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Page 65 text:
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ILLUSTRATION Illustration by Dallas Mallard CAST DRAWING Use your little goo-goo eyes and Then you'll surely see, That instead of noses big, a mouth 'There sure should be. Sharpen up your charcoal there, Some artist you will make; You should much better give this up And become an undertake. Now, Kadie girl, what have you there? А man without a head, You'd better next start from the top Like I have always said. Now we'll start here between the eyes And go straight down a bit; What do you think that you find there? A NOSE is what you hit. For forty years he's taught these things, Some students have grown old, And they have learned to draw with skill Зу doing what they're told. And if you all want a good time And learn something—say You just attend the Kleinfeldt class In cast every day.
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Page 64 text:
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INTERIOR DECORATION Julia Hall It was one of those very cold days in the dead of winter. As I hurried through the gathering dusk, 1 became aware of a little cottage brightly lighted, a sure haven of rest to a weary soul out in a swirling snow storm. I girded my tired limbs and, stumbling to the house, 1 knocked loudly at the door. A quaintly dressed old woman who had just left her spinning wheel greeted me cordially and invited me to take a seat by the hearth where a log fire burned brightly. As I sat there listening to the whirl of the wheel as it made harmony with our conversation, Í learned my first real lesson in interior decoration. The fireplace, itself a thing of beauty, occupied most of the wall that faced the door. On the other walls hung pictures in keeping with the surroundings. А round table, covered with a colored damask cloth, occupied the center of the floor. On the center of the table stood a large copper bowl which reflected the leaping flames on the hearth. Dainty chintz curtains covered the snow-clad windows and seemed to hum faintly with self-importance at being so well chosen and so artistically hung. The chairs harmonized with the table and the floor was covered with rag rugs. Of course, there is reason for everything, and the reason why there is so much charm in American homes today, from the cottage hidden in some sunken vale at the foot of the sheltering mountains to the great imposing residences on the broad highways of our country, is because we take such an interest in Interior Decoration. Ethel Bartleman, '27.
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Page 66 text:
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JEWELR Y Upper Panel Evening Jewelry Work. Lower Panel Day Craft Jewelry.
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