Murray High School - Crest Yearbook (Murray, UT)

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there anything else you wanted? Hope tlaughingj-A pair of sacks and a hundred commes. Curtain. Act 2. Scene 3. Wfard in the famous Larson Hospital. Dr. Larson and Parson VVhipple stand conversing, Enter nurse. Nurse Qexcitedlyj-Dr. Larson, here's a case that demands your attention. Enter attendants bearing stretcher on which lies patient. Patient Qwildlyj--Gene, Gene, where are you? Dr. Larson-Our old friend, VVif. My, my va sha ve yera. Parson Wfhipple Cconsolingly to patientj--Be comforted, my man, your wife will soon be here. Doctors busies himself with patient and minister passes on to other sufferers. Act 2. Scene 4. Kitchen of Sylva's home. Sylva busy about kitchen getting supper. Enter Nellie Qpauses thoughtfullyj. Sylva-VVhat's the program for tonight, Nellie? Nellie-I-Ie's coming' down tonight. Sylva-Fourth night this week. You'll soon be quitting your job. Little Sylva-lVon't Aunt Nellie board with us if she quits her job. Sylva-No, dear. Uokinglyj-Don't rush into this thing blindly, Nellie. Nellie-You need to talk. But anyone can see that you are better fitted to this little home than you are to a school room. QAfter a rnoment's thoughtj-Anyway, who wants to pound a typewriter all her life? tExits dreamilyj Sylva smilingly shakes her head and resumes her work. Curtain. Act Z. Scene 5. Enter Madge-Throws hat and gloves on table and flops down in chair. Madge-Gosh, Minerva, this vamping stuff's the bunk. The poor wart that I had to vamp today had been eating onions. I could have kicked him out of the studio. Minerva-I'm glad my contract with the Metropolitan ends this week, I'm tired of composing and playing. Besides Iyve just received a letter from I-Iope saying that all the old class is back home except us and that if we visit Murray this summer as we have planned, we will have a great time. Madge--Believe me, if I have anything to say about it, we sure will visit Murray. Curtain.

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Cliff-Wfhat about the rest of yuh? fEight voices shout eight different opinionsj Cliff Cin a tone of finalityj-VVell, we'll let it go at that. Bill-Sure. Gordon-Certainly, certainly. -lack-I'll tell the world we will. Ed.-It's all right with me if Iamonda don't kick. CExit all amid much laughterj Act 2. Scence 1. 10 years later. Lobby of Astor Hotel, New York City. Enter Mr. VVilliam Peters, world renowned artist. Trips over foot of gentleman lounging' in chair. Gentleman fleaping to his feetj-VVhat the-Well, well if it isn't the poor purp who lived in Antwerp. Congratulations, old top. l've read all about your success abroad. Great stuff! Bill Qslowlyj-VVell, by gosh, if it ain't the matinee idol, jack Birkinshaw. jack fhaughtilyj-I beg your pardon--john Shaw. Bill Cloudlyj-Ha, ha, ha. Curtain falls as all eyes are focused on pair. Act 2. Scene 2. Red Gulch, Nevada. Wfoman on horse gallops down main street and draws rein before I. C. Penny Company. Enters store, spurs clinking and whip swinging. Voice from behind the counter, meekly-Something for you, mam? VVoman treading from list in businesslike tone-I want two dozen thimbles, two boxes of white thread No. 10, one dozen tape measures, three gingham aprons- Clerk-The hound! Wloman-VVhy, it's Ed. Foord! Ed.-Hope Gaufin, what in the world are you doing out in this part of the country? Hope-Teaching cooking and sewing at the Red Gulch High. Ed.-Gee, it's sure good to see you. 1 haven't seen anyone I knew since they sent me out to manage this doggone outfit Hope-I'm sick of this place already. I'm going back to Murray. Ed.-VVell, it ain't so doggone bad but I'm going back too. Was S

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