Northeast High School - Nor Easter Yearbook (Kansas City, MO)

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K-.-------- , avg, 9,1-.uma rw-s-eallwif J ' eq,,c,!,f ,K gxeafn-v'i51i4.lMar T 12 it or' easter SPONGING. Arc you a sponge? Now don't say, No, of course not and pass on with- out a thought. Turn the unrelenting Searchlight of Facts-as-They-Are up- on yourself as critically as you turn it upon others. What do you do day? D0 you come all the benefits and high school life that and never contribute anything to the life of the school? Try to imagine what Northeast would be like without school spirit. What is spirit, anyway? It is life, is it not? And without it Northeast would be as worthless as any other dead thing. What, then, are you doing to pro- mote this vital current of life? Do you belong to any of the organiza- tions that are helping to make the High School Club worth while? Are you working in the High School Club which is promoting democracy and friendship in Northeast? Can you sing? Try the Glee Club or the Treble Cleff. Can you write? There's the S. A. R. contest and the Nor'easter. Can you play football or basketball or do track? Get busy. Later on there will be debates for our orators and plays for our actors and actresses. Our artists can draw for the Nor'east- er. In fact, if you will look, you will find somewhere to place your out- standing talent no matter what it is. It is inconceivable that everyone cannot do some of these thingsg but, like the 'Greeks of old, who, after building a temple to every god they could think of, dedicated one to the Unknown God, lest they had forgot- ten some one. We will add, if you can do none of these things, there is still something that you can do. You can get behind those who are doing these things and PUSH! PUSH! PUSH! You can come out to the football games and YELL! What if your team doesn't always win. Will it help them any for you to show that you think they are beaten? Get behind at school every to school to get pleasures out of you possibly can everyone of the school activities and put them across. Make this year un- precedented in the annals of North- east. Stop sponging! Get busy! Boost Northeast! -G. S- INSPIRATIONS AND VISIONS. EDVVARD WOLBERG. This article is dedicated to the boys of this High School and to those who read the Literary Department. My subject, as some of you may have guessed, is Inspirations and Visions, my object which none of you know, is to let the world in general and perhaps the Nor'easter Staff in particular, know just why more of us do not contribute to the pages of our school magazine. One person, whom I know, once said that he did not have the time to write. Of course, I did not believe him, but later I found out that it was true. Yes, I saw him go into the jeweler's shop with a broken watch in his hand. Then there are others who do not wish to gain fame and fortune so early in life--therefore they do not con- tribute. But truthfully, I believe, and say this without a smile on my coun- tenance or a thought in my head, that the lack of inspirations is the cause for the downfall of most of us. As a poet of old would say, Where, Oh Where, Oh time in thy flight, hast thou left the inspirations that thou didst give to the writers of ancient times? What made our friend Shakespeare able to see visions and feel inspirations? What caused Poe to write such gloomy, dreary, and ghost- like poetry? Perhaps there was no eighteenth amendment at that time, but still he did well at that. We do not wonder at Miltonls suc- cess because all that he could see was visions. Yes, indeed, an inspiration is a vital necessity to the writer. Some people say that we should get inspirations from our friends and neighbors. Oh, fConc1uded on Page 265

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14 OP' QELSTC-21? The Ambitious Understudy. DAN R. BOISSEAU, 'Zl. CAn Evening at the TheatneJ The theatre is crowded. Rank upon rank of faces stretch back from the orchestra pit, flanked on either side by the overflowing boxes and' loges. Expressive faces, some -showing an eagerness and imagined delight in the scenes to come, some blase with the sophisticated look of the first-nighter, whom no actor or actress could hope to surprise. Upon others a look of in- difference is sketched, and some even seem to say, Just two hours more and this useless waste of time will be over. Whispered nothings fill the air with the busy hum of many voices. Shaded lights are reflected from nu- merous precious stones and gleaming jewelry set in fair splendor against some woman's ivory-colored neck or wisps of perfume help finger. Airy to delight the senses. Every one pres- ent seems to monplace air have laid aside his com- in the change from the practical to the realm of imagination and fancy. Late comers whisper to their neighbors of the line besieging the ticket agent-of the crowd being turned away. ' Well might this theatre be crowded. The play, now in its sixth week, was drawing as strong as lever, an unusual thing for a drama. Written by an author famed for his dramatic abil.ty, the play was considered his best pro- duction. The actor, blanvier, favorite for a decade, was allowed in this ve- hicle to bring into use all his latent ability, to build on each word and lay his audience under ,a marvelous spell. People talked about it, telling their friends how they cried and laughed at the crucial moments. The newspapers were lavish in their praises, some even comparing it to Shakespeare. It was indeed a play by which to compare other plays, one that might be used as a standard in all that is good in 3 production employing art, skill, and craftsmanship. The time for the opening scene draws near and passes. Men glance critically at their watches, and the hum of many voices grows louder. The audience glances critically toward the back, squirming in their seats. What is the matter, they whisper one to another. Then the manager appears -a large florid man risen from the ranks. He is perspiring profusely and seems a trifle nervous. He makes the announcement to the audience, The great Janvier, whom you have all come to hear, is indisposed this evening. However, you will not be disappointed, for his understudy will take the part. And I can promise you something extraordinary in the acts which will begin immediatelyf' he adds hypocritically. Back behind the wings trembles the understudy. He had worked for months knowing that only through such accident as this would he ever have the opportunity to show his talent. He knew every line perfectly, every gesture, every emphasis and in- flection of the voice. Still he trembles. Not from stage fright. No, he knows himself to be the equal if not better than the great Janvier. It is from weakness that his legs shake and body trembles. His meagre salary hardly kept body and soul together during the months before this night. Qften he went supperless that he might have a clean collar for the next rehearsal. He has donned the star's clothes and awaits his cue. His life's ambition is about to be realized and he knows it. My chance has come! My chance has come! he murmurs over and over to himself. The applause after the first act was deafening. The walls rang, the noise could be heard a block away. News- paper men telephoned their papers that the greatest find of the centurv was in the understudy of janvier. His