Newark School of Fine and Industrial Art - Fawcett Yearbook (Newark, NJ)

Page 85 text:

Half the Third Year Class, at a time, wended its way to the Kresge Department Store a half block from the school to sketch the dresses and coats in true trade-like fashion. Here are some of the results! }

Page 84 text:

ANNUAL EXHIBIT Every year, in the middle of May, when the smiling sun is trans- forming the world into a veritable garden, Fawcett School mys- teriously begins a transformation of its own. Hammers are heard beating out merry tunes all day, embryo artists have turned into em- bryo carpenters, and fashion long tables out of tall desks. The very air igs vibrant with bustle and happy excitement, for the Annual Exhibit of Fawcett is on. From all quarters thousands stream into the school to see the ‘‘master-pieces” of our young New Jersey artists. This year the exhibit will be finer than ever because a new spirit of earnestness of purpose has entered the school. IRMA L. LOSI. SCHOOL MEETING While earnestly engaged at work, The principal came in, “Good morning everybody,” Now,—there’s something in the win’, “T want to speak to all the boys And girls in 102, At 12 o'clock, just stop your work k’en if you are not through.” At noon we quietly gathered there, And all sat just like mice, But soon the principal came in And spoke so very nice. “You are the finest set of folks,” That’s just how she began, “I’m sure there is no nicer To be found throughout the land.” “The Fawcett School stands for the best, Its ideals tower high, Some day we'll make the whole world know We dared to do or die.” “Be courteous everywhere you go, To others, young and old, For that’s the kind of folks who stand The test of purest gold.” “Now do not loiter in the halls But quickly get to work, And always come on time each day; Above all, do not shirk.” “Please get material always, Before the school time’s rife; And plan ahead, for you will need To do this all through life.” “Keep up with all your work each day, So when the term is ended, There’ll be no rush, no discontent And you'll be recommended.” We always like to hear her talk, In May, as in September, Because she never fails To give us something to remember.

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The Evening Ceramics Class Extends Their Best Wishes Instructor AD. SHIRLEY EVENING MODELING CLASSES James V. Prior, Instructor rd Ness F. Woytonitz Lillian Kennedy Helen Green ral pyahiet Joseph’ Naselli David Dalrymple Mitchell Cirone John Gramegua Wilfred M. Benson Mrs. Amelia Hall Patrick Colhesy Camillo Ferri Harry B. Nowaski Helen Altman Sol Katz ] Joseph Ferri Edwin Geils Richard Pedersen Elizabeth Gressinger Paul Lenzi Helen Pranis Robert Gollicchio Walter Peterson Clarence E. Di Carlo Joseph Campolattoro Sylvia Silverman A. Elliot Morris Chassanoft A. C. Patterson Marion Gurney C. Klausman Albert Lutz Marie Hankin Sam De Giovanni THIRD AND FOURTH COMMERCIAL ART CLASSES Instructor, CHARLES J. LAUTER W. S. Appleyard John Soltys George Williams Victor Sliwiske Lewis Mather Sam Oxton Henry Hummer Harold Magold Robert Kennedy August Schnitzler Gaetano Donatiello Olga Savage gid and 4th Clarence Wittell Ruth Cottingham Ades’ classes Edward Strobino Jean Klein Commercial Art George Reinhart Clara Port