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J liver 'Brings London to orth The dirty, coarse side of London in the 1850's was the setting for Oliver , North's spring musical. The play, revolving around a young, orphaned boy's quest for love, was interwoven with pick- pockets, illusions, raucous street scenes, and comedy. Oliver's experi- ences included living in Mr. Bumble's workhouse, being a junior coffin follower, meeting the Artful Dodger and joining Fagin's band of young pickpockets, and going to live with Mr. Brownlow, a rich, old gentleman who turned out to be Oliver's grandfather. The audi- ence enjoyed such musical numbers as Where is Love?, I'd Do Anything, Reviewing the Situation, Oom-Pah-Pah, and As Long As He Needs Me. Four performances, May 1 - May 4, culminated three months of work from over 100 people. Llewellyn -I. Rhoe directed the show, his last at North. He also designed the set and lighting. Other key tech- nical people included Madison Vick, orchestra conductorg Del Chin- burg, vocal directorg Linda Renz, choreographer, Larry Brown, busi- ness managerg Karen Bohot, production secretary, Sally Bateson, cos- tume designerg Roger Green, lighting technician, and Val Fischer, makeup designer. S- 5..,g R
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