9. 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Northwestern University - Syllabus Yearbook (Evanston, IL) online collection, 1972 Edition, Page 1

1972

Northwestern University - Syllabus Yearbook (Evanston, IL) online collection, 1973 Edition, Page 1

1973

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1974

Northwestern University - Syllabus Yearbook (Evanston, IL) online collection, 1976 Edition, Page 1

1976

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1977

Northwestern University - Syllabus Yearbook (Evanston, IL) online collection, 1978 Edition, Page 1

1978


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