Northeastern High School - Crucible Yearbook (Detroit, MI)

Page 9 text:

1 uihr Slanguage lepartment M ctabta $lee Cbitb ill. l axl ep illargaret ill. ikboen J clen iW. J ourfee Charles J . iHenmutr Itap U. Cutter J otoarb C. porter Cbmunb Boslu ltce ill. IXtplep iStmfreb Gleason Bella aaunfeel (©race (©reett illargaret B. ikfjaupner Jbtlbegarbe HTcnli 0nn fjato iilarguertte Ilolfj (©eralbmejlll. i-bfjeeban S3trn 3f. ixolmesf) nn ill. ®obttt Jessie Jf. Habb (©eralblne QTrop £llma 3L ustefep gnes ill. Ulberg Borotbp Tan Beursen (Elir Unratimuil Department ettrp JtL Cbbp It. JUrpant (©race C. Clliott Cfjarleg C. Cox Carl (©orbon (©race B’£lrcp d . M. Ibinbelang Crnest JX. J oppe

Page 8 text:

Co ti)e members of tbe Ikutgucuu ' anil thr Uorattmtal impart mpttla tobo So totllmglp cooperateb tn sponsoring tljr i nttor dHasaea of dlamrarg mb 31mtp 1929, r Bp rttnrlxj, tips boob is sincerely bebicateb.

Page 10 text:

AS a tribute to the Art students who have con ' tributed to the designing of the divisional pages and the other art work in The Crucible of 1929, we wish to call attention to the efficient process employed by them in composing each pattern. To secure the best designs for the pages, a contest was staged between the students of the Art 1, 2, 3 and 4 classes, and the most original drawings were selected. These were then transferred and carved on a substance known as the Ready mat, a patented mat of a plaster composition over a flat surface of wood pulp. This plaster was carved down to the flat surface beneath, each exposed portion doing its part in printing the designs. The carved Ready mat was then applied to a bed of hot lead in which the impression was made. The resulting plate, known as the stereotype, was directly used to print the patterns. Inasmuch as the students have done more work on this book than on previous books, the method has been a saving one. You may note that this process is not as mechanical looking as that of the zinc etchings which have been used in former years. Below are listed the names of the artists and the work each one did. Book Plate, Robert Rukavina; Copyright, Mart Jordan; Title page, Victory Hoffmeyer; Top border, Mike Beda; Foreword, Irene Zakrzewski; Contents, Mary Shuster; Faculty, Harry Goode; Classes, Charles Neely; Houses, Lillie Boszczynska; Organizations, Milosh Popovich; Activities, Eugenia Rozoff; Fine Arts, Ben Glicker; Sports, Allison Oglesby; and Features, Harvey Jackson; Cartoons, Aria Kallio; Charles Neely, Mart Jordon, Irene Zakrzewska, Ben Glicka; Lillie Boszczynska acted as chairman of Art committees.