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Page 68 text:
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Q U i ati, , . - as s . a g , we C C 'v . S A ff, .. :mtv b alt? . ,D-7 5 M g 23 l f p 1 1 Tuesday Qfglernoofz, 2:15 A 'We1l, it's two-thirty and nobody's showed up yet! 'Betty and that crowd have gone to the store for food and you can expect them back about five! ' Well, glory be! there come Virginia and Spencer. Then appear a pair of feet and an enormous drum walking along and you hear a voice: Awright yawl! let's get started! Make it snappy now and get some chairs! About this time the others show up and after half an hour of tuning CU and loud discussion the practice starts. In the middle of Bye, Bye, Blackbird, some one interrupts, Where are we? Well, goodie, I'm only two measures behind! Get your bow outa my eye! Hey, you banjos get in the same' capo for Pete's sake! No, you violins, we're not at the Coda, we're at the Chorus. Awright now, les play my piece, exclaims Nancy. Naw, from Emily Jane, les play 'Baby Face,' or that cute 'Dance of the Clowns'. Only a big wham from the drum stops the noise-a wham which almost rends the heavens and shakes asunder the foundations of the earth! Quiet restored, Spencer announces that the last number in the little pink book will be played. Well-what you want us to play, the trombone, flute, oboe, or trumpet part? exclaim the second violins. Play the oboe part, that's the cutest, says Adolyn. Well, listen, Wig, when are we going to pull that stunt, anyway? The open and heated discussion is stopped only by Thelma's bang on the piano. A ' A We will play Number Six, now, says Spencer. Whoopee! At last! We shall play this sweetly! And all start blissfully playing our Dessert piece, not an instrument in tune except Spencer's violin and Wiggles' drum: but all enjoy it immensely. At the close of our piece some one starts: I was supposed to meet somebody ati- and the chorus swells until Spencer says: Y All right, go! Practice next Tuesday at two-fifteen. Instruments are quickly put up and all go home, Whistling the Dessert piece until the family's For goodness' sake, STOP! awakens us to realities. A -EDITH HARRISON, ' 2 9. 4 u if U .YQ . ' 0 WY T' f N W.. H- , ' X G V -' ' - 3 x 1 1 N Y X ,j 7XX 2, x Zu ' I Q ,F T Page Sixty-four
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Page 67 text:
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C- -J SX .1 K 4' T good Tunes at -Nap! VARSITY The team's the thing- They neither dance nor sing- They aim for the goal and the ball drops through. Then there's not a girl who's a Napsite true Who has a heart that's the least bit blue. CLANNAPS Oh, how the toes go tap, tap, tap When the Clannaps play. Oh, how Miss Wikle goes rap, rap, rap When the Clannaps play. Oh, how Miss Askew goes clap, clap, clap When the Clannaps play. CECILIANS Now for the Cecilians I am afraid to write, 'Cause I'm liable not to be just right. The plays they give are never too light But they seem to us just out of sight. PI SIGMA KAPPA The Pi Sigma Kappas Are the highbrows and highhatters. In this hall of fame We all want our name, But alas! Alack! Adieu! The names in this are very few. -MARGARET MORGAN, '30. The Day fehre ydfdflbll CDO WE NEED TO SAY, A PARoDY?7 It was the day before vacation And all through the school I Not a creature had studied 5 the teachers were cool 5 The blackboards were scoured by the janitor with care In hopes that nobody would make a mark there. The bell rang and lo! all the school emptied soon, The girls left laughing, saying, That bell's a boon. - -BETTY PAINTER, '27, A9 5 't Xu 'yy of , f s , 1 - :- 'X X wt. I n , . xi YN Page Sixty-three
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