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Page 124 text:
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LA CUESTA 1930 The Saxap one Septet Probably the most humorous number presented by the Men's Glee Club was the Saxophone Septet. These seven silly saxers dressed as clowns gave a selection of numbers varying from Humoresque to the latest popular hit. The act was a Tom Brown impersonation and some of the music was taken from Tom Brown's original act, which at one time was the highest paid act on Broadway. Much credit is due to Mr. Anderson for his untiring efforts and co- operation in organizing the septetj His knowledge of music and his wide experience in the show business brought about the creation of an act that was well worth the work put into it. The personnel of the septet is as follows: Dale Peterson, first altog Vere Hunt, second altog Stanley Shumlway, tenorg Yale McFate, second tenorg Donald Edwards, baritoneg Adolph Orrantia first soprano Cleaderl. One Hundred Thirty-seven
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Page 123 text:
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LA CUESTA 1930 mixed Chorus With a fine modulation of mixed voices this group figured prorni nently in the successful presentations of the opera Martha Under the conductorship of Professor J. Alfred Anderson and the business managership of George T. Hanley, a season of important achieve ments was enjoyed. PERSONNEL OF CHORUS Soloists Helen Copeland Zelda Ellsworth Sopranos Dorothy Booth Carrie Fuqua Rheta Thomas Laura Mae Plumleigh Helen Pace Tenors Si Flores James Johnston Lewis McDonald Warren Sirrine Edwin Parks Donald Edwards Altos Helen Gilman Catherine Giordano Anne Jakle Catherine McNamara Basses Clyde Caffey Austin' Gibbons Ellis Johnson George T. Hanley Francis Yorker One Hundred Thirty-six
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Page 125 text:
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LA CUESTA 1930 martini During the winter and spring quarters the Mixed Glee Club presented the opera Martha, by Flotow, under the capable direction of Professor J. Alfred Anderson, assisted by his wife who had charge of costumes and staging. Financial and business end was taken care of by George T. Han- ley, assisted by Lewis J. McDonald. .Two trips were made, one covering the northeastern part of the state, playing in St. Johns, Snowflake, Holbrook and Winslow, the other trip consisting of one appearance in the Phoenix high school auditorium. The group played to large, appreciative audiences in every presentation made, and the work was of high commendable quality. One Hundred Thirty-eight
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