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Page 84 text:
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V,.. O, hai ' MILL! LI,L,.'Il . .. 1-.,..,.m,. ,Y ,,,m.ffm...,,, I ' -E 11 llirdreh OF TOAD HALL!! The river is my world. Tom Hawkins and Eric Ord 'l'0ad's escapelzllu OUR SCHOOL PLAY Down with Toad! - Stoats, Weasels, Ferrets. I had such a curious dream. Shelley Herbert and Shelley Barnett
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Page 83 text:
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X, . Mw-.- - N., . ,,,, - 1 J CRICKET CRICKET Back row: A. Evans: P. Libauerp S. Ottog C. Wynne. Middle row: C. Olivierp C. Johnsonp T. Hawkins: E. Gluckman. Seated: P. Johnsong S. Nlyersg Mr. B. Pienaar lCoachl5 NI. NlcLareng G. Liebenberg. YIDEC 2 Video 2 filming Toad of Toad H355 K , ,.....,m.-.-mi.-fnwFfrF'TT4'T1ium..i ' x
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Page 85 text:
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1 :y,'1Q.f,,5. If jqlsfgigm-. gw1'?i-,cw 'Q , I or w'l'OAD HALL This was an ambitious u d ,'f,7,. .3,,.,- i,,., V. , .A p n ertaking as not only was there an enormous' Cast? and 4 Acts? but also Setting used to the sophisticated language. iWe spent a lot of time t n q cu ting the show into a feasible project and Qlargely th?S Workedw Congratulations to all the actors who came up trumps having to tackle Ango We had the excitement of t Milnels adaption and making it work so welll 1 V.d 2 ' h 1 .no only 4 performances but full houses M but' a so 1 eo fllmlng US ln Preparation for the showr The hall was a buzz of excitement as Peter Oxley and his crew filmed each group busily building sets paintin th t, . N t 9. . S em, making costumes, putting on makenup, prac lslng heir music and rehearsing a scene from the underground DHSSSSG- Then the following Monday, after the show ended on a high note, WC also had Lionel Friedberg from Astra Nova Films filming fT0ad' agalna This film will be part of a 10-part series on the youth in the Arts which will be shown next year on S.A.TCV, 10 A fitting Gnd to a.WOFthWhile project. But it is not only the national :FCC0SUltl0N WS will receive, but also the thrill of experiencing being :filmedu Both film directors complimented us on our high standard and organisation of which we can be justly proudn FQ? me, the 5935 Dart of a production :is the growth we see in the . ithildren themselves - their helpfulness, caring 3which evolves from the beginning through to the 'east most sincerely for their high professional ,they were treated as such and one only expected and we got it 2 and attention to detail ende I thank the standard U they know the best from them Z lNaturally a production can never come up without help from all parents fand specially I want to thank the staff of Muizenberg Junior School for their wonderful support W without which the show would not have been 'the success it was - the magnificent sets of Linda Povey, the construction of them so helpfully and diligently executed by Mr CU Gonin, the difficult costumes got together by Bev Simpson, Mrs Raphael and Di Boersseng our backstage crew adeptly trained by Mr Carr, and our tremendous props gathered together by Tressa Stoner and crew. Thanks too, to the beautiful ballet girls and their teacher for adding s touch of magic to the shown Our musical director Miss Turner deserves praise for her enchanting melodies and her orchestra for making them. Mr Dave Wood, Mr Hardcastle and Paul Gibbon were supportive and tremendous in generously carrying out their tasks so happilyu Make-up artists were stars and the team are to be congratulated on the animal faces that emerged. Q Thanks to Sandra du Preez for typing the script and putting up with replacing lost scripts, A production at school is always a good lesson in team work and ntogethernessn - this is tha part that live enjoyed and loved the most. Thanks Muizenber t production a most exciting and rewarding Ones May I wish you all the best for 1935p8 future productions at the schoolo CINDY JUST sponsored by the PECTON family g Junior School for making my final nd I look forward to seeing -,....- le- lag-s-l E l y :N 'mw1lW'x7Ti1 l5'I .. 4 tv I
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