New England Conservatory of Music - Neume Yearbook (Boston, MA)

Text from Pages 1 - 124 of the 1916 volume:

THE NEUME N ew England Conservatory of M USIC I 9 I 6 TO THE FACULTY WHOSE CONSCIENTIOUS EFFORTS IN OUR BEHALF ARE DEEPLY APPRECIATED WE GRATEFULLY DEDICATE THIS VOLUME CLASS OF NINETEEN HUNDRED AND SIXTEEN EBEN TOURJEE Founder of the New England Conservatory of Music Born 1834 Died 1891 Page Seven CLASS OF NINETEEN HUNDRED AND SIXTEEN GEORGE W. CHADWICK. Director HE honors that came to Mr. Chadwick during our senior year will I be among the treasured recollections of the Class of 1916. His fame as a composer, established before most of us were born, was nationally and internationally increased through the recognition given him by the management of the San Francisco Exposition which a year ago invited him to conduct his Melpomene and Euterpe overtures in August last. The success of these performances, and the series of delight- ful social events arranged in the Director ' s honor by California alumni, must have had a valuable influence in adding to the reputation of the Conservatory on the Pacific Coast and elsewhere. The Tam O ' Shanter , based on Burns ' famous poem, which Mr. Chadwick wrote for the Litchfield County (Connecticut) musical asso- ciation last spring, was successfully performed during the season just past by the symphony orchestras of Chicago, Minneapolis and Boston — and with what eclat readers of the musical journals are familiar. Last winter several composers of Boston and the neighborhood got together and decided to form a club; their choice of president could, of course, be none other than the director of our New England Conservatory, whose long list of important compositions is impressive and, in the view of am- bitious youth, very stimulating. On account of these and other honors that have come to Mr. Chadwick during our stay at the Conservatory the Class extends its heartiest felicitations. Page Nine CLASS OF NINETEEN HUNDRED AND SIXTEEN WALLACE GOODRICH, Dean of the Faculty MR. (lOODRICH should be congratulated by the Class upon having nearly completed twenty years of work as teacher and adminis- trator at the Conservatory, during which he has made a personal friend of every student with whom he has come into contact. In 1897, a young man just back from thorough and painstaking study of his profession abroad, he joined the faculty of this institution. In the years since then he has taught many young men and young women to value the best in organ music. Since his election as dean he has been mentor and adviser, always sympathetic and always clear-thinking, to the entire school. His little talks, as before fraternity meetings, liave betMi helpful and inspiring. In his conscientiousness regarding engagements and promises he has set an example not less useful than his teaching. The dean in some educational institutions is more or less of a police functionary, before whom the student goes with abashed face and trembling knees. None of our class has ever had any but the pleasantest relations with Mr. Goodrich, even when liable to well-merited reproof. To all of us he has personified personal kindliness, rectitude and justice. Page Eleven CLASS OF NINETEEN HUNDRED AND SIXTEEN RALPH L. FLANDERS, General Manager HAT the quiet, efficient operation of the Conservatory is due to influences radiating from Mr. Flanders ' office is well known to all of us. When first we entered the school we were impressed by the pleasantness and considerateness of everybody connected with the manage- ment. Experience has taught us that such an atmosphere of cheerfulness and helpfulness can only be created where the general manager has a helpful, cheerful personality. This is just what all of us have found who have come into personal relations with Mr. Flanders — a readiness to extend a helping hand, to grasp the other person ' s point of view, to encourage the student to do anything that is legitimately within his ability. Twelve years ago Mr. Flanders, then a young man for so large a responsibility, was elected manager of the Conservatory. Since then he has dealt with almost countless problems, and faced many perplexities, alwaj s with a self-possession and a determination to do the right thing by everybody which are marks of the born executive. The Class in leaving certainly must thank Mr. Flanders and his associates for the favorable conditions in which our professional education has been carried out — conditions which could not exist except for a well organized and friendly management. Page Thirteen J FREDERICK L, TROWBRIDGE Assistant Manager SENIOR CLASS Labor omnia vincit. Class colors: Blue and Gold. 1916 .1 CLASS OF NINETEEN HUNDRED AND SIXTEEN The Neume Board Editor-in-Chief Justin Evan Williams Assistant Editor Leland Avery Coon Business Manager Colin Beckett Richmond Assistant Business Manager Walter Lawrence Cook Associate Editors Maude Marguerite Hardstock Gerald Foster Frazee Rosamond Eleanor Hagney Marie Anna Dykstra Frank Ellis Lois Marguerite Brader Florence Mildred Shutts Business Committee Clarence Paul Herfurth Elsbeth Jones Dean Lucile McMurray Ruth Florence Russell Gertrude Millar Squyer Ursula Margarett O ' Hare Ellwood Shoenly Roeder Page Nineteen NEW ENGLAND CONSERVATORY OF MUSIC oenior CI President Vice-President Treasurer Assistant Treasurer Recording Secretary Corresponding Secretary Officers William Belknap Burbank Marie Gertrude O ' Connell Walter Lawrence Cook Colin Beckett Richmond IsABELLE May Reardon Alice Wilson White Page Twenty CLASS OF NINETEEN HUNDRED AND SIXTEEN Candidates for Graduation WILLIAM BELKNAP BURBANK Boston, Massachusetts In organ, under Mr. Humphrey Senior President Treasurer Junior Year MARIE GERTRUDE O ' CONNELL RosHndale, Massachusetts In voice, under Mr. White Vice-President, Senior Year Entertainment Committee, Senior and Junior Years Finance Committee Page Twenty one NEW ENGLAND CONSERVATORY OF MUSIC ISABELLE MAY REARDON South Paris, Maine In pianoforte, under Mr. Blanpied Recording Secretary, Senior Year ALICE WILSON WHITE Cumberland Mills, Maine In pianoforte, under Mr. Proctor Corresponding Secretary, Senior Year Member of Year Book Committee Member of Senior Finance Committee Page Tweniy two CLASS OF NINETEEN HUNDRED AND SIXTEEN WALTER LAWRENCE COOK Worcester, Massachusetts In organ, under Mr. Goodrich Senior Treasurer Assistant Business Manager Neume Member Year Book Committee COLIN BECKETT RICHMOND Shelburne Falls, Massachusetts In organ, under Mr. Dunham Senior Assistant Treasurer Business Manager Neume Member of Entertainment Committee, Senior Year Class Day Committee Emblem and Flower Committee Reader of Class Will Page Twenty-three NEW ENGLAND CONSERVATORY OF MUSIC JUSTIN EVAN WILLIAMS New Castle, Pennsylvania In pianoforte, under Mr. Klahre Editor-in-Chief Neume President of Hellenic Society Member of Year Book Committee LELAND AVERY COON Leonardsville, New York In pianoforte, under Mr. DeVoto Assistant Editor Neume Class Correspondent Class Poet Page Tuenty-four CLASS OF NINETEEN HUNDRED AND SIXTEEN FRANK EARL MARSH, Jr. Schenectady, New York In pianoforte, under Mr. Fischer Chairman Entertainment Committee, Se- nior Year Chairman Class Day Committee OLIVE MARCHANT ALLEN Nantucket Island, Massachusetts In pianoforte, under Mr. Lincoln Member of Entertainment Committee, Se- nior Year Page Twenty -five NEW ENGLAND CONSERVATORY OF MUSIC Page Twenty-six CLASS OF NINETEEN HUNDRED AND SIXTEEN Page Twenly-seven NEW ENGLAND CONSERVATORY OF MUSIC IDA MARIE BUNTING Kingston, New York In pianoforte, under Mr. Proctor Assistant Treasurer, Junior Year Member of Emblem and Flower Committee Page Twenty-eight CLASS OF NINETEEN HUNDRED AND SIXTEEN PcKjc Twcnlji-ninc NEW ENGLAND CONSERVATORY OF MUSIC MARY WALES CRAWFORD Elm Creek, Nebraska In voice, under Mr. Shirley Assistant Corresponding Secretary, Junior Year Member of Year Book Committee Page Thirty CLASS OF NINETEEN HUNDRED AND SIXTEEN STELLA MAY DURRELL Melrose, Massachusetts In pianoforte, under Mr. De Voto Member of Class Day and Decorating Committees, Senior Year Page Thirty-one NEW ENGLAND CONSERVATORY OF MUSIC Puyc Thirltj-iwo CLASS OF NINETEEN HUNDRED AND SIXTEEN Page Thirty-three NEW ENGLAND CONSERVATORY OF MUSIC Page Thirty-four CLASS OF NINETEEN HUNDRED AND SIXTEEN Page Thirty-five NEW ENGLAND CONSERVATORY OF MUSIC GERALD FOSTER FRAZEE Wilmington, Massachusetts In organ, under Mr. Henry Dunham Member of Neume Editorial Committee HELEN ANNIE FRITZ Wilkesbarre, Pennsylvania In pianoforte, under Mr. Henry Goodrich Page Thirty-six CLASS OF NINETEEN HUNDRED AND SIXTEEN ALICE VERNICE GAY Cavendish, Vermont In pianoforte, under Dr. Jeffrey Member of Senior Entertainment Com- mittee Member of By-Laws Committee ROSAMOND ELEANOR HAGNEY Randolph, Massachusetts In pianoforte, under Mr. Dennee Member of Neume Editorial Committee Page Thiriy-seven NEW ENGLAND CONSERVATORY OF MUSIC MAUDE MARGUERITE HARDSTOCK Schenectady, New York In pianoforte, under Mr. De Voto Member of Neume Editorial Committee Member of By-Laws Committee Pjge Thirty eight I 4 CLASS OF NINETEEN HUNDRED AND SIXTEEN ERNEST HAGOOD HAYS B altimore, Maryland In organ, under Mr. Henry Dunham CLARENCE PAUL HERFURTH Boston, Massachusetts In viohn, under Mr. Winternitz Member of Class Day Committee Member of Neume Finance Committee Page Thirhj-nine NEW ENGLAND CONSERVATORY OF MUSIC fage Forty CLASS OF NINETEEN HUNDRED AND SIXTEEN Page Forty-one NEW ENGLAND CONSERVATORY OF MUSIC Page Foriy-iwo CLASS OF NINETEEN HUNDRED AND SIXTEEN Page Forty-three NEW ENGLAND CONSERVATORY OF MUSIC MAY MARGARET LYNCH Roxbury, Massachusetts In pianoforte, under Mr. F. A. Porter Member of Class Day Committee Page Forty-four CLASS OF NINETEEN HUNDRED AND SIXTEEN Page Forty-five NEW ENGLAND CONSERVATORY OF MUSIC FELTON CURRIE McLAREN East Boston, Massachusetts In organ, under Mr. Henry Dunham DEAN LUCILE McMURRAY Frankfort, Indiana In voice, under Mr. Sargent Member of Neume Finance Committee Member of Emblem and Flower Commit- tee Page Forty-six CLASS OF NINETEEN HUNDRED AND SIXTEEN Page Forty-seven NEW ENGLAND CONSERVATORY OF MUSIC FLORENCE ETHEL O ' NEIL Rutland, Vermont In voice, under Mr. Hunt Member of Entertainment Committee, Senior Year Recording Secretary, Junior Year Page Forty-eight CLASS OF NINETEEN HUNDRED AND SIXTEEN DOROTHY LINCOLN PARK Taunton, Massachusetts In organ, under Mr. Humphrey Member of Finance Committee FLORENTINE FRANCES PINKSTON Omaha, Nebraska In pianoforte, under Mr. De Voto Page Forty-nine NEW ENGLAND CONSERVATORY OF MUSIC Page Fifty CLASS OF NINETEEN HUNDRED AND SIXTEEN Page Fifty-one NEW ENGLAND CONSERVATORY OF MUSIC Page Fifty-two CLASS OF NINETEEN HUNDRED AND SIXTEEN Page Fifty-three NEW ENGLAND CONSERVATORY OF MUSIC GERTRUDE MAY ROWELL Amesbury, Massachusetts In pianoforte, under Mr. Lincoln RUTH FLORENCE RUSSELL Brockton, Massachusetts In pianoforte, under Mr. Wilder Member of Neume Finance Committee Page Fifly-four CLASS OF NINETEEN HUNDRED AND SIXTEEN Page Fifty -five NEW ENGLAND CONSERVATORY OF MUSIC I EVA ROBINA SEMPLE West Somerville, Mass. In pianoforte, under Mr. De Voto FLORENCE MILDRED SHUTTS Clinton, Massachusetts In voice, under Mr. Wemple Member of Neume Editorial Committee Page Fifiy-six CLASS OF NINETEEN HUNDRED AND SIXTEEN Page Fifty-seven NEW ENGLAND CONSERVATORY OF MUSIC Page Fifty-eight CLASS OF NINETEEN HUNDRED AND SIXTEEN Page Fifty-nine NEW ENGLAND CONSERVATORY OF MUSIC LOUISE CAROL TITCOMB Fall River, Massachusetts In organ, under Mr. Wallace Goodrich Member of Finance Committee, Senior Year BERTHA MARIE VENNE Concord, New Hampshire In pianoforte, under Mr. Henry Goodrich Pagf. Sixty CLASS OF NINETEEN HUNDRED AND SIXTEEN Page Sixty-one NEW ENGLAND CONSERVATORY OF MUSIC PHYLLIS CATHERINE YATERSON St. Stephen, New Brunswick In pianoforte, under Mr. De Voto Member of Class Day Committee Class Prophet ARTHUR JOHN WILLIAMS Gloversville, New York In organ, under Mr. Humphrey Member of Decorating Committee, Senior Year Page Sixty-two CLASS OF NINETEEN HUNDRED AND SIXTEEN ROY LESLIE FRAZEE Marblehead, Massachusetts In organ, under Mr. Wallace Goodrich RALPH RUSSELL WelLsville, Ohio In pianoforte, under Mr. Pattison Page Sixiy-ihree NEW ENGLAND CONSERVATORY OF MUSIC Post-Graduate Students ORGAN HARRY EDWARD MUELLER Lyndon, Kentucky Pianoforte 1915 In organ under Mr. William Goodrich GERHARDT CALVIN RINGGENBERG (Pfte. 1914) Ames, Iowa Under Mr. Wallace Goodrich Page Sixty-four 1 JUNIOR CLASS Carpe diem 1917 NEW ENGLAND CONSERVATORY OF MUSIC GEORGE W. SHAW Vice-President Page Sixty-eight S. WENTWORTH HORTON Treasurer CLASS OF NINETEEN HUNDRED AND SIXTEEN Junior Officers Class of 1916 MARY H. THORP Assistant Treasurer MARJORIE W. SCHADT Recording Secretary ARTHUR E. ECKLUND Corresponding Secretary Page Sixty-nine NEW ENGLAND CONSERVATORY OF MUSIC The Class of 1917 JUNIOR YEAR. 1915-1916 PIANOFORTE Adanis, Gra,C6 Kilhani Hanson, Eva Hall Ahearn, Mary Frances Harris, Minnie Andrews, Doris Helen Hathaway? George W ebster Reoker M oms Heald, Ethel Bernice Rirdsall, M arion Swart Heilman. Albert Howard M oiil Rlaisdell, Natalie Hiller, Stella Winona Rlake, Dorothea Ross Hollister, Paul Edwin Brooks, Helen Hood, Elenoir Caroline Brookshier, M elba Comer Hurlev, M arion Crane Burbank, William Belknap Kaiser, William J. Burckel, Viola Irene Kronquest, Gwendoline Biirke M iriam Ruth T ockhart Ada Josenhine J-  - X X X t X XI VX Cv V V-r iJ X X X X X _ Cammack, Ruth M cCarthy, M argaret M ary Campbell, M arie Corries M cCrummen, Alma Adele Carini, Elizabeth Aurelia McGee, Camille Chapin, Marjorie MacLeod, Ellsworth Allan Chaplin, Dorothy Prescott Markowitz, Pauline Gertrude Chromis, Frederic Marshall, Isabel HoUidge Constable, Elizabeth London Miller, Ruth Emma Coolidge, Helen Longstreet Nelson, Charles Winthrop Dahl, A. May O ' Brien, Marion Catherine Ecklund, Arthur Ephriam Parker, Alice Marion Fisher, Marion Paxton, Joy Flagg, Jennie Olive Prouty, Frances Lillian Frost, Bernice Ulela Reed, Vivian Mabel Galante, Anna Rhodes, Helen Edith Gates, Gorham Church Rosendale, Rowena Harris Grabert, Emma Marie Ryan, Beatrice Alice Graham, Hazel Emma Shaw, George Walter Haddon, William Swan, Eliza Ropert Halloran, Marguerite Regina Tagliabue, Palmira Louise Hancox, Hazel Thieme, Elizabeth Marie Page Seventy CLASS OF NINETEEN HUNDRED AND SIXTEEN Thorp, Mary Heinemann Webster, George Albert Townsend, Marion Louise Wentzel, Florence Mae Tremble, Dorothy Elizabeth Wickland, Agnes Margaret Wallace, Mary Jane Williams, Claude Armstrong Williams, Martha Gallup VOICE Appleby, Carmeta Josephine Barbour, Frances Doane Bull, Leila Sawyer Burker, Louise Davison, Marion Edson, Eleanor Frances Emerson, Hazel Belle Finch, Helen Maude Horton, Schuyler Wentworth Johnson, Almira Elizabeth W atson, Lattimore, Reseda Marion Lien, IVIrs. Adele Pomeroy McNemer, Mia O ' Brien, Virginia Beatrice Oakes, Sarah Elizabeth Schadt, Marjorie Willie Seibert, Naomi Ferguson Smith, Lois Elizabeth Sutton, Velma Lois Thieme, Theresa Dorothea Helen Mav Bidwell, Marshall Spring Cammack, Ruth Dahl, A. May Dickinson, Ethel Loomis ORGAN Glen, ]Mary Catherine Gottfried, Ottilie Wilhelmina Jones, Wendell N. Kackler, Frederick William Gentsch, Gertrude Kuskin, Charlotte VIOLIN Thompson, Aile en Marie White, Paul Tavlor TRUMPET Findlay, Francis M. Page Seventy ons NEW ENGLAND CONSERVATORY OF MUSIC I Recitals- 1914, 1915, 1916 lano forte 1 February 17, 1916 1-3 April 29, 1916 1-3 March 14, 1914 1-3 December 12, 1914 1- 3 March 18, 1915 1 x pril 22, 1915 1 October 2, 1915 2 October 27, 1915 2- 4 January 11, 1916 1 February 24, 1916 1 December 4, 1915 1 April 15, 1916 1 Jamiary 21, 1915 1 April 1, 1915 1 May 20, 1915 2 January 14, 1916 1-3 March 4, 1916 1 December 10, 1914 1 November 4, 1915 1- 3 January 22, 1916 2 February 8, 1916 2- 3 March 28, 1916 Page Sevenly-two OLIVE M. ALLEN Mendelssohn — Scherzo in E minor Schumann — Quartet in E flat (I) MARION A. BACON Grieg — Sonatb, in F for Violoncello (III) Mendelssohn — Scherzo from Trio in D minor Cadman — Trio in D (I) Chopin — Scherzo in C sharp minor Schumann — Novelette in E Schumann — Novelette in E Schumann — Concerto (I) Chopin — Nocturne in E SYLVIA BONTRAGER Westerhout — Capriccioso Schumann — Des Abends Chopin — Nocturne in B LOIS M. BRADER Schumann — Novelette in E Schubert — Impromptu in B flat Debussy — Danse in E Florent Schmitt — Neige ; Sy Iphides Foote — Trio in B flat IDA M. BUNTING Schubert-Liszt — Hark, hark the Lark Wagner-Liszt — Spinning-song Bach — Prelude and Fugue in C sharp Grieg — Sonata in F for Violoncello (I) Brahms — Capriccio in F sharp minor Ballade in G minor Schumann — Concerto (I) CLASS OF NINETEEN HUNDRED AND SIXTEEN 1-3 November 7, 1914 March 6, 1915 October 9, 1915 January 6, 1916 February 8, 1916 February 19, 1916 March 30, 1916 LELAND A. COON Faure — Barcarolle in A minor Chopin — Scherzo in B flat minor Liszt — Etude in D flat Grieg — Ballade in G minor Liszt — Cantique d ' amour Schumann — Scherzo from Trio in D minor Beethoven — Sonata in E flat February 18, 1915 May 15, 1915 November 23, 1915 March 2, 1916 March 11, 1916 KATHERINE M. DeBARBER Chopin — Etudes in A flat and F Chopin — Scherzo in B minor Saint-Saens — Concerto in F (I and II) Chopin — Impromptu in F sharp Schubert — Trio in B flat December 19 , 1914 February 27, 1915 February 27, 1915 May 22, 1915 September 29, 1915 November 18, 1915 December 10, 1914 May 29, 1915 November 6, 1915 February 19, 1916 February 26, 1916 February 6, 1915 May 4, 1916 January 23, 1915 January 27, 1916 WILLIAM E. DONOVAN Beethoven — Trio in B flat (IV) Cesar Franck — Violin Sonata in A (I) Schumann — Faschingsschwank R. Strauss — Improvisation, from Violin Sonata Schumann — Allegro from Faschingsschwank Chopin — Impromptu in F sharp STELLA M. DURRELL Brahms — Intermezzo in B minor Debussy — Arabesque in G Brahms — Ballade in D minor Schumann — Kinderscenen Beethoven — Scherzo from Trio in E flat MARIE A. DYKSTRA Sibelius — Romance in D flat Tschaikowsky — Theme and Variations FRANK ELLIS Chopin — Ballade in G minor Liszt — Waldesrauschen Page Severdy-ihree NEW ENGLAND CONSERVATORY OF MUSIC 1-3 January 29, 1916 1 May 4, 1916 1 January 28, 1915 1 May 4, 1916 1 November 21, 1914 1 December 11, 1915 1 November 21, 1914 1-3 October 30, 1915 1-3 October 17, 1914 1 May 2 a, 1915 1 December 4, 1915 1 January 29, 1916 1 December 19, 1914 1-3 February 13, 1915 1 October 23, 1915 1 January 22, 1916 1 December 5, 1914 1 March 20, 1915 1 October 30, 1915 1-3 January 15, 1916 1 January 21, 1915 1- 3 March 27, 1915 2- 4 November 23, 1915 Mendelssohn — Scherzo from Trio in C minor Chopin — Polonaise in F sharp minor GRACE E. EVANS Schumann — Romanza in F sharp Brahms — Ballade in D minor CARRIE J. FERNALD Mozart — Romanza in A flat Debussy — Arabesque in C JEANETTE M. FISHER Chopin — Nocturne in E Schubert — Trio in E flat (I) Schubert-Liszt — Hark, hark, the Lark MARTHA FOLSOM Beethoven — Trio in G (I) Tschaikowsky — Scherzo Debussy — Two Arabesques Chopin — Waltz in E minor LOIS C. FOX Chopin — Nocturne in F sharp minor Schumann — Trio in F (I) Chopin — Polonaise in C minor Liszt — Hungarian Rhapsody No. 1 1 HELEN A. FRITZ Chopin — Prelude in C sharp minor Glinka-Balakirew — The Lark Chopin — Nocturne in D flat Grieg — Violoncello Sonata in C minor (allegretto) A. VERNICE GAY Saint-Saens - — Concerto in G minor (III) Brahms — Trio in C minor (I) Saint-Saens — Concerto in G minor (II, III) Page Seventy-four CLASS OF NINETEEN HUNDRED AND SIXTEEN 1 January 27, 1916 Beethoven — Sonata in E, op. 109 (I) 2 April U, 1916 Chopin — Ballade in A flat ROSAMOND HAGNEY 1 October 24, 1914 Haydn — Variations in F minor 1- 3 June 5, 1915 Beethoven — Violoncello Sonata in A (I) 1 October 9, 191,5 Beethoven — Sonata in D minor 1 March 4, 1916 Liszt — Consolation in D flat MAUDE M. HARDSTOCK 1 February 27, 1915 Beethoven — Sonata in D (I) 1 May 1, 1915 Chopin — Nocturne in C minor 1 October 2, 1915 Schumann — Aufschwung 2 November 17, 1915 Debussy — Voiles; La Cathedrale engloutie 1 March 2. 1916 Chopin — Ballade in F 2- 4 March 28, 1916 Grieg — Concerto in A minor CATHARINE L. HASKELL 1 January 23, 1915 Chopin — Prel ude in D flat 1 June 5, 1915 Rubinstein — Kammenoi Ostrow 1 October 16, 1915 MacDowell — Novelette in D Chopin — Prelude in F sharp 1 February 12, 1916 Grieg — Nocturne in C; To Spring INEZ M. KELSEY 1 January 9, 1915 Sgambati — Gavotte Liszt — Etude in F minor 1 April 29, 1915 Debussy — Reflets dans I ' eau 1 October 9, 1915 Liszt — Rigoletto Fantasie 1-3 December 11, 1915 Beethoven — Trio in E flat (IV) 1 March 16, 1916 Liszt — Tarantelle (Venezia e Napoli) 1 April 27, 1916 Liszt — Waldesrauschen ELIZABETH L. LACKER 1 April 29, 1916 Stojowski — Chant d ' amour FANNIE LEVIS 1 January 28, 1915 Liszt — Rhapsodic No. 12 2 April 26, 1915 Chopin — Etude in C sharp minor; Nocturne in G Liszt — Waldesrauschen Page Seventy-Jive NEW ENGLAND CONSERVATORY OF MUSIC 2 November 17, 1915 Beethoven — Sonata appassionata (I) 4 March 10, 1916 Rimsky -Korsakoff — Concerto in C sharp minor VESTA LOOCKERMAN 1 November 12, 1914 Chopin — Polonaise in A flat 1 April 29, 1915 Chopin — Nocturne in F sharp 1 April 27, 1916 Chopin — Polonaise in A flat PAUL H. LUKE 1 December 19, 1914 Nicode — Phantasiestuck 1 May 27, 1915 Beethoven — Sonata in F sharp, op. 78 1 October 30, 1915 Chopin — Polonaise in B flat 1- 3 November 13, 1915 Mozart — Trio in G (K. 496) (IV) 2- 4 January 11, 1916 Schumann — Concerto in A minor (H, III) MAY M. LYNCH 1 April 29, 1916 Philip — Phalenes WINIFRED M. MacLeod 2 November 18, 1915 Chopin — Berceuse 1-3 February 5, 1916 Beethoven — Trio in D, op. 70, no. 1 (I) 1 March 16, 1916 Glinka-Balakirew — The Lark FRANK E. MARSH, Jr. 1 May 22, 1915 Liszt — Consolation in E ETHEL M. MORRISSEY 1 February 13, 1915 Rubinstein — Valse Caprice 1 May 8, 1915 Beethoven — Sonata in E minor (I) 1 December 4, 1915 Chopin — Nocturne in G 1 March 2, 1916 Beethoven — Sonata in E flat, op. 81a (I) FLORENTINE F. PINKSTON 1 November 14, 1914 Chaminade — En automne 1 May 8, 1915 Grieg — Andante from Sonata 1 November 13, 1915 Liszt — Cantique d ' amour 1-3 March 18, 1916 Schumann — Trio in F (I) Page Seventy-six CLASS OF NINETEEN HUNDRED AND SIXTEEN 1 January 16, 1915 1 April 24, 1915 1 January 8, 1916 1 October 9, 1915 1-3 October 23, 1915 ANNA MAY PITMAN Chopin — Polonaise in C minor Debussy — Nocturne in D flat Chopin — Nocturne in B DOROTHY PLACE Raff — Seventh Variation, from Giga con variazioni Beethoven — Trio in G, op. 1, no. 2 (I) 1-3 October 30, 1915 1 February 3, 1915 2 March 1, 1916 1 May 29, 1915 1 January 29, 1916 DOROTHY PLEASANTS Mozart — Trio in C (K. 548) (I) Paderevvski — Cracovienne fantastique Debus.sy — Reflets dans I ' eau Paderewski — Cracovienne fantastique ISABELLE M. REARDON Poldini — Faunes Sinding — Scherzetto 1 January 30, 1915 1 May 1, 1915 1 January 16, 1916 1 April 29, 1916 May 27, 1915 1-3 May 6, 1916 1 January 30, 1915 1-3 April 24, 1915 1 May 6, 1915 1-3 October 9, 1915 OLIVE H. RENTON Chopin — Etude in E d ' Albert — Gavotte and Musette Brahms — Ballade in D Liszt — Impromptu in F sharp FRANCES M. RITTENHOUSE Leschetizky — Toccata in D minor GERTRUDE M. ROWELL Converse — Violin Sonata in A (III) Mrs. DORIS ROWLAND-MARBLE Schumann — Faschingsschwank Beethoven — Trio in B flat, op. 11 (IV) Moszkowski — Etincelles Schumann — Trio in F (IV) Page Seventy-seven NEW ENGLAND CONSERVATORY OF MUSIC 1 January 15, 1916 1-3 April 15, 1916 Chopin — Etude in E major Rachmaninoff — Scherzo from G minor Violoncello Sonata in 1- 3 October 31, 1914 1 February 25, 1915 2- 3 June 11, 1915 1-3 December 4, 1915 2 February 8, 1916 1- 3 March 11, 1916 2- 4 March 28, 1916 RALPH RUSSELL Mozart — Trio in C (K. 548) (I) Beethove n — Thirty-two Variations Beethoven — Trio in B flat, op. 97 (I) Beethoven — Trio in B flat, op. 97 (I) Liszt — Sonetto del Petrarca Brahms — Rhapsody in B minor Rachmaninoff — Violoncello Sonata in G minor Beethoven — Concerto in G (I) 1 November 28, 1914 1 December 11, 1915 1 March 11, 1916 RUTH F. RUSSELL Saint-Saens — Mazourka Grieg — Sonata in E minor (I) Beethoven — Sonata in A, op. 2, no. 2 (I, HI) 1 October 31, 1914 1 January 16, 1915 1 May 15, 1915 1 November 6, 1915 1-3 January 8, 1916 1 January 22, 1916 2 April 14, 1916 EDWARD C. RYAN Chopin — Fantasie : — Impromptu in C sharp minor Mendelssohn — Concerto in D minor (I) Chopin — Scherzo in B flat minor Chopin — Etude in D flat Beethoven — Trio in C minor Liszt — Etude in D flat Chopin — Scherzo in B flat minor 1 March 4, 1916 Mrs. ANNIE F. SMITH Debussy — Clair de lune LOIS E. SMITH Schumann — Variations on A-B-E-G-G Schumann — Trio in F (last movement) 1 December 12, 1914 1- 3 March 6, 1915 1 March 25, 1915 Bach — Prelude and Fugue in F minor 2- 4 November 23, 1914 Beethoven — Concerto in C minor (I, II) 1 December 2, 1915 Chopin — Berceuse Page Seventy-eight CLASS OF NINETEEN HUNDRED AND SIXTEEN 1-3 March 18, 1916 Chopin — Trio in G minor (IV) 1 March 30, 1916 Rameau — Gavotte and Variations in A minor GERTRl DE M. SQUYER 1 January 30, 1915 Brahms — Intermezzi in E flat and B flat m inor 1-3 February 6, 1915 Dvorak — Trio in B flat (I) 1 March 20, 1915 Beethoven — Sonata in E flat, op. 27, no. 1 (I) 1-3 March 27, 1915 Dvorak — Trio in B flat (IV) 1-3 November 27, 1915 Brahms — Violoncello Sonata in F (III) 1 December 9, 1915 Scarlatti — Sonata in A 1 March 2, 1916 Debussy — Voiles; Jardin sous la pluie MARIE A. THOMA 1 November 14, 1914 Jen.sen — Galatea 1 March 6, 1915 Sibelius — Romance in D flat 1 May 20, 1915 Schumann — Arabesque in C 1 December 2, 1915 Paul Juon — Ragotia variations 1 February 17, 1916 Rubin.stein — Barcarolle in A minor BERTHA M. VENNE 1 December 19, 1914 Schumann — Des Abends Heller — Eclogue 1 November 27, 1915 Debus.sy — Prelude Le vent dans la plaine 1 April 15, 1916 Chopin — Chant Polonais BERNICE VINAL 1 January 23, 1915 Chopin — Ballade in A flat 1 May 22, 1915 Liszt — Gnomenreigen 1 December 11, 1915 Debu.ssy — La plus que lente 1-3 February 12, 1916 Schumann — Trio in F (IV) 1 March 16. 1916 Liszt — Sonnetto del Petrarca Wagner-Liszt — Spinning-Song PHYLLIS WATERSON 1 November 14, 1914 Chopin — Nocturne in F minor 1 February 4, 1915 Brahms — Rhapsody in G minor 1 April 29, 1915 Grieg — Aria from Holberg Suite 1 February 10, 1916 Liszt — Cantique d ' amour Page Seventy-nine NEW ENGLAND CONSERVATORY OF MUSIC ALICE W. WHITE 1 November -28, 1914 1-3 October 10, 1915 1 February 19, 1916 2-4 March 28, 1916 2 April 14, 1916 Chopin — Scherzo in B flat minor Haydn — Trio in C, no. 3 (I) Debussy — Prelude in A minor Paderew ski — Concerto in A minor (II, III) Beethoven — Sonata in C sharp minor, op. il (II, III) 1 Januarv l, 1915 JUSTIN E. WILLIAMS Liszt — Gondoliera Page Eighty CLASS OF NINETEEN HUNDRED AND SIXTEEN Organ HERBERT R. BOARDMAN 1 January 9, 1915 Guilniant — Sonata No. 5 in C minor (Scherzo) 2 March 12, 1915 H. W. Parker — Sonata in E flat (I) 2 October 27, 1915 Thiele — Chromatic Fantasie WILLIAM B. BURBANK 1 June 3, 1915 Saint-Saens — Marche rehgieuse 2 November 17, 1915 Widor — Intermezzo from Seventh Symphony 2 March 9, 1916 Guilmant — Adagio from Sonata in C minor 1 May 11, 1916 Rheinberger — Sonata in F minor (I) W. LAWRENCE COOK 2 February 12, 1915 Vierne — Allegro and Scherzo from Second Symj)hony 2 September, 29, 1915 Bach — Toccata and Fugue in D minor 2-3 March 1, 1916 Rheinberger — Suite for Organ, Violin and Violoncello (Sarabande and Finale) MINNIE B. FOX Mendelssohn — Fugue and Andante from Sonata in D minor Rheinberger — Provengalisch (Sonata in G minor) 1 January 15, 1916 1 March 9, 1916 GERALD FRAZEE April 26, 1915 Tombelle — Fantasie on two Noels November 10, 1915 Widor — Symphonie No. 5 (I) ROY L. FRAZEE 1 February 23, 1915 Bach — Choral-prelude : Christ, unser Herr, zum Jordan kam 2 February 8, 1916 Vierne — Second Symphony (I) 1 January 9, 1915 ERNEST H. HAYS Hesse — Variations in A major Page EighUj-one NEW ENGLAND CONSERVATORY OF MUSIC 1 November 10, 1915 Dunham — Adagio from Second Sonata 2 January 14, 1916 Guilmant — Sonata in D minor, op 42 (I) FELTON c. McLaren 2 March 1, 1916 Widor — Toccata from Fifth Symphony HARRY E. MUELLER 1 January 22, 1916 Merkel — Adagio in E DOROTHY L. PARK 2 January 15, 1915 Bach — Prelude and Fugue in A minor 2 October 27, 1915 Cesar Franck — Piece heroique 1 March 9, 1916 Rheinberger — Sonata in D flat (I) 1 May 11, 1916 Widor — Sixth Symphony (IV) COLIN B. RICHMOND 2 February 12, 1915 Guilmant — Sonata No. 5 in C minor (I) 1 November 10, 1915 Maquaire — Symphony in E flat (I) 2 April 14, 1915 Rheinberger — Scherzo from Sonata in E minor G. CALVIN RINGGENBERG 1 March 9, 1916 Bach — Toccata and Fugue in D minor 1 May 9, 1916 Vierne — First Symphony (III) ELL YOOD S. ROEDER 2 September 29, 1915 Rheinberger — Fantasie-Sonata in A flat (III) 2 February 8, 1916 Bach — Fugue in E flat LOUISE C. TITCOMB 1 November 10, 1915 Rheinberger — Fantasie-Sonata in A flat (I) 2 January 14, 1916 Cesar Franck — Piece heroique ARTHUR J. MLLL MS 1 November 10, 1915 Cesar Franck — Cantabile 1 January 13, 1916 Bach — Prelude in E flat Page Eighty-two CLASS OF NINETEEN HUNDRED AND SIXTEEN 1 December 19, 1914 1-3 April 1, 1915 1 November 27, 1915 1 February 24, 1916 1-3 March 23, 1916 1 January 23, 1915 1 October 30, 1915 2-4 March 28, 1916 1 February 27, 1915 1 October 9, 1915 2-4 November 23, 1915 2 March 1, 1916 Special March 24, 1916 1 October 16, 1915 1 January 8, 1916 1 April 13, 1916 1 October 24, 1914 Voice MARION C. BICKFORD Franz — Driiben geht die Sonne scheiden Der Bote Im Herbst Mendelssohn — Trio: Lift thine eyes (Elijah) Salter — Three songs from A Night in Naishaipur Schumann — Abendlied Mendelssohn — Trio: Lift thine eyes (Elijah) Mrs. NELLIE H. CHASE German — Who ' ll buy my lavender M. R. Lang — The day is gone Mendelssohn — Der Blumenkranz Liszt — Wieder mocht ' ich dir begegnen Mozart — Dove sono (Nozze di Figaro) MARY W. C:RAWF0RD Rubinstein — Since first I met thee Massenet — Aria: II est doux (Herod iade) Massenet — Aria: II est doux (Herodiade) Jensen — O lass ' dich halten, gold ' ne Stunde Schubert — Friihlingsglaube Hildach — Das Kraut Vergessenheit Part in Dramatic Perfor mance ANNA R. EARNSHAW Mrs. Beach — Ecstasy Tschaikowsky — Nur wer die Sehnsucht kennt Massenet — Elegie ELSBETH JONES Mozart — Duet: La ci darem la mano (Don Giovanni) Page Eighty-three NEW ENGLAND CONSERVATORY OF MUSIC 2 March 12, 1915 Sibelius — Black Roses Arensky — But lately in dance LaForge — To a Messenger Spec, May 7, 1915 H. Parker — Solo in Greek Pastoral Scenes (Chorus) 2-4 January 11, 1916 Mozart — Batti, batti (Don Giovanni) 1 February 17, 1916 Schumann — Der Nussbaum Gruss 2 May 9, 1916 Weckerlin, arr. — Mon petit coeur soupire Gabriel Faure — Apres un reve Tou jours MAUDE G. MacKENNA 1 October 3, 1914 Puccini — Mi chiamano Mimi (La Boheme) DEAN L. McMURRAY 1 March 4, 1915 Brahms — Minnelied Vergebliches Standchen 1 October 16, 1915 Bemberg — Aria from La Mort de Jeanne d ' Arc 2 November 17, 1915 Schumann — Volksliedchen Brahms — Minnelied Vergebliches Standchen 2-4 November 23, 1915 Bemberg — Aria from La Mort de Jeanne d ' Arc 2 March 1, 1916 Clayton Johns: — Roses, roses Where blooms the Rose I cannot help loving thee MARIE G. O ' CONNELL 1 December 10, 1914 Handel — Lascia ch ' io pianga (Rinaldo) Spec. May 7, 1915 H. Parker — Solo in Greek Pastoral Scenes (Chorus) 2-4 February 11, 1916 Rossi — Ah! rendimi (Mitrane) 2 April 14, 1916 Beethoven — In questa tomba Schubert — Aufenthalt URSULA M. O ' HARE 1 December 19, 1914 Giordani — Caro mio ben Spec. May 7, 1915 Fontenailles — Solo in choral work, The Legend of Miana 2 October 27, 1915 Brahms — Wir wandelten Standchen Page Eighty-four CLASS OF NINETEEN HUNDRED AND SIXTEEN 2-4 November 23, 1915 2-4 March 28, 1916 1 March 13, 1915 1 May 6, 1915 1 December 9, 1915 1 March 23, 1916 1-3 March 23, 1916 2 October, 1914 4 December 18, 1915 1 February 25, 1915 4 May 14, 1915 2 September 29, 1915 1 February 13, 1915 December 10, 11, 1915 1 February 3, 1916 March 24, 1916 1 October 3, 1914 1 April 17, 1915 1 March 25, 1916 1 March 13, 1915 2 October 27, 1915 2-4 January 11, 1916 Saint-Saens — Printemps qui commence (Samson et Dalila) Rossini — Duet, Quis est homo (Stabat Matek) FLORENCE E. O ' NEIL Hildach — Spring Hildach — Duet, Passage birds farewell M. R. Lang — Lydia Grieg — From Monte Pincio Mendelssohn — Lift thine eyes (Trio from Elijah) CONSTANCE C. REESE Schumann — Der Nussbaum Widmung Hadley — Solo in The Golden Prince (Chorus) Gluck — Ave Maria Parker — O Bona Patria (Hora Novissima) Chadwick — Before the dawn The Danza MILDRED A. SANDERS Gluck — O del mio dolce ardor Part in a Dramatic Performance Mozart — Voi che sapete (Nozze di Figaro) Part in Dramatic Performance FLORENCE M. SHUTTS Fontenailles — Obstination Schindler — Adoration Schumann — Du bist wie eine Blume Er ist ' s IVAH STRACHAN Vogrich — Arabian Song Chadwick — In mead where roses bloom O let night speak of me Woodman — A birthday Haydn — With verdure clad (Creation) Page Eighty-five NEW ENGLAND CONSERVATORY O F MUSIC 1 March 2, 1916 Whelpley — Go not, happy day Hunt — Love, it is night 1-3 March ' IS, 1916 Mendelssohn — Trio, Lift thine eyes (Elijah) MARGARET SUMMERHAYS 1 January 9, 1915 Grieg — La jeune princesse Strauss — Allerseelen 1 November 4, 1915 Brahms — Minnelied 2-4 January 11, 1916 Gounod — Plus grand dans son obscurite (Reine de Saba) Page Eighty-six CLASS OF NINETEEN HUNDRED AND SIXTEEN Violin 1 December 2, 1915 1 March 23, 1916 1-3 May 6, 1916 AVA LUCILE BUTLER Veracini — Menuet and Gavotte Debussy — En bateau Mrs. Beach — Romanza Mozart — Quartet in G (I) 1-3 November 14, 1914 1-3 January 16, 1915 1-3 January 23, 1915 1-3 February 6, 1915 1-3 February 13, 1915 1-3 March 27, 1915 1-3 April 1, 1915 1-3 May 1, 1915 1-3 May 8, 1915 1-3 May 15, 1915 1-3 May 22, 1915 1-3 May 29, 1915 1-3 October 9, 1915 1-3 October 16, 1915 1-3 October 30, 1915 1-3 November 6, 1915 1-3 November 13, 1915 1-3 November 27, 1915 1-3 December 16, 1915 1-3 January 22, 1916 1-3 January 29, 1916 1-3 February 19, 1916 CLARENCE P. HERFURTH Rubinstein — Pianoforte Trio in B flat (I) Mendelssohn — Pianoforte Trio in C minor (Scherzo) Brahms — Pianoforte Trio in C minor (IV) Dvorak — Pianoforte Trio in B flat (I) Schumann — Pianoforte Trio in F (I) Saint-Saens — Pianoforte Trio in F (Scherzo) Dvorak — Pianoforte Trio in B flat (IV) Rubinstein — Pianoforte Trio in B flat (Scherzo) Schumann — Pianoforte Trio in D minor (IV) Cesar Franck — Piano forte Trio in F sharp (Scherzo) Schumann — Pianoforte Trio in G minor (I) Cesar Franck — Pianoforte Trio in F sharp (I) Chopin — Pianoforte Trio in G minor (IV) Cesar Franck — Sonata in A (III) Beethoven — Pianoforte Trio in C minor (I) Op. 1, No. 3 Schumann — Pianoforte Trio in F (IV) Beethoven — Sonata in F (I) Haydn — Pianoforte Trio in C (I) No. 3 Schubert — Pianoforte Trio in E flat (I) Op. Mozart — Pianoforte Trio in B flat (II) (K. 502) Mozart — Pianoforte Trio in C (IV) (K. 548) Mozart — Pianoforte Trio in G (IV) (K. 496) Dvorak — Dumky Trio (I) Dvorak — Dumky Trio (I) Grieg — Sonata in F (I) Mendelssohn — Pianoforte Trio in C minor (Scherzo) Schumann — Pianoforte Trio in D minor (Scherzo) Page Eighty-seven NEW ENGLAND CONSERVATORY OF MUSIC 1-3 April 29, 1916 1-3 May 6, 1916 1 January 21, 1915 1-3 May 6, 1916 1 November 4, 1915 1 April 20, 1916 Schumann — Pianoforte Quartet in E flat (IV) Mozart — Pianoforte Quartet in E flat FLORENCE O. MILLS Tor Aulin — Berceuse Papini — Serenade andalouse Mozart — Quartet in B (K. 387) (I) Senallie — Corrente, from Ninth Violin Sonata Godard — Berceuse in G Sinding — Old Melody Locatelli — Le Tambourin au Trianon Dvorak — Indian Lament 1 April 17, 1915 JULIUS ROSENBERG Handel — Sonata in A (I, II) 1-3 February 5, 1916 1 February 12, 1916 1 April 29, 1916 JESSIE W. VOIGT Beethoven — Pianoforte Trio in D, Op. 70, No. 1 (I) Hubay — Poenie hongrois Vieuxtemps — Adagio from Concerto in D minor Page Eighty-eight CLASS OF NINETEEN HUNDRED AND SIXTEEN Violoncello 1-3 October 10, 1914 1 November 21, 1914 1-3 November 28, 1914 1-3 January 30, 1915 1-3 March 6, 1915 1-3 April 17, 1915 1-3 April 24, 1915 1-3 May 13, 1915 2 May 20, 1915 1- 3 May 22, 1915 2- 3 June 11, 1915 1-3 October 9, 1915 1-3 October 23, 1915 1-3 October 3, 1915 2 November 17, 1915 1-3 November 27, 1915 1-3 January 29, 1916 1-3 February 5, 1916 1-3 February 12, 1916 1- 3 February 19, 1916 2- 3 March 1, 1916 1-3 May 6, 1916 ORA T. LARTHARD Haydn — Pianoforte Trio in G (I) Servais — Concerto in B minor (I) Grieg — Sonata in A minor Mendelssohn — Pianoforte Trio in C minor (Scherzo) Schumann — Pianoforte Trio in F (IV) Beethoven — Pianoforte Trio in C minor, Op. 1, No. 3 (I) Brahms — Sonata in E minor (I) Part in Recital Servais — Concerto (last movement) Schumann — Pianoforte Trio in G minor (Andante) Beethoven — Quartet in F (I), Op. 59 Chadwick — Pianoforte Quintet (II) Beethoven — Pianoforte Trio in C minor. Op. 1, No. 3 (I) Schumann — Pianoforte Trio in F (III) Schubert — Pianoforte Trio in E flat (I) Dvorak — Waldesruhe Brahms — Sonata in F (last movement) Mendelssohn — Pianoforte Trio in C minor (I and Scherzo) Schubert — Pianoforte Trio in B flat (Rondo) Schumann — Pianoforte Trio in F (IV) Brahms — Pianoforte Trio in B (Scherzo) Schumann — Pianoforte Trio in D minor (Scherzo) Cesar Franck — Pianoforte Trio in F sharp (IV) Rheinberger — Suite for Organ, Violin and Violoncello (two movements) Mozart — Quartet in G (I) The following notes will explain the list of compositions performed by members of the Senior Class: The numbers at the extreme left refer to the kind of concert at which the selection was performed. 1 refers to a Thursday or Saturday recital; 2 to a concert of advanced students; 3 to a concert exclusively of ensemble music; 4 to a selection played with orchestral accompaniment in one of the regular orchestral Page Eighty-nine NEW ENGLAND CONSERVATORY OF R ' Sir eoBcerts; 1-3 imficates aa ememMe coaqxMtioa pbyed in a Unasdaf or S ati i Uy recital; 2-i iilratw a coneert bjr adraaced itiideiits aeeonmanied tJbe ofdieitn. No a i r i w t i« tain ■ tUi Irt of cxMnpoMtioof petfemned in coocerts giren bjr Hiwt, sodetieii, or ether o r ft iai i i t ii — The Bit i compitie of oompontiMH rendered hy memben of the |  r tamt padBating daa, begiaBiae viib the openinig of idiool in September, 1914, and cIomi with the ooMCft of Majr 19. UlC. Wine eoaqwaitions are dea nated as trio , quartet , etc it is ooderstood that the popi to ■hui aach per- iormamxa an erected played his or her reiftec-tive port in ■ucfa cui i nwwi l i onfc. A ITi—in BBBenl in parentbese after th«; name of a compoeitioa indtf-atftt vfaich mrreiBcnt of the coaqKNitioB was played. The letter K, foUo«- rd by a numeral, refers to the designation of the compwatioa in the Korrhei catalogue of Mozart ' s works. Ke ' s of oompositioas in the major mode are deaignated hy letter only. T ALLACE GOODRICH, Dem cf Ae Fme Page Ninety CLASS OF NINETEEN HUNDRED AND SIXTEEN Conservatory Orchestra Programs November 12, 1915 Haydn MacDowell Bach Saint-Saens Brahms December 17, 1915 Mendelssohn Mozart Halevy Beethoven Schubert Sibelius Mr. G. W. Chadwick, Conductor 1915-1916 Symphony no. 13, in G major Pianoforte Concerto no. 2, in D minor Mr. Howard Coding (Class of 1915) Three Pieces for String Orchestra (Arranged by the Class in Composition, 1910) Aria from Samson et Dalil. : Amour, viens aider ma faiblesse Miss Bula Ray Shull Hungarian Dances, nos. 1 and 2 Overture, The Hebrides Aria from II Flauto Magico: Qui s ' degno Mozart Aria from La Juive: Se pel rigor Mr. Sargent, of the Faculty Symphony in F major, no. 8 Variations from the Quartet in D minor ( ' Death and the Maiden ) For String Orchestra Songs with Pianoforte Mr. Sargent Tone Poem, Finlandia February 4, 1916 (Conducted by Mr. Wallace Goodrich) Beethoven Liszt Goldmark March 10, 1916 MacDowell Overture to Leonore, no. 1 Pianoforte Concerto in A major Mr. Pattison, of the Faculty Symphony, A Rustic Wedding Two Symphonic Poems for Orchestra: Hamlet Ophelia Page Ninety-one NEW ENGLAND CONSERVATORY OF MUSIC Rimsky-Korsakoff Servais Cowen May 12, 1916 Saint-Saens Bruch Chadwick Mabel W. Daniels Wagner Pianoforte Concerto in C sharp minor Miss Levis (Class of 1916) Violoncello Concerto in B minor Miss Larthard (Class of 1916) Symphony in C minor (Scandinavian) Suite Algerienne Violin Concerto in G minor Miss Mary Gailey (N.E C. 1904) Romanza from the Suite Symphonique Scherzo from the Symphony in B flat major, no 2 Poem for Baritone and Orchestra: The desolate city Mr. Wemple, of the Faculty Overture to Tannhauser Page Ninety-two FRATERNITIES AND SORORITIES 1 NEW ENGLAND CONSERVATORY OF MTTSIC JUSTIN E. WILLIAMS President Hellenic Society Officers Justin E. Williams Mia McNemer Mildred Rutherford A. Vernice Gay Carolyn Rice W. Lawrence Cook Maud Briggs Emily Torbert S. Wentworth Horton President First Vice-President Second Vice-President Th ird Vice-Preside n t Recording Secretary Corresponding Secretary Treasurer Assistant Treasurer Auditor Page Ninety-four CLASS OF NINETEEN HUNDRED AND SIXTEEN Alpha Chi Omega Founded at DePauw University, Greencastle, Indiana, October 15, 1885 ACTIVE CHAPTERS ALPHA DePauw University, Greencastle, Ind. BETA Albion College, Albion, Mich. GAMMA Northwestern University, Evanston, 111. DELTA Allegheny College, Meadville, Pa. EPSILON University of Southern California, Los Angeles, Cal. ZETA New England Conservatory of Music, Boston, Mass. THETA TT PHI ! A 41 HT ! University of Michigan, Ann Arbor, Mich. IOTA University of Illinois, Champaign, III. KAPPA University of Wisconsin, Madison, Wis. LAMBDA Syracuse University, Syracuse, N. Y. MU Simpson College, Indianola, Iowa NU University of Colorado, Boulder, Colo. XI University of Nebraska, Lincoln, Neb. OMICRON Baker University, Baldwin, Kans. PI University of California, Berkeley, Cal. RHO University of Washington, Seattle, Wash. SIGMA University of Iowa, Iowa City, Iowa TAU Brenan College, Gainsville, Ga. UPSILON James Milliken University, Decatur, 111. PHI University of Kansas, LawTcnce, Kans. CHI Oregon Agricultural College, Corvallis, Ore. PSI University of Oklahoma, Norman, Okla. Page Ninety-five NEW ENGLAND CONSERVATORY OF MUSIC ALUMNAE CHAPTERS ALPHA ALPHA Chicago, 111. BETA BETA Indianapolis, Ind. GAMMA GAMMA New York, N. Y. DELTA DELTA Los Angeles, Cal. EPSILON EPSILON Detroit, Mich. ZETA ZETA Boston, Mass. ETA ETA Madison, Wis. THETA THETA San Francisco, Cal. IOTA IOTA Seattle, Wash. KAPPA KAPPA Lincoln, Neb. LAMBDA LAMBDA Grand Rapids, Mich. MU MU Kansas City, Mo. ZETA CHAPTER Martha Baird Maud Briggs Ida M. Bunting Martha Colby Eleanor Edson Rivers Ellett Vernice Gay Mary C. Glen Jessie Voigt Camille McGee Mary Hunt Barbara Nelson Pauline Nelson Florence E. O ' Neil Frances Porch Katharine Price Lucille Quimby Carolyn W. Rice Cleone Rich Oertel Rich Mildred Ridley Mildred Rutherford Gertrude E. Shaw Iva Jane Thomas Emily C. Torbert Mae Wentzel HONORARY MEMBERS Mme. Adele Aus Der Ohe Mrs. H. H. A. Beach Mme. Helen Hopekirk Mme. Fannie Bloomfield-Zeisler Mme. Antoinette Szumowska Miss Margaret Ruthven Lang Mme. Maud Powell Mme. Julia Rive King Mme. Ellen Beach Yaw Mme. Maria Decca Mrs. Henry Howe Lavin Miss Neally Stevens Miss Adele Verne Mme. Teresa Carreno Mrs. Edward A. MacDowell Page Ninety-six NEW ENGLAND CONSERVATORY OF MTTSIC 1 Sinf inronia ALPHA BETA DELTA EPSILON ZETA ETA Phi Mu Alpha Musical Fraternity of America CHAPTERS IOTA MU Boston, Mass. Philadelphia, Pa. Ithaca, N. Y. Ann Arbor, Mich. Columbia, Mo. Cincinnati, Ohio NU OMICRON XI Evanston, 111. Norman, Okla. Groveville, Ohio Cincinnati, Ohio Lawrence, Kan. ALPHA CHAPTER NEW ENGLAND CONSERVATORY OF MUSIC, BOSTON, MASS. Wilford G. Bartenfeld David S. Blanpied William B. Burbank W. Lawrence Cook W. Winthrop Cortelyou Charles F. Dennee William F. Deusinger Camp W. Foltz Theodore R. Gundry Clifton W. Hadlev S. Went worth Horton Stuart B. Hop pin Frank T. Hunter Allan L. Langley Clement Lenom Frederick F. Lincoln C. DeRoss McAlister Ellsworth A. MacLeod Frank V. Russell J. Ransel Romine Justin E. Williams Theodore H. Post Joseph C. Shaner James H. Spencer Edwin M. Steckel L. Milton Thomas Fred L. Trowbridge John von Aspe Augusto Vannini George A. Webster Paul T. White HONORARY MEMBERS G. W. Chadwick G. B. Cortelyou F. S. Converse Horatio Parker Page Ninely-cighl Arthur Foote L. C. Elson Wallace Goodrich Henry Russell Eben D. Jordan Henry L. Higginson Karl Muck ! NEW ENGLAND CONSERVATORY OF MUSIC Alice Allen Ann M. Baker Lois M. Brader Melba Brookshire Lucile Butler Agnes H. Chasten Kathleen Cook Margaret Elliott Miriam Faulkner Marguerite Gilman Mabel T. Hackett Irene Henderson Helen Hoeft Mu Phi Epsilon BETA CHAPTER ACTIVE MEMBERS Margaret Hicks Enid Howland Ora T. Larthard Clara M. Larsen Reseda Lattimore Eleanor Muzzy Sarah E. Oakes Mae Parker Betty Schuleen Priscilla Sterling Gertrude M. Squyer Bula R. Shull Alice W. White CHAPTER HONORARY MEMBERS Mrs. Grace Bonner- Williams Mme. Marie Sundelius Page One Hundred r 9 1 NEW ENGLAND CONSERVATORY OF MUSIC Sigma Alpha Iota Sorority LAMBDA CHAPTER (formerly Eta Chapter of Phi Mu Gamma) Instituted in New England Conservatory of Music June 19, 1915 ACTIVE MEMBERS Helen Mavcah Brandow Hulda Jahnz Elizabeth Compton Mary Crawford Marie Davis Gladys Belle Frederick Marguerite Gesner Maude M. Hardstock N. Marie Harker Ruby Knapp Dorothy Branch Ludlum Marjorie Kohl Carribel McDaniel Ida Louise McLean Helen McMicken Mia McNemer Gladys Munroe Maude Potter Frances L. Prouty Edith Reiss Agnes Russell Marjorie Schadt Hazel Sparks Elva Scott Marie Thompson Claude Armstrong Williams HONORARY MEMBERS Mme. Clara Butt Mme. Julia Claussen Mme. Olive Fremstad Mme. Johanna Gadski Mme. Frieda Hempel Mme. Florence Hinkle Mme. Louise Homer Mme. Corinne Rider-Kelsey Mme. Elsa Ruegger Lichtenstein Mme. Samaroff Mme. Spencer Mme. Blauvelt Mme. Bauton Mme. Sembrich Mme. Gertrude May Stein Mme. Christine Millar Page One Hundred Two SIGMA ALPHA IOTA NEW ENGLAND CONSERVATORY OF MUSIC Josef Adamowski Frank Asper Carl Bergmann William Bailey Marshall Bidwell William Card John Dickinson William Donovan Arthur Ecklund Oscar Ecklund Fred Earle Frank Findlay Mortier Forber George Gardner Frederick Goodrich George Hathaway Addison Porter Clarence Shirley Harold Bauer Ossip Gabrilowitsch Philip Hale Kappa Gamma Psi ALPHA CHAPTER BROTHERS ACTIVE ASSOCIATE HONORARY Clarence Herfurth George Kenneally Clifford Leeman Stuart Mason Herbert Murray William Pontin Colin Richmond George Shaw Richard Stevens Dean Stewart Harold Stewart Gustav Swanstrom Archibald Swift Daniel Tierney Frank Watson Arthur Williams Rudolf Toll Harrv Wilder Georges Longy Ignace Paderewski William Whitney Page One Hundred Four NEW ENGLAND CONSERVATORY OF MUSIC Concert by Members of the Senior Class JORDAN HALL, DECEMBER 20, 1915 PROGRAM Vierne Allegro from the Second Organ Symphony W. Lawrence Cook Chopin Nocturne in B major. Op. 62, No. 1 Lois M. Brader Brahms Minnelied Strauss ' ' Wiegenlied Mary W. Crawford Grieg Ballade in G minor, Op. 24 Leland a. Coon Veracini Minuet and Gavotte for the Violin Debussy En Bateau A. LuciLE Butler Handel Aria from Xerxes : Ombra mai fu ]VL RIE G. O ' CONNELL Organ, Mr. Cook Violin, Miss Butler Liszt ' ' Waldesrauschen Vernice Gay Faulkes Toccata in F major, for the Organ Herbert R. Boardman Page One Hundred Six 1 INeW England , CONSERYATORY OF MUSIC GEORGE W. CHADWICK. DIRECTOR THE SCHOOL VEAR 1916— IQIT BEGINS SEPTEMBER 21st FOR PARTICULARS AND YEAR BOOK ADDREes RALPH l_, FLANDERS, General Manager HUNTINGTON AVENUE, BOSTON, MASSACHUSETTS Mercantile Heart of New England We guarantee the price of every article we sell to be as low as, or lower than, the same article can be else- where in New England Do your buying at the store in person whenever you can. When you cannot do so, write or telephone for whatever you may need and it will be forwarded without delay. And whether your purchase be large or small there will be no charge for delivery to any point in Massachusetts. Rem em bei — No Shopping Trip to Boston can be Complete Without a Visit to Boston s Greatest Store Jordan Marsh Company Two Great Buildings— 170 Separate Selling Sections rmT lVRMTEUR 142-146 Massachusetts Ave. A Beautiful Large Main Dining Room Music Evenings and Sunday? Afternoons (§f tml (Eatmr to (ElaaB of 19 IE 142 MassacKusetts Avenue, Boston Next to Fenway Theatre utnam I ilanaqpr i ' m I I EUROPEAN PLAN m i All Outside Hot and Cold Running M Rooms Water $1.00 to $2.00 a Da ) WITHIN 10 MINUTES OF THE LEADING THEATRES AND SHOPS 2B4 l|wnttngtan Aopnup m M Compliments of . . . Established 1897 Telephones f B. B. 1668 I B. B. 24262 ..oVcipiiaaio Jlonat 144 Massachusetts A ' e., Boston, Mass. CLOTHIER and HABERDASHER 250 Huntington Avenue Full Dress and Tuxedo Suits For Rent PATRONIZE . . . m 7 pp . Delicious Sodas and Candies Special Orders taken for all kinds of Bakery Goods Cor. Huntington MassacKusetts Aves. CONSERVATORY — = TAILOR 42 Gainsboro St. 295 Huntington Ave. m i I iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiin I State Street Trust Company) | I MAIN OFFICE: 33 State Street | BRANCH OFFICES: COPLEY SQUARE BRANCH 579 Boylston Street MASS. AVE. BRANCH Cor. Mass. AOe. and Boylston St. PAUL REVERE BRANCH 50 Devonshire Street g Interest allowed on deposits of $300 and over || i iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiHiiiiiiiiy gllllllllllllllllMIIIIIIIIIIIIIIUIinillllllMIIIIIIIIIMIIMIIIIIIIMIIIIIIIIIIIIIIIIIMIIIIIIIIIIIIIIIIIIIIIIIIIIIM yjlMIIIIIIIIIIIIMIIIIIHIIMIIIIinillllllMllllllllllllllllllllllllllllllllllllllllllllllllllllllllll llllllllllllllllt I Since this business was founded I in 1817, style and quality I have been paramount in I Wnmrn ' a anb iHtaarB ' 1 Quality is equally apparent 1 in their departments of I %ugs Sraprrtra ICtttrnH I Qllianbbr $c (Kn. 1 151 Tremont Street - Boston iiiniiiMiiiMiiMiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiMiiiiiiiiiiiiiiiiiiiiiiiiiMiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiif filiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiniiiiiiiiiiiiiiiiiiMiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiin 1 ■I Me er 3(nnaaaon $c (En. Tremont and Boylston Sts. Suits Coats Gowns | Waists Skirts | Silk Petticoats | Sweater Coats and Furs i Misses ' Styles a Specialty) OMETHING To PlAY • Old and New Masterpieces PRICE, 75 CENTS POSTPAID Forty-five charming pieces for the piano, easy to moderately difficult. March, waltz and other dance rhythms. Descriptive, popular, and semi-classical pieces. Your favorite book when you want to play something. Gives fascinating practice in scales, chords, left-hand melodies, and other points in technique. Value at teachers ' special price, in separate sheets, $11. The title well describes the book. It would indeed be a music lover hard to please who could not find in its varied and interesting contents many things with which to while away a pleasant hour at the piano. The numbers are of medium difficulty, not exceeding grades III-IV. — Musical Courier. OLIVER DITSON CO., 150 Tremont Street, Boston Chas. H. Ditson Co., 8-10-12 East 34th Street, New York F. OTIS DRAYTON, Managing Editor Issued every three months — September, December, March and June. if if On failure to receive this publication regularly, sub- scribers should notify the Managing Editor promptly. Copies of the magazine are on sale at the New Eng- land Conservatory Music Store, Huntington Avenue, Bos- ton, Mass. Address all communications to the Managing Editor of the New England Conservatory Magazine- Review, Huntington Avenue, Boston, Mass. ijt Letters and other contributions are solicited. Signa- tures must always be given, though not necessarily for publication. All manuscript should be written on one side only. . ny change of address should be sent to the Man- aging Editor immediately ! Advertising rate card will be furnished on application. Annual subscription, $1.00. Single copy, 2.5 cents. Special features for 1910- ' 17. Suite 10 Alumni Association Office: 31 GAINSBOROUGH STREET Boston, Ma Telephone, Back Bay 4603-M ( afe f inerva 2i6 Huntington Avenue Boston -:- MassacKusetts Back Bay ' s Most Popular and Best Appointed Cafe Excellent Food and Service Artisic Surroundings Music Savoy and Irvington Cafes under same Management Harry C. Demeter, Proprietor COMPLIMENTS OF Dana Hall Gardiner Hall Frost Hall (Ehp ainaboru ulpa lEuom mh (Laft ( l -n from 12 lo 7. 30 Delicious Home Cooked Foods a specialty Afternoon Teas and Catering for Parties Directly Opposite N. E. C!onserval  ry 235 i iialtiigtun Aiip. $c 42 (SaiuBbnrn S-t. Phont- Connecti  n Wo are as Near to You as Your Telephone J. M. Petros ..S lariat-. 240 Huntington Ave. Boston, Mass. Our stock. su h as !utfl4iw4 rs anil Plants of all kintls. very carefully sele ' l ' l. (6mt Us a iilrtal 1 7 pura Exjirricnrp Telephone B. B. 8241 Pay Station B. B. 28238 will find instruction in Platform Deportment, Voice Culture, Elo- cution, AestKetic Dancing etc., at iEmrrBon (Enllrgp uf (iratarg 30 Huntington Ave. Scud for Catalog BOSTON m m DIEGES 8cCI_UST If we made it, il s right €laeB iSittijs. fUr als Sc (Hups 14C) Tremont St. Boston, Mass. OSTONI BOSTOM STUDIOS i6i Tremont St. Tel. Ox. 858 164 2687 NEW YORK STUDIO 306 FiftK AOe. Our LeadersKip in Photography is embodied in our ne 1917 styles. We are going to make a specialty) of school photographs on our ne ? Linen Paper, which is the most expensive known in the Art of Photograph}) but the cost to you will be no more than that of the indifferently made photograph. OFFICIAL PHOTOGRAPHER TO NEW ENGLAND CONSERVATORY 1916 THE ANDOVER PRESS ANDOVER, MASS.