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Page 30 text:
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“The King And I” The production of The King and I began long before stu- dents started thinking about trying out for parts, creating the set, setting up props, or buying tickets. The musical by Rogers and Hammerstein was chosen in the spring of 1987. When school started again in the Fall, tryouts were held and rehearsals began September 21. Those chosen for the parts, the orchestra, and the set crew had much to accom¬ plish in four short weeks. Yet Carol Thomas Johnson com¬ mented before rehearsals began that she was very excited about the production, and that it should be “smooth-sail¬ ing,” though a challenge. Each entity of the production, the actors, the orchestra, and the set crew, worked separately until the last week before opening night, October 30. During this last week everything was put together and according to Mari Peter¬ son it went remarkably well Those who came to The King and were treated not only to a great musical, but a wonderful performance. Greg Standafer (the king) and Jen¬ nifer Johnson (Anna) and the whole cast were able to capture the audiences into the romance, fun, and serious¬ ness of the musical.
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Page 29 text:
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FINE ARTS
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Page 31 text:
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PRINCIPALS: Gregory Standafer-THi: KING Jennifer Johnson ANNA LEONOWENS Greg Buchanan-Stf? EDWARD RAMSEY Terry Jordan -OPHRA ALACK Geoff KirkwaldTHE INTERPRETER Scott Nelson -PRINCE CHULALONGKORN Daniel Nowak -LUN THA Julie Pettman -TUPTIM Heather Reich -LADY THIANG Christopher Wilde -THE KRALAHOME Andy Osterlund-LOU S LEONOWENS Michelle Pederson -PRINCESS YING YAOWALAK WIVES OF THE KING: Rita Aanerud Kimberly Atkins Melanie Bocken Kelly Call Andrea Cummings Jodie Fair Pamela Handrahan Juliann Kunkel Merrilyn Long Sandy Perry Shelly Peterson Chrissy Schneider Lynn Shakes Julayne L. Smith Elaine Tucker Kate von Edeskuty AMBASSADORS WIVES: Amy Goris Mari Peterson Julie McNeely Tiffani Watts CHORUS: Jon Columbo Richard Hayward Glenn Hosford Musical 21 Thomas M. Murphy Lee Shelton
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