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Page 10 text:
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1 EEQQQWM W7 MA ffiha Dtoieariom . .YJ-is CE, rx I ' I .-QA ' ...JJ PZ l lax A Since the beginning of the world the desire for X NT? fe ' ' i if 'fl ,J progress has led manldnd on to bigger and X 2 Cv -f , 'fly H 'a' 7' better achievements. Sometimes the light oi Q5-l , tw ' J J 75 ft -' ' i l Q ENJ progress has Flicl4ered and almost gone outi but 1 YB .TR V, Ji 3 JJ EJ'-T53 kj it has always been relcindled, burning more N Q A Pl 'if .g A X XT' brightly each time. l ,...s, N .- ij I rl 'vb' I , X 3 I Q H i i -J , .1 1 '-, . J J jf X N - iT will QW ll .N ,J N ! J b P ,f J J l J X if Aj .X -N ' , , . K' we 1 1 X . 1, x' ' 5 ' P , 'tsl' :tu at Q' fx YXKHMQKJ j vi Jll X fx Ay y .1 I mfg , ,J The early Egyptians, Greelcs, and Romans were the First to light this Flame oi. progress. They toolc good care of the Fire and Fed it carefully, N Q A- X H ' i leg Lg faithfully with their art ol symmetrical pyramids, . A . ,Q X 253 4 wi H if i a AF ii I ay - .f N fv if A co umns, an arenaska ter t ese civi izations l Wit 'Q f . N pd .. .N , . .x , l 'fi ' ' ,X x. ,, sl Lx? M,-Q Q XX, fs: Xp Q--1 .Q i r at f t ss. ,af ggi 'Q ,t rx- W Q3 L is . N. ,Ln vi? KZ5, ii was . n ti? lvl J ff' ft 5 f 2 N: if ,. V l ' X Y Kflx N ' 5 n rf s X aw ' -'X 7 I 'J ITD g xi X xx XS? ff 1 Aixx f 55' X 1 l . .h .:, tn if j' is ,- X W A 'E-X. - Z X. Ui N - r if f at fi t-, l 'ii f' by , f N i ss A ,L ,eo 5 vt as 3 xp Xl ,I 'V 'X ' R D Il xi , J, J jgx 'ivy 5 girth not 3 J..-sl vt , T J i A i r is . Xxx 1.4: .X Xxx to , K i. x Lx, A1 N .eq kr.. 1 , i 1 N 5 it 0 Q5 - . 9 , N .
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Page 9 text:
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f t . Qffw- r M WW I . fuw 1' , , , ,-W' K W J ,VV ,,W? 1 'V'i7VV I VX ,' ii, Lf ff f in!! M V lf' J f ' , , ,lv Mifl' J M , A ,J'vVV .uf -'Vo 'VJQ tj f..' i J I, uf, ff! I W Q My l r' I W Q, - ln accordance with the spirit ol progressiveness Wk I . -fl , I with which the whole world has been Fired Z since the earliest days, we have made the basic f J 3 f theme of this boolc- Progress. As an outgrowth 1 of this somewhat intangible spirit, we have J I, ' , f chosen the Century Exposition with its colors lf A rf. W I 'H jlv fl and beautifully balanced architecture as the v i Q V ' K, ff 0 source of inspiration for the various drawings i and features. ln all respects we have tried to mal4e this annual a really true bool: of progress. ' f al! lxA-L4 ,N 1 ' ...Lk-i gksgn 1 'w,'.fcS1 Nrkll'-P 'QP 1 A gi 'j,,Q,sJ f - -- X .ki -A 'Ax tbiyax, ki LX 8-.Sl-'Ek 95 Sa' 1 Q X - -'fl 'Wi i ,,'A'x,,nft:,riT5'X ,1---L-.N ., J N R. 5 'hgfvp ic, -.- f A4-5, ' iQ , 'xg ' 'N N i '9'tnt.fQ-. -'W' X' 'L 1 .high LL , s ig . N U ,Q--rx., xv! A lit A L69 I,-' .. ' 3' L Ml A C W wx lla-11 X 4 .t WV 1' 5, 1, . Q-A ll F ii-Jr' .. i., e ii . ,.. bk .NL J vi
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Page 11 text:
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clfmyrw Qtliffvfyfffmppi SJJM-flfffrfiw ymfedmfflf f2'fAa.!frA--0'- L..JA.,,JfSw!-QJ- were gone, the Flame was allowed to burn ,.,.,.L+-fl WWW! wb A1 f , 1 gwwl ya.. 'N9' J ,N , F i, j ff QP' j ,ff f down to mere embers, but these embers were Fired into other Flames -the Gothic, Norman and other Middle-Age architecture. These blazes gave Way to a huge, bright Flame- modern art, whose severe classical beauty be- gins where the earlywestern races leFt oFF and continues with their ideals. To this ever-enduring Flame oF progress, trace- able in architecture, which Finds a huge Fagot For its eternal Fire in the Century Exposition, we dedicate this boolc and hope that it may be the means oF importing the Warmth oF the Progress Flame to the students. .A for X , 1' j' .1 1 . I .1 J . I I j 1 J IX'
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