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Page 33 text:
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SENIORS PRESENT “GOODNIGHT LADIES ” Confusion reigns as Dean Eggleby surprises the Raleigh family with an unsuspected visit. Helpful coeds, Judy and Betty, are trying to revive George. Lulu revives George, who fainted when he unsuspectingly discovered that the aunts weren ' t the real aunts. 29
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Page 32 text:
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STUDENT COUNCIL HOSTS ALUMNI Peggy Jo Betz poses while members of the Art II class sketch. Miss Ruth Leh, librarian of the Nazareth Memorial Library, delivers the annual Alumni Day address. Mary Kresge, Kathy Billheimer, and Mary Powell model the dresses they made in Home Economics class. 28
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Page 34 text:
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ANNUAL OVERTURE The plot of Good Night Ladies evolves around the lives of the Raleigh children, Helen, Jane, and Sam, who have inherited an old house but no money for its upkeep. They decide to change it into a dormitory for college girls. Since the school demands house matrons, they decide to get their two poor aunts, Flora and Barbara, to come to be the matrons. A slight delay in the arrival of the aunts puts the children in a precarious situation, for Dean Eggleby tells them that they must have the house matrons in order to open the dormitory. They finally get the idea of dressing Sam and Jug, a friend of the family, in old dresses and wigs in order to im¬ personate the aunts. Professor Dexter, a kind, understanding man, finds out about their scheme, but vows he will not tell Dean Eggleby. Finally the dean finds out about their hoax and threatens to expel everyone con¬ cerned. Professor Dexter, however, offers to buy the dormitory and is rewarded with the news that he has been elected president of the college. Backstage activity of the senior class play. The grand entrance of Aunt Barbara and Aunt Flora. SENIOR CLASS PLAY USHERS 30 Joy Benfield, Ann Dulac, Dolores Ventin, Cecilia Wilson, Mary Woodcock, Mary Richards, Marie Smith, Nancy Jurasits, Helen Wentzell, Virginia Ott.
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