North Carolina State University - Agromeck Yearbook (Raleigh, NC)

Text from Pages 1 - 248 of the 1974 volume:

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Out from the patches of briers and blackberries. . . A man, yet by these tears a little boy again. Throwing myself on the sand, confronting the waves, I, chanter of pains and joys, uniter of here and hearafter. Taking all hints to use them, but swiftly leaping beyond them, A reminiscence sing. —Walt Whitman ? ■fs mi- m ' i i ' 18 19 20 ■ppp m k. i jfH Bj ■H f Ajtk 3 Pj ' iB ' 1 r JH ft- ' t ' - BB ' J I 22 23 24 26 27 28 29 30 31 We are the children of a violent decade in American history. Before most of us figured out what our genitals were for, a President had been assasinated in Dallas. We watched Civil Rights demonstrations on television, saw racist Alabama cops turn German Shepherds loose to tear into Black flesh. We were vaguely aware of the constant voice of fearful national leaders urging our countrymen to build air raid shelters in preparation for what was thpught to be an imminent holocaust. The years of our early adolescence catalogue horrors that have not left us unaffected today. We are the Americans who grew up during the Cuban Missile Crisis, the Berlin Wall, racial riots, and the murder of Robert Kennedy and Martin Luther King. Death and violence were familiar to us as we matured; we witnessed the gaunt faces of starving Biafran children, had flashed on our televisions and splashed on pages of our newspapers the tragedy of My Lai. Our country was gripped by national schizophrenia as we approached mythical adulthood, with Vietnam reaching a bloody climax, years of sublimated racial tensions becoming explicit in middle America, and the gradual advent of a continuing and anxiety filled economic downturn. We forget sometimes that we were starting to shape ourselves emotionally, intellectually, and spiritually while all of this was happenning. All of the violence, all of the fear, the sense of tragedy and uncertainty are somehow parts of who we are now. Many of the events which have molded our lives occurred while we were still living in the relative security of our homes, with parents to guide us and institutions like public schools and churches to salve the psychological wounds we were incurring. But now we are out of the proverbial womb, and we must reevaluate all that has made us the children of this decade. We must confront the realities of where we have come from to understand who we are and to learn how to go from here to the making of tommorrow. 33 34 35 36 37 38 39 40 41 ■: 42 43 44 45 46 Whether we live in the Renaissance, or in thirteenth- century France, or at the time of the fall of Rome, we are part-and-parcel of our age in every respect. . .its wars, its economic conflicts, its anxiety, its achievement. But no well-integrated society can perform for the individual, or relieve him from, his task of achieving self-consciousness and the capacity for making his own choices responsibly. And no traumatic world situation can rob the individual of the privilege of making the final decision with regard to himself, even if it is only to affirm his won fate. ---Rollo May 48 l . 50 51 52 53 54 55 56 57 What conditions of the mind, the physical body, and the environment produce happiness? And if one is happy, is that not like pain or sleep. . . does it not pass away as any other emotion that focuses momentarily and then evaporates as quickly into another mood or condition ? What concepts or standards or principles or systems of morality or behavior are you holding up before yourself and saying, This is the true light, this is the way? What is it that takes your perceptions of who you think you are and what you think you want and feel and tells you that these approaches are right or wrong, and tells you that they lead to happiness or the opposite of happiness? Why don ' t you find these ideas? They are probably made up of such elements as your religious heritage, the Western concept of man ' s social role, and the American dream of making it. All of these ideas are tied nicely together by other people ' s concepts of what is real, and by their notions of what one has to do to be good, to be happy, to be, in a word, right. Being happy, or better, being at peace with oneself is a terrible, painful undertaking. Most people do not even try. They mask life over with a million little petty things which constantly, almost perfectly, protect them from confronting what they are and what life is. And of the few who cannot accept thiis approach to coping with reality, only a very few ever achieve lasting personal peace with themselves or what they come to l now as themselves. The task of happiness requires that we confront ourselves on a plane where there is nothing and no one but ourselves. Seclusion, late night walks, an abrupt visit to the ocean or the mountains give us precious increments of time to pursue this important task. When we find ourselves on that lonely plane, we must embrace what we find there. First, however, we must strip away everything. . .all the history we know of how man has lived and what he has strived for. . .all the things we have been taught by our parents, and even more importantly, the example of their lives. . .all the concepts we know of good and evil, right and wrong, beautiful and ugly. After stripping all we can away, we must embrace what we find because it will be us. If ever we should complete such an undertaking, we must promise to be true to what we have found, no matter what that may be. We might find some measure of peace in this, although perfect peace would probably indicate that we had misjudged our discovery. All of our discoveries will be different, for they depend on who we are and how courageously we pursue the ephemeral self. 60 61 62 Mih 63 ' t ::■ ■■ V I have a little piece of my personality that is public; my image. . .the me that I want people to know. . .the me that controls how 1 act or interact with other people. It is my idea of what I think I should be according to contemporary morals and ethics, but not necessarily what I would really like to do. This is the mask that I wear; the way most people see me. I make it exactly what I want it to be. I hide behind it and it is my defense. I protect myself from the unknown with it. It is my crutch to lean on when I ' m hurt. It is fake and false, just a littl , superficial part of me. then there are a few little parts of me that I cling to preciously and only give toothers sparingly. Love and hate are down in one of these little parts. I surrender these pieces slowly and fearfully, searchingly and hopefully. . .praying that someone wants to share those parts of themselves with me too. I need help within me to make it. I con not do it all alone. These are the private parts of myself that I share with a very few people. I put my life in their hands. This is most of me, this is what I am. These are my private places. Then there is one very, very little part of me that is just me, the me nobody knows. Down deep inside me where I ' m all alone because no one else can go there. . .terribly alone against fear and anxiety. This is whyj am. Satisfaction is the only barrier against dying down there. When I do something I know is good, there is a temporary respite from the battle. No one else can satisfy me, just me. But anxiety still always gnaws there. I ' m the only one that can know this part of me, Other people can be close, real close. They can help, or hurt; love or hate. It is down there all alone that I set and accept the challenge, to be what I wont to be. Only by coming closer to the person I want to be can I be satisfied. Only by making myself a little bit of a better person can I fight the anxiety. It does not matter what my outer self does. . .1 could be president, it is only me that knows if I am successful. Only really deep inside alone can I be satisfied. 66 67 1 ■; 70 71 ■iifi -ei. i:._iL- .. Even though we both had more pressing responsibilities that night, it was decided without argument that we would go drinking. We had been friends for almost a year, having met last semester under the most peculiar of circumstances in the student union. We stood on opposite sides of every issue, dressed differently, talked with different inflections, and had friends who would have hated each other. As the year slipped on, we somehow managed to become very close. Exams were upon us, and although we both had papers to write and pages to read, there was an urgency neither of us could make specific. We had to be together, drunk, and alone one last time. After having been friends for nearly a year, and especially after having been drinking friends for nearly a year, we had chosen a regular bar to drink at, after much experimentation. It was almost raining as we walked across campus, bullshitting about the events of the day and complaining about the tortuous days to come. Finally, we crossed the broad, neon-bordered street which stood like a demilitarized zone between campus and the city. Not bothering to cross at the corner, we dodged headlights, threading our way across the street where we stood together looking up at the familiar staircase with unabashed smiles. It is a peculiar fact of life that people can be frequent associates, even to the point of spending all their free time together and never know the really important things about each other. It is especially ironic that two people who are close can sometimes be close for all the wrong reasons, like the attractipn of opposite magnetic poles. So, there we stoo d at the base of the stairs thinking we really knew each other. We made the trek up the stairs, took the double left at the top of the climb into the bar and seated ourselves far in the back of the small drinking place. The jukebox roared hideously to our right as we attempted the rudimentary beginnings of our usually deliberately profound conversation. The first pitcher of beer took some time to down, neither of us being first class sots. Shortly after about our third beer, the conversation started to move at a nice pace. School is such a drag to me, but my parents don ' t see it my way. I told them last time I was home that I wanted to quit. But dad said if I did he would throw me out. Yeah, I ' ve felt like that a lot myself. But really, school is an easy way to live. No matter how much crap you have to tolerate, you still have more free time to screw around than most people. Sure, free time. . .but time is important to me. I know that someday I will die, maybe tommorrow, and I want it to have counted for something. We are so disgusting, always drinking and smoking. I ' d rather climb a mountain. Climb a mountain? That ' s ridiculous. What do you prove? Are you trying to prove to me that you got what it takes or something? You don ' t understand. You come from somewhere other than me or something like that. Time for another pitcher. My turn to buy. Sit tight and I ' ll be back in a minute. You buy? That looks strange. . .you buying. Shut up and wait till I get back. The roaring jukebox didn ' t matter anymore. When you begin to get drunk you con somehow shut out noises and people that would otherwise really bother you. The fresh pitcher of beer sat on the table, drooling suds down one side from where it had been filled a bit too full or tipped a little too much by an increasingly unsteady hand. We were primed by now, ready to jump with both feet into any issue that presented itself to our tipsy heads. After drinking together some twenty or thirty times, we had come to pride ourselves on the innate decency of most of our drunken interviews. But on this night of nights, this finale of the school year, something was wrong. Instead of the usual ease in speaking which came with each new beer, we were both stilted. It was ' as if conversation had become irrelevant; we had said all that we could possible say to each other, Our store of neat topics and personal anecdotes was depleted. So we sat there, drinking and looking at each other. Even though it would have been appropriate earlier in our association to have touched, we couldn ' t now. We were friends. That was all. Our communication took the form of playing songs for each other on the jukebox that had always previously been anathema. After on exchange of maybe five songs apiece, we just sat staring at each other. We would tell from the looks on our faces that we both wanted desperately to say something, but as friends we dare not utter an obscene word. By then, we were quite drunk. Our thick tongues made occasional attempts to change the unspoken subject, but to no avail. It was the best we could do to tell the bartender to refill our now more frequently empty pitcher. Through the crystal clear, half full pitcher of beer, we saw the sugar shaker and listened to the familiar cry of the familiar song, When will those clouds disappear? We sat at the formica table in a smoke laden bar room, gazing at each other as if we were transfixed in an apparition of something mutually hideous and beautiful. Our gaze became increasingly cloudy, although our vision was more acute than ever. We sat there suddenly aware of the sad fact that we were so far apart and could not, as much as we wanted to just then, ever bridge the peculiar, inexplicable gap. Without speaking, we both drunkenly arose when the last sip of beer left the pitcher. We walked for nearly an hour without talking, aimlessly but earnestly. We had, after all, both been to the same place, but a long, long time ago. Neither of us was ready to go back there that night, maybe ever again. We walked to campus and said goodbye. 76 •. - - ■ 79 The white man fancies himself as a practical person who wants to get results. He is impatient with theory, and with any discussion which does not immediately get down to concrete applications. This is why the behavior of Western Civilization might be described, in general, as ' Much Ado About Nothing. The proper meaning of theory is not idle speculation but vision, and it was rightly said that Where there is no vision the people perish. —Alan Watts 80 9S ' 7 T z f ' J .- L ■ 7 , . . ■4 : _ - . ., , — V- „,-. : . ■ 82 ;. . r r • 1 • v ' ,- .. 84 85 86 S7 We are the hollow men We are the stuffed men Leaning together Headpiece filled with straw. Alas! Our dried voices, when We whisper together Are quiet and meaningless As wind in dry grass Or rats ' feet over broken glass In our dry cellar. . . The eyes are not here There are no eyes here In this valley of dying stars In this hollow valley This broken jaw of our lost kingdoms In this last of meeting places We grope together And avoid speech Gathered on this beach of the tumid river — T.S. Eliot Professing themselves to be wise, they became fools. . . What has become of us, individually and as a people? Each day that passes brings v ith it so much negative change in myself, in my friends, and in the people and institutions of my culture. The times speak eloquently and without mercy to us. They tell us so much about our situation--our seemingly desperate predicament. We are drifting in a multitude of conflicting directions, further and further away from ourselves and from each other. Once, long ago in simpler days, there was consensus, some shared beliefs. That does not seem true today. We have developed a kind of infantile insistence on specificity, the sickness of scientific and technological societies. Some years ago this emphasis on specificity, this compulsion to be exact, correct and verifiable was rejected precisely because it was infantile, sophomoric, rigid, unfeasible. We have thrown ourselves into a chasm of doubt, without faith, without even rudimentary faith in ourselves, in others, in our minds or our language. We have murdered to dissect --our being has been ruptured, laid open to the prying but limited minds of the empiricists who have infested every discipline with their demands for systematic and logical explanations of who we are and what we think and know and feel. This is not only foolish, but wrong and cruel. It sends shocks into our fragile, intuitive understanding of self. This attempt to push, pull, turn, lift and examine things which can be felt but never understood is pushing us to the precipice of cultural insanity. For men shall be lovers of their own selves, covetous, boasters, proud, blasphemers, untruthful, unholy, without natural affection. . .having a form of godliness but denying the power thereof. . . 92 93 94 95 Lay your sleeping head, my love, Human on my faithless arm; Time and fevers burn away Individual beauty from Thoughtful children, and the grave Proves the child ephemeral: But in my arms till break of day Let the living creature lie, IVIortal, guilty, but to me the entirely beautiful. — W. H. Auden 97 98 99 100 101 102 103 m 104 106 We fall in love with people and possessions only to be tortured by anxiety for them. The conflict is not only between ourselves and the surrounding universe; it is between ourselves and ourselves. For intractable nature is both around us and within us. The exasperating life which is at once, . .pleasant and painful, a blessing and a curse, is also the life of our own bodies. —Allen Watts no Ill 112 5 114 115 116 I have desired to go Where springs not fail, To fields where flies no sharp and sided hail And a few lilies blow. And I have asked to be Where no storms conne. Where the green swell is in the havens dumb. And out of the swing of the sea. —Gerald Manley Hopkins 117 118 119 j . I I 1 I i i 1 1 i I S i i i i t I I t H t 1 124 125 126 127 Aggression, it is said, is part of the nature of man. Our mere existence depends on our ability to fighit off the ravages of a sometimes terrifying series of natural calamaties, In addition, we must provide food for ourselves, which often requires violence to the natural order: killing animals, destroying plants. Our social life also requires some aggressive behavior. We sometimes must defend our honor, protect our families from wandering misanthropes, or compete with others for a desirable mate. However, in our culture aggressiveness must be sublimated into acceptable channels. Surely, competition is experienced from the earliest part of our lives: our economic system is competitive; our educational system is competitive. Nonetheless, competitiveness cannot be practiced as fully as our training would have us practice it, or we would have social catastrophe. Athletics is largely a method of competition sublimation. The athletes, of course, get to practice competitive behavior to a degree most of us never will. But we can watch, we can make the team a part of our own emotional drive to fight, to compete. Competition is the major precept of our social religion. Athletics is the ritual of that religion. We are the followers because, like all religious believers, we need to believe. 128 130 131 134 135 136 ■ M n pi B BH w •1 1 IS I H -r y y  ' fl m m Q 1 B M a 1 9 ' H ' I A ' ' 137 I think continually of those who were truly great. Who, from the womb, remembered the soul ' s history Through corridors of light where the hours are suns Endless and singing. Whose lovely ambition Was that their lips, still touched with fire. Should tell of the Spirit clothed from head to foot in song. And who hoarded from the Spring branches The desires falling across their bodies like blossoms. --Stephen Spender 140 K . 1 1 1 ■ 4 v B K ' ' jE E .i gjgMHQ Mmlflf A K • ' T,, 1 JK9Bi IjjjjPljs 1 141 142 143 In company with people of your own trade you ordinarily speak of o ther writers ' books. The better the writers the less they will speak about what they have written themselves. Joyce was a very great writer and he would only explain what he was doing to jerks. Other writers that he respected were supposed to be able to know what he was doing by reading it. Ernest Hemingway Havana, 1 958 145 148 151 152 154 155 157 By good fortune, we live in a society wl ich can afford to allow millions of young men and women the leisure to pursue learning well past their adolescence. The existence of such a leisure class, liberated at least temporarily from the necessity of providing for their food, shelter and clothing, goes far back into man ' s post, to the Sumerian cities of Mesopotamia in the fourth millenium before Christ. Freed by the art of agriculture from the daily need to seek the necessities of life, these men turned their attention to the heavens, to the natural world, to the organization of their society. They became the creators and sustainers of the civilization and culture from which we have evolved. Liberal education is the fruit of that desire deep within them and all of us, which emerges when the other appetites are stilled. . .the desire to know, to understand, to appreciate, to love. The arts or skills which liberal education seeks to foster are those which facilitate our insight into what there is to know and into what there is worthy of our love. from the BULLETIN OF INFORMATION University of Notre Dame 158 159 -I- AG LIFE J. E. Legates Edwin Aarrill George Adams Baxter Aiken Wesley Albritton Edward Alderman Ray Anderson Carlos Arensburg Teri Austin Robert Bainbridge Charles Balducci Terry Banks Troy Banks Phillip Bare Durwood Barefoot David Bazemore James Beck Levi Beckwith Scott Berger Ronnie Best Mary Bishop David Bissette Marsha Blackwelder Ralph Blalock David Blanton Lonnie Blizzard John Bowen Henry Bradley John Brake Martha Braxton Henry Brice Dr. James B. Wilson Davis Buchanan Samuel Buff Laura Bunce Jerry Burleson Fred Burt Dale Burton Kenneth Butler Carol Cannp Jody Chamblee Georgena Chandler Roger Clark Sheila Clark G rover Clayton Robert Cochran James Cook Amy Cooke Harriet Cooper Paul Copeland Michael Corn David Coston Ronald Cowart John Cox Charles Crawley Carmon Cress James Crisp Robert Daniel Sandra Davis Dr. Richard H. Loeppert Charles Deal Stephen Delaplaine John Delapp John Doub David Driggs Jean Eddleman William Edwards William Edwards Lucy Ford Larry Gabriel Janice Fipps HKV! ■s ' . L. .M n. B J W lm f M Elford Fox George Fried Marilyn Gardner Richard Gragg Dr. Mary E.Wheeler James Griffin I ,t,S . Robert Godfrey Lannie Godwin Barbara Hagerty Lindy Harrell Edwin Harrill Richard Harris Patricia Harrison Brenda Hatfield Andrew Hayes 164 Paul Hayes Gregory Hedrick John Hellmuth Larry Hendrix Bruce Henry Darrell Hensdate David Hickman Ann Hildemian Robert Hill Ronald Hill David Hilton Dr. Catherine E. Moore Dr. Mary C. Williams Timothy Hoffner Michael Hoots Jacky Houck Charles Hoyle Brenda Hudson James Hudson Robert Hunter Lonnie Israel Debra James Ellen Jenkins Joseph Jenkins Kenneth Jessup Everett Johnson Walter Johnston Joseph Jones Michael Jordan Robert Kaemmerlen Pamela Kane Lawrence Laczko Billy Lee Deborah Lamm Cyrus Lee John Lassiter Edmund Legrand Peggy Lever Barry LIndley Carl Lippard Fredrick F. Czupryna Bobby Long Gregory Loyd Gary Ludi Charles Lutz Jerry Mallard Jack Mason Connie Mayo Linda McAuley Charles McBrayer James McBride Deborah McCall Ralph McCrery Michael McDaniel Frank McDonakI Charles McGaw Samuel McLamb Marsha McNeely Edward McPhatter Wayne Miller Richard Moss Dr. Ronald H.Sack AlmaMims Ralph Modlin Debroah Moore Rusty Morris Brian Murphy Robert Mapier William Newman Jean Noblin Jack Messick Susan Midkiff Steve Morris Philip Normandy JeannieOber Mike Ortosky Delta Osborne Dennis Overby Jimmie Overton Jerry Owens Jesse Owens Tulio Pacheco Ellen Parker Gary Parsons Owen Peele William Peeler Thomas Pezdek John Pierce Jerry Pless Bruce Poland Ann Powell Phillip Pritchard Richard Reich Randall Renegar Riddick Ricks John Ridenour Douglas Roach Jerry Robb Daniel Robinson Rhodes Robtnson Janrtes Rogers Edgar Rogerson Gretchen Rosenberg William Russ Glenn Safrit Henry Samet Sharon Sawyer Karen Schneller Ralph Scott Scott Shelton DonakJ Smart Danny Smith Giles Smith Leslie Smith Samuel Smith Morgan Sommerville Steve Sorrells Ronnie Spach Nancy Sparks Liston Spivey Earl Stanfield Donald Stewart Carol Stinson Kenneth Swartzel Dennis Tinnin Cautnora Walker Bruce Whitehorst Frances Stokes Joseph Stotesbury Leslie Sturmer Frank Summey Ann Taylor Williani Toole Don Williams Ralph Taylor Danny Teal Steven Troxler Joy Upchurch Ernest Waters Lemuel Watkins William Wilson George Winslow Jesse Tetterton Samuel Uzzell Howard Weiss Calvin Winters Robert Sutter Stevan Thompson Mary Vickers l .1y I. ' Edward Wells DavkJ Wise I Thomas Wright William Wright Victor Wu Darren Yates John Yates Alan York 170 DESIGN Claude E. McKinney 171 Larry Bennett John Benson James Bourey Janne Bulla June Chad wick Ronald Clark John Leath Eugene Montezinos 172 Ernest Crist Chester Cummings Neill Dalrymple Richard Eichelberger Arnold Formo Lester Love Elizabeth Michaels Charles Middlebrook Rob Morton Grier Neely Donna Palmer Robert L. Hoffman Malcolm Penny Larry Ragland John Ritchie William Rudolph Charles Schofield Michael Sorensen Gene Stepp Suzanne Stoffel Hugh Sutphin Roland Vause Kenneth Simmons Eric Walker Steven Walters Bruce Willhelm James Winkler Vincent M. Foote Glyn Young 174 EDUCATION Carl J. Dolce 175 Donald Abernathy Robert Atkins Ronald Autry Gary Bailey Alton Barnes Nancy Barnhill Claudia Bennett Candy Biackley James Blinson Marvin Breedlove Debra Boone Chris Busch Marvin Cassio Linda Christian Dr. Burton F. Beers David Clement Martha Cody Paula Cone Patrick Denton Nadine Downing Thomas Duke Gary Falacara David Farlow Carol Faulk Edward Forsythe Dewitt Gaddy Darnell Glover Deborah Godwin Marcia Grant Christie Gray Robert Harding Linda Hensley Darrell Hill M.B. Machelroy Roger Hill Ralph (race Arthur Jenkins Nelson Jennings Linda Johnson James Keene Patricia Keifer Kenneth Lamb Eugene Lindsey Jan Lomax Janet McBride Sandra McAnn Marcy McKaig Craig IVIcMilian Jill McMillan Ann Mellette Donna Messer Dr. Howard M. Nahlkan Virginia Owen Bobbie Parker Glenn Perryman Judith Powell Betty Price Susie Rorie Robert Schexnayder Deborah Seate Gene Sharpe Craig Sampson Charles Shirley Carol Short Debra Slack Julian Smith Linda Softy Onita Stack Sharon Stack William Stone James Taylor Lynda Terrell Clyde Thornburg John Townsend Thomas Townson Lester Ward Jean Weikel 180 ENGINEERING Ralph E. Fadum 181 Larry Adams Mahnaz Ajamipour Grady Allen Lewis Allen Kenneth Allgood William Andrews James Archer Michael Atkins Jahanmir Azali Dale Babcock Donald Babcock Jackie Banner David Barber Thomas Barbour Elizabeth Bare Richard Barham Brooks Berkley fiiben Batts Ghawamedin Bayan James Beeson David Benson Clyde Berry Michael Black Jerry Blackwelder Erskine Blount Gray Booth Joseph Bordeaux Richard Bostedo Lawrence Bowers Michael Bowles Michael Bowman Stephen Bradley Clifford Brame Richard Brandon Elmer Braxton William Brooker Gene Bryson Jeremiah Brooks Brent Brewer Daniel Burns Kenneth Burns Phillip Bromer Merle Burton Benjamin Brown Allen Cain William Bryan Charles Campbell Max Carver Thomas Cass Michael Chandler Mark Cigal Roy Clanton Jimmy Clark Dr. John Tweed Talmage Clements Ambrose Cline Thurman Clippard James Cloninger Robert Coble Gary Coffey John Coley Nathan Combs Clinton Coram William Cortoett Donald Cotdell George S. Speidel 184 W. Curtis Fitzgerald Charles Cottrell Donald Cox William Cox Joseph C raver Larry Creech James Crites G rge Crump Steven Curtis William Dail Kenneth Danner Curtis Davis harry Davis Reid Davis Richard Davis Danny Day Edward Dayanzadeh „  i David Deese John Dickerman James Detter William Diehl Ronald Dick Ambrose Dittloff Dr. Stuart Noblin John Drlscoll Edward Drye David Duncan Ron Duyck Edward Dvuight Timothy Eberle James Edsall James Elliott David Ellis Michael Ellis William Ellis Thomas Elmore John Emerson John Ervin Robert Etue John Evans Jimmy Exum William Fabry David Finger Steven Fipps James Fischer James Fish Richard Fleming . M K |H 5 1 ! Kf % rP David Foster Joseph Freeman Steven Freshwater John Freund Gregory Gagarin Presley Gaiwey Danny Garrett Charles Ganwood Charles Gates Robert Gemp Zebulon Gibson Ricky Goodson Wayne Greenway Francisco Gutierrez Robert Hall Dwight Ham Ronald Hardin Edward Harris James Hart Byron Harward Juergen Hauber Michael Heath Ley Heavner Murray Hipp Jeffrey Holland - Vincent Herran Ronald Hickman John Hill Joseph Hill Nathan Hilliard Timothy Hoffman James Horney George Holbrook David Hosan Perry Holbrook Winfred Hughes Jerry Hollady James Holland James Humphries Timothy Hunsucker William Hurley Clifton Hyman Dalton Ingram Donald Ingram James Ingram Clark Isaac Lawson Jenkins Garry Johnson John Johnson Richard Johnson William Johnson Brian Jones A Ronald Jones James Jordan Francis M. Nichols John Jordan Lafayette Judkins Jacob Keller David Kelly Michael Kerr Neil King William King Michael Kirkman John Kivett Glenn Lampley 188 William Lathers Wallace Knight James Knott T. Koszarsky Frank Kramer Richard Law John Leatherman Teddy Leonard Arthur Lester David Lewellyn Tony Lineback Bruce Liles Ray Lipham John Mackie Douglas Mackintosh Talivaldis Maidelis Stephn Marbut Anthony Marciano Eduardo Martinez Robert Marx James Matthews . H ' John McAdams William McCall Robert McCann Grady McCtamrock Dr. Lyie B. Rogers Alvin McCollum Mangus McDonald 189 Robert McFadyen Robert Meffert Barry McHone James McKinney Stephen McLaurin Robert Meares Claude Medlin Wade Messer Don Miller David Minor Henry Mitchell Paul Moldenhauer Rev. Oscar B. Wooldridge 190 Benjamin Moore Glen Morgan Masoud Motahari Robert Moye Richard Mull Chris Mullen John Nantz James Nau John Mela William Nixon Stewen Norby Stephen Moore W Randolph Carter Leslie Moretz James Phelps Phillip Pierce David Powers A N L Marcus Norris Jeffrey Oakes David Oettinger Mahmood Omoomi Thomas Phelps i t ' John Phillips Richard Phillips Shirley Pierce Steve Plummer John Pope Richard Phillips John Poston Paul Pressley Joe Price Howard Proffit William Pruitt Michael Osteen Jesse Pie. Victor Poteat Lynn Purnelli Michael Queen Mohan Rao Charles Ratliff Camran Ravanbakht Wallace Reams Jiinmy Reoi Larry Reinhaidt Dr. W. Lawrence Highfill Man Reynolds James Ridenhour David Robertson Richard Robertson Dr. Reinhard Harkema Dennis Robinson James Robinson David Rochelle James Rogers Laurence Romero Richard Roten Suzanne Rowell William Russell Linda Sewall Joseph Sanders Nolan Saunders Everett Scott Kenneth Scott Ronald Sewell Paul Seymour William Shope James Shugart Stuart Scott John Sigmon Dr. Richard E. Chandler Riley Sloan Avishai Slochovwki Danny Sloop Bruce Smith Daniel Smith Stephen Stallings Dean Snyder James Stanfield John Spainhour R ' -i HH Hl im f ' I Emil Stewart Donald Spence Robert Stinson James Spencer Lawrence Stoker Calvin Stafford Olen Stokes D. Stone Richard Stonier John Straughn John Suhr Daniel Sullivan Frank SvMeney Aaron Tate Ellen Terry Gorrell Thompson Randall Tisdale William Troxell William Tunstall Patrick Turner Gary Tweed Suradej Uswajesdakul Joseph Vereen John Vick Gary Voncannon Gregory Vurnakes Randy Walker Richard Wallner David Walthall Richard Watson Robert Webster Scott Weikel John Weiss George Whiteiides 1 1 1 1 H i 1 ilS S i ' •i i . - 1 Barbara Wells David Wells Thomas Werner Michael Westmoreland Claude Wheeler Steven Whisenant John Whitcomb Paul White Michael Winchell John Whitley Robert Wicker Leo Williams Leon Williams Pichegru Woolfolk Allen Wooten Thonrws Worsley John Zollinger Carrol Wilson Robert Zwicker 195 196 FORESTRY Eric L. Ellwood 197 Randall Aiken Miriam Bailey Michael Bunch Elizabeth Arey Eborn Barfield John Sunn Adiai Arthur James Barrett Richard Cahill Joseph Ashley Randolph Austin Robert Blackwood Nancy Branch Elwood Cain Kenneth Campbell Larry Bailey Eugene Buck David Chapman Kathryn Che ves Gregory Conner Lynn Coward David Cunningham Day Currin Michael Cusimano • i(«fei .o Dr. A. Donald Vandeveer Mike Davidson Elwood Douglas Stephen Dunn William Eatmon James Elam Joanne Ernst Robert Farrell Thomas Fisher Bruce Fraser Michelle Garbarczuk Robert Gardner Ted Graham Patricia Hall Johnnie Hardee William Hardin Thomas Herman Dr. Thomas K. Boehme John Hoke Richard Hood Dennis Hope James Hopp Leroy Huffman Phillip Hunnicutt Henry Johnson Jere Julian Gary Jones Marshall Kestler Mary Joyner Catherine Knauff Keith Lackey William Lefler Thompson LitchfieW Charles H. Little Keith Lloyd Tim Lowdar James Malphrus Steven Martin James Mashburn Don Matheson Linda McCall Balakrishn Mishal Steven Moore Reed Morgan Leslie Morris Archie Morton John Nickell Sarah Oldham Joseph Owen George Peters Lynn Phillips Carolyn Poe Mary Pope Charles Prince Leonaid Ragan Daniel Riggs Bynie Riggsbee Rex Robertson Peter Roeck Dennis Smith Eugene Roper Frank Smith Fred Sauls David Seaford Andrew Stitt Larry Thomas James Semple Gary Turner Mark Serosky Keith Vaughn George C. Watson Phillip Wicker Roger Wilson Brian Wood Edmund Wray 202 L LIBERAL ARTS Roberto. Tilman 203 1 Steven Alexander Joseph Barden Gregory icandri Steven Allsbrook Pamela Ashnrtore Hilda Batts Georgianna Baucom Jennie Beasley Nanette Bales Jerry Beasley Daniel Barden Susan Banning William Bollick Amy Boiling Henry Bousman Marsha Boyd David Boyette Tommy Braswell Susan Brown Anthony Bullard Willie Burden Ward Burtnette John Butler Robert Butler William Cameron Catherine Carraway Dr. R. K. Perrin Robert Byerly Mike Calloway Mark DBwson Deborah Dean Richard Demai Dr. Roy A. Larspn 205 Mary Depuew Deborah Dickerson Charles Dietzold Roger Dillon Mark Qxon Deborah Dornbush Mary Godwin Alan Goldberg Gerak) Gordon Gary Green berg Thomas Harrison Brian Herre Patrick Ivey Donald Hall Harold L. Daivson Uoyd Hardison Willette Han ' ison Joyce Hartgrove Michael Hill Wilson Hill James Holcombe Deborah Hollingsworth Jennifer Kbimes Winston Hall Allie Harrington David Hartigan Wesley Hilliard Thomas Howerton Lawrence Jackson Deborah Jenkins Rhonda Johnson Judith Hammond Johnnie Harris Frederick Harvey Nancy Hodge Edmond Huggins Terry Johnson Robert Hamriond Brenda Harrison IMoses Heath Charles Hofmeister Janet Ives Wayne Johnson 207 A- l l Stephen Jolly John Koetje Douglas Jones Stephen Kohler Gail Kerns Carolyne Mndley Kenneth KIndley Mona Kootsher Randy Lasslter Robert Lawing Bruce Kittleson Daylon Laws Edwin Link Kenneth Lloyd Michael Lord Henry L. Crouch James Love Eloise Lowder Robert Lucas Deborah Madden Deborah Marshall Barbara Martin Raymond Massey 208 Margaret McKay ice McLamb William McLamb Eubert McLeod Cecil Miller Dr. Paul A. Bredenberg ArnoldJ. Aho Pamela Mizelle Barbara Mochrle Louise Monte Gerald Moody Pamela Moore Ann Morgan Patsy Morrison Susan Moss Cynthia Mullen Gregory Muntzner Henry Needle George Norwood Mary Oldham Lori Oyerlngton Jasorv Parker Alan Pate Zahayta Partin Beckle Pate t f k! Q m • T ,A George Peacock Carol Pearce William Peele Charlotte Perdue James Petree James Pomeranz - t Camille Radzimski Harry Rattelade Bonnie Reeves Janet Routh Nancy Scarbrough John Scott Larry Sigmon David Small wood Barbara Smith Albert Stanley Robert Starling Janice Strickland Larry Summers Edith Szyperski Sarah Tatar Terri Thornburg 210 Thomas Tripp Ronald Vestal Ann Ritter Philip Sears Sara Sneeden Terry Stout Jonathan Templeton Needham Wall T Eric Roeder Becky Sellers Laura Southerland Noreen Strong Kerry Terrell Julia Wallace Raymond Rouse Donald Shirley Rebecca Spaine Patricia Sugg Deborah Tew John Walston Dr. Robert S. Metzger Kathy Warta Marilyn Way James Webb James Wilkins Dana Williams Fonda Williamson Jan Williford Scott Wilson Gregory Wolfe Mary Woodard Debra Woolfolk Jake Wright 212 PSAM Arthur C. Menius, Jr. 213 .. l l t ' l Or. J. Oliver Williams Margaret Allred David Atherton Edward Austin Roger Austin Shirley Baker Lynn Bancroft Phillip Batten Edward Beauregard Richard Beck Karen Benfield Robert Bertram Mark BIckel Kathy Black James Cathell 214 Joseph Boyle Steve Brown Peter Carroll James Cauble James Chapman Ben Christenbury Lewis Carson Thomas Clapp Charles Case Clinton Collins Timothy Conrad Gary Denton Roger Dillon Thomas Duke David Ellis Susan Entenmann Warren Faircloth Daniel Faucette James Folk Andy Freeman Glenda Freeman William Gabbard vnt. t:,ii Jane Karrlker Robert Keller Johnny KIrkland Tom Kleeberg Mike Kowa Alviz Langley Dr. James E. Huneycutt Richard Mata Bobby Mazzed Robert McBride John McClure Gary McCurry Joy McGee Benjamin IVIcKenzie Donald McQueen Timothy McQueen Debra Mixon Jerry Morris David Porter Henry Newlcirk Nina IMorton Deborah Ogden John Prince Virginia Owen Jacic Penny Vasanthi Rao Sandra Rhodes William Riddick Rhonda Robinson Rebecca Rowe Joseph Royal Carl Scarlngelll Barbara Sellers Larry Settlemyre Stephan Sherriff Ruth Sherrlll Frederick Shields Elizabeth Smith Raymond Smith Dennis Sowers James Sprinkle Garry Williams James Williams Teresa Windisch Robert Zimmer Dr. J.S.Chappell 217 TEXTILES David W. Chaney Rardy Coley Thomas Crawford Gary Dagenhart John Davis Robert Deal John Dellova Thomas Earnest Johnny Edwards A. Sidney Knowles Dawn Eure Larry Farmer Stephen Fisher Ernest Fleming Stephen Graham Charles Graves Kathryn Hamilton Carl Hardy John Harper Ronald Harrelson Charles Hicks Gerald Hornady A-chie Morton Jack! Howerton William Huckaby George Jones Ira Jordan Denis Lachance James Landreth I Wing Lau t Joe Le A is William Love Martha Manuel Stephen Marks John Mauney Gerald McGee Charles Miller Thomas Minton Gary Mitchell Marcus Monroe James Moore Ivan Morrozoff Marvin Murray Dennis Nodine Andrew Nordon Mary Page Johnna Parrish Russell Poe Gary Powell Darryl Preston David Prestwood Kenneth Revis Kenyon York David Young Dr. G rover C. Cobb The Agromeck, the annual of North Caroliiia State College of Agricultural, Mechanical, and Athletic Arts, is published yearly under the auspices of the Publications Authority. The 1 974 edition was printed in an edition of 8000 copies by American Yearbook Company, of Clarksville, Tennessee. Warren ' s American Yearbook Dull Enamel Offset 80 pound paper was used throughout. The cover is a natural finish buckram. The type styles used were Avant Garde Gothic Book and Universe. All body copy was set on a Compugraphic Compuwriter II and senior names were set on an IBM MTSC. v East Carolina Vermont UCL Georgia Villa nova Memphis State North Carolina Wake Forest Clemson Maryland Virginia UNC-Charlotte North Carolina Purdue Maryland Virginia Duke Georgia Tech Furman Davidson Wake Forest Duke Clemson North Carolina Wake Forest Virginia Maryland (OT) 1 Providence Pittsburg UCLA (2 OT) Marquette 1 974 NCAA Champions Go to hell Carolina! . . ' I ■■ -ff ' -: ' ' •• ' •■■-- : ■r A ' My ;-0(. ' - -- -r 1 ■.■ K - ' i 0, ' ' ' ' S I X K : ' : ;  1, 1 .. ■ B ' ' - ■ ■ ; HHk ' ' - ' V ' 1 . •, KfT ' cY ■ 1 H s ,. l. U- . ' , V VH ' ■ ■ ' ■V y r.r - ' r yK ' - ' (V 1 . ) ' ' , ' s : ' } V ' Ma.WMe ' . «i: w intit • • .