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Page 32 text:
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Back to order. Iidward Havens, left, with llarry Catts, center. and Slyvan Kar- lin sort out type after a trial job of printing. Facility in expression through the manual and graphic arts is gained not only through innate dexterity, but also by knowledge and practice in these arts. To those who show ability and interest the shops are available The rudiments and finer points of cabinet-making and metal working are taught. There is printing and foundry work, car- pentery and ceramics, and draw- ing and machineryg all for those who care to enjoy them. I Learning The Trade 11 I' Z i Q1 QLAZCU 'M wk 0' K'CaURil with the ear, lame! Iim Parrish begins shaping a tiny head that rx qp .QI , p,Z,, . . fi i . K L Mr. Hrrfbmrach Mr. Layman 41- will soon mn the other ietes of h indixxorls on the ceramics viorl-t table V x I Mr. Smeltzer Bending over the drawing board are Den- nis Asaka, I.aurance Bunch, Wayne Iersin, George King and Iohn Lockwood. 41
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Page 31 text:
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fits. Aff, ff. Lu .' 1 4? rg WX J V it 'QB 0 Q Q-ra May be another Rembrandt. Carol Hall, Miles Curtis, Paul Fredricks, Page Winters and Walter Clark sketch a still life. Drawing - With A Purpose f'Beauty is pleasure regarded as the quality of a thing. by George Santayana Mr. Young The word art has many meanings and there are many sides to an art course. There are oils, pastels, water colors and charcoals, por- traits and caricatures. The art course, itself, is divided into three main sub-headings, Commercial, Fine art, and crafts. The commercial field is made up of advertising, design, and lay- out to train members to lill the demand of industry for commercial artists. Fine art work is mainly in oils and pastels, portraits and land- scapes and small still life work. Experimentation is done on new art media. The craft field is based on expression through modeling and sculpturing in clay, paper and other materials and is an aid in the development of figure perspective. And it is expected by training and development of those capable, several students will enter the art field professionally. Even the stu- dents who do not follow art as their 1ife,s work will have received valuable training and will have at hand a most interesting hobby. Learning more about his profession. Walter Clark, Iimmy Hen- son, and Robert Nelson. . ji Q
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Page 33 text:
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k. f GN ,nm , ----- ow N' G X' mvillbvwltt 1 , - ,Q Pormx C0 Hmwmgu, nn. ' f . , ' xl we 4 steak. . . .v- Be not careless in deeds, not con- fused in g thought? ..... Mr. Kemerer Keep your eye on the Road. Earlene Krieder, Carolyn Allen, and Nancy Kratovil watch Fred Hinshaw's technique of driving, while Mr. Paul Kemerer keeps his eye on that wheel. DRIVER TRAINING- Come away with me, Lucille, while we take Driver Training. And although training is not con- fined to learning about Pontiacs, it is an all over study in words, nor ramblin m traffic laws, perception tests, and driving techniques. By the use ol demonstrations and actual driving of a car, the method and meaning of auto control become self-evident. Marcus Aurelius Antonius , . And of the utmost importance, safety on the road is taught. Practicing The Fundamentals 'P in
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